The Slipper fits: the fairytale come true. How my Kindle Scout book LOVE ME FOREVER was selected for publication by Jina Bacarr Part 1
May 11, 2015 by Jina Bacarr in category Jina’s Book Chat tagged as Amazon, amwriting, Civil War, Confessions of a Podcast Goddess, cover, historical, Kindle, Kindle Press, kindle scout, romance, self-publishing, time travel, writing
Note: Links to ALL my posts re: my Kindle Scout experience:
***You can read my posts about my experience with the Kindle Scout program by clicking on Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7
Hi, everyone,
Wonderful news: my Kindle Scout book, LOVE ME FOREVER, was selected for Papublication!
What is Kindle Scout? you ask. How does it work? Is it right for me?
The best way I can answer that is to tell you my story. Adding tips and observations along the way that I hope will help guide you, whether you’re a reader or a writer—so here we go!
Once upon a time I had a book of the heart, a story I loved like a comfy, fave pair of jeans. I just couldn’t throw them away…
That book is LOVE ME FOREVER, a Civil War time travel novel that takes place from 1862-1863. It’s a big, family saga with two feisty heroines and the military men they love, coming in at 140,000 words. But as everyone knows, trad pubs don’t want Civil War…no problem, I’ll self publish it, right?
Or, and here’s where temptation comes in, like circling the pastry case at Starbucks, should I try Kindle Scout? The Amazon publishing venture where readers pick the books they publish: https://kindlescout.amazon.com/about
So I did…and for thirty days I was on a wild roller-coaster ride during my campaign for LOVE ME FOREVER. I’d check the “Hot and Trending” List all hours of the day and night on my cell phone, fretting when I wasn’t on the list and cheering when I was.
Bonus: if you nominate a book and it’s selected for publication, you receive a free advance copy before it’s published.
Here are some tips re: submitting to Kindle Scout:Format your book as if you’re going to self-pub it. I renamed my original .doc and then took out the copyright page and TOC, links to my other books, no header needed (you can add the copyright, links, and TOC back in later if you’re selected). I left in the page numbers (not needed for self-pub), but they don’t show up on the excerpt. If your book is selected, you’re ready to begin your final read-through. If not, you have your original .doc if you decide to self-publish your m/s.
- Format your book as if you’re going to self-pub it. I renamed my original .doc and then took out the copyright page and TOC, links to my other books, no header needed (you can add the copyright, links, and TOC back in later if you’re selected). I left in the page numbers (not needed for self-pub), but they don’t show up on the excerpt. If your book is selected, you’re ready to begin your final read-through. If not, you have your original .doc if you decide to self-publish your m/s.
- Don’t wait until you’re ready to submit to Kindle Scout to answer the questions, write your bio, description, etc. It took a lot of preparation to answer the questions in a way that highlighted who I am as a writer (3 questions), bio, description, logline all have character length restrictions. I’d recommend getting that out of the way before you finish your book or do a final read-through.
- Cover: I did a dreamy Civil War lady cover with a beautiful rendering. It says romance right away so you can attract that reader. Also, keep it clean and simple with a strong focal point to grab the eye, but not confuse it. Be sure to adhere to the required size: 4500 pixels high and 2820 pixels wide (or a 1.5 height/width ratio). PNG (.png) or JPEG (.jpeg or .jpg) format, no larger than 5MB.
- Read the contract carefully: The percentage is 50 percent royalties instead of 70; you have to ask for your book back in writing if they don’t publish it after the 45-day exclusive; the $1,500 advance is against royalties; Amazon owns the exclusive digital and audio worldwide rights for 5 years in all languages, renewable.Your book is published by Amazon Kindle Press in e-book, not print. Here is the breakdown from the Kindle Scout website:Royalty Table:
E-Book: 50% of Net Revenue
Digital Audio: 25% of Net Revenue
Translation in e-Book format: 20% of Net RevenueI believe they have 6 months to publish it or you get your rights back (you have to ask in writing).I see Kindle Scout as a new, exciting venture that combines both self-pubbing and traditional. You write, edit, copy edit, format your book and submit your own cover, but if you’re selected, you have Kindle Press as your publisher with an additional copy edit, PR, etc.For me, it was also the opportunity to put my story out there during the 150th anniversary of the end of the Civil War. I blogged every day with stories and excerpts about the Civil War. I added graphics I did myself with Royalty Free stock I bought a while ago. I enjoy designing the graphics, so that’s a plus. You can see my graphics on my blog: www.jinabacarr.wordpress.comAll in all, I’m extremely happy with the professionalism at Kindle Scout. I submitted my package online (very easy to fill out and submit) and my book was accepted within 2 hours and went live 2 days later.
