Meet the unsung heroine of publishing: Miss Proofreader by Jina Bacarr
September 11, 2020 by Jina Bacarr in category Jina’s Book Chat, Writing tagged as author, Boldwood, Boldwood Books, historical fiction, historical romance, Ireland, Queenstown, romance', ship of dreams, stories, story, Titanic, Writer, writing
Ode to my Proofreader
My proofreader has the eye of an eagle and patience of a saint,
No matter what I write, she swears not to faint
Through missed commas, wrong tenses, and a lost full stop or two
She carries on in spite of, through and through
But what I never expected when I sent my m/s off with a sigh
Was that parts of my book would make her cry…
———
Last month I wrote about the copy edits and mentioned that I sent my Paris WW 2 historical novel is off to the proofreader!
Oh, my, I had no idea I’d make her cry…
I actually stopped in the middle of proofreading my manuscript when she sent it back to me and shed a tear or two myself, I felt so bad for upsetting her. My first thought was… I had to change the scene, make it happy, not have this lovely professional proofreader stop her work because my characters made her cry.
How dare they!
I was totally surprised how much this affected me.
It’s okay for me to bawl my eyes out when bad stuff happens to my heroine, but I think we writers live in a bubble and don’t know realize how much the stories we tell affect our readers. They’re just as invested in the story as we are.
And for that I thank you for allowing my stories to touch your soul, wrench your heart, and send you on a journey to a place far, far away, but bring them home, nourish them, cheer with them cry with them when you let our characters come into your life.
And yes, my proofreader did finish her proofreading on time (with a tissue or two in tow).
To Include or Not to Include by Linda O. Johnston
September 6, 2020 by Linda O. Johnston in category Pets, Romance & Lots of Suspense by Linda O. Johnston tagged as pandemic, Plotting, writing
To Include . . .
We’re still in the midst of the pandemic that has affected us for more than six months now. People get sick, and fortunately many heal . . . though not everyone does. And it’s affected us in ways beyond illness–economically, for example.
Even when things seem to improve some, they don’t always stay that way. Sometimes they get worse again. We still don’t know when things will settle down and start resembling normal once more.
And as a writer, I’m wondering when to use all of this.
Right now I’m still working on my third book in the long-running Colton series for Harlequin Romantic Suspense, featuring characters in one of the many branches of the Colton family spread all over the country. I’ve known what has to happen in this one, and that’s what I’ve done.
Or Not to Include . . .
But I’m also plotting some other ideas. Stories that will take place at least a little in the future.
Should I mention the pandemic? The social unrest? What it’s all done to our economy?
Or should I assume that readers will prefer that I don’t go there, that I ignore all that nasty stuff and just create my own issues in my stories, the way I used to?
I’m pondering all of that even as I plot. But like everything else these days, who knows what the future will bring–and if things will ever return to what had been deemed normal before?
Of course, as a writer, I want to satisfy my readers. It’s okay to scare them in romantic suspense and mysteries, but we need satisfying endings in which all gets resolved in a reasonable, acceptable, perhaps optimistic way. Never mind what happens in real life. I write fiction!
Well, I’ll figure it out and decide which direction to go in each story I write.
And hope that reality gets better even as my stories continue.
~Linda
The First Two of Linda’s Colton Family Series
Masque, Masquerade, Mask
August 19, 2020 by Jenny Jensen in category On writing . . . by Jenny Jensen tagged as characterization, editing, writing
No! I’m not going to weigh in on the mask vs no mask debate. Really.
I am an inveterate people watcher. Sometimes I go overboard and get caught staring — awkward. Honestly, it’s not you I’m looking at, it’s the potential character the physical ‘you’ suggests to me. I’m pretty sure all writers do that to one degree or another. It can’t be helped. Some people just like a (too) kindly grandmother, or a shifty con man or a fairy princess or a sharkish accountant.
