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Hallow’s Eve Trick or Treat

October 13, 2018 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , , , ,

From A Cabin in the Woods | Diane Sismour | A Slice of Orange

 

This month on From a Cabin in the Woods we are featuring Diane Sismour’s “Hallow’s Eve Trick or Treat.”

Diane Sismour | A Slice of Orange

Diane Sismour has written poetry and fiction for over 35 years in multiple genres. She lives with her husband in eastern Pennsylvania at the foothills of the Blue Mountains. Diane is a member of Romance Writers of America, Bethlehem Writer’s Group LLC, Horror Writers Association, and Liberty States Fiction Writers.  She enjoys interviewing other authors and leading writer’s workshops.

Her website is www.dianesismour.comand her blog is www.dianesismour.blogspot.com.

You can find her on Facebook and Twitter at: http://facebook.com/dianesismourhttp://facebook.com/networkforthearts, and  https://twitter.com/dianesismour.

 

 

Hallow’s Eve Trick or Treat

Before the goblins and ghosts come knocking at the door, I go through costumes of Halloween parties past with hopes one will inspire a new use to don during Trick or Treat. There were some outrageous getups over the years.

Each brings a memory or two, but one particular outfit stirs a smile. Guests were required to stay in disguise throughout the entire party. The person who remained a mystery won best costume. Usually we had an idea who was whom except once. That year someone arrived, and nodded to people as he entered our house. Nobody knew who the concealed man was until he removed his mask at the end. A party crasher fooled everyone!

I remove the box from the stack, and place it upon the bed. The odd sensation of déjà vu strikes. A staggering certainty hit that I’ve been here before doing exactly this, just not in this lifetime! Then another thought occurs . . . wouldn’t it be fun to write a story about a parallel dimension. One facet in today’s time and another from the past, and possibly a third in the future, running simultaneously with the character’s thoughts colliding with more frequency.

A good shake removes most of the wrinkles from the cape and I arrange the red satin around my shoulders. The matching gloves slide on up to the elbows, the felt flames flickering in glitter. I nestle the horns upon my head and fasten the belt attaching the forked tail, and WHAM! Another déjà vu moment. The story idea is taking shape with each occurrence. One last item—place the black iron circlet around the horns and ta da— Queen of the She-devils. Now to find a minion or two to wrangle some candy so I can go write this story.

However your muse likes to trick, remember to give her a treat. Happy Halloween!

~ Diane Sismour


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Seriously Creative with Laura Gates-Lupton OCC/RWA Online Class @A_SliceofOrange

September 23, 2018 by in category Online Classes, Writing tagged as , , , ,

OCC/RWA Online Class:

Seriously Creative: A Life Coach’s Approach to Productive Writing Success

October 15-November 9, 2018

 

Seriously Creative Class Graphic

About the Class:

Does your internal dialogue sound anything like this?

“I should be more disciplined. I need to be tougher on myself. I said I was going to really focus on my manuscript this week, and I haven’t even looked at it.  I need to get up early (or stay up late, or skip my lunch hour) and write.  (Insert famously productive writer’s name here) writes ten hours a day, cranks out five bestsellers a year, and still has time to tour.  I can’t even manage an hour.  I’m such a failure.”

If bullying yourself into submission (pun intended) isn’t working, then this four week course is for you.

Seriously Creative will incorporate the tools and techniques I use with my writer and illustrator clients to help them achieve higher levels of productivity and success without negative self-talk.  Using these methods, you will be able to:

-Figure out what’s really getting in your way (hint:  it isn’t a lack of discipline)

-Work effectively with the time you have, whether it’s too much or not enough

-Use two types of goals for increased motivation and keeping your work on track

-Create unique habits that work for you and your particular situation

-Understand the number one fear that holds people back from achievement, and how to dissolve it

-Conquer your inner bully, and shut down negative self-talk

By the conclusion of this course you will have a specific plan of action for getting and keeping your writing on track right now, as well as new strategies and techniques that will work for you in all the stages ahead.

About the Instructor:

Laura Gates-Lupton holds a master’s degree in clinical social work and is a Certified Professional Coach.  She has been helping people create healthier, happier, more productive lives for over 27 years.  She works with clients from all over the US and abroad, and loves seeing her writer clients get their work out into the world.  Laura is the mother of three amazing teens (whom she homeschooled, alongside her hardworking husband, until last year), and manages to do a bit of writing and freelance editing on the side.  Her mysteries have appeared in Woman’s World, Highlights and Rainbow Rumpus.  You can find Laura on LinkedIn and Facebook.

