The Book Review that touched my heart by Jina Bacarr
October 10, 2020 by Jina Bacarr in category Jina’s Book Chat, Writing tagged as author, Boldwood, Boldwood Books, historical fiction, historical romance, Ireland, Queenstown, romance', ship of dreams, stories, story, Titanic, Writer, writingSometimes, you get it right….
When I saw this review of my Titanic love story THE RUNAWAY GIRL, it tugged at my heart.
Yes, it’s a wonderful 5 star review, but more importantly, my story has captured the interest of a young girl who wasn’t much of a reader beforehand.
Amazon Review:
Reviewed in the United States on September 23, 2020
————–
Two women hold the keys to his heart. Only one will survive that fateful night…
When Ava O’Reilly is wrongly accused of stealing from her employer, she has no option but to flee Ireland. The law is after her, and she has only one chance at escape – the Titanic.
Aboard the ship of dreams, she runs straight into the arms of Captain ‘Buck’ Blackthorn, a dashing gentleman gambler who promises to be her protector. He is intrigued by her Irish beauty and manages to disguise her as the maid of his good friend, the lovely Countess of Marbury. Little does he realise, that the Countess is also in love with him.
As the fateful night approaches, tragedy strikes further when Ava is separated from Buck, and must make a daring choice that will change her life forever…
A sweeping historical romance set aboard the Titanic, from the author of Her Lost Love (Christmas Once Again).
Praise for Jina Bacarr:
‘A delightful holiday romance that has all the charm of a classic Christmas movie. Christmas Once Again is perfect for anyone who loves a holiday romance brimming with mistletoe, hope, and what ifs.’ Andie Newton, author of The Girl I Left Behind ‘A breathtaking holiday romance that is sure to stay with you long after reading’
‘A mesmerizing holiday romance that is sure to sweep you off your feet and take you away to another place, another time.’
‘A fabulous book you won’t want to miss’ https://youtu.be/S-33oEM4DlI
THE RUNAWAY GIRL e-book, print and audio book:
This book is incredible a truly remarkable story, Sylvie diary, notes photo's and recordings are inspiring. the real story of glamourous Sylvie Martone has to be solved and told. She will never be forgotten. I loved it
To NANO Or Not
October 5, 2020 by Tracy Reed in category Pink Pad by Tracy Reed tagged as NaNoWriMo, National Novel Writing Month, writing
Happy fourth quarter. We are a few weeks away from NANO season. I have received emails, seen blog posts and You Tube videos reminding me about NANO month.
A few years ago, I signed up for a NANO account and never participated. Last year, I reactivated my account and signed up to participate in NANO for the first time. I posted questions in some groups for advice and to make sure I was signed up correctly. I was all set.
I had a book I was working on and figured this would force me to complete it. I thought I was doing well. Unfortunately the words just weren’t coming so I switched books.
I figured the book I switched would be easier to complete. I based that assumption on the other two books in the series which were novellas. As I continued to write, the book grew. Every time I thought I had an ending, the characters kept talking.
When November ended, I hadn’t completed my book. I took a break and continued writing. I completed my book…a few months later. I also have the first couple of chapters for the fourth book. By the way, I never intended to write a fourth book in this series, but when your characters talk, you kind of have to listen. So, not completing NANO it worked out for me.
As I stand on the precipice of another NANO season, I’m faced with a very important decision…do I NANO or not?
I don’t want to make a promise and not follow through. Grant it, the only person I would be disappointing is me. Considering how things worked out for me last year, it might be to my advantage to sign up for NANO.
So what are the pros and cons to doing NANO this year.
PRO:
- We’re on lock down with little time to do anything else, so why not write a book
- This would challenge me to complete the fourth book in my series
- It would get me back on a steady writing schedule
CON:
- Blocking out time to write
I can’t figure out a valid reason not to do NANO this year. Writing a book in a month isn’t new for me. After all, that’s what I did every month in 2016. I think right now my focus is a little off and participating in NANO this year could possibly help me.
If I do this, does anyone have any tips on how to survive and win at NANO? Clearly my previous plan of sitting down and writing on a whim didn’t work, otherwise I would have finished my original NANO book.
Happy NANO Prep.
See you next month.
~Tracy
The Shape of Fiction by Carol L. Wright
September 13, 2020 by Bethlehem Writers Group in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as fiction, kurt vonnegut, story graphs, story shape, writing
The Shape of Fiction
Writers are accustomed to thinking about writing with a 3-Act structure, often shown as an incline plane of action rising gradually throughout the story towards the climax. But another way of looking at stories is their shape based not on action, but on the rise and fall of the protagonist’s fortunes—good or ill.
As I understand it, the notion of these story shapes was first proposed by Kurt Vonnegut. Inspired by his research into stories from various cultures while studying anthropology at the University of Chicago, he discovered common patterns of the fortunes of the protagonists. He found that there is not one universal pattern, but several designs, just as the rise and fall of volume and intensity give shape to different styles of music. These shapes cross cultures and time periods to create the stories we love to read and retell.
