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Getting Down to the Business of Writing & Publishing Romance With Mary Castillo #onlineclass @A_SliceofOrange #OCCRWA

October 23, 2018 by in category Online Classes tagged as , , , , ,

 

Business of Writing Graphic

 

About the Class:

The moment you start writing a book with the intention of publishing it – self or traditional – you are in business. And if you’ve never run a business before, you may need this class. Scratch that. You need this class. Trust me.

I’m Mary Castillo and once upon a time, I dedicated my life to writing and publishing novels. But I didn’t know how one got paid. Or, that I’d have to pay taxes on that income in quarterly payments, or that my writing career would go one way and then quickly head another way and through it all, a mission statement I wrote in a moment of frustration would keep me focused when the road got rough.

What you’ll learn in this workshop are some of the things I learned the hard way, and some of the things I did right without knowing that they were the right things to do!

Our sessions will uncover sound practices in business planning, finance and marketing that will sustain you through your career. You will learn:

  • How to create a business plan
  • Why numbers are important on deciding what to write next
  • How you can start to identify your readers and help them find your books
  • How your creative author brain makes you a powerful authorprenuer
  • Who are the leading experts in today’s publishing world and why you might want to follow them

Author Mary Castillo

About the Instructor:

It is no wonder that Mary Castillo is a  paranormal mystery and romance author. She grew up in a haunted house.

Her mom once found her in the closet talking to the nicest lady who had a daughter and two sons. Mary was the only person in the closet and the more questions her mom asked, the plainer it was that her then three-year-old child described the previous (and deceased) resident of their house!

Fast forward many years later, Mary now writes the books she loves to read—chilling, paranormal mysteries in creepy old houses with a sexy hero and kick-butt psychic heroine, Dori O. The first book in the series, Lost in the Light was a Daphne Du Maurier Award finalist and the audiobook title won the 2018 Audiobook Review Listener’s Choice Award in Mystery. It was then followed up with Girl in the Mist and Lost in Whispers (a Maggie finalist!). Mary serves as vice president of communications for OCC RWA and at the moment, does not live in a haunted house. To learn more about her and her books visit: www.marycastillo.com.

Enrollment Information:

This is a 4-week online course that uses email and Groups.io. The class is open to anyone wishing to participate. The cost is $30.00 per person or, if you are a member of OCCRWA, $20.00 per person.

To sign up or for more information, go to the class page at the OCC/RWA website: http://occrwa.org/classes/online-class-three/.

Linda McLaughlin
OCC/RWA Online Class Coordinator

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1 Email, 6 Authors, 2 Thrilling Bundles

October 15, 2018 by in category The Write Life by Rebecca Forster tagged as , , , , , ,

When I received an email from best selling author Melissa F. Miller asking me to join a book bundle with thriller authors Pamela Callow, Diane Capri, Colleen Cross, and Pamela Samuels Young, I jumped at the chance.

We released Legal Action ($2.99) and Legal Briefs  ($.99) earlier this month. Legal Action is a set of six full-length novels; Legal Briefs is a bundle of novella’s and short stories. I like to think this two pronged approach is unique. I certainly thought the addition of Legal Briefs was genius. I attended the NINC (Novelists Inc.) conference in Florida mainly to meet some of these ladies. The experience was fabulous, but even without face-to-face meetings this bundle would have been a great collaboration.

WHY IT WORKED:

  1. Melissa had a vision that was easily communicated and she offered an administrative option (important for me).
  2. Participants spanned a spectrum of one genre which meant sharing readers might overlap but would probably not completely duplicate audiences.
  3. Each of us had similar marketing tools in place and were comfortable using them.
  4. A basic plan was agreed to as a foundation that could be built upon.
  5. A price structure was  agreed to that met the objective of widening our audiences.
  6. Trust, respect, and communication made the process  simple, enjoyable and effective. David Miller (administrator) created covers, social media images etc. leaving the authors free to write new material for the Briefs bundle.

BOTTOM LINE: 

If you want to participate in a boxed set with other authors take it upon yourself to start the process. Offer a proposal that is both creatively exciting and purposeful in marketing. That will begin the conversation.

One last thing. Google the title of your bundle before it’s set in stone. Imagine our surprise when we found out that Legal Briefs was also the title of a number of erotica novels. At least our cover stands out. Though if we had an image of a man in his underwear on the cover maybe our reach might be greater.

