Vibrant & Vile Villains by Jenny Jensen
December 19, 2018 by Jenny Jensen in category On writing . . . by Jenny Jensen tagged as Good villians, Villains, writing
“All stories are about wolves. Anything else is sentimental drivel.”
Margret Atwood.
That’s a strong statement—lots of ways to interpret it. I love it because to me, it says that all stories should have a villain. And I agree. How can you have the good without the bad? Where would the tension live? If something has to be overcome, you need a villain to vanquish. And if the plot needs redemption the story needs a villain to redeem. (A Christmas Carol without Ebenezer’s reform? Unthinkable.)
The villain isn’t always a person. It can be an institution,or an illness, or Mother Nature. All those ‘larger issue’ villains work for some magnificent tales, but my favorites are the really awful, mustachet wirling, gloating, cackling, venal bad guys.
Good villains, the kind we love to hate, are never one dimensional tools included just to make the protagonist work hard to overcome something. A well-drawn villain is a fully fleshed out character with attributes, history, and purpose strong enough to motivate and justify the hero’s tribulations. We’re so fully shown who and what Mordred is that his relentles spursuit of King Arthur is entirely credible—and because Arthur is beautifully depicted
—it’s personal to the reader. Now that’s an enthralling story.
Whether redeemable or irredeemable the villain is often the best part of a story. No one can think of Oliver twist without Fagin popping upwith his “…face obscured by a quantity of red hair” as he beats and betrays the children he has enslaved. We don’t forget Oliver, but we don’t dream about him either (or is that a nightmare?). When a character is that memorable it’s because something, if not everything about him, is relatable.
To develop a really badass villain, one whose actions the reader can understand and accept, the character needs some face time. Not as much as the hero certainly, but enough to lay the background for future actions, enough to make him real and fathomable. There is nothing more boring than a serial killer who is seen only through the gruesome details of the killing. If he is complex, as real people are, if he is exceptional in some way that supports an evil bent, then all the more disconcerting—like the jolly neighborhood butcher whose cutlets may not all be beef.
Some of the best villains have sterling personality traits. Perhaps they’re charming, or witty, well mannered and gracious. Traits contradictory to the villain’s actions make those bad actions all the more frightening. Showing the bad guy through contradictory traits is a powerful tool but if you work at it you can spin evil traits to appear benign—until they’re not. That’s chilling.
A well-developed villain written as an authentic character will give any story the spice it needs. Who will your next villain be?
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Movies
December 6, 2018 by Linda O. Johnston in category Pets, Romance & Lots of Suspense by Linda O. Johnston tagged as Hollywood, ideas, Linda O Johnston, movies, Plotting, writing
Movies
I’ve been going to a lot of movies lately. Why? Well, my husband and I now subscribe to one of those movie packages where you pay a monthly fee, and can then attend several movies a week for no additional charge. Although we’re allowed to see three, we’re mostly seeing two, and occasionally just one.
As a writer, I find that fun. I try to analyze each plot, note which ones I like and which ones I don’t. Most of them aren’t documentaries, so even if they’re supposed to be based on a true story they’re generally at least somewhat fiction.
Sometimes we just pick a show that sounds vaguely interesting, but we always hope to jump onto one that sounds a whole lot more—fun, exciting, inspirational, whatever.
And sometimes I get new ideas for my own writing from them. I’ve begun a proposal for a new mystery series which might not go anywhere, but, yes, I was inspired by movies!
I suppose that the fact I live in the Hollywood area also gives me ideas involving films, both novels and, occasionally screenplays—that I never write myself, although I’ve taken classes.
I’m wondering if the theater chains and companies that offer these multiple movies are actually making money. I hope they’re doing well enough to keep it up.
Do you go to movies? Do they inspire you to read or write?
And Happy Holidays to all of you! I’ll have a post here in early 2019. (Wow, that sounds as if it shouldn’t be happening so soon!) And when I do, I’m hoping to have some writing news to convey.
