Featured Author: Denise M. Colby
June 7, 2024 by Denise M. Colby in category Apples & Oranges by Marianne H. Donley, Featured Author of the Month tagged as Author of the Month, Christian Historical Fiction, Denise M Colby, Marketing, Social Media, writing
Denise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors.
She treasures the written word and the messages that can be conveyed when certain words are strung together. She, being an avid journal writer, is often seen with a pen and notepad whenever she reads God’s word. Denise is writing her first Christian Historical Romance Series, and you can find her at www.denisemcolby.com
Denise is a member of OCRW, Faith, Hope & Love Christian Writers, ACFW (where she was a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and Novel Academy.
You can read Denise’s column The Writing Journey on A Slice of Orange, or follow her on Facebook or Instagram. You can also sign-up for her newsletter.
Big news for Denise!
Denise’s debut novel, When Plans Go Awry, won the Grand Prize in the Scrivenings Press #GetPubbed Contest for 2023, placing 1st place in the Historical category. It is the first of four books in this series being published by Scrivenings Press.
When Plans Go Awry
Denise M. Colby
ISBN: 978-1-64917-391-1
June 4, 2024
Olivia Carmichael escapes her past to become the next schoolmarm in the small ranching community of Washton, California. Her plan? Live a quiet spinster life alone, never to depend on anyone again.
Luke Taylor selected a mail-order bride to help raise his two younger sisters and protect his broken heart. His plans don’t include being responsible for the beautiful new schoolmarm, who threatens his resolve between his need to stay away and his need to ensure her safety.
Along the way, Olivia’s carefully laid-out plans are challenged at every turn, and Luke’s mail-order bride is not what he expected.
With the help of the entire town and its wily rooster, can Luke and Olivia learn to trust again?
Denise M. Colby’s Books
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Featured Author: Denise M. Colby
June 1, 2024 by Denise M. Colby in category Apples & Oranges by Marianne H. Donley, Featured Author of the Month tagged as Author of the Month, Christian Historical Fiction, Denise M Colby, Marketing, Social Media, writing
Denise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors.
She treasures the written word and the messages that can be conveyed when certain words are strung together. She, being an avid journal writer, is often seen with a pen and notepad whenever she reads God’s word. Denise is writing her first Christian Historical Romance Series, and you can find her at www.denisemcolby.com
Denise is a member of OCRW, Faith, Hope & Love Christian Writers, ACFW (where she was a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and Novel Academy.
You can read Denise’s column The Writing Journey on A Slice of Orange, or follow her on Facebook or Instagram. You can also sign-up for her newsletter.
Big news for Denise!
Denise’s debut novel, When Plans Go Awry, won the Grand Prize in the Scrivenings Press #GetPubbed Contest for 2023, placing 1st place in the Historical category. It is the first of four books in this series being published by Scrivenings Press.
When Plans Go Awry
Denise M. Colby
ISBN: 978-1-64917-391-1
June 4, 2024
Olivia Carmichael escapes her past to become the next schoolmarm in the small ranching community of Washton, California. Her plan? Live a quiet spinster life alone, never to depend on anyone again.
Luke Taylor selected a mail-order bride to help raise his two younger sisters and protect his broken heart. His plans don’t include being responsible for the beautiful new schoolmarm, who threatens his resolve between his need to stay away and his need to ensure her safety.
Along the way, Olivia’s carefully laid-out plans are challenged at every turn, and Luke’s mail-order bride is not what he expected.
With the help of the entire town and its wily rooster, can Luke and Olivia learn to trust again?
Denise M. Colby’s Books
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The Seven Challenges I Love About Writing Short Stories by Jerome W. McFadden
May 13, 2024 by Bethlehem Writers Group in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as Jerome W. McFadden, Short Stories, writing, Writing Advice
Multi-award winning Jerome W. McFadden’s has had forty short stories published over the past ten years in magazines, e-zines, and a dozen anthologies. His efforts have won him several national awards and writing contests, receiving a National Bullet Award for the Best Crime fiction on appear on the web in June 2011. His short stories have been read on stage by the Liar’s League in Hong Kong and the Liar’s League in London.
