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Am I really that shallow? by Denise M. Colby @denisemcolby

October 12, 2017 by in category The Writing Journey by Denise Colby tagged as , ,

Am I really that shallow?

 

I always considered myself a deep person.  I can be passionate and caring and I cry at sappy stories.  I’m emphatic and wear all my emotions on my sleeve.  I love deep conversations. And I never ever wanted to consider myself shallow.  Shallow meant to me, someone who didn’t care or only thought of themselves.

 

But in the writing world, shallow could mean your writing is weak, not detailed, without substance. Our characters need to be selfish or see the world through specific lenses or they wouldn’t be very interesting.  We need details in all parts of story—setting so the reader can feel like they are there—and conflict or there would be no plot.

 

I noticed when I first started writing, my characters weren’t very defined. I had a difficult time figuring out who they would be and what they would do and when I did come up with something the details were vague.  Everyone sounded the same.  And because of that, I didn’t know where to go in my story and thus, I didn’t write very many words.

 

Why was that?  What was it that prevented me from creating a funny, engaging story?  Why did my characters for lack of a better word—lack character?  In my head the ideas seemed ideal, but when I put words down on the page none of it worked.

 

That’s when I realized I was shallow in my writing.  The thought actually made me laugh.  But the more I thought about it, the more it made sense.  And then I realized I had to do something about it.

To write an engaging story, I have to write things that I personally wouldn’t say or do.

 

See, in real life I try to think the best of people.  To not take offense or react. To be positive, and ignore the rest.  Give people the benefit of the doubt.  To not look deep into a person’s motivation, but try to accept people for who they are and not judge.

 

But if I wrote my characters the way I want to be, it wouldn’t make a very interesting book.  Most likely, it would be pretty boring.  (Hmm, that makes me I wonder—does that make me boring too? Oh don’t answer that…..I digress.).

 

Let Me Tell You Something | Denise Colby | A Slice of OrangeGoals, Motivation and Conflict

 

It became clear I couldn’t write my characters this way.  I had to come up with events and situations in their past to add depth, to create reasons why they acted the way they did.  To think of bad, horrible things.  To put into words bad, horrible things.  Give them words they would say, and reactions to the people and setting around them.  Gasp, maybe even have one of their parents not be so great at parenting. Or double gasp—someone has to die.

 

Oh but it’s so negative.  I don’t like to think in the negative.

 

So I fought with myself a bit until I realized that bad situations happen and that is how we grow.  I may not like it or give it much thought, but these things do happen and it’s important to have them happen in our manuscripts.

 

If you’re new to writing you’ll learn these three words come up quite regularly in classes and writing workshops.  Everything seems to go back to defining the GMC for each character and every writer will tell you they have to figure out what their characters GMC’s are before they can complete a book.  It matters, so spend time figuring this out.  I know for me I found it difficult to decide.  I wanted my heroine to be this, but also this, and also this.  But then she was an ‘every person’ and not unique.  And it made me so confused, I didn’t know how she would respond to any situation I put her in.  So, as I learned to narrow the GMC’s down, it became easier to pinpoint exactly how my character would react. Which in turn made it easier to write.

 

So, the answer to my question—Am I really that shallow? Yes, Yes I was. And since recognizing that, I’ve been able to learn more about GMC and how to go deeper in my writing, which in turn has helped me move closer to my goal of becoming a published author.

Hugs & Blessings,

Denise


Denise Colby |The Writing Journey

Although new to the writing fiction world, Denise Colby has over 20+ years experience in marketing, creating different forms of content and copy for promotional materials. Taking the lessons learned from creating her own author brand Denise M. Colby, Denise enjoys sharing her combined knowledge with other authors.

If you are interested in a marketing evaluation and would like help in developing a strategy for your author brand you can find out more here http://denisemcolby.com/marketing-for-authors/

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Bring Your Teddy Bear to Work and School Day and don’t forget the mocha latte by Jina Bacarr

October 11, 2017 by in category Jina’s Book Chat, Writing tagged as , , , , , , ,

Writers write.

Teddy bears cuddle.

Who is in more need of a cuddle than a writer staring at the empty page?

So on Bring Your Teddy Bear to Work and School Day, grab those wonderful teddies and sit them next to your computer. Then watch the words fly onto the page as they whisper into your ear. Helping you write that love scene with more oomph…or googling research for you.

But if your teddy bears are like mine, they don’t work for peanuts.

Nope. It’s got to be double lattes. Pumpkin spice and a salted caramel mocha.

