
This month on From a Cabin in the Woods we are featuring Submitting Your Work by A. E. Decker
A. E. Decker is a former ESL tutor, tai chi instructor, and doll-maker. She holds degrees in English and colonial American history. Her Moonfall Mayhem series, chronicling the adventures of a half-vampire girl run amuck in the land of fairytales, is published by World Weaver Press. Her stories have been published in Fireside Magazine, Beneath Ceaseless Skies, and PhobosMagazine, as well as in numerous anthologies. She has been a member of the Bethlehem Writers Group since 2010, and edited two of their anthologies. Like all writers, she is owned by three cats.
I’ve come around to the belief that the real bugaboo of a writer’s world is not that dreaded phantom, writer’s block, nor even learning to take criticism without curling in a ball and weeping.
The very hardest part about being a writer is submitting your work. I’ve watched a lot of friends twist themselves into contortions trying to avoid it. One man I worked with in a critique group refused to hear any recommendations for his perfectly saleable military sci-fi novels, saying “he only wrote for his own enjoyment.” I have one friend who insists she doesn’t know how to write a query letter, and another whose work always needs one more revision before it’s ready to show to an editor. Speaking of query letters, I also know plenty of writers who spend more time agonizing over the perfect writing that will infallibly catch the agent/editor’s eye than they do on the work they’re submitting.
I’m not excusing myself from methods of submission avoidance, either. I have a formula worked out for short story queries, so I can whip them off pretty quickly, but I rarely refrain from dabbling with my work before submitting it, fiddling with a few lines here, adjusting the grammar there, as if these miniscule changes will somehow make all the difference in the editor’s mind. And, as far as novels go, present me with a perfectly good market that requires a summary as part of its conditions, and I’ll find any excuse to procrastinate until the deadline passes rather than think “Hooray! This might be someone who’s actually interested in reading my book.”
Why is submitting so hard? Surely most of us—the man from my critique group aside—write in the hopes of someday having people read our work, and unless we’re ready to go the self-publish route, that means finding someone to represent us.
I think the answer can be summed up in a single word: rejection. Rejection is harsh. The mere term carries many connotations. We equate it with Not Good Enough. “Loser” and “failure” might even drift through our cringing subconsciouses. We envision the editor/agent as some mighty judge on high, handing down the final word on our literary merit.
Of course it’s all nonsense. Editors and agents are as much flesh-and-blood people we are ourselves. People have their own tastes. As much as we all want to write that one great novel that transcends genre and is beloved by all who read it, we have to recognize that it isn’t possible. I personally would have rejected The Great Gatsby, Moby Dick, and anything written by Ernest Hemmingway, if I were an editor, and I bet half of you nodded along with that list, and the other half substituted your own choices.
So, what does this mean, when it comes to dealing with rejections? Am I suggesting that the next time you receive one of those form letters you should shake your fist at the screen, shouting: “You fool! You just turned down the next Herman Melville!”
Actually, yes, if it sounds like fun, and doesn’t scare your cats or members of your family too badly. Because getting a rejection, even a form rejection that tells you nothing of the editor’s true thoughts, means that you submitted. You took a chance. And I can tell you, personally, through the carnage of hundreds of rejection notices, that submitting is mostly a number’s game. It’s not about polishing your writing until it’s “good enough” to be published; it’s about managing to put it in front of a person whose taste matches your style.
Think about it: you only really have to appeal to one person, so long as it’s a person with the ability to publish you. Suddenly, the eighteen varying opinions in your writers’ group don’t seem so weighty. (That said, if they all agree on an aspect of your work, you likely have a problem.) With this thought in mind, submitting becomes more of a hide-and-seek game, searching out that one agent or editor who thinks your writing is marvelous. Yes, they are out there somewhere. It’s up to you to find them.
So stop fussing with your story or novel, trying to make it “perfect.” Take a breath, make a list of agents or publishers, and get to work. Keep records of who sends you encouraging feedback—they might like your style, if not the piece you sent them. Most importantly, remember submitting isn’t like the lottery; you will win if you just keep playing.