Here is the link to my Kindle ScoutWinner.
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The selection process:I was on the Hot list more than half the time during the 30-day campaign. I would get on the list, jump around for a few days from first to last (about 10 books average are on the list at any one time), drop off for a day or two, then pop back on.
I blogged, tweeted, etc. every day, which helped me get the message out on a consistent basis, but I believe support from good people like you was very important to staying on the Hot list. Again, thank you.
I’m not sure what other criteria KS uses to make their selection. I submitted the cleanest m/s I could. I spent a lot of time checking it after it was written and giving it a thorough copy edit before I submitted it, checked the timeline, looked for inconsistencies, etc. It’s vital to give them the best book you can.
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The next step:After my 30-day campaign ended, it took only two days for me to receive word my book was selected. My book cover was up on the KS header almost immediately along with the other selected books. I have 30 days to make any changes. I’m going over my manuscript again for content, punctuation, spacing, etc. I also print out a hard copy and give it a quick read-through. You’d be surprised what you see on paper that you don’t see on a computer screen.
Next, after you submit your Final m/s, your book receives a Kindle Press copyedit. I’ve heard fabulous things about the Kindle Press copy edit from KS authors, everyone is pleased about the entire process.
The contract becomes active as soon as you receive their email. It also indicated the accounting team will contact me. I’m already self-pubbed with Amazon, so I have an account with bank numbers, tax info, etc. in place, but I believe this may be a different entity. I’ll report back on that aspect.
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What I would have done differently:I wouldn’t have waited so long to reach out to groups for help and support. I’ve always been a shy kid and still suffer from good girl syndrome after attending numerous parochial schools, but I credit the Sisters of Mercy with teaching me good tradecraft re: writing. I can diagram a sentence with the best of them and that’s helped me as a writer.
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That’s it for now. I’m here for questions about Kindle Scout and anything you’d like to ask about the process. I really enjoyed writing LOVE ME FOREVER, about two very different women, Liberty Jordan and Pauletta Sue Buckingham, who are thrown together in a mad, crazy scheme of spying, lost love, and passionate desire for what they can’t have.
The men they love.
Do they get their men?
Well, it is a romance, but it’s also a wild dramatic journey based on actual events in the Civil War. Liberty and Pauletta Sue will make you cheer, then cry, then hold your breath when it looks like all is lost!
Thanks for stopping by and check out Kindle Scout!
~Jina
blog: www.jinabacarr.wordpress.com
www.facebook.com/JinaBacarr.author
https://twitter.com/JinaBacarr
www.pinterest.com/jbacarr
https://instagram.com/jinabacarr/
Women Soldiers in the Civil War from “Love Me Forever” from Jina Bacarr on Vimeo.
She wore gray.
He wore blue.
But their love defied the boundaries of war.
And time.You’ll meet both my heroines and both my heroes in the excerpt. It’s a saga of love and romance and war. Believe me, I walked every road, fought every battle with my characters, even walked around in a hoop skirt to get it right. Any questions? Please ask!!
~Jina
PARTY IN MY HEAD
April 5, 2015 by Tracy Reed in category Pink Pad by Tracy Reed tagged as Edgy Christian Fiction, Tracy Reed, writing
How many people are at the party in your head? Ask any writer this question and you may be surprised by the answer.
I’ve been asking myself this question for awhile now. I currently have standing room only at the party in my head. I’m writing one book, editing two, promoting another, writing mental notes on three others and reading one for pleasure.