After receiving his B.A. from the University of Missouri, he spent two years as a Peace Corps volunteer in Casablanca, Morocco. Following his MBA from the Thunderbird Graduate School of Global Management (Arizona State University). He continued his peripatetic ways with corporate assignments in Houston, Istanbul, Paris, San Francisco, and Singapore, spending his spare time writing free-lance articles for American and newspapers and magazines. He morphed from journalism to short fiction in 2009. He now resides in Bethlehem, Pa. and is an active member of the Bethlehem Writers Group. His collection of 26 short stories, Off The Rails, A Collection of Weird, Wicked, & Wacky Stories, appeared in November, 2019.
The Seven Challenges that I Love About Writing Short Stories
1) You need to get into the story from the very start:
Every word in a short story matters. Time and space are limited. You cannot afford to waste a page or two describing the weather, building the setting, or giving the genealogy of your hero/heroine. You need to get to the guts of the action quickly, pulling the reader in with the first paragraph. By the end of the first page, the reader should be aware of the famous 5 W’s of journalism: Who, where, when, what, with why possibly coming later.
2) You need to quickly define the core of the story:
Short stories follow only one trajectory — one arc—concerning one character (or a small group of characters) traveling through one primary crisis or concern. The crisis or concern is in fact one shattering moment in that person’s (or group’s) life that he/she must work through, successfully or unsuccessfully. Note: That shattering moment does not need to be violent. It could be emotional, psychological, mental, or spiritual, or other. But it needs to be challenging. *
3) You must develop your characters rapidly:
Characters must be constructed with complexity, credibility, and emotion—in as little as a sentence or two. The writer must show character development while actively moving through the story’s narrative. You do not have time or space for the big old info dump. Instead, the writer needs to use clever dialogue, interactions, short flashbacks, and sharp imagery to develop the story’s characters.
4) You are allowed only so many characters in the story:
You are limited to a small cast of characters. A full cast might consist of only one or two characters. Any character you decide to introduce must bring something crucial to the story – or be eliminated. Bringing in a character for “cuteness” or for “color” or just because you like the quirky character in your head, is wasting precious words and precious space in your story. A good rule: Any character that does not bring in two vital elements into the story needs to be eliminated forthwith.
5) Short stories require a strong pace and balance:
Recognize the descriptions and dialogues that slowing the story down, as well those that are those that are moving the story along. You must identify the best place to start, where to put the opening scene that hooks the reader, then maintain that hook to continue to pull the reader through the rest of the story.
6) Short stories teach you to trim the fat:
Short stories leave no time for easing into things (long descriptions, banal conversations, interesting but boring backstory, wild personal tangents). Short stories are just that—short—but they must always pack a punch. This may be the ultimate skill to be learned from short story writing: Trim the fat. My favorite writing “rule” comes from the legendary writer Elmore Lenonard, “Leave out the parts that the readers skip.”
7) A great short story must create an emotional impact:
The stronger, the better. And a great twist at the ending helps make the story memorable.
An added note: The tools and skill you pick up from writing short stories are assets that can and probably should be used in your novel writing.
*This “shattering moment” is described lovingly and in full detail in Chapter 3 – The Big Key in James Scott Bell’s wonderful book How to Write Short Stories And Use Them to Further Your Writing Career.
A Selection of Books with Short Stories by Jerome W. McFadden
An Uneasy Out
April 30, 2024 by Dianna Sinovic in category Quill and Moss by Dianna Sinovic, Writing tagged as writing
The plane sat on the Philadelphia tarmac, waiting in line to take off. Steph blinked at the sunlight illuminating her face in the window seat; clear and sunny: a good omen for her trip to San Diego, to her former roommate’s wedding. Except, the journey was for the marital knot she’d hoped wouldn’t happen.
Then the person in the seat behind her threw up.
We haven’t even started rolling down the runway.
Steph’s fellow travelers in Row 23 shifted in their seats as the retching continued.
Several call lights switched on. The ill person murmured, “I’m sorry. I’m so sorry.”
When no flight attendant responded to the lights, a man across the aisle in Row 24 tried a verbal summons. “We’ve got a sick person back here,” he shouted. “She needs help.”
