Mona Karel
In the iconic cartoon strip ‘Peanuts,’ Lucy van Pelt explains how one needs to be careful to hold the bat with the trademark in a certain position so it’s not damaged by the ball. She maintains that hold on the bat while the pitcher sends one…two…three balls right past her and she’s struck out. As she leaves the plate, she brags to Charlie Brown “See, I held the bat the right way and it’s fine!†Poor Charlie Brown.
How often do we feel like Lucy, being so careful to follow every rule of writing. To Show Not Tell; NEVER Head Hop; ALWAYS identify our speaker. And so on. Only to find a head hopping sloppily written book is burning up the Amazon sales.
Why?
And why isn’t your perfectly written book selling well?
If I knew the answer I’d be busting all those Amazon sales figures myself. We could blame luck. We could blame the fickleness of the reading public. Or we could take a step back and analyze what people read for. Except for writers, how many people actually read to critique the written word? Sure they’ll comment on an author changing their character’s name (or sex!) halfway through the book. But as long as a reader can believe in the requisite HEA the rest is all window dressing.
I’m not suggesting we abandon the rules of grammar. Nor should we blow Point of View out of the water (darnit). But maybe we who worry about every misplaced participle and perfect use of punctuation need to worry first about the worlds we build, and the people who live in them. Then we can paint the fences awesome colors and polish the sidewalks until they gleam.
Maybe we need to swing for a bases loaded home run, and risk cracking the bat.
Mona Karel writes books for Monica Stoner and when no one is looking she roll your eyes back in your head from trying to follow the head hopping.
BTW, there’s still time to participate in the Secret Santa Blog Hop, and who wouldn’t like to find this guy coming down their chimney? Grand Prize is a Kindle Fire, next is an Amazon gift card, plus a lot of other goodies. Many of the participants offer individual prizes on their blog. I’m sharing the secret to home made vanilla extract, complete with pictures, plus other prizes. That’s at Mona’s Final Secret Santa Blog
You need to head to Tabitha Blake’s to gather up lots of chances for those prizes, and that’s here: Blog Hop Central From Tabitha’s blog you can hop out to the other participants, some of whom are OCC members.
3 0 Read moreMy grand dog Tucker |
As an author and a reader I had to ask myself: Why is a book that includes animals richer, more entertaining, and more engaging than one without? The answer was simple: Animals bring out the best and the worst in a human character. This makes for great drama and provides an emotional touch point that is critical for an exciting read.
Max-the-Dog (his legal name) was originally created as a reflection of Josie, his mistress. Both had been abandoned, both had to fight for their lives, both were protective of others. But Max became so much more than Josie’s mirror as the series unfolded.
Here are four ways Max made a difference in the witness series:
HE ENHANCED HUMAN CHARACTERIZATION: Those who attack him were inherently more evil than a bad guy who ignored him. Those who love Max were more admirable because they cared for and protect him.
HE WAS AN ANIMATED SOUNDING BOARD: Internal dialogue can be tedious. Allow a character to speculate to an animal and the rhetorical questions or monologues sound natural.
HIS PRESENCE SET A TONE: A scene tone can be set by the way a human character speaks to or interacts with an animal counterpart. A whispered warning creates a much different tone than a screaming command; a languid pet conjures up different visions than a playful ruffling of fur.
HE HELPED MOVE THE PLOT FORWARD: An animal’s needs can put a human in a place they might not have been in. For instance, in Privileged Witness, Josie took Max out for his evening constitutional and ran into her fugitive client who was hiding outside. Without Max, Josie would have no reason to go outside and never would have discovered her client. An animal’s heightened senses can also assist a human to warn of danger or alert a human to a change in their surroundings.
From The Hound of the Baskervilles to Lassie and Blue Dog, My Friend Flicka and The Black Stallion, The Cheshire Cat and Puss-in-Boots, animals have frolicked as humans, served to reflect human frailties and strengths, and just plain worked their way into reader’s hearts because of who they are.
So, to the kind lady who was concerned about Max, have no fear. He will never come to a violent end. No matter what happens to him, his presence or lack thereof, will be a decision motivated by story and plot and, of course, love, because Max is as real to me as if he sat at my feet while I wrote my stories.
*Hostile Witness is free for all e-readers and is also available in print.
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A highly rational friend recently noted with some surprise that sometimes just saying a problem out loud helped him figure it out.
And why was that?
Have you ever been struggling with something, felt a lack of clarity on which direction to go in, or even understand how you felt about an issue?
Have you written about it in an email, a letter, a journal and gotten an insight from the act of writing? Or talked to someone about it, and gotten a better perspective, even though the person you were talking to hadn't said anything? Or even just bounced something out loud into an empty room, and found an answer rebound back to you?
I expect many have. Most likely everyone has just accepted that experience as being just a strange exercise that for unknown reasons simply seems to works.
But for my rational friend, achieving that insight through those means was a surprise. For him, there hadn't seemed to be any point in talking or writing about the same information or questions that were in his head—what difference would it make? The information was already in his head, it wouldn't change from being said out loud or written down. So it got me thinking—well, why does it help?
And I came up with this analogy:
Do you remember math problems where you would be given a sequence of numbers and asked to figure out what the next number in the sequence was supposed to be? Well, the more numbers you were given in the sequence, the clearer the underlying formula was. So if you were only given one number, correctly guessing the next would be impossible—too many options. If you were given two numbers, then your chances were better, but still had a very high level of uncertainty.
For example 2 doesn't give you much to go on. 2, 4, gives you a lot more, but not enough. The sequence could be 2,4,6 or 2,4,8. So with three data points, you can be far more confident of perceiving a pattern, making an assumption, getting clarity.
So my theory is that when you have a problem/issue in your head, that's one data point. But when you say it out loud, so you are knowing it, thinking it, saying it and hearing it, or additionally writing it and reading it, you are adding more data points and increasing your ability to make a more accurate assumption, to chart a more solid course. And agreed, some of these point only offer a tiny bit of new information–a slightly richer or more detailed appreciation, a new perspective, but it's something; it helps.
In one of those Malcolm Gladwell books, he talks about how you can have a group of two or three friends, but if it expands to four or five, the group often falls apart. He noted that one more person isn't just an addition of one, but for everyone in the group, so the increase is exponential. Everyone is managing not only their own relationship to each person in the group, but observing & incorporating each permutation of every element of each member of the group.
So if you have a group of three, A, B, C, you need to maintain awareness of the relationships between A/B, A/C, B/A, C/A, B/C, C/B and ABC. If you add D, it goes from 7 separate relationships to 16 (A/B, A/C, A/D, B/A, B/C, B/D, C/A, C/B, C/D, D/A, D/B, D/C, ABC, ABD, BCD, ACD). Yes, OK, I may not have all the math right, but you get the point.
The more points you can chart or the more ways you allow your brain and intuition to process information, the better it will be able to build a viable theory, or chart a hypothetical direction to consider.
Also, it's very hard to lie to yourself when you are writing in a journal. Much easier to wrap yourself in denial and not go there if it's just in your head, or even talking. And in fairness, sometimes you don't even know you are lying to yourself until you write something down. Reading it, you think…well, no, that's not quite right, and start thinking about what is actually true.
It is helpful to get an external perspective on things—that's why editors were invented. But if you don't have an editor or critique group, or a boss or anyone to be a sounding board, try putting it out there & using yourself.
You'll have a point. Maybe more than one….
Get your sextant out!
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