When I decided to become a writer, it was a different time in publishing. If you put out three books a year, that was considered a lot. As the indie writing market grew, so did the desire for fresh content.
I had it all planned. I’d release my first book and take about three months and then release the next one. I figured I’d release the follow up to GENERATIONAL CURSE early next year. The problem with my original plan was the ebook.
When the ebook was born it opened the door to easier accessibility. Readers no longer had to wait months or years for follow up books. They were now able to get the next book within a couple of months, if not sooner. At first I thought this was a trap by the publishing industry to sell more books.
I hearing a writer say she really didn’t read other people’s books, because she felt she might be tempted to use their ideas. That stuck with me and I read sparingly. Then I joined RWA and heard something completely different. I love print books…I like how they feel in my hand…but I digress. I downloaded the Kindle for iPhone and then I got an iPad for Christmas and my life changed.
I began reading for research on both devices. I’m not sure how many books I’ve read in the past six months, but it’s increased tremendously.
Trust me, I’m going somewhere with this. I became like most readers, downloading every free book I could download. Once I finished the free book in the series, I wanted to know what happened next. I was hooked. I quickly downloaded the next book. I think I read six books in a month. [For some people that’s not a lot, but for me it is.]
Now I understand the formula.
When I increased my reading and understood why my old plan wasn’t going to work, I started writing and editing and reading…more. Needless to say, I wasn’t prepared for this new plan.
I wrote GENERATIONAL CURSE, while waiting to hear from a potential publisher about a different book. I figured once that series was sold, I’d have a little time before GENERATIONAL CURSE was ready to go. So I focused all of my energy on the other series. However, things changed and GENERATIONAL CURSE was released first. I was caught off guard.
I did a little research and discovered there are writers out there putting a title out a month. How am I supposed to keep up. It took a while to get my first book just right. My good sense side asked my not so good sense side if I’d lost my mind.
Here’s what I found out. A title could be a short story, a novella or a full-length book. Okay, so I don’t have to be chained to a chair and only released for potty breaks. Then I signed up for the RWA “The End†Challenge. I figured this would help me finish a book I had to rewrite. [I’m half way done with that one.] In one month I wrote 20,000 words. I CAN DO IT!
I felt empowered. If I could write 20,000 words in a month, then I could write a novella. Wait a minute. If I write a novella, I can sell it for $.99.
New plan. Set up a realistic production schedule that includes novellas, short stories and full length novels. It seems like a lot, but if I could write 20,000 words in a month [not including the 9,100 on a different project] then I should be able to stick to my plan.
So how many characters are in my head? Too many to list. Smile.
Tracy Reed
readtracyreed@me.com
www.readtracyreed.com
Fiction for Women Who Love God, Couture and Cute Guys
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10 Bits of Writing Advice from J.R.R. Tolkien
August 18, 2014 by A Slice of Orange in category Archives tagged as #LOTR, Jenny Hansen, The Hobbit, Tolkien, writing
by Jenny Hansen
What if J.R.R. Tolkien had never written his books? What if there had been no Hobbits and no Gandalf, no Legolas or Frodo? The world of story would be an entirely different place.
Our stories matter. They really do.
10 Tips from the “Master of Middle Earthâ€:
1. Vanity is useless.Truly, Tokien wrote his books to please himself and answer the writer inside him. He expected them to go “into the waste-paper basket†after they left his desk, not live on in popular culture. I’m not saying we don’t need to learn good story craft however, if you entertain yourself, at least you know one person that enjoyed the hell out of your book.
2. Keep writing, even through adversity.It took the man SEVEN years to write The Hobbit. He balanced a demanding day job, illness, and worry for his son who was away in the Royal Navy. I’m reminded of Laura Drake, her brick wall, and her 400+ rejections.
3. Listen to critics you trust.When his editor said, “Make it better,†he didn’t throw the advice away. He read and re-read, and he tried his best. He credits listening to knowledgeable feedback, and working to make it better, for what he considered the best scene in the Lord of the Rings: “the confrontation between Gandalf and his rival wizard, Saruman, in the ravaged city of Isengard.†Oh, and the editor he listened to? C.S. Lewis, the creator of the Chronicles of Narnia.
