
I’ve been a graphic designer/illustrator/cartoonist for most of my adult life, but as I approached fifty years on this earth, I finally began writing. The first things I wrote made no sense because I had no idea what I was doing. My writing experience had involved writing headlines and snippets of ad copy, as well as a stray brochure here and there.
What I learned from this transition was that different forms of writing are like creating artwork in various media.

Take writing a novel, for instance. I compare that to making an oil painting on canvas. First, a sketch and color study is made of the proposed image. The paint is selected and applied according to the artist’s plan. If alterations, changes, or corrections are needed, oil paints can be very forgiving as they take quite a while to dry.
The artist may want to repaint a section or replace parts that don’t work. While the rest of the painting can remain undisturbed, one can use little paint thinner or turpentine in a cloth, and voila, the area can be repainted, over and over until it is just right. Some parts of the painting may be finished, but others may still be in a rough state. Keep in mind; the oil paints take a long time to dry – days sometimes weeks to be totally dry. A novel is much like that in that the writer has many pages to develop the story and create the story arc or arcs, while other parts of the story can develop separately until it is blended, shade, and glazed, and it all comes together.
A short story or flash fiction I compare to making a watercolor painting. While both appear to be somewhat spontaneous—although they aren’t. Much preliminary planning must take place. First, quality watercolor paper must be selected and what colors will be applied first. Watercolor paints dry very quickly. Certain areas must be given a few minutes to dry, so when transparent layers are added, the whole thing does not become a muddy mess. Once it is on the paper, that’s it! No going back and changing it.
Some stunning watercolor art can be created with proper planning and bravery on the artist’s part. Next time you look at a watercolor painting in a museum, look at how the artist makes the images with as few strokes as possible. In writing, plots need to be simplified, and the number of characters reduced because the story has to do its job with fewer words on fewer pages quickly. The story arc is going to be right up front. Next time you read a short story or flash fiction, look to see how quickly the writer has to make their point.
Each type of writing requires a different mindset. The same goes for painting in various media.
Now, how do these approaches apply to co-writing? Have you ever played the “Fold Doodle” game? Someone takes a sheet of paper and folds it horizontally into narrow sections then draws the head of a person or thing on the top section. They fold that section under and another adds to the drawing on the next section then folds it over and passed it on. This process continues until the paper is used up. It is then unfolded to reveal the drawing by many different hands. Sometimes it is hilarious, other times a disaster.
People have asked us many times how we write together, and the answer is communication and planning. Whether we are writing a novel, a short story, or a blog post, the best thing to do is check in with your co-writer along the way to make sure you are both in the right mindset for the story at hand and the results will be beautiful.


Denise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors. She treasures the written word and the messages that can be conveyed when certain words are strung together. An avid journal writer, she usually can be found with a pen and notepad whenever she’s reading God’s word. Denise is writing her first novel, a Christian Historical Romance and can be found at www.denisemcolby.com
She’s a member of RWA, OCC/RWA, Faith, Hope & Love Chapter of RWA, ACFW (where she is a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and SoCal Christian Writers’ Conference (where she will be teaching two workshops in June – Brand and SEO Marketing for Your Website).
In addition to Denise’s column The Writing Journey on A Slice of Orange, you can read some of her magazine article here.
0 0 Read more


Denise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors. She treasures the written word and the messages that can be conveyed when certain words are strung together. An avid journal writer, she usually can be found with a pen and notepad whenever she’s reading God’s word. Denise is writing her first novel, a Christian Historical Romance and can be found at www.denisemcolby.com
She’s a member of RWA, OCC/RWA, Faith, Hope & Love Chapter of RWA, ACFW (where she is a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and SoCal Christian Writers’ Conference (where she will be teaching two workshops in June – Brand and SEO Marketing for Your Website).
In addition to Denise’s column The Writing Journey on A Slice of Orange, you can read some of her magazine article here.
0 0 Read more