And until then, you can yell at your screen. Just don’t scare your cats.
Roxy Matthews is the author of several self published novels, Misery’s Companion, Tools of Terror, From the Depths, McBride’s Gem, Numb, and Second Time Sam, with several others due out this year.
For over fifteen years at the keys, she worked to hone her skills. She wrote her own column for a local online newspaper, www.sootoday.com titled ‘Stepping Stones’ before moving onto higher ground with a stint in Suspense Magazine’s 2010 edition. Over the years, she continued a steady trek through this difficult industry as she dabbled in short stories, earning a kudos and first place win with ‘Watery Grave’ and ‘Euphoria’. Those wins would seal the deal for her, confirming what she always knew…she could make it, she just needed more time. She has since entered several more contests throughout the years, taking any and all advice she could to move forward.
Today, you can watch her on her quest to best seller status with her upcoming releases ‘Numb’ and ‘Second Time Sam’, both releasing this year.
“One day, I will make my way in this industry, however it may be, but I’ll never step off the stones I began treading on over a decade ago. Instead, I will find my way across the path to where I was always meant to be.”
Roxy: Actually no, I planned Numb, McBride’s Gem, and Second Time Sam all as stand alones. My first book in this series, McBride’s Gem wasn’t even the first I wrote, Numb was. Once I finished Numb I started on McBride’s Gem right away. With some help from my editor and publisher at the time, it morphed into the first story in the series, and a secondary story line that would link all three books together was created. Even through it all, I still doubted Numb so much, for so long that I almost shelved it and forgot it ever even existed. It took me many years of going through the story line, revising, editing, chopping, editing, revising some more to finally have the perfect story break through.
Roxy: Pale Bay is a piece of my heart. I based it off a little town along Lake Superior called Haviland Bay. When I dreamed the town up in my head, I gave it the likeliness of the area I lived in including the sub streets and Main Drive, but I expanded it to be more of a town then the one street existence that was Haviland Bay. I made sure it cupped the Lake, it’s people down to Earth, each with their own lives, their own secrets, just as the town was. But Pale Bay is unique. Hidden in plain clothes, mingling amongst the townspeople are a select group of three women and one man sent down from Olympus on the tails of three Gems, the Virtues of Life. They have spent centuries protecting them from the vengeful hands of Cronos, Zeus’ father. His plan, to use the powers of Life, Love, and Happiness to destroy mankind. However, the Gems have their own mission, and that is to find their pure soul mortal protectors.
Roxy: Randi Ronin was the first person to come alive in McBride’s Gem. I sat at my desk one day and was like…what if I had a woman who was strong, independent, determined to make her way in the world, but she was soft, caring, loving, and wore polka dot panties under her business suit? Boom! Randi Ronin came alive. Her hair is cut like Cleopatra’s and just as dark, her strength in the face of adversity is unbound, yet her sensitivity, her past pains are too close to the skin.
Hawk McBride was always a force to be reckoned with in my mind. He was tall, built, and strong, yet sarcastic with a flair for being a jokester. He has a
big heart that was damaged once before and even though he’s instantly attracted to Randi, he fights the feelings as much as he can. But fate intervene’s as these two forces join against something much bigger then themselves or their pasts…and that is the fate of mankind.
Roxy: It was kinda the other way around. Lizzie and Johnny’s story was written first. But I struggled with how to portray Lizzie’s relationship with her brother without it seeming taboo. Their unique connection as twins was a tricky one to write, not to mention the abilities they have when it comes to each other. Because of that, Numb tortured me for some time. I think I rewrote Lizzie and her brother, Lucas’ scenes at least four times to get it right. Not to mention adding in the Godly element I incorporated in McBride’s Gem. If Numb was now going to be number two and carry that secondary story line with perfection, I had lots of work to do. That being said, Numb was the first story I wrote after a close to five year hiatus, so my skills were a tad rusty. It took a good amount of work to polish it up to what
it is today but I am super pleased with the outcome.