Faces reveal so much, from hidden agendas to unspoken feelings, spontaneous joy to suppressed fury. It’s fertile ground for the writer. Anne Perry uses the reading of facial expressions to heighten tension and create suspense. In her hands it’s a plot device and she’s brilliant at it. Add body language to that and a character comes fully to life. It’s also a great way to stomp down those unwanted dialog tags; showing the reader who’s speaking is miles better than telling.
Just watching the emotional beats revealed on the faces of two friends having coffee can jumpstart a story and the story can shift and morph if I switch genres in my head. (Yep, I start a lot of imaginary tales. It’s more fun than Sudoku.) Narrowed eyes and rigid lips mean one thing in a spy thriller and quite another in a romance. Add the tilt of the head and a clinching of fists and it could work for either the inciting incident or the denouement.
Now most of us are masked and I have to shift my game. We’re all consciously trying to keep a six-foot distance and it makes for some very stilted body language! A woman turned from the pasta aisle just as I was turning in, our carts nearly colliding. That’s a common enough occurrance at the grocery store and usually each party smiles and laughs and maneuvers on their way. I found myself braying an exaggerated laugh, shrugging my shoulders and my “oh sorry” came out a bit over bright. It was the mirror response of this woman. We couldn’t read each other’s faces. An apologetic smile doesn’t do it any longer.
They say we need to adjust to a new normal. I’m not sure what that’s supposed to mean, but I can imagine all this maskedness and artful distancing will add some very intriguing elements to contemporary fiction. How will strangers meet and grow a romance? Is love at first sight a victim of the pandemic? How will antagonists make use of the fact that with a baseball cap, sunglasses and the compulsory mask one is virtually unidentifiable? Think of the wonderful mix-ups this could lead to. Great fodder for screw-ball comedy. Or great fodder for murder and mayhem.
It will be impossible to ignore Corvid in writing contemporary stories. At the very least it will have to serve as atmosphere, but there are elements of this awful reality that present nearly endless plot possibilities — as nearly endless as this shutdown feels. I can’t wait to read them.
Jenny Jensen
Editor
0 0 Read moreWhy copy edits keep me up at night by Jina Bacarr
August 11, 2020 by Jina Bacarr in category Jina’s Book Chat, Writing tagged as author, Boldwood, Boldwood Books, historical fiction, historical romance, Ireland, Queenstown, romance', ship of dreams, stories, story, Titanic, Writer, writing
copy edits done and gone
every comma, typo, everything wrong
fixed and buttoned up nice and tight
trying so hard to get it all right
now to sleep perchance to dream in bliss?
no…tossing & turning, wondering, what did I miss?
——————
My Paris WW 2 historical novel is off to the proofreader!
——————-
Once upon a time in Hollywoodland far, far away, I wrote tons of scripts for kids’ TV shows. I remember one show I was hired to work on where my script was considered the ‘hallmark’ of the series — it had all the elements they wanted in each script and they used it as a ‘sample’ to show other writers they brought on what they wanted.
Wow.
Yes, it was cool. Simple, right? Give them a good script, get a paycheck, grab another assignment.
Oh, no, my innocent ones.
It wasn’t at all like that. I met with the producers (seasoned pros) every day for two weeks until we hammered out the characters, the plot, subplot, theme… met with the toy company so I could see what the ‘toys’ looked like. Wrote an outline — a detailed outline — three times.
Got more notes. Wrote the script… rewrote it.
Then another meeting that went something like this: ‘You got the story down… characters good… ‘ say the producers. ‘But change the big action scene to include…………’
‘Why?’ I ask.
‘Because the toy company wants to introduce this …………. toy in the episode.’
I grin, say nothing. Remember rent is due. ‘You got it.’
In the end, it was a great episode with an emotional connection between the hero and his father and lots of action, but it didn’t just happen. All those meetings, notes paid off. It was a team effort and I learned back then that’s what makes good scripts. And good books.
The team.
Copy edits are a big part of that team.
Yes, I cringe, freak out, yell, and cry when I see those ‘comments’ on the right side of the page, but I’m so grateful for the time, skill, dedication, and heartfelt emotion the copy editor puts into her work. She knows this is my ‘baby’, yet it’s her job to find everything that ‘doesn’t’ work.