The creative process is a mystery to me. I like it that way. Not knowing how or why an author chooses a certain literary device makes every book I read a fresh experience. I’m not always wowed by the tale but I like to start with no bias. Just lately though, I can’t help wondering what drives so many of my clients to write in 1st person. I love a good tale told in 1st person but it’s the most difficult narrative voice to get right.
Up until the mid 20th century the lion’s share of novels were written in 3rd person. A quick glance of current literary prizewinners shows 30% written in 1st person (The Handmaid’s Tale, The Hunger Games, The Martian etc.). Current genre and commercial fiction is more like 50%. Clearly, this is the age of 1st person and I think I know why—energy, immediacy and intimacy. While those three qualities attract us they’re also what makes 1st person hard to write well.
The narrator has to be interesting enough to carry the reader through 200 plus pages of story. Basically it’s the only voice we hear so it better be entertaining. The character can be droll, hysterically funny, bitingly snarky, painfully deluded, even seriously insightful—as long as the energy exuded is compelling. Sometimes the narrator exists to showcase the main character. Watson is a rather deluded and bumbling narrator but we become fond of him. It’s his subject, Holmes that keeps the reader riveted. We want to stay for the whole ride.
1st person is both immediate and intimate. The reader sees the action through the narrator’s eyes rather than from the outside. It’s close up and personal so the reader has a sense of being present as the action takes place. With a compelling narrator and interesting plot it’s easy for the reader to feel they have a stake in the story. 1st person reads like a journal or a personal letter. The reader sees, hears and knows what the narrator sees, hears and knows. There’s no distance between us—all the more reason to craft a compelling narrator. The narrator speaks directly to us. Well done, 1st person is more exciting, more emotionally engaging and more satisfying than the viral YouTubes of laughing babies and crazy critters caught on camera. No wonder we love it.
There is one cardinal sin when writing 1st person – filter words. They put a dampening distance between the reader and the action. Because we see, hear, smell, feel and know what the narrator does there is no room for distancing the reader.
“I even thought of doing something gossipy…”
Filter words removed:
“I considered something gossipy…”
I could hear…I thought…I felt…I saw…chop away the filter words and close the distance. Good first person narrative is always from behind the character’s eyes.
Having put these thoughts down I think I’m going to read The Perks of Being a Wallflower (Chbosky). I love a good first person story. Do you?
3 0 Read more

My writing career was going nowhere. I’d imagined hundreds of thousands of dollars of income, fame, and something far more elusive, critical acceptance. My average annual income was hovering at $42.11; rejection letters carpeted the floor. Why? What was I doing wrong? I would have fixed it…if I’d known what “it” was.
Enter Story Genius by Lisa Cron, a book recommended by one of my writing buds—and the pieces fell into place. Cron’s hypothesis: All great stories have both an internal conflict and an external conflict. Because people procrastinate, because not a one of us wants to face our inner demons, great stories use an overwhelming external conflict to force the protagonist to grapple with his or her internal conflict.
Consider Dorothy in The Wizard of Oz. She was a discontented teenager looking for the way home. So crucial is Dorothy’s internal state to the story, that Dorothy’s fears are characters. She’s afraid to make tough decisions (the scarecrow); she fears she’s a coward (the lion), she doesn’t know how to love the people she cares about most (the tinman). I’ve always found the tinman incredibly moving. As a young woman becomes an adult, her body changes, and thus how she interacts with her family also changes. Physical demonstrations of affection can become awkward and stiff. Dorothy feels rusty, unable to move. She longs to be a child again, when affection was simple, when she could easily throw her arms around the people she loves.
The external conflict in the story forces Dorothy and her friends to face their fears. When Dorothy is kidnapped by the flying monkeys and taken into the lair of the Wicked Witch, the scarecrow hatches the rescue plan. Hmmm…smart and decisive. The cowardly lion is willing to fight the palace guards to save her. At the end of the story, when she must leave, the tinman weeps. Dorothy who, at the beginning, was willing to listen to munchkins (who told her to follow a stupid yellow brick road to find a wizard) learns that her future is in her own feet. Remember, the wizard did not get her home. She missed the balloon. Instead, she got home by clicking her heels together. Her actions, not those of a charlatan wizard, determined her future.
Thus, we see Cron’s classic pattern:
External Conflict → Compels the protagonist to face → Internal Conflict
The Wicked Witch of the West → forced Dorothy to face→ her fears about her own future
Before I put a single word on the paper, I ask myself: What is my character’s greatest fear? Then I craft an external event so powerful that my protagonist is forced to face that fear. I leave her no room to dither or escape. Finally, when she wrestles with her fear, when she grows, when she becomes more than she ever dreamed she could be, then I know, I’ve got a great story.
A Slice of Orange would like to welcome Kidd Wadsworth. Her column, Infused with Meaning, will post here on the 18th of each month. We are thrilled to have her writing for us. We hope you enjoy her posts as much as we do. Welcome, Kidd!
4 0 Read more
A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
Follow Skylar Drake to Hollywood parties where the forbidden is accepted and games played are for keeps.
More info →Would you break the girl code for love?
More info →Olivia Merriman’s witchy wiring has all gone haywire and if she doesn’t get it under control soon she’s going to lose her boyfriend, her magic and a whole lot more!
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
Copyright ©2017 A Slice of Orange. All Rights Reserved. ~PROUDLY POWERED BY WORDPRESS ~ CREATED BY ISHYOBOY.COM