So Bundle up. It can be a wonderful experience.

P.S. Offer the administrator a percentage of any profit. Their work is invaluable.

 

USA Today & Amazon best selling author Rebecca Forster

Follow Rebecca or contact her at www.rebeccaforster.com

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Sign up for her mailing list and get her 2-Book starter library free. 

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Hallow’s Eve Trick or Treat

October 13, 2018 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , , , ,

From A Cabin in the Woods | Diane Sismour | A Slice of Orange

 

This month on From a Cabin in the Woods we are featuring Diane Sismour’s “Hallow’s Eve Trick or Treat.”

Diane Sismour | A Slice of Orange

Diane Sismour has written poetry and fiction for over 35 years in multiple genres. She lives with her husband in eastern Pennsylvania at the foothills of the Blue Mountains. Diane is a member of Romance Writers of America, Bethlehem Writer’s Group LLC, Horror Writers Association, and Liberty States Fiction Writers.  She enjoys interviewing other authors and leading writer’s workshops.

Her website is www.dianesismour.comand her blog is www.dianesismour.blogspot.com.

You can find her on Facebook and Twitter at: http://facebook.com/dianesismourhttp://facebook.com/networkforthearts, and  https://twitter.com/dianesismour.

 

 

Hallow’s Eve Trick or Treat

Before the goblins and ghosts come knocking at the door, I go through costumes of Halloween parties past with hopes one will inspire a new use to don during Trick or Treat. There were some outrageous getups over the years.

Each brings a memory or two, but one particular outfit stirs a smile. Guests were required to stay in disguise throughout the entire party. The person who remained a mystery won best costume. Usually we had an idea who was whom except once. That year someone arrived, and nodded to people as he entered our house. Nobody knew who the concealed man was until he removed his mask at the end. A party crasher fooled everyone!

I remove the box from the stack, and place it upon the bed. The odd sensation of déjà vu strikes. A staggering certainty hit that I’ve been here before doing exactly this, just not in this lifetime! Then another thought occurs . . . wouldn’t it be fun to write a story about a parallel dimension. One facet in today’s time and another from the past, and possibly a third in the future, running simultaneously with the character’s thoughts colliding with more frequency.

A good shake removes most of the wrinkles from the cape and I arrange the red satin around my shoulders. The matching gloves slide on up to the elbows, the felt flames flickering in glitter. I nestle the horns upon my head and fasten the belt attaching the forked tail, and WHAM! Another déjà vu moment. The story idea is taking shape with each occurrence. One last item—place the black iron circlet around the horns and ta da— Queen of the She-devils. Now to find a minion or two to wrangle some candy so I can go write this story.

However your muse likes to trick, remember to give her a treat. Happy Halloween!

~ Diane Sismour


Now available on Amazon

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Seriously Creative with Laura Gates-Lupton OCC/RWA Online Class @A_SliceofOrange

September 23, 2018 by in category Online Classes, Writing tagged as , , , ,

OCC/RWA Online Class:

Seriously Creative: A Life Coach’s Approach to Productive Writing Success

October 15-November 9, 2018

 

Seriously Creative Class Graphic

About the Class:

Does your internal dialogue sound anything like this?

“I should be more disciplined. I need to be tougher on myself. I said I was going to really focus on my manuscript this week, and I haven’t even looked at it.  I need to get up early (or stay up late, or skip my lunch hour) and write.  (Insert famously productive writer’s name here) writes ten hours a day, cranks out five bestsellers a year, and still has time to tour.  I can’t even manage an hour.  I’m such a failure.”

If bullying yourself into submission (pun intended) isn’t working, then this four week course is for you.

Seriously Creative will incorporate the tools and techniques I use with my writer and illustrator clients to help them achieve higher levels of productivity and success without negative self-talk.  Using these methods, you will be able to:

-Figure out what’s really getting in your way (hint:  it isn’t a lack of discipline)

-Work effectively with the time you have, whether it’s too much or not enough

-Use two types of goals for increased motivation and keeping your work on track

-Create unique habits that work for you and your particular situation

-Understand the number one fear that holds people back from achievement, and how to dissolve it

-Conquer your inner bully, and shut down negative self-talk

By the conclusion of this course you will have a specific plan of action for getting and keeping your writing on track right now, as well as new strategies and techniques that will work for you in all the stages ahead.