Who am I to argue? I think I’ll join them…delicious.

Happy writing!

~Jina

 


PS — I’m working on a new Royals of Monterra Kindle Worlds for Christmas called Royal Noel.

Here’s a video with my current Monterra novels available on Amazon:

The Royals of Monterra — 4 books! from Jina Bacarr on Vimeo.

Royals of Monterra series:

 

Twisted Tiaras:

 

Book 1: Royal Dare: It ain’t easy getting clean . . . even for a princess.

 

Nothing Found

 

Book 2: Royal Bride: Can a sexy prince give a girl a second chance at love?

 

Nothing Found

 

Book 3: Royal Kiss: Even a goody two shoes princess can get lost down the rabbit hole.

 

Nothing Found

 

———–

Fairy Tales & Magic:

 

Royal Magic: The magic is in his kiss . . . a Philly girl falls in love with a royal magician.

 

Nothing Found

 

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October OCC/RWA Online Class: Time Management Secrets for Authors taught by Stacy Juba by @LyndiLamont

September 29, 2017 by in category Online Classes tagged as , , , ,

October’s OCC/RWA Online Class is Time Management Secrets for Authors: How to Balance Writing, Book Marketing, and Your Schedule While Igniting Your Creativity with Stacy Juba.

Time Management Secrets

Do you wish there was more than 24 hours in the day? If it seems like there is never enough time to write, promote your published books, and/or prepare submissions to editors and agents and learn the ropes of the business side of writing, then this workshop is for you.

Author and editor Stacy Juba experienced the longest writer’s block of her life after a family health crisis. She went on a mission to resurrect her creativity and find the time and energy to manage her writing career. Thanks to her new strategies, Stacy created a successful editing business and launched an exciting new chick lit series, and considers her herself more productive than ever.

Over the course of the month, participating writers will take important steps to advance their careers while also reducing the stress in their lives. Whether you’re struggling to overcome writer’s block, beef up your book promotion, or get your writing career launched, this class will arm you with the skills to get to the next level.

Participants will receive assignments and suggested tasks in a friendly, interactive format so that by the end of the course, they will be in a much more organized state of being.

Stacy Juba

Butch Adams

About the Instructor:

Stacy Juba got engaged at Epcot Theme Park and spent part of her honeymoon at Disneyland Paris, where she ate a burger, went on fast rides, and threw up on the train ride to the hotel. In addition to working on her new Storybook Valley chick lit/sweet romance series, Stacy has written books about ice hockey, teen psychics, U.S. flag etiquette for kids, and determined women sleuths. She has had a novel ranked as #5 in the Nook Store and #30 on the Amazon Kindle Paid List. Stacy is also the founder of the Glass Slipper Sisters, a group of authors with Cinderella-themed romance novels.

When she’s not visiting theme parks with her family, (avoiding rides that spin and exotic hamburgers) or writing about them, Stacy helps authors to strengthen their manuscripts through her Crossroads Editing Service and offers online workshops for writers.

Enrollment Information

This is a 4-week online course that uses email and Yahoo Groups. If you do not have a Yahoo ID you will be prompted to create one when you join the class, but the process is not difficult. The class is open to anyone wishing to participate. The cost is $30.00 per person or, if you are a member of OCCRWA, $20.00 per person.

Find her at http://stacyjuba.com.

Sign up at: http://occrwa.org/classes/oct-online-class/.

Linda McLaughlin
Online Class Coordinator

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Villains, Victors & Vixens: OCC/RWA’s Birthday Bash

September 21, 2017 by in category Apples & Oranges by Marianne H. Donley, Events, Writing Conferences tagged as , , ,

Villians, Victors & Vixens: OCC/RWA's Birthday Bash | A Slice of OrangeYou’re Invited to Join OCC/RWA in celebrating our Birthday Bash!

We’re having the Birthday, but we want to give everyone the presents.

 Villains, Victors & Vixens

Come for the day and/or join us Friday night for the Write In and Saturday Night for the Pajama Parties

October 21, 2017
Embassy Suites – Brea
900 East Birch Street
Brea, California, 92821

Cost is $50 for OCCRWA Members

$60 for All other Guests

$30 for Past Presidents

Signup HERE.

Keynote Speaker: Damon Suede

Bestselling Author, Renowned Speaker, and member of the RWA National Board of Directors

Reader’s Block:

Damon’s talk focuses on the modern romance industry, the radical shifts in readership and fandom and how they’re altering what success looks like for professional authors. Genre fictioneers often grouse about writer’s block but more and more what we encounter is something more akin to reader’s block: an unwillingness to step beyond our ruts or move past the shadow of our steeples.