0 0 Read moreBalancing the Toddler-Mom and Writing Lives—Achievable or Myth? by Melinda S. Collins
November 28, 2018 by A Slice of Orange in category Guest Posts tagged as Balancing, Kids, Moms, writing
Balance. My goodness, I have a love/hate relationship with this idea of having enough time for everything in my life—dayjob, daughter and hubby, keeping the home in a semi-state of controlled chaos, reading, writing the next great American novel. Oh, and taking time out for myself so I don’t lose my mind.
Every now and then I’m able to get into a good juggling rhythm. By every now and then I mean about every 1-2 months. Because, Murphy’s Law, if anything can go wrong, it will. Which means one can only wonder whether balance is truly achievable or just a big ‘ole myth.
Over the last few months, I’ve thought quite a lot about my own balancing act, and that lead me to first review the definition via Webster’s online:
Balance [bal-uhns] Noun
- A state of equilibrium or equipoise; equal distribution of weight, amount, etc.
- Something used to produce equilibrium; counterpoise.
- Mental steadiness or emotional stability; habit of calm behavior, judgment, etc.
While each of these definitions are on point, that last one is the epitome of my current life goal: creating a habit of calming behavior so I can have mental steadiness and emotional stability.
So now you may be wondering how the hell I’m going to manage that achievement, eh? I hear you. I have a job in the managed healthcare industry that I am very good at and really love (most days), a headstrong, energetic, and fast-growing two-year old daughter (read: stubborn, exhausting, and teething), a wonderful, supportive husband, a home I love but never devote enough time to its upkeep, and a novel I finished 2 years ago that needs heavy revisions so I can finally get it into the inboxes of the dozen agents/editors who’ve requested pages. Amongst all of that, I’ve got additional aspirations for furthering both my managed care and writing careers, expanding our little family (soon-ish), and getting my daughter involved in group activities. Whew! I may have been hit with a little anxiety just typing all that out.
So yeah, how the hell am I going to manage all of this? Well, luckily that wonderful husband I’ve mentioned has committed to my dreams in the same way I have, because in order for me to obtain the balance I need, his foundation of love and support will be invaluable (I’m also providing the same to him for his dreams). And because of that, I can confidently share my top five tips for balancing the writing and mom life while keeping your sanity… cause it’s not a myth. smile
- Know your priorities. For me, family will always come first, no matter what. As long as my family is happy, loved, and functioning, everything else in my life is a bonus. This is where my dayjob comes into play as well, because my pay check greatly contributes to the roof over my family’s heads and the healthy, homemade meals they get every evening.
- Goals are a non-negotiable. Without an end goal in mind, you cannot create a roadmap to achieving that said goal. Part of my 2019 goals includes making myself accountable to not only my family, but a critique partner. Next month I will send them my writerly goals for the first quarter of 2019, then I will sit down and create my roadmap for meeting those goals by the end of March. Then rinse and repeat for quarters two, three, and four. *smile*
- Schedules are a necessary evil. Without a schedule, all you have are the destinations (goals). So in order to say you know how to achieve your goals, you need preplanned, dedicated, uninterrupted work time. For me that means every Saturday from 7am to 4pm is sacred. I work between forty and fifty hours any given week, and my boss will tell you that in that time I complete the work of 1.5 people. This means that during the week it’s very hard to do anything writerly unless it’s a simple beta read, because, let’s be honest, by the time dinner and bath time are done and the kid’s in the bed fast asleep, it’s nearly 8:30 and I’m t-minus one hour away from passing out myself. So as long as I have dedicated time to work on my writing, I can allow the chaos of family life to overtake my weeknights without worry.
- A solid support system is key. In order to even stick to the schedule you’ve set, you need a support system that’ll not only make sure the toddler’s fed, changed, entertained, and safe, but also remind you they are sacrificing their time in order for you to have those few, precious hours. Lately my husband and I split our weekends: I have Saturday until 4 and he has Sunday until 4, after that time on both days we spend time with our daughter together. Each Saturday he’ll tell me to get my writing done, which is both a wonderful support and reminder that he’s counting on me to use my time wisely. And not just him but the critique partners who then take their time to review my work and provide invaluable feedback.