About the Instructor:

Laura Gates-Lupton holds a master’s degree in clinical social work and is a Certified Professional Coach.  She has been helping people create healthier, happier, more productive lives for over 27 years.  She works with clients from all over the US and abroad, and loves seeing her writer clients get their work out into the world.  Laura is the mother of three amazing teens (whom she homeschooled, alongside her hardworking husband, until last year), and manages to do a bit of writing and freelance editing on the side.  Her mysteries have appeared in Woman’s World, Highlights and Rainbow Rumpus.  You can find Laura on LinkedIn and Facebook.

Enrollment Information:

This is a 4-week online course that uses email and Groupsio. The class is open to anyone wishing to participate. The cost is $30.00 per person or, if you are a member of OCCRWA, $20.00 per person.

To sign up or for more information, go to the class page at the OCC/RWA website: http://occrwa.org/classes/online-class-two/.

Linda McLaughlin
OCC/RWA Online Class Coordinator

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REDUNDANT

September 19, 2018 by in category On writing . . . by Jenny Jensen tagged as , ,

REDUNDANT: adj. Exceeding what is necessary or natural; superfluous. Needlessly wordy or repetitive in expression. American Heritage Dictionary

In my editing business I come across redundancy a lot. That and it’s kissin’ cousin overwriting. Both are common, and excusable — especially in the draft stage. We all do it. A draft is the place to get every thought out and on the page. It isn’t surprising when your draft reads: “Conversation with Jason was so dull and boring he was putting Claire to sleep”. That’s a simple repetition of meaning within a single sentence and it’s easy to spot and fix. If Jason is so dull he’s putting Claire to sleep then clearly the guy is boring. Go for punchy: “Claire found conversation with Jason soporific.” If you’re looking for it you’ll spot the redundant meanings and as awareness grows even drafts lose the redundancies.

Redundant means needlessly wordy as well as repetitive and that’s a writing snafu that can suck the life right out of good story.

Despite her past history Shelia remained woefully sad about the unintentional mistake that she’d made a long time ago when she was just a silly, young adolescent and not the wise and knowing 17 year old she was now. She wished she could just postpone the principal’s request until later and deal with the whole ugly business in the future when she was older and prettier (as if that was even possible). Squaring her shoulders she pulled herself up, raised her chin, took an enriching deep breath and marched into Mr. Grisslywald’s office.

Wow, there it is: redundant kissing right up to over writing. They often go hand in hand like mismatched mittens. You know a book suffers from overwriting when you find yourself thinking “Get on with it…puhleese” in the middle of a chapter. But it’s easy to spot when self-editing. If a passage seems overly long take out all the words that don’t affect meaning and then question the necessity of what’s left. Does it move the story forward? Add anything to plot or character understanding? Strengthen foreshadowing or reinforce atmosphere? If not, cast the evil over writing out. Keep your narrative flowing with the essentials.

Having relayed all those warnings about redundancy, it does have a bright side. Repetition is a well-used literary technique. Used correctly and for the right reasons it’s very effective. Trigger words (or phrases) for example. Trigger words are words chosen to elicit an emotional response and can be very powerful when repeated throughout a story. A bit like metaphor, the meaning of a trigger word needs to be established early in the narrative i.e., what emotional response the author wants it to evoke. Then when that trigger word appears again and again in the appropriate place, the reader knows and feels that emotional response. It can be a very effective way to convey character motivation, or reinforce a story’s entire premise.

A story of mine opens with the narrator remembering her grandmother. Granny Mae Rae spit with disdain when talking of those women she called Passion Hearted. These are the women who can’t face their lot, accept the man they’re supposed marry, bear without fuss the children they’re fated to have and carry on with the chores of life without complaint. Instead they search for meaning, for some strange notion of fancy love, chasing after some fey idea of purpose. Granny Mae Rae knew all about purpose and it wasn’t Passion Hearted.

That term is explained up front and repeated throughout the narrative as the heroine comes to learn that she is one of Granny’s Passion Hearted. Her rags to riches character, who seeks a soul mate, is better understood and her motivations reinforced by repetition of that trigger. OK, mine may not be great literature but the technique works.

Repetition can be a really effective device if properly used, but as a natural consequence of writing it’s often redundant. Stay mindful of dull and boring, aware of unnecessary verbiage and repetitive descriptions and actions that don’t add anything. A clean, succinct narrative allows us readers to happily just get lost in the tale.

Jenny

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