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NOT GUILTY

September 25, 2022 by in category Infused with Meaning by Kidd Wadsworth tagged as , ,
Photo by Ben Hershey on Unsplash

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To my Writer Friends,

In the following piece, first the reader watches as the trap is set. Then the action is drawn out allowing the reader to fully anticipate the moment when the trap will spring shut. Finally, the climax comes, the poor unsuspecting victim is caught, and we, along with our protagonist, almost feel guilty. I find this type of humor easier to craft than any other form.

Give it a try,

Kidd

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NOT GUILTY

Kidd Wadsworth

I think I have screwed up DNA. Amidst those A’s, C’s, G’s and T’s I must have a J or an L. You see, I just don’t feel guilty. Nope. Sorry. Well, actually I’m not sorry. I don’t even feel guilty for not feeling guilty.

I suppose it was the 1980s. My dad scores four Ranger baseball tickets. Dad invites me, my brother-in-law Curt and my boyfriend, John, to go with him. On the day of the game John shows up with his mitt.

I grin. “You brought your mitt?”

“I’m gonna catch a ball.”

We have great seats. Right behind the catcher. In front of us, are some Yankees. Not baseball player Yankees, but rather, you know, northerners, fellas rooting for the other team. We give ’em grief, and they give it right back. Yup, we were having ourselves a real good time.

And all the while John sits in the seat next to me punching his fist into his glove.

Now behind us, about 10 rows up are two little old ladies. I mean they are Hollywood type cast: skinny, white-haired, wrinkled, but spry. Nolan Ryan isn’t pitching that night, so the rest of the seats are empty. It’s just us, the Yankees, and the two grannies.

Up to the plate walks this stocky dude. Whack! The ball flies over the backstop and what do you know, the little old ladies catch the ball. I kid you not. I told you they were spry. Twice more he fouls, then strikes out. As the dude hustles on back to the dugout, an evil idea forms in my mind. Being guiltless I can’t resist. It’s like trying not to sigh when you drop into the hot tub.

“John,” I say adding a dose of southern bell to my Texas accent, “would you get me some nachos?”

He looks at me like I’m the stupidest woman on the planet. With that look, his fate is sealed. I mean, I’m guiltless, but occasionally I do take pity on people. But after that look? Poor, poor John.

“How can you ask me for food at time like this?” he says. “Did you see that foul ball?”

I lean in closer. Oh, did I tell you that I’m cute?

“John,” I have the southern belle accent going again, “please.” I draw out the word please until its twelve syllables long. I kiss his cheek. “Besides, this is a different batter. He’s gonna hit that ball somewhere else. You know that.”

He sighs. As he gets up, I say, “Leave the mitt.”

His eyes narrow, like he’s some Neanderthal looking at a creature he’s thinking about killing and having for dinner. I hold out my hand and smile, oh, so sweetly. He rolls his eyes and hands me the mitt. Ten seconds later he disappears behind the stands, and I get up to go talk to the sweet little old ladies. Yeah, you got it. They’re not quite as innocent as they look. I ask to borrow their ball. One shakes her head. The other smiles like the Chester Cat. I return to my seat with the ball tucked into the pocket of John’s mitt. Below me one of the Yankees says, “You’re an evil woman.”

I smile at him, oh, so sweetly.

Two batters later, John returns with my nachos. I’ve still got that borrowed ball snuggled into the pocket of his glove and the glove folded closed around it.

Now, I should pause here and tell you that Dad and Curt haven’t said a word. Dad because it’s Mom’s DNA I inherited and he gave up a long time ago, and Curt because my sister got the DNA too, and Curt believes John needs to be prepared for his future life of agony should he choose to propose.

As John starts to sit down, I proclaim, “John, John, I caught a ball. I caught a ball.” Of course, immediately everyone is paying attention: Dad, Curt, the Yankees, and the little old ladies, but they don’t say a word. No, not one word.

John rolls his eyes. “Really?”

“Yeah. Really. It just sailed over the net.” My eyes go up in the air like I’m watching an imaginary ball. “It came right to me.” Here, I pause, for dramatic effect. “Well, actually it came right to your seat, but I just reached over and caught it.”

“You did?” He rolls his eyes again. I’m getting real tired of that.

“Yes, I caught a ball.” I act all excited.

“You caught a ball.” Again, with the eyes.

“Yes,” I say, like I’m truly hurt that he doesn’t believe me. “I caught a ball.”

“Well, then.” He gets this disgusting smirk on his face. I mean how dumb does he think I am? And he says, “So, where is it?”

My face, my pulse, my sweat glands would have stood up to a CIA lie detector test. I reach into the pocket of that mitt and like I’m so happy I’m about to burst I say, “Here it is.”

Oh, the look on his face. Like a little boy whose puppy just died. I almost feel guilty. Really. I ALMOST did. You know, there was this brief twinge of, of, of . . . something. But it disappeared.

He sinks dejected into his seat. Those Yankees shake their heads. Ten rows behind me I hear smothered giggles. I get up, and as John watches, I hand that ball back to the little old ladies. Everyone bursts out laughing. My stomach aches from it.

Of course, when I try to sit back down, I have to climb over John. He refuses to move his legs. Doesn’t give me any nachos either.


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August Online Class

July 26, 2012 by in category Archives tagged as , , ,

“Make ‘em Laugh: Tools and Techniques for Writing Humor”
with Charlotte Lobb w/a Charlotte Carter
August 13 – September 9, 2012
COST: $20 for OCCRWA members, $30 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
ABOUT THE CLASS:
Learn from the mistress of humor and a much-published author.  This workshop will take a look at the difference between male and female humor, the basic types of humor and how to use the tools that will bring the reader a smile and add a spark to your writing.  Some of these tools include the use of contrasting main characters, adding humor through secondary characters, dialogue, deep point of view and employing funny words.  The elements of romantic comedy will also be covered as well as setting up a running joke and using props to create humor. 
Exercises will encourage participants to identify what’s funny in the works of other authors and practice using the tools of humor in their own projects with feedback provided by the instructor.
ABOUT THE INSTRUCTOR:

Charlotte Carter has authored fifty-six books under various pseudonyms for Harlequin American, Love & Laughter and Duets as well as Dorchester.  She is currently writing for Love Inspired and Guideposts Books.  Noted for her light-hearted touch, she is a frequent workshop presenter and has taught an online Joke Writing class.
Her honors include Best Harlequin American and Career Achievement awards from Romantic Times and the National Readers’ Choice Award.  In her spare time Charlotte performs standup comedy——G-Rated Humor for Grownups.

Enrollment Information
COST: $20 for OCCRWA members, $30 for non-members
Coming in September 2012
Deep Story Structure: What Does Nora Roberts Know That You Don’t?
with Carol Hughes
Would You Like to Reach the Same Level in Your Own Writing Career as Nora Roberts or Stephen King?  Then Come Learn How to Unlock the Simple Secrets Behind Every Best Seller Novel and Blockbuster Film. 
Check out our full list of workshop at http://www.occrwa.org/onlineclasses.html
Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group! Sign up at the bottom of http://www.occrwa.org/onlineclasses.htmlor send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com
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