Enrollment Information:

This is a 4-week online course that uses email and Groupsio. The class is open to anyone wishing to participate. The cost is $30.00 per person or, if you are a member of OCCRWA, $20.00 per person.

To sign up or for more information, go to the class page at the OCC/RWA website: http://occrwa.org/classes/online-class-two/.

Linda McLaughlin
OCC/RWA Online Class Coordinator

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REDUNDANT

September 19, 2018 by in category On writing . . . by Jenny Jensen tagged as , ,

REDUNDANT: adj. Exceeding what is necessary or natural; superfluous. Needlessly wordy or repetitive in expression. American Heritage Dictionary

In my editing business I come across redundancy a lot. That and it’s kissin’ cousin overwriting. Both are common, and excusable — especially in the draft stage. We all do it. A draft is the place to get every thought out and on the page. It isn’t surprising when your draft reads: “Conversation with Jason was so dull and boring he was putting Claire to sleep”. That’s a simple repetition of meaning within a single sentence and it’s easy to spot and fix. If Jason is so dull he’s putting Claire to sleep then clearly the guy is boring. Go for punchy: “Claire found conversation with Jason soporific.” If you’re looking for it you’ll spot the redundant meanings and as awareness grows even drafts lose the redundancies.

Redundant means needlessly wordy as well as repetitive and that’s a writing snafu that can suck the life right out of good story.

Despite her past history Shelia remained woefully sad about the unintentional mistake that she’d made a long time ago when she was just a silly, young adolescent and not the wise and knowing 17 year old she was now. She wished she could just postpone the principal’s request until later and deal with the whole ugly business in the future when she was older and prettier (as if that was even possible). Squaring her shoulders she pulled herself up, raised her chin, took an enriching deep breath and marched into Mr. Grisslywald’s office.

Wow, there it is: redundant kissing right up to over writing. They often go hand in hand like mismatched mittens. You know a book suffers from overwriting when you find yourself thinking “Get on with it…puhleese” in the middle of a chapter. But it’s easy to spot when self-editing. If a passage seems overly long take out all the words that don’t affect meaning and then question the necessity of what’s left. Does it move the story forward? Add anything to plot or character understanding? Strengthen foreshadowing or reinforce atmosphere? If not, cast the evil over writing out. Keep your narrative flowing with the essentials.

Having relayed all those warnings about redundancy, it does have a bright side. Repetition is a well-used literary technique. Used correctly and for the right reasons it’s very effective. Trigger words (or phrases) for example. Trigger words are words chosen to elicit an emotional response and can be very powerful when repeated throughout a story. A bit like metaphor, the meaning of a trigger word needs to be established early in the narrative i.e., what emotional response the author wants it to evoke. Then when that trigger word appears again and again in the appropriate place, the reader knows and feels that emotional response. It can be a very effective way to convey character motivation, or reinforce a story’s entire premise.

A story of mine opens with the narrator remembering her grandmother. Granny Mae Rae spit with disdain when talking of those women she called Passion Hearted. These are the women who can’t face their lot, accept the man they’re supposed marry, bear without fuss the children they’re fated to have and carry on with the chores of life without complaint. Instead they search for meaning, for some strange notion of fancy love, chasing after some fey idea of purpose. Granny Mae Rae knew all about purpose and it wasn’t Passion Hearted.

That term is explained up front and repeated throughout the narrative as the heroine comes to learn that she is one of Granny’s Passion Hearted. Her rags to riches character, who seeks a soul mate, is better understood and her motivations reinforced by repetition of that trigger. OK, mine may not be great literature but the technique works.

Repetition can be a really effective device if properly used, but as a natural consequence of writing it’s often redundant. Stay mindful of dull and boring, aware of unnecessary verbiage and repetitive descriptions and actions that don’t add anything. A clean, succinct narrative allows us readers to happily just get lost in the tale.

Jenny

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What cocktail waitressing taught me about writing by Jina Bacarr

September 11, 2018 by in category Jina’s Book Chat, Writing tagged as , , , , ,

I once worked as a cocktail waitress…great research for stories

Back in my sassy cocktail waitress days, I dreamed about being a writer. I worked until 3 a.m. cleaning up, checking stock, etc., then I’d go home and write. On a charming PC with a black screen and alien green text.