- Be accountable to yourself, first and foremost. None of the above will work if you are not going to be accountable to yourself. After all, the main person you’re letting down by not achieving your goals is YOU. I’ve learned this the hard way, over and over again and, truth be told, I’m sick and tired of setting goals and never being able to check them off as complete, because I know that eventually what’ll happen is ten years will go by without a damn thing accomplished and I’ll be nothing but regretful and disappointed in myself. And that’s not the example I want to set for my daughter.
BONUS TIP
Celebrate. Every. Accomplishment.
When my kid actually follows instructions and puts away all the canned food she stacked throughout the kitchen? cheers REWARD.
When she lets me drop her off at daycare without a five-star, soap-opera-worthy dramatic meltdown. cheers REWARD.
And here’s my favorite: When she actually pees in her potty vs the bathroom floor? cheers REWARD.
Seriously. The reward system works, and it’s not just for kids. Even as adults, celebrating every accomplishment, no matter how small, sends a signal somewhere in our brain that then keeps us motivated to do more. To reach higher. To push ourselves beyond our limits because we can do this!
Because I need to drink my own Kool-Aid on this one, here are the writerly accomplishments I’m going to celebrate this week, as they will push me into the next project like nothing else:
- I am a two-time Lawson Academy Immersion Grad. This means I not only participated and stuffed my brain with a ton of amazing craft lessons via online classes, but I immersed myself in those lessons for 5 days with Margie Lawson and small group of like-minded writers.
- My second novel, Retribution, placed first in its category in the 2013 MCRW Melody of Love contest.
- My latest novel, Case of Magic, has a dozen requests from the editors/agents I’ve pitched to at conventions.
- My first venture into the short story world, One Night in December, will be released as part of an amazing anthology, Once Upon the Longest Night, on December 21st—the Winter Solstice, aka the longest night of the year. (How brilliant is that?)
‘Scuse me a second while I fix a celebratory cocktail.
Ok, so in closing… while I’ve been cooking on the things I need to do to obtain balance in my life, trust me when I say that it wasn’t until these last few weeks that my eyes were opened WIDE. Because of that, my drive to hold fast to these tips, follow and incorporate them every day has only grown ten-fold. And if I can make someone else’s life a little easier by sharing my hard-learned balancing lessons? Well, that’s a cherry on top of the messy cake known as my life. J
Happy writing! cheers
Melinda S. Collins
Paranormal & Urban Fantasy Author
www.melindascollins.com
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Searching For My Writing Juju
November 20, 2018 by Meriam Wilhelm in category A Bit of Magic by Meriam Wilhelm tagged as goals, muse, writing
It was Sunday night before I knew it and I still hadn’t finished rewriting the next chapter of my book, nor my blog for a Slice of Orange. I was stuck, the clock was ticking and I had no one to blame but myself. I’d made too many alternate life choices this month when I should have been writing!
You might have seen my blog last month (Please Don’t Make Me Have To Learn How To Ride A Camel) where I shared with you that I’m turning sixty-five in a few months and I’ve set all these goals for myself. My conscience is killing me as I check back in with you.
Over the past month, not only have I not spent enough time writing, I’ve sadly made no noticeable downward movement on the bathroom scale. I have been walking as you can see from the attached picture. And walking on the beach requires a lot more hard work, although my FitBit refuses to take that into consideration. Traitor!
Tonight I discovered that one of the goals I’d made turned out to be a bit wonky. And although I could use it as a time consuming excuse for not writing… I won’t. I have to admit that I got swept up by the title of a book and made a big assumption. I thought that it sounded like a motivational piece that might help me to focus on personal self-improvement strategies. I said I was going to read Paul Arden’s best seller – It’s Not How Good You Are, It’s How Good You Want To Be. And I did and I liked it. Only it wasn’t what I thought it would be. It was designed for readers who want to improve their status in the workplace. I’m retired.
But wait, having read it once – it’s short – I returned and read it a second time searching for nuggets of guidance that might prove helpful… and I found some.
Keying on Arden’s last truth – “Ambition trumps talent”, I humbly got back to work, ambitiously typing away on the keyboard to write this blog. I even finished editing the next chapter of my book tonight, pleased that I’d re-found a bit of my writing JuJu in a most unexpected place.