So a big THANK YOU to my copy editor on my Paris WW 2 historical coming out in October (cover reveal soon!) for putting up with my mistakes and asking the hard questions so I get it right.
You done good, kid.
—————
Blog tour coming up Oct 27 – Nov 2 already filled up except for one spot Yay!!
————–
Two women hold the keys to his heart. Only one will survive that fateful night…
When Ava O’Reilly is wrongly accused of stealing from her employer, she has no option but to flee Ireland. The law is after her, and she has only one chance at escape – the Titanic.
Aboard the ship of dreams, she runs straight into the arms of Captain ‘Buck’ Blackthorn, a dashing gentleman gambler who promises to be her protector. He is intrigued by her Irish beauty and manages to disguise her as the maid of his good friend, the lovely Countess of Marbury. Little does he realise, that the Countess is also in love with him.
As the fateful night approaches, tragedy strikes further when Ava is separated from Buck, and must make a daring choice that will change her life forever…
A sweeping historical romance set aboard the Titanic, from the author of Her Lost Love (Christmas Once Again).
Praise for Jina Bacarr:
‘A delightful holiday romance that has all the charm of a classic Christmas movie. Christmas Once Again is perfect for anyone who loves a holiday romance brimming with mistletoe, hope, and what ifs.’ Andie Newton, author of The Girl I Left Behind ‘A breathtaking holiday romance that is sure to stay with you long after reading’
‘A mesmerizing holiday romance that is sure to sweep you off your feet and take you away to another place, another time.’
‘A fabulous book you won’t want to miss’ https://youtu.be/S-33oEM4DlI
THE RUNAWAY GIRL e-book, print and audio book:
When a writer needs a hug… by Jina Bacarr
July 11, 2020 by Jina Bacarr in category Jina’s Book Chat, Writing tagged as books, editing, historical, Paris, writing, WW 2
Writing never gets easier… if anything, it’s more difficult.
Why? Because we expect more of ourselves. Even more so when you’re doing edits from your fab editor who’s really an angel in disguise. We want to make our story as perfect as possible and not disappoint her. She believes in you. Your characters believe in you. After all, their lives are in your hands.
But like a chocolate soufflé, a lot can go wrong.
Your computer screen goes blue… computer updates send your heart pounding as you pray you get all your pretty icons back…. a character keeps you up at nights because you’re so worried about how you’re going to save her butt and yours.
There’s more:
You go over your word count.
You can’t find your timeline/fact sheet for your heroine (when you’re writing about Paris during WW 2 this is crucial).
You ‘re so tired, you push the wrong button on your keyboard and everything in Track Changes disappears
You realize a secondary relationship ain’t working because the hero is based on an old boyfriend with a big ego. You dump him. Get a new guy for the part. And he’s an absolute dream.
You work from dawn-to-dawn the week before edits are due and have no idea what day it is.
And worst of all, you run out of coffee.
But I did it!
I sent my editor the edited manuscript at 7:37 a.m. on a sunny morning… and I felt numb. No whistles went off. No bells. Just the quiet hum of my computer.
I needed a hug.
Someone telling me ‘I done good’.
Yes, I’m totally proud of what I accomplished, but writing can be a lonely business. And it’s hard work, especially writing historicals. (My story follows a dual timeline from 1926 to 1950 and present day. Silent films, Nazis in Paris, the film business in Hollywood and France.)
So I did what I swore I wouldn’t after I sent the m/s: I opened it back up and read some of my favorite passages. Laughed and cried again with my characters… sat amazed at how they accomplished their goals… fell in love with them all over again… and cheered when they beat the Nazis!
And I got that hug.
From my characters. Reminding me why I write. Because I so love them, the stories, the chance to give them life.
So, merci beaucoup, mes bons amis! Thank you, my friends.
Jina
PS — I’ll keep you posted on my Paris WW 2 historical. Cover ideas coming soon…
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