Romance is the literature of hope, simultaneously the most traditional and most provocative of genres. Our industry is evolving, but not necessarily in the obvious ways. Tribalism and division cost us marketshare and media access. In a world expanding and connecting at an exponential rate, where do books land? Who are the readers of tomorrow? What is the future of love stories and genre fiction careers? Join us for a free-range discussion of the art of heart and the business of happy endings.

Bestselling author Panel : Debra Holland, Maggie Marr, Brenna Aubrey, Damon Suede

What Made the Difference!

Lunch will be served

Auction! Auction! Auction!

Incredible auction prizes from Scrivenver, RWA, Embassy Suites, Amazon, Major Publishers and authors

Come in Costume!

There will be Prizes. Dress as your favorite book character.

Book Cover Contest!

Enter your favorite covers for prizes. And help judge the winners.

(you can enter on the OCC website)

Awards for the Orange Rose and Book Buyer’s Best Contests

Friday night Write-In

At least one hour with Damon Suede

Saturday Night Pajama Parties — Damon Suede, Louella Nelson, Maggie Marr and more.

Cost is $50 for OCCRWA Members

$60 for All other Guests

$30 for Past Presidents

Signup HERE.

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Say What!?

September 19, 2017 by in category On writing . . . by Jenny Jensen tagged as , , ,

Say What!? | Jenny Jensen | A Slice of OrangeEvery writer has to be an editor to some degree. Reading and revising what you’ve written is the first line of attack; the skirmish before an editor gets unbiased hands on the work. What are you looking for when you edit your own work? Search and destroy all worm words, cut down on adverbs and adjectives, delete extraneous dialog tags, trim unneeded prose; there is a ton of excellent advise on the web to help with a self-edit. But can it help you catch the muddle?

 

When you are on that heady writing roll where the words just flow and the story unfolds in your mind like a film then you write what you’re seeing — it’s a grand feeling. Just be sure you wrote what you meant to convey. When you reread those words you’re fixed on the meaning you intended. When an editor reads those same words they… just might laugh. Ah the consequence of the unintended.

 

I’ve encountered this muddle most where eyes are involved. Probably because it’s said that the eyes are windows to the soul. We’ve imbued two innocent organs with a near paranormal ability to transmit intent. And I think they can. The face is expressive but the eyes really can appear shifty, or soulful or hurt. And if you’ve ever really pissed your mom off, then you know that eyes can harden in anger.  But there’s a thin line between expressive eyes and hilarious word play.

 

He lied. His eyes gave him away, gaze dropping fast to the floor and remaining there. Well, pick that gaze up for heavens sake. It’s dusty down there. But I get it and it works beautifully in the context of the scene, if it just didn’t conjure an image that makes me chuckle. We went with: He lied. The eyes gave him away. He couldn’t look at us. It was a great thriller and the book did well.

 

A different author; the scene is tense, the captive character needs to scope out the situation, there has to be a way out. Her eyeballs skittered across the room. Oh my! That hurts — eyeballs rolling away like errant marbles. It isn’t pretty. Please, let’s try: She scanned the room frantically…” It fit the moment and the book sold admirably.

 

OK, maybe the eyeball fix wasn’t the deciding sales factor — each of these authors is very, very good — but, in the end, neither provided unintended laughter. When you self-edit pay heed to what you’ve written. Do the words convey what you actually intended?  Be vigilant of the muddle. No one wants to step on a skittering eyeball.


Jenny Jensen | A Slice of OrangeWith a BA in Anthropology and English I pursued a career in advertising and writing and segued into developmental editing. It was a great choice for me. I love the process of creating and am privileged to be part of that process for so many great voices — voices both seasoned and new.

 

I’ve worked on nearly 400 books over 20 years, books by noted authors published by New York houses including Penguin, Kensington, Pentacle and Zebra as well as with Indie bestsellers and Amazon dynamos. From Air Force manuals and marketing materials to memoirs, thrillers, sci fi and romance, my services range from copyediting to developmental coaching.

 

Having worked in advertising and marketing, I am always cognizant of the marketplace in which the author’s work will be seen. I coach for content and style with that knowledge in mind in order to maximize sales and/or educational potential. My objective is to help the author’s material stand out from an ever more crowded and competitive field.

 

 

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