Happy Summer and post Independence Day. I hope everyone had a wonderful holiday.
Let’s talk about unexpected stories.
I apologize if I’ve already told the story about my upcoming release, “UNEXPECTED LOVE.” My relationship with this story goes back several years. When I first decided to become an Indie Writer, I had quite a few stories dancing around in my mind. I had this idea for a series about a woman and the many men in her life. More like all the men she’d married.
When I set out to start writing the series, the task seemed a little daunting. I don’t know about anyone else, I easily get attached to my characters. But if I don’t feel a connection, it’s difficult for me to tell their story.
When I got the idea for this story, I imagined it as a five book series. I had all the husbands mapped out. However, when I started writing, it felt very forced. I was so overwhelmed trying to tell this woman’s story. I abandoned the series and thought I would tell it as a stand alone. Summarizing each of the husbands and focusing on the one she really loved.
I picked up the pages I’d started, made a few changes and set out to write. I liked where this story was going, but as I got more involved with the characters, the story started to change. It was no longer a story about a bitter divorcee, but a liberated divorcee who finds love in an unexpected source, her ex-husband’s ex-best friend, who just happens to be her divorce attorney. That’s either a mouthful or a blurb.
The more involved I got with Fiona’s story, the more I liked her. But I also felt sorry for her. She’s a sweetheart, searching for her voice. In a nutshell, she married her college crush who later deceived her. Once she made up her mind to divorce him, she found her voice. I love her transition, although it’s not without it’s ups and downs. One of which is the change in her relationship with her attorney and her self-esteem.
Last year when I set out to write twelve titles in a year, I had this title on the schedule as a short story. However, I didn’t think there was enough story for a book. So I resolved myself to make it a short story. I cleaned up the first chapter and started writing. But when I started writing, the story took a turn. It was no longer about Fiona and her husband, but Fiona and her attorney.
I continued writing thinking I could tell the story in novella length. As I got closer to what would be considered maximum novella length, the characters kept talking. No matter how hard I fought to end the story, they kept talking, so I kept writing. I really enjoyed the direction the story was going. Then I wrote myself into a hole. Crap! I didn’t see a way out, so I introduced another character thinking she would help me. Instead, she led me to a wall and the only way around the wall was another character. Hold on, it gets better. When I introduced this character, he brought his own storyline in addition to tearing down the wall.
So here I was with a full-length novel. But here’s the kicker. When I introduced Fiona’s brother [aka “the wall”], into the mix, the story took another turn and led me to a place I never would have imagined being, “Cliffhanger Boulevard.”
Yep, my five book series originally titled, “My Five Husbands” was changed to a stand alone novel. Then it got a title switch to “UNEXPECTED LOVE.” Then it became a short story, that grew into a novella that reverted back to a full-length stand alone, which is now book one in a new series. Talk about unexpected.
So what’s the lesson learned? Never throw out an idea. Instead, put it aside and when the time is right, revisit it. You might be surprised what story you can tell.
See you next month.
Here’s a cover peek.
0 0 Read moreSo who established word counts? And when did words become so expensive to print that they require massive cuts, like the U.S. budget? Does that mean that in today’s market James Joyce’s, Ulysses wouldn’t make it to publication? Or past the word police? Would an agent even get through the first five pages?
I can imagine an editor skimming through Chapter One of Charles Dickens’, A Tale of Two Cities. “… it was the best of times, it was the worst of times, it was the age of foolishness, it was the epoch of unbelief, it was the epoch of incredulity, it was the season of light, it was the season of darkness,…we were all going direct to heaven, we were all going direct the other way….Yada, yada, yada.” His critique might be, “A rambling paragraph with enough commas to fill an entire chapter. Excessive word count, repetitive and burdensome. Guy probably sent it to me by mistake. I’ll have to let him know that we don’t publish psychiatric diaries.”
The editor would most likely want to limit the count of ‘to be’ verbs. By those standards, I guess Shakespeare wouldn’t make the cut it either, “To be or not to be.”
When did we get so busy and pressed for time that we gulp down a book so we can get on to the next one? When did our palate become so insipid that we can no longer relish and savor the taste of words making us miss the whole joy of the language journey?
I recall the film, The Agony and the Ecstasy. No, it’s not a sexy romance. Sorry. It depicts the story of Michelangelo painting the Sistine Chapel. Several scenes show Pope Sixtus IV impatiently interrupting the artist at work to ask, “When will it be finished?” to which Michelangelo would always reply, “When it is finished.”