4. Let your interests drive your writing.Tolkien’s original interest was in languages. He took that and created new languages, and then an entire culture, around it. Our own contributor, Kathryn Craft, was a dancer, choreographer, and dance critic. She tapped all that experience to write The Art of Falling, exploring themes of love, dance, friendship, and distorted body image. that passion and truth will resonate with readers.
5. Poetry can lead to great prose.When he could not express his thoughts in the prose he wished for, he wrote much of it in verse. Authors as diverse as Charlotte Brontë and Langston Hughes started in poetry before moving to longer mediums. Next time you get stuck, you might try Tolkien’s trick of writing your scene as a poem first.
6. Happy accidents.No matter how much you plan, happy accidents occur on the pages of every book. Jennifer Crusie calls it “the girls in the basement,†saying they hand her up treasures as she writes. Others might call it “the muse.†One more kick in the pants from my criitique partner, Laura Drake: If you don’t put your butt in the chair and do the work, you won’t have any “happy accidents.â€
7. Dreams give us inspiration. All of us have dreams so strong, they push us to the page. But what about literal dreams? Angela Ackerman at Writers Helping Writers did a great post called How to Mine Your Dreams for Story Gold. When Tolkien dreamed of drowning, he channeled the experience into motifs and prose for his stories. His “letters” describe how that drowning dream morphed into the drowning feeling of Mordor’s invasion of Middle Earth and the drowning of Isengard.
8. Real people make great characters.Tolkien drew on real people to populate Middle Earth. You can draw on people you know for your stories as well. Real people do amazing things, both big and small, and rarely do they recognize themselves on the page. It’s a win-win for authors.
9. You may be the next bestselling author.Tolkien did not expect the acclaim he received from his first book, The Hobbit. He felt like it was a happy accident. Here are fourteen bestselling books that were repeatedly rejected by publishers. You won’t know until you send it out. Perhaps your cross-dressing unicorn superheroes will be the next phenomenon. (Yes, I made that up.)
10. Books you write may seem trite.We can’t see our own work. A scene we find melodramatic, the reader might find moving. Tolkien believed that if you learn some craft and pour your heart and imagination onto the page that the work will resonate. I believe that too.
Note: Here’s a link to Tolkien’s work in its entirety. The aforementioned infographic summarized material from a wonderful post by Roger Colby at Writing Is Hard Work, outlining his research on writing advice shared by the Lord of the Rings author in the book, The Letters of J.R.R. Tolkien.
About Jenny
By day, Jenny provides training and social media marketing for an accounting firm. By night she writes humor, memoir, women’s fiction and short stories. After 15 years as a corporate software trainer, she’s delighted to sit down while she works. When she’s not at her personal blog, More Cowbell, Jenny can be found on Twitter at JennyHansenCA or at Writers In The Storm. Jenny also writes the Risky Baby Business posts at More Cowbell, a series that focuses on babies, new parents and high-risk pregnancy.
photo credit: kugel via photopin cc
0 0 Read moreMorality and Honor: Social Mores in Historical Romance
August 17, 2014 by Linda McLaughlin in category The Romance Journey by Linda Mclaughlin tagged as herstory, historical romance, Linda McLaughlin, morality, research, social mores, writingI was overly ambitious while writing my talk for last Saturday’s OCC/RWA meeting on Herstory: Writing and Researching the Historical Novel, so I’m going to excerpt some of the material I had to omit in my monthly blog post. This month, social mores.
One of the biggest traps historical novelists can fall into is writing historical characters with 21st century mores. And nothing can make the reader want to throw a book across the room quicker. This especially applies to women. The double standard still exists, but it was much greater in previous centuries.War and social unrest have always upset the normal patterns of life, and social mores tend to fall by the wayside during such periods. Still, a historical female character who shows no regard for her reputation isn’t believable unless she’s already a fallen woman and has no reputation to lose. Personally, I don’t necessarily mind a heroine who flaunts society’s rules; I just need to believe that she knows what she is doing and is well motivated in her choices. The woman who doesn’t understand the consequences of her actions strains credibility. Women had a lot more to lose in the not-so-good old days. It’s especially tricky when you have a virginal heroine. People in those days set great store in virginity. But if we’re going to write sensual or erotic historical romance, we need to find a way for our heroines to bypass those restrictions.