Roxy: Oh Lordy, Second Time Sam was by far the hardest. I think the reason it was was because of the story line I had played out in my mind for Sam and Gabby. Second chances at love after the loss of a loved one. I envisioned them much older, in their 50’s, but just couldn’t wrap my mind around how to make them fall in love fast. How could someone be with someone for 20-30 years, lose them, and fall in love again so quickly, especially for the rest of the story line to work? Sure, it’s been known to happen, but I felt in my heart these characters wouldn’t. So, I adjusted their ages which morphed Sam and Gabby’s characters altogether. That was when the magic happened. Bing, bam, boom. Their love to loss to love story flowed through the keys. I then incorporated my Olympian Gods and some mayhem and the puzzle pieced itself together.
Roxy: Ohhh, Drago’s Destiny really excites me because not only is it the fourth in the series but it could be the first or the last. This story is Sci-Fi/Fantasy and tells how the Gods of Olympus ended up in Pale Bay, protecting mystical Gems, searching for pure soul mortals to, once and for all, rid the evils of Cronos from mankind. You find out the Sheriff of Pale Bay’s wife’s lineage. Denise Doucet, in her mortal form, but Gaea, Great Mother Earth in her Olympian.
For this story, I created a whole new world on a planet in a different solar system, NAN. NAN is as unique as they come, with a select group of people meant to oversee the lands above ground and below, at the helm one chosen at birth as NAN’s warrior and protector, Drago Darkiel. But their world is like any, diseases have devastated their soils until finally eradicated from the planet by horrific means. When a hint of the disease shows up in one of Drago’s relatives DNA, he risks everything to find the cure and save his family lineage. But the task will not be without its own dangers, or a woman he loved yet pushed away hot on his trail. What neither Drago nor Raechel know is just how important they are not only to the people of NAN but a planet they have yet to touch feet on.
In the final book in this series, Destiny’s Warrior, we go back to Pale Bay, to a warrior now full grown, the gifts of the gods at her fingertips, and an army created by the Virtues of Life and all that is good in man.
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About the Class:
The moment you start writing a book with the intention of publishing it – self or traditional – you are in business. And if you’ve never run a business before, you may need this class. Scratch that. You need this class. Trust me.
I’m Mary Castillo and once upon a time, I dedicated my life to writing and publishing novels. But I didn’t know how one got paid. Or, that I’d have to pay taxes on that income in quarterly payments, or that my writing career would go one way and then quickly head another way and through it all, a mission statement I wrote in a moment of frustration would keep me focused when the road got rough.
What you’ll learn in this workshop are some of the things I learned the hard way, and some of the things I did right without knowing that they were the right things to do!
Our sessions will uncover sound practices in business planning, finance and marketing that will sustain you through your career. You will learn:

About the Instructor:
It is no wonder that Mary Castillo is a paranormal mystery and romance author. She grew up in a haunted house.
Her mom once found her in the closet talking to the nicest lady who had a daughter and two sons. Mary was the only person in the closet and the more questions her mom asked, the plainer it was that her then three-year-old child described the previous (and deceased) resident of their house!
Fast forward many years later, Mary now writes the books she loves to read—chilling, paranormal mysteries in creepy old houses with a sexy hero and kick-butt psychic heroine, Dori O. The first book in the series, Lost in the Light was a Daphne Du Maurier Award finalist and the audiobook title won the 2018 Audiobook Review Listener’s Choice Award in Mystery. It was then followed up with Girl in the Mist and Lost in Whispers (a Maggie finalist!). Mary serves as vice president of communications for OCC RWA and at the moment, does not live in a haunted house. To learn more about her and her books visit: www.marycastillo.com.
Enrollment Information:
This is a 4-week online course that uses email and Groups.io. The class is open to anyone wishing to participate. The cost is $30.00 per person or, if you are a member of OCCRWA, $20.00 per person.