Like Michelangelo’s paintbrush, I bristle at the agent mantra to keep it short, be concise. Yes, I know words cost money and time is money. But so did paint back then. What might the Sistine Chapel look like today if Michelangelo had raced to finish it, or had been limited by how many paint colors he could use? “Tone it down. Don’t apply the paint too thickly. Stay on budget.”
Logically, I understand that rules and formats, and word counts must apply. But when I was a teacher I didn’t teach to the test because that’s not good pedagogy. For me, a creative work is finished when it is finished. And as a writer, I don’t want to write to the word count, but I do always want to make every word count.
See you next time on July 22nd.
Veronica
Veronica Jorge
Manager, Educator, and former High School Social Studies teacher, Veronica credits her love of history to the potpourri of cultures that make up her own life and to her upbringing in diverse Brooklyn, New York. Her genres of choice are Historical Fiction where she always makes new discoveries and Children’s Picture Books because there are so many wonderful worlds yet to be imagined and visited. She currently resides in Macungie, PA.
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I force myself up out of this client’s really juicy manuscript. I’m deep into getting at the content problems and showing them clearly. That will provide the author with the ammunition to tackle her revisions and make this story sing the way it should – and I really want to hear it sing. Right now my head is in her world but yikes, I have a blog due in 24 hours and I’m lost in the fog. You know that fog; not quite writer’s block – I’m not paralyzed, I’m not frozen (been there, hated that). It’s writer’s block lite. I have a vague notion of what I want to convey but it’s all so foggy. I can’t see my way clear to set a single sensible word down.
I try my old standby – the ‘let ‘er rip’ technique. It’s always worked for me. Just open a document and go. It doesn’t matter what comes out: The sky is the most amazing chartreuse. It’s a great idea to re-roof the house with egg salad… You know, prime the pump. The brain starts to work after a while and the words start to flow and the ideas begin to coalesce. But this time my heart isn’t in it. After a sentence or two I’m back in the world of that manuscript and pondering the rose bush I really should trim. Let ‘er rip isn’t working. The clock is ticking. I’m starting to feel that rasty edge of panic. And then I find it! http://www.themostdangerouswritingapp.com/
“Don’t stop. If you stop typing for more than five seconds all progress will be lost.”
Those are the directions. I open it and there’s a pristine blank screen. Not only is the clock ticking, there’s a gun to my head. I’m typing like a crazed Barbara Cartland. Then my fingers freeze for 6 seconds. The screen fades to red. “You Failed” it tells me (well I had to see what happens). I go again and now my head is working and I know what I can share with you this month and I am so pleased that it is something of value. If that fog descends on you, if you find yourself scrambling before the keyboard, try The Most Dangerous Writing App. It will help you find your way out of the fog. Thank you Manuel Ebert for this sadistically beautiful free app.
Jenny Jensen
Editor
www.e-bookeditor.com
With a BA in Anthropology and English I pursued a career in advertising and writing and segued into developmental editing. It was a great choice for me. I love the process of creating and am privileged to be part of that process for so many great voices — voices both seasoned and new.
I’ve worked on nearly 400 books over 20 years, books by noted authors published by New York houses including Penguin, Kensington, Pentacle and Zebra as well as with Indie bestsellers and Amazon dynamos. From Air Force manuals and marketing materials to memoirs, thrillers, sci fi and romance, my services range from copyediting to developmental coaching.
Having worked in advertising and marketing, I am always cognizant of the marketplace in which the author’s work will be seen. I coach for content and style with that knowledge in mind in order to maximize sales and/or educational potential. My objective is to help the author’s material stand out from an ever more crowded and competitive field.
2 0 Read moreThe day I stood in the choir loft surrounded by my fourth grade peers I had no idea that I was about to learn a lesson in suspense, terror, fear, retribution and resolution that would lead me to a career as a thriller author.
The day was hot, air-conditioning was unheard of, and we wore our itchy, ugly, brown wool Catholic school uniforms year ‘round to save our parents money. I was a very good girl. I never drew attention to myself, folded my hands with fingers pointing heavenward when I prayed, picked up trash on the playground and helped pass out papers in class. But that day, I made a blunder that put me in Sister Carmelita’s crosshairs. As she raised her arms and positioned her baton in anticipation of another rousing chorus of a hymn I have long forgotten, I rolled my eyes. Yep, I rolled them to the back of my little ten-year-old head in frustration and exhaustion.
Sister Carmelita cut her own my way. I realize now that she had mastered the art of eye cutting because she couldn’t move her head given her the box-like wimple. Everyone stopped breathing. No one knew what I had done, only that I had done something very, very bad.
“Miss Forster.” Sister Carmelita’s voice was modulated appropriately for God’s house. “Wait after choir.”