Steph calculated the time frames that would now shift. This flight had an hour layover in Denver, but if the plane returned to the terminal instead of heading aloft, she might miss the connecting flight. Which would make her late for the rehearsal. Which would push the rehearsal dinner later. Christi had urged her to fly out the day before, but Steph had limited vacay days. Besides, she wasn’t sure she could endure watching her friend marry the guy Steph had thought was hers.
A flight attendant finally walked back to Row 24. By this time, the woman behind Steph was moaning softly and was, from what Steph could see as she surreptitiously peeked over the seat back, slumped against the window.
After trying to rouse the passenger, the attendant hurried to the front of the plane.
Moments later, the overhead speakers crackled to life.
“Folks, we’re heading back to the terminal because of a medical emergency. We’ll do our best to get in the air as soon as possible after that’s resolved. Thank you for your understanding.”
The cabin burst into conversation, and Steph’s seatmates compared notes about their destinations and the delay. She pulled out her phone to text Christi the news but stopped. Was this her excuse to miss the ceremony? She could even float a tiny lie about exposure. After all, she was only a couple of feet away from an obviously ill person. Christi didn’t need to know that Steph’s “illness” was dread.
The jet snuggled against the skywalk, and a flight attendant announced, “Please remain in your seats while the medical crew helps the ill passenger. We are determining if we will need to move to a new plane.”
Two EMTs entered the plane with a stretcher between them. With quiet efficiency, they moved the unconscious woman onto the stretcher and quickly wheeled her away.
Another flight attendant cleaned and sterilized the area, and the two people who had been seated next to the ill passenger resumed their places. The window seat remained empty.
Steph weighed her message to Christi. The closer the time to the wedding, the less she wanted to go. Why had she ever agreed to be a bridesmaid?
Flight is delayed. I’ll be late.
Let Christi take her wrath out on those already there. When Steph finally showed up, she could plead a migraine, an aching back—anything that would allow her to skip the ceremony, or at least sit in the back row and pretend to watch.
OMG. I told you to take an earlier flight.
Steph smiled grimly at her friend’s response. Reeve just might deserve Christi. He’d ghosted Steph more than a year into their relationship, although the frequent unanswered texts and calls prior to that should have been clues. And when Christi shared the news of her engagement to Reeve—“I’m sorry, but crazy things like this happen”—Steph was surprised her friend wanted her in the wedding. Perhaps it was to gloat.
When the flight touched down in Denver, Steph’s connecting flight had already departed. The slight queasiness that started when they were still over Pennsylvania had grown in strength until she knew she would not be traveling westward from Colorado. She didn’t need a made-up excuse; she had the real thing. She just hoped it was short-lived.
Some of Dianna’s stories are in the following anthologies.
The Character Must Die
April 22, 2024 by Veronica Jorge in category Write From the Heart by Veronica Jorge tagged as characters, letting go, Veronica Jorge, writing
I killed one of the characters in my novel.
(It was more like two, but I have no qualms about the second one.)
I came up with a death scene I really liked and just had to use it, so someone had to “go.”
I’m still not sure if it was in the best interest of the story, or if I’m just stuck on having to use a particular description.
As I reflect on the sequence of events and the wording, and debate the character’s fate; to live or not to live? I think about language in general and the nuances contained therein.
The English “goodbye”, like the characters in a book, can be so finite. Here today, gone tomorrow.
In contrast, parting words in other languages encompass a world of possibilities of that which is yet to be experienced. Whether it’s, auf wiedersehen in German, arrivederci in Italian, or hasta luego in Spanish, each expresses the probability, and the hope, that we will meet again. Even the Japanese rarely use sayonara, unless it really is “the end.”
In life, as in writing and in reading, I prefer the meanings that other languages provide for that interim we call separation. And I would like to think that the characters we create in our imaginations, that eventually inhabit the pages of a book, continue on, not only in our own minds, but in the minds, and perhaps the hearts, of our readers.
So, if I must terminate one of my characters, I’ll think of them as an old soldier who has faithfully served, and comfort myself with the words of General Douglas MacArthur.
“Old soldiers never die, they just fade away.”
And I realize that no matter how wonderful a story may be, as we grow and change, some of the characters we loved best as writers and readers do fade away and/or are replaced by others.
But, they never really die.
We meet them over and over again in the ways they have touched us and changed us, and have made us different and maybe, even better, for having met them.
See you next time on May 22nd.
Veronica Jorge
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