Denise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors. She treasures the written word and the messages that can be conveyed when certain words are strung together. An avid journal writer, she usually can be found with a pen and notepad whenever she’s reading God’s word. Denise is writing her first novel, a Christian Historical Romance and can be found at www.denisemcolby.com
She’s a member of RWA, OCC/RWA, Faith, Hope & Love Chapter of RWA, ACFW (where she is a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and SoCal Christian Writers’ Conference (where she will be teaching two workshops in June – Brand and SEO Marketing for Your Website).
In addition to Denise’s column The Writing Journey on A Slice of Orange, you can read some of her magazine article here.
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This month, A Slice of Orange is proud to announce that Dianna Sinovic will be blogging regularly for us. Her column Quill and Moss is scheduled on the 30th of May, July, August, October, December, January and March. Please take a minute to welcome her.
One late afternoon after work this past week, I walked down the drive to decompress and unkink, and noticed the winged maple seeds scattered across the asphalt and sprinkled on the lawn.
Silver maple whirligigs, falling by the hundreds—thousands—each a seed that will get eaten (by the squirrels), squashed (by my car), or swept up and tossed in the trash (not the compost!). A few may find themselves on soil rich enough to sustain roots and decide to sprout.
I likened the whirling seeds to the many ideas writers sift through for their next writing project, whether a blog post or a short story or a chapter in a longer work. You might reject one after another idea—too silly, too serious, too [fill in the blank]—until you hit on the one that inspires you. Or that idea may need to lie dormant for a while, until the time is right to nurture it into a sapling.
Case in point: For several years, I sat on the first two paragraphs of a story idea. In my mind’s eye, I saw a middle-aged woman, an aging “hippie,” lighting a candle and trying to connect with the spirit of her dead husband. His name was Tommy. Her name was Weejah, pronounced like the Ouija board. That’s all I had for a long while. I would revisit it periodically, hoping the time was right, but I still stared at same two paragraphs.
Then, just like that whirligig, the seed of the idea finally began to sprout. On the next revisit, as I saw Weejah sitting in front of the candle, I knew then that she was asking Tommy about a new man in her life, one whom she was considering marrying. The conflict would be with her grown children, who were against the marriage. But then, like a seedling, the story stayed small and incomplete for a while longer.
At last I knew I was ready to write it as a paranormal story. It would be presented in scenes that were tied to a séance: Each time Weejah tried to reach Tommy, whether by herself, with her son and daughter, or with her fiancé, something would happen to make her believe he really was there—communicating across the Great Divide.
After several rewrites, it became Tommy, which made it into the Bethlehem Writers Group’s latest anthology, Untethered.
What seeds of ideas have you returned to again and again, waiting for them to finally put down roots?
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While she was out, we thought you would like to revisit one of her posts from our archives. Jenny will be back in June with a new post On Writing . . .
A good story is made up from a host of elements that when jumbled together and skillfully molded become a glorious whole – just like Dixie Jewett’s fabulous horse. Plot, setting, theme, writing style and characters all must blend to make the whole pleasing. Being an omnivorous reader (yes, even when I’m not editing) I am happy with a plot driven or an action driven story, but I am smitten by a character driven tale. Reading a character driven novel is like crashing a party and making the acquaintance of new and fascinating people.
The main characters always have some attraction otherwise they wouldn’t support the story and make the reader care. Who couldn’t be enthralled by bossy Elizabeth Bennet and the steely D’Arcy, or Scarlett and Rhett? And then there’s Hannibal Lector, the very pinnacle of evil yet more compelling than a ten-ton magnet. Depending on how the story is structured we can learn their history upfront, or it is revealed through out the narrative, but there is always enough time and story space to make that all-important emotional connection through, not just history, but mannerisms, speech patterns, and motivations.
It is the secondary characters – the extras, if you will – that are often the most colorful component of great novels. Dickens’ genteelly mad Miss Haversham, du Mauier’s chilling Mrs. Danvers. Creating a supporting cast that adds a glint of darkness, a spark of humor or a touch of humanity to a story. Beyond helping to create a personality in a novel, this supporting cast is also critical to fleshing out the setting – you know you’re in NYC when your hero is depressed and seeks the ever freely given advice of street smart Dominick De Luca at his World Famous Hotdog cart. You feel you’re in San Francisco when the hero hears the Powell Street cable car and hops on to her morning repartee with Phillip the droll veteran conductor.