My stomach lurched. I felt light headed. I was doomed.
Sister Carmelita is long gone. During her time on earth she faced changes in her church and her life, but I doubt she ever knew how that day changed me. So, if you’re listening, Sister, I want you to know that, 30 years later, that moment sealed my fate. I spend my days writing thrillers, trying to recapture the exquiste sense of suspense I experienced that day. Here is what you taught me:
1) Less is More: Your understated notice of me, the glitter in your eye, the sound of your voice was more intriguing, more compelling, more enthralling than screaming, railing or ranting.
2) Timing is Everything: All 29 of my classmates knew I was in trouble. I knew I was in trouble. I even knew why I was in trouble (disrespecting you, God, choir practice, country, family and all living creatures with a roll of my eyes), yet you didn’t nip things in the bud with a mere instantaneous admonition. My comeuppance was exquisitely timed. You threw in an extra hymn to extend practice, studiously ignored me, meticulously folded your sheet music as my classmates silently went down the stairs. You waited until the door of the church closed, clicked and locked us together in that big, shadowy church before you turned.
3) The Devil’s in the Details: You were taller than me (back then almost everyone was taller than me), but that wasn’t why I was afraid. It was your whole package, the details of your awesome being that were so formidable. Covered head to toe in black, your face framed by your wimple (which, by the way, looked like the vice used during the Spanish Inquisition), your hands buried beneath the scapular that fell in a perfect column to the tips of your shoes, made for quite a package. But there was more: The scent of nun-perfume (I think it was soap, but it smelled like nun-perfume to me), the clack of those huge rosary beads attached to your wide belt, the squish of your rubber soled shoes. I saw all this, I heard all this, I smelled all this and each sense was heightened because of the hush surrounding us.
I remember your methodical advance into my personal space. I remember you lowering your eyes as I raised mine. The suspense was heart-stopping, the anticipation of my penance almost unbearable. Quite frankly, you were terrifying.
But here’s the funny thing: I don’t remember how it ended. Did you scold me? Did you show mercy and forgiveness? I only remember being terrified. Like the brain of the seven year old Stephen King swears gives him inspiration for his horror books, you, Sister Carmelita, inspire every sentence I write in every thriller novel I pen. For that, I can’t thank you enough.
I also want you to know, I have never rolled my eyes at anything since then .
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Sitting in my writing cabin in the woods I have the opportunity to watch nature in all of its richness. I usually play a CD softly while I write, and I allow it to repeat itself for hours on end. It is a loon CD, and I find those haunting voices calming, yet full of mystery. As in nature I never know what will flash by my windows. Most usually my two foxes will come, hoping to catch a meal of squirrel, chipmunk, or turkey. All of those little souls gather under my many bird feeders each morning. I do not necessarily like the thought of that, but we each instinctively do as we do.
When I see this, I always have a tug-of-war going on inside. Part of me understands the needs of the fox, and the other part of me wants the ‘little ones’ to be okay. But, the fox has to be the way he is. “Do not ask for mangoes in a shoe store,” I once read. This applies to us humans as well. Each of us is our own person. My Maine Coons like to hang out on my screened-in-porch and watch the action, but I would never let them out into the woods. Their instinct is to be with the other animals, and my instinct is to keep them safe. Oh my, the decisions we must make.
Whatever is important to us, go forward with commitment. Do not allow ourselves to be tossed to the wayside because of doubt. I have experienced indecision in so many of its ways, and it has kept me in its grips, but not anymore. Write, paint, or sing, with all the passion you have within. Make decisions regardless of the insecurity you might feel. It is a wonderful thing to witness the emergence of a more authentic self. I’ve learned to silence the voices of those who want to keep us narrowly defined, and although these awakenings are never gentle they lead to a process of finding out who we really are…
Sally Paradysz writes from a book-lined cabin in the woods beside the home she built from scratch. She is an ordained minister of the Assembly of the Word, founded in 1975. For two decades, she has provided spiritual counseling and ministerial assistance. Sally has completed undergraduate and graduate courses in business and journalism. She took courses at NOVA, and served as a hotline, hospital, and police interview volunteer in Bucks County, PA. She is definitely owned by her two Maine Coon cats, Kiva and Kodi.
Read Sally’s short story This Business of Wood in ONCE AROUND THE SUN; available in paperback and ebook.
Stories about winter, spring, summer and fall, and seasons of life, seasons of love, and even seasons of discovery.
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So far as the Duke of Wolveton is concerned, Charlotte Longborough is a scandal waiting to happen.
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More info →Fate has other plans for those with fire and fury in their hearts.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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