To sign up or for more information, go to the class page at the OCC/RWA website: http://occrwa.org/classes/online-class-three/.
Linda McLaughlin
OCC/RWA Online Class Coordinator
When I received an email from best selling author Melissa F. Miller asking me to join a book bundle with thriller authors Pamela Callow, Diane Capri, Colleen Cross, and Pamela Samuels Young, I jumped at the chance.
We released Legal Action ($2.99) and Legal Briefs ($.99) earlier this month. Legal Action is a set of six full-length novels; Legal Briefs is a bundle of novella’s and short stories. I like to think this two pronged approach is unique. I certainly thought the addition of Legal Briefs was genius. I attended the NINC (Novelists Inc.) conference in Florida mainly to meet some of these ladies. The experience was fabulous, but even without face-to-face meetings this bundle would have been a great collaboration.
WHY IT WORKED:
BOTTOM LINE:
If you want to participate in a boxed set with other authors take it upon yourself to start the process. Offer a proposal that is both creatively exciting and purposeful in marketing. That will begin the conversation.
One last thing. Google the title of your bundle before it’s set in stone. Imagine our surprise when we found out that Legal Briefs was also the title of a number of erotica novels. At least our cover stands out. Though if we had an image of a man in his underwear on the cover maybe our reach might be greater.
So Bundle up. It can be a wonderful experience.
P.S. Offer the administrator a percentage of any profit. Their work is invaluable.

USA Today & Amazon best selling author Rebecca Forster
Follow Rebecca or contact her at www.rebeccaforster.com
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This month on From a Cabin in the Woods we are featuring Diane Sismour’s “Hallow’s Eve Trick or Treat.”

Diane Sismour has written poetry and fiction for over 35 years in multiple genres. She lives with her husband in eastern Pennsylvania at the foothills of the Blue Mountains. Diane is a member of Romance Writers of America, Bethlehem Writer’s Group LLC, Horror Writers Association, and Liberty States Fiction Writers. She enjoys interviewing other authors and leading writer’s workshops.
Her website is www.dianesismour.com, and her blog is www.dianesismour.blogspot.com.
You can find her on Facebook and Twitter at: http://facebook.com/dianesismour, http://facebook.com/networkforthearts, and https://twitter.com/dianesismour.
Before the goblins and ghosts come knocking at the door, I go through costumes of Halloween parties past with hopes one will inspire a new use to don during Trick or Treat. There were some outrageous getups over the years.
Each brings a memory or two, but one particular outfit stirs a smile. Guests were required to stay in disguise throughout the entire party. The person who remained a mystery won best costume. Usually we had an idea who was whom except once. That year someone arrived, and nodded to people as he entered our house. Nobody knew who the concealed man was until he removed his mask at the end. A party crasher fooled everyone!
I remove the box from the stack, and place it upon the bed. The odd sensation of déjà vu strikes. A staggering certainty hit that I’ve been here before doing exactly this, just not in this lifetime! Then another thought occurs . . . wouldn’t it be fun to write a story about a parallel dimension. One facet in today’s time and another from the past, and possibly a third in the future, running simultaneously with the character’s thoughts colliding with more frequency.
A good shake removes most of the wrinkles from the cape and I arrange the red satin around my shoulders. The matching gloves slide on up to the elbows, the felt flames flickering in glitter. I nestle the horns upon my head and fasten the belt attaching the forked tail, and WHAM! Another déjà vu moment. The story idea is taking shape with each occurrence. One last item—place the black iron circlet around the horns and ta da— Queen of the She-devils. Now to find a minion or two to wrangle some candy so I can go write this story.
However your muse likes to trick, remember to give her a treat. Happy Halloween!
~ Diane Sismour
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She's a headstrong Bostonian. He’s a laid-back Tennessean.
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More info →On a battlefield in Afghanistan, Sgt. Ryder Bronson makes an oath to protect his dying friend’s wife from a rogue cop—and from the passion that will threaten to overwhelm them both.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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