Though the concepts may seem rather old-fashioned nowadays, honor and integrity were more important in the past, esp. for men of the upper classes. One of my favorite scenes in Downton Abbey is the one where the Earl of Grantham tries to buy off chauffeur Tom Branson if he will leave Sybil alone. Tom refuses and informs the earl that men in his class are’t the only ones with honor. Point, Tom!
However, morality did tend to vary by class. Upper and middle-class children were taught their manners and the difference between right and wrong while poor kids just tried to survive. In his childrens novel, The Shakespeare Stealer, Gary Blackwood introduces us to Widge, an orphan boy apprenticed to a dishonest clergyman. Dr. Bright teaches Widge a form of shorthand he has developed and then sends the boy to write down other vicar’s sermons. One Sunday, Widge hears Bright deliver one of the sermons he’d copied. At first, Widge doesn’t think too much about it. As he puts it, “As nearly as I could tell, Right was what benefited you, and anything which did you harm was Wrong.”
In George Bernard Shaw’s Pygmalion, the basis for My Fair Lady, Eliza’s father, Alfred P. Doolittle, talks about the undeserving poor and opines on middle class morality.
Morality and honor sometimes require our characters to act against their own best interests, which can be great for conflict.
So how do you know what the social mores of your period were? And how likely were they to be ignored?
See what was going on in the period. As I said, social mores often go out the window in wartime. And history being somewhat cyclical, periods of repression are usually followed by periods of licentiousness, like the English Restoration, a bawdy reaction to the moral restrictions of the preceding Puritan regime of Oliver Cromwell.
Also consider the prevailing religion of the time and location of your book. That will often provide guidance. Moral standards in Puritan New England and Cavalier Virginia during the Colonial period were quite different.
Look for etiquette books for the social niceties. For the Regency period, check out The Mirror of the Graces by A Lady of Distinction, first published in 1811. I have a paperback copy, but it’s available in e-book format format. Google etiquette and your period and you will likely find a lot of choices.
For those who missed the August meeting, I’ve added pages at the Reference Shelf on blog with two of my handouts. Primogeniture still to come.
British Titles: A Brief and Incomplete Guide
Source Books for Historical Writers: A Partial List
Feel free to leave questions and comments below.
Linda McLaughlin / Lyndi Lamont
0 0 Read moreWhat’s In A Name? More Than You Might Think
July 16, 2014 by Linda McLaughlin in category The Romance Journey by Linda Mclaughlin tagged as history, Linda McLaughlin, names, research, writingIn Romeo and Juliet, Shakespeare wrote, “What’s in a name? A rose by any other name would smell as sweet.” As we soon learned, Juliet’s name was extremely important. She was just any Juliet; she was a Capulet, mortal enemies of Romeo’s Montagu family.
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| copyright 2004 Art Explosion |
As any writer knows, finding the right name for your character is important, esp. the first name. Personal names come with expectations, even the historically improbable ones. Can you imagine Amber St. Claire of Forever Amber as Mary or Nancy? I didn’t think so. I read that Poppy was one of the names Margaret Mitchell considered for her southern belle before she came up with Katie Scarlett O’Hara. Somehow Poppy O’Hara just doesn’t have the same ring to it! Poppy sounds more like a servant girl.
Names have ethnic, class and sometimes religious connotations. Algernon and Reginald, for instance. Not exactly common working men names.
What do Sean, Ian and Ivan all have in common? They are all variants of John, but you wouldn’t name a character Ivan unless he’s from a Slavic country or background. In historical times, the same was true for Sean and Ian. Sean was Irish; Ian Scottish, and historical romances notwithstanding, no upstanding English aristocrat of the past would have allowed his son to be christened Sean or Ian. The priest wouldn’t have allowed it. The parish register would have shown the name as John.