Ah, yes, those were the days.

Dreaming, planning. Wishing and hoping. Always believing if I worked hard enough, I’d get published.

No one told me the road to Oz was a long and winding one. A road filled with curves and pit stops and wrong turns.

Which brings me back to my days as a cocktail waitress. I got the job because I fit into the skimpy costume. A black fringe short, short dress. High, skinny black heels and fishnet stockings. I looked the part, but I had no idea what I was doing. The cute bartender helped me make up a list of the drinks on a placemat (I kept it as a souvenir) and I had adorable pink tip trays.

I spilled drinks. More than once. Okay, I spilled a lot of drinks.

The competition among the waitresses was fierce. Like a beauty pageant. I got punked by another waitress when she set me up with a grabby, belligerent customer who almost got me fired.

I got asked out on dates by customers, but I kept my nose clean. The only date I had after work was with a bear claw at the 24-hour doughnut store.

I became a darned good waitress. I learned the drinks by heart, got my tray balancing on like a pro, knew when to steer the bouncer to a table of tipsy, unruly drinkers, navigated the jealousy of the other girls, made good friends, and enjoyed the job.

So, what does all this have to do with writing?

Cocktail waitressing taught me that like writing, it’s not one thing that makes you good at what you do. Sometimes it’s going outside your comfort zone to get the job done. Whether that’s learning new technology, expanding your social media network when you have no idea what works, taking criticism (I learned how to serve a drink by dipping and bending my knees) and writing is rewriting. It’s about learning your craft, persistence, and getting through the tough moments when you want to quit. Have your cry and get over it.

I have several book projects on submission….keep you posted!

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Cooking with Words

August 19, 2018 by in category On writing . . . by Jenny Jensen tagged as , , ,


Words are a writer’s ingredients. We love words – obscure words, descriptive or emotional words, those sets that make up the language of a specialty. Creating a passage of the perfect words hits the poetic, emotional and dramatic sweet spot — it’s more satisfying than a perfectly risen soufflé. Those words are not always based on literal meaning; otherwise Oscar Wilde would never have written: “The curves of your lips rewrite history.”

I have always been taken with the vocabulary of cooking. This is probably because I can’t cook. Maybe I think if I learn that vocabulary I can wield it like an incantation and my split pea soup will magically look less frightening, smell inviting and even taste good. It hasn’t worked but culinary terms, as a set of words, continue to surprise me — they’re just so aggressive.

Macerate, whip, beat, truss, pulverize, grind, batter, beat, scald. Whoa! All this to get something beautiful, delicious and nutritious? It works for most cooks. No matter how I slice or dice, shred, mince or mash, it seldom works for me. Must be in how you understand the terms and in nuance of use. Culinary terms work just as well to describe a cage fight as they do with a recipe for Angel Food cake.

Jared didn’t blanch facing the mountain that was Killdeer Kilze. He’d whip this fight up – he had to – the kids hadn’t eaten in two days. Time to mince this guy and reduce his essence. Zest infused Jared’s system, juicing his blood as he minced the mountain’s nose with one lethal chop, shred his kneecap with another. Scalded by the roar of the drunken crowd he beat at the massive chest, macerating the ribs. Sliced, diced and filleted to perfection, Killdeer Kilze lay trussed like the appetizer he was. The kids would dine well tonight.

Cooking is a gentle, homey pursuit – though some of those chef shows can be down right bloody so maybe it’s the competitive aspect that accounts for the aggressive feel. These words aren’t really homonyms. They sound alike and are spelled alike but they don’t have different meanings. The difference is in the sense of the meaning.

Linguists and other learned folk call this fine distinction, Polysemy. It’s the distinction that good writers always make. It’s part of why poetry can rock your world. Seeking just the right words with just the right nuance can make a love scene monumental rather than simply sweet, or enfold the reader in the sight, smell and sound of a setting. It’s the choice and use of the right words that makes a story linger in the reader’s heart — something every writer wants.

I do wonder how our language developed to make this particular set of words work for such opposing concepts. Is there a conflicted warrior inside every woman? I don’t know but if I dig far enough I’m sure theories abound. And while I ponder this conundrum I do it…again. I fritter my time away on obscure concepts and my carefully mixed cornbread hits the cooling rack and bounces. It sounds like a hollow rock. Clearly, it takes more than knowing the right language to make a great cook. But it is knowing the right nuanced words that makes a great book.

Jenny

 

 

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