Submitting Your Work by A. E. Decker
November 13, 2018 by Bethlehem Writers Group in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as A E Decker, Moonfall Mayhem, Submitting, writing
This month on From a Cabin in the Woods we are featuring Submitting Your Work by A. E. Decker
A. E. Decker is a former ESL tutor, tai chi instructor, and doll-maker. She holds degrees in English and colonial American history. Her Moonfall Mayhem series, chronicling the adventures of a half-vampire girl run amuck in the land of fairytales, is published by World Weaver Press. Her stories have been published in Fireside Magazine, Beneath Ceaseless Skies, and PhobosMagazine, as well as in numerous anthologies. She has been a member of the Bethlehem Writers Group since 2010, and edited two of their anthologies. Like all writers, she is owned by three cats.
Submitting Your Work
A. E. Decker
I’ve come around to the belief that the real bugaboo of a writer’s world is not that dreaded phantom, writer’s block, nor even learning to take criticism without curling in a ball and weeping.
The very hardest part about being a writer is submitting your work. I’ve watched a lot of friends twist themselves into contortions trying to avoid it. One man I worked with in a critique group refused to hear any recommendations for his perfectly saleable military sci-fi novels, saying “he only wrote for his own enjoyment.” I have one friend who insists she doesn’t know how to write a query letter, and another whose work always needs one more revision before it’s ready to show to an editor. Speaking of query letters, I also know plenty of writers who spend more time agonizing over the perfect writing that will infallibly catch the agent/editor’s eye than they do on the work they’re submitting.
I’m not excusing myself from methods of submission avoidance, either. I have a formula worked out for short story queries, so I can whip them off pretty quickly, but I rarely refrain from dabbling with my work before submitting it, fiddling with a few lines here, adjusting the grammar there, as if these miniscule changes will somehow make all the difference in the editor’s mind. And, as far as novels go, present me with a perfectly good market that requires a summary as part of its conditions, and I’ll find any excuse to procrastinate until the deadline passes rather than think “Hooray! This might be someone who’s actually interested in reading my book.”
Why is submitting so hard? Surely most of us—the man from my critique group aside—write in the hopes of someday having people read our work, and unless we’re ready to go the self-publish route, that means finding someone to represent us.
I think the answer can be summed up in a single word: rejection. Rejection is harsh. The mere term carries many connotations. We equate it with Not Good Enough. “Loser” and “failure” might even drift through our cringing subconsciouses. We envision the editor/agent as some mighty judge on high, handing down the final word on our literary merit.
Of course it’s all nonsense. Editors and agents are as much flesh-and-blood people we are ourselves. People have their own tastes. As much as we all want to write that one great novel that transcends genre and is beloved by all who read it, we have to recognize that it isn’t possible. I personally would have rejected The Great Gatsby, Moby Dick, and anything written by Ernest Hemmingway, if I were an editor, and I bet half of you nodded along with that list, and the other half substituted your own choices.
So, what does this mean, when it comes to dealing with rejections? Am I suggesting that the next time you receive one of those form letters you should shake your fist at the screen, shouting: “You fool! You just turned down the next Herman Melville!”
Actually, yes, if it sounds like fun, and doesn’t scare your cats or members of your family too badly. Because getting a rejection, even a form rejection that tells you nothing of the editor’s true thoughts, means that you submitted. You took a chance. And I can tell you, personally, through the carnage of hundreds of rejection notices, that submitting is mostly a number’s game. It’s not about polishing your writing until it’s “good enough” to be published; it’s about managing to put it in front of a person whose taste matches your style.
Think about it: you only really have to appeal to one person, so long as it’s a person with the ability to publish you. Suddenly, the eighteen varying opinions in your writers’ group don’t seem so weighty. (That said, if they all agree on an aspect of your work, you likely have a problem.) With this thought in mind, submitting becomes more of a hide-and-seek game, searching out that one agent or editor who thinks your writing is marvelous. Yes, they are out there somewhere. It’s up to you to find them.
So stop fussing with your story or novel, trying to make it “perfect.” Take a breath, make a list of agents or publishers, and get to work. Keep records of who sends you encouraging feedback—they might like your style, if not the piece you sent them. Most importantly, remember submitting isn’t like the lottery; you will win if you just keep playing.
And until then, you can yell at your screen. Just don’t scare your cats.