Secondary characters can be tools to move the action forward. If your protagonist needs to be placed in a situation that is out of character for her, use a secondary character to get her there. For instance, the contrary but kind old Mr. Kronke is Mia’s downstairs neighbor to whom she can never say no. Too ill to act on his passion for the horses Mia agrees to deliver his bet to the shady off license where she stumbles into a handsome man and so meets the hero.
Finally, supporting characters make great sounding boards to help the main characters work out internal conflict. Think about the key role lively dialog with the saucy office receptionist might play, or a hip bartender. Dithering Aunt Renada, for instance, is far more compelling than your main character’s long internal dialogue.
Just remember that you, the author, are creating a whole world and you must populate it. Your cast of characters can be useful, colorful, thoughtful, wicked, wise or witty but they should never be boring. Look at the world around you, note all the people you come in contact with, and you will have all the inspiration you need to create fantastic and memorable characters.
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The other day I was musing about muses. This was a rather convoluted process that went something like this:
I want to write but I don’t have an idea. I should write, but I’m bummed because I don’t have an idea. I could write if I had a great idea. I need to get one and until I do, I’ll watch TV. There’s a movie on TV called The Muse. I’ll watch The Muse and get inspired.
This is how the musing went after the movie.
The Muse is awful. She’s demanding, self-centered, and doesn’t care about the writer’s work. Still, the he sees something in her. What does he see in her? I want a muse. I just don’t want a muse like that.
I turned off the TV, obsessed with the idea of getting a muse. I just had to figure out where to get one. Since I’d never actually seen a muse, I decided I better find out exactly what I was looking for.
In the dictionary, the first definition of muse is to be thrown into a deep state of dreamy abstraction. The second is a noun, naming any of the nine sister goddesses in Greek mythology that preside over song, poetry, the arts and sciences. The third definition is the one we think of most often, a human source of inspiration or a guiding genius.
With this information in hand, I analyzed my career and realized that a muse has guided me every step of the way. I have often found myself lost in a dream state inspired by another writer. Their work has more often than not sparked an idea for a book of my own or a shown me a new way of laying a story foundation or become a point of reference for an essential building block.
The second definition – the naming of the goddesses – is a matter of inspirational faith. I have always believed that there is ‘something’ hovering over artists that not only encourages the creative soul, but also gives it the courage needed to present its work to a critical public.
That brings us back to the movie and the third definition of muse: the source of inspiration that we can touch and talk to. For some people this is one person, for me it has been many. I don’t call them muses; I call them friends, lovers, family and colleagues. Each step of my career was inspired and moved forward by the muse of the moment, the one person I needed just then.
There was the high school teacher who told me I wrote well, my husband who rescued by early attempts from the trashcan, my children who proudly said their mom was a writer. As the years went on and the books piled up, there were editors who trained me and readers who cheered me on, inspiring me to be better at my craft. All these people were – as definition three would have us believe – guiding geniuses.
It doesn’t matter if they knew the roll they played in my writing. What matters is that I wrote because of them and never in spite of them. The truth is, all you have to do to find a muse is open your eyes, your mind, and your heart. That muse is there – sometimes where you least expect it.
0 0 Read moreEver want to indulge in a pepperoni pizza and then chocolate gelato? A splurge to celebrate a book deal or soothe a broken heart when your online date turns out not to be your dream guy (that’s another story).
You had me with pizza and gelato.
So the same can be true with your writing. On this Eat What You Want Day, let’s take a look at Write What You Want Day.
Suppose you’ve been cranking out hot contemporary romance until your bleary-eyed and drinking hot, black coffee for what seems like forever. You’re good at it, readers like it…your editor likes it.
But you’ve had it. Up to here. The ole mojo ain’t working.
Pizza and gelato time.
In other words, don’t abandon your shirtless hunks and sassy heroines. Just give them a day off. Write something different. Taste the honey on the next beehive by trying something different with your magic pen.
Your imagination.
So, what shall it be? Prince Charming or history?
Why not have both in a sizzling historical romance.
Love mystery or crime shows? Dark fantasy? Write a scene about a female knight solving a mystery in a dystopian world while trying to save her little sister from the underworld creatures making slaves of her people. And the avenging superstar from the future who steals her heart.
Okay, a bit over the top. But you get the idea. Let your mind run free for a day and write whatever comes to you.
It’s like sorbet for the mind.
You may find that your contemporary romances have a fresh spin on them the next time you sit down at the computer.
And always, always write from the heart…
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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