In past centuries, the personal name stock was much smaller than it is now, though not necessarily the same. Prior to the Protestant Reformation, saint names were common. The stricter Protestants rejected many saint names in favor of Biblical names, like Hester and Ezekiel, and even more obscure names. They also invented the so-called virtue names: Faith, Hope, Charity, Prudence, etc.
When choosing names for a historical novel, I look in a book like The New American Dictionary of Baby Names by Leslie Dunkling and William Gosling that gives some historical context for the names. Plus I love the authors’ surnames. I keep thinking it should be Duckling and Gosling, though.
Surnames came into general use in the Middle Ages, and usually come from one of four sources: place of residence, occupation, nickname or patronymics, such as Johnson, Anderson, Davison. In Scotland, Mac at the beginning of a name means son of. In Ireland it’s Mc or O. Patronymics are common to many European countries. The Scandinavian countries also used matronymics, ending in dottir.
When writing an aristocratic character, I look for a less common place name, as the nobility and gentry were usually landed and were likely to take their surname from (or have given it to) the name of their estate. However, the older aristocratic were most likely descended from the Norman invaders and you can find a list of Anglo-Norman names at Wikipedia. Interestingly, Montaigu is one of the names listed. You can also find lists of British titles at Wikipedia, among other online sources. Burke’s Peerage is one of two definitive guides to the aristocracy, but it’s extremely expensive (over $800). You might be able to find an older copy at a local library. The other definitive source on the nobility is DeBrett’s Peerage.
Occupational surnames usually indicate humbler origins. Nearly every village had its baker, blacksmith, cooper, carter, miller and tailer. A few noted exceptions are Stewart, Spencer and Chamberlain, occupational titles of highly placed employees in the royal courts. The royal Stewart ancestors held the title High Steward of Scotland from the 12th century until Robert II became king in the 14th century.
Names based on nicknames, originally called bynames, were used to distinguish two people in a village with the same first name. Bynames include handles like Short and Littlejohn. These were not originally intended as long-term family names but evolved into that.
In the late nineteenth century, Henry Brougham Guppy made a study of farm family surnames as he considered them the most stay-at-home group in the county. In 1890 he published Homes of Family Names in Great Britain in which he categorized names by how common or unusual they were. He found that certain names were “peculiar” to primarily one county. Those are referred to as Guppy’s peculiar names. His book is now available from Project Gutenburg and Google Books.
American surnames come from all around the world and provide a great deal more variety for the novelist than other countries. I became fascinated with names when I was researching my family history. Hunting down my German ancestors was a challenge because the surnames were rarely spelled the same way twice. One of my ancestors started life as Conrad Buchle in Wurttemberg, Germany. A few generations later, his descendents last name was Beighley.
When I started writing around 1988, I collected every name book I could find that had any value for writing historical romance, and boy am I glad I did. Most of them are now out of print, but may be available as used books or in your local public or university library. You’ll find a brief list. I’ll hunt for more. I’m going to be speaking at OCCRWA on writing historical romance in August.
Name Sourcebooks:
American Surnames by Elsdon C. Smith, Genealogical Publishing Company, 2009. http://amzn.com/0806311509
Burke’s Peerage, Baronetage and Knightage, Burke’s Peerage, 107th Edition 2003 http://www.amazon.com/Burkes-Peerage-Baronetage-Knightage-107th/dp/0971196621/
A Dictionary of First Names, Patrick Hanks and Flavia Hodges, 2nd ed., Oxford Paperback Reference, Oxford University Press, 2006. Out of print.
The New American Dictionary of Baby Names, Leslie Dunkling and William Gosling, Signet, 1985, 1991. Better than the average baby name book because it gives some historical context for names. Out of print now.
New Dictionary Of American Family Names by Elsdon C. Smith, Gramercy Publishing, 1988, out of print.
The Oxford Dictionary of English Christian Names by E. G. Withycombe, Oxford University Press; First American edition edition 1947, paperback 1986. Out of print.
The Writer’s Digest Character Naming Source Book, Sherrilyn Kenyon, Writer’s Digest Books, 1994. Available at Amazon.com
Linda McLaughlin
0 0 Read moreFeatured Books
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