To visualize these shapes, he used a simple graph. The vertical axis, or what he calls the G-I axis has good fortune at the top and ill fortune at the bottom. The higher on the vertical axis a character is, the happier they are. Conversely, the lower they are, the more miserable they are.
The G-I axis is bisected by a B-E horizontal axis. This takes the story left to right from the beginning (B) to the, uh, well Kurt Vonnegut has various ideas for what the E stands for, but let’s just call it the ending. It looks a bit like this:
Interestingly, his theory was proven when researchers at Washington State University and the University of Vermont did a computer analysis over 1700 stories. (https://www.bbc.com/culture/article/20180525-every-story-in-the-world-has-one-of-these-six-basic-plots ) Text-mining of these stories revealed six basic story shapes, most of which Vonnegut had already described. They graphed each, renaming Vonnegut’s G-I axis to “sentiment scale.” They found that each of the 1700 stories conformed to one of these six shapes:
1. Man in a hole
Our protagonist begins high on the sentiment scale but, by mid-story, finds themselves in low ill-fortune. But, don’t despair. Good things follow, and by the end of the story, our protagonist is once again up in the good-fortune range. This shape is often found in mystery stories and adapts well to the three-act story structure we’ve been taught.
2. Rags to riches
This shape has the main character begin on the lower end of the sentiment scale, but then they rise steadily throughout the story to the upper portion of the G-I axis by the end of the story. An example of this is the story of Little Orphan Annie who starts out as an orphan in a miserable workhouse and becomes the ward of the extremely wealthy Daddy Warbucks, or the story of another orphan, Oliver Twist. Everyone loves a happy ending.
3. Cinderella
From the obvious example, our protagonist begins very low on the sentiment scale, but then rises to a high good-fortune point—only to have it snatched away. Despite being once again in the lower portion of the G-I scale, the protagonist’s despair is not as low as it was. As the story progresses, the protagonist moves back up again to the top of the sentiment. (You have to see Vonnegut describe this one and others on YouTube below.)
4. Riches to rags
This shape is just the opposite of #2. The protagonist begins in the upper range of the sentiment axis, but who falls into poverty and despair. A simple tragedy.
5. Icarus
If you know the Greek myth about Daedalus and his son Icarus who escaped from the island of Crete by flying with wings made of feathers and wax, it won’t be hard for you to envision this shape. Starting around the midpoint of the G-I axis, it rises into good fortune, then falls into the ill fortune range before falling further to the bottom of the G-I scale (when the wax melts because Icarus flies too close to the sun). Not a happy ending.
6. Oedipus
Named for another Greek tragedy, this pattern falls (as Oedipus wanders toward Thebes, killing Laius along the way). But then it rises (when Oedipus defeats the sphinx, becomes king, and marries the queen with whom he has several children and plans to live happily ever after). Oh, but our protagonist is not destined for a happy ending. The story ends with a plummet to the low ill-fortune range (when Oedipus discovers Laius was his father and he has married his mother—who then kills herself. Oedipus puts out his own eyes). A less than cheery shape.
I must confess that I was surprised that every one of the stories studied fit in one of these six shapes. But Vonnegut tells us about two more shapes.
A flatline story shape
While he tells this shape is boring, he also says it often can be found in primitive cultures. There is, however, one Shakespearean classic that employs this shape. Things start low on the sentiment scale, stay low, and end low. Can you guess which one this is? See the video link above to get the answer.
And one final shape Vonnegut offers for your consideration—one we don’t often see—where the protagonist starts at the bottom . . . and goes down. Which story is this? Here’s a hint: Kafka!
All this brings new meaning to the question: What kind of shape is your story in?
In addition to writing posts for From A Cabin in the Woods, Carol was interviewed on A Slice of Orange here.
Books by Carol L. Wright
Meet the unsung heroine of publishing: Miss Proofreader by Jina Bacarr
September 11, 2020 by Jina Bacarr in category Jina’s Book Chat, Writing tagged as author, Boldwood, Boldwood Books, historical fiction, historical romance, Ireland, Queenstown, romance', ship of dreams, stories, story, Titanic, Writer, writing
Ode to my Proofreader
My proofreader has the eye of an eagle and patience of a saint,
No matter what I write, she swears not to faint
Through missed commas, wrong tenses, and a lost full stop or two
She carries on in spite of, through and through
But what I never expected when I sent my m/s off with a sigh
Was that parts of my book would make her cry…
———
Last month I wrote about the copy edits and mentioned that I sent my Paris WW 2 historical novel is off to the proofreader!
Oh, my, I had no idea I’d make her cry…
I actually stopped in the middle of proofreading my manuscript when she sent it back to me and shed a tear or two myself, I felt so bad for upsetting her. My first thought was… I had to change the scene, make it happy, not have this lovely professional proofreader stop her work because my characters made her cry.
How dare they!
I was totally surprised how much this affected me.
It’s okay for me to bawl my eyes out when bad stuff happens to my heroine, but I think we writers live in a bubble and don’t know realize how much the stories we tell affect our readers. They’re just as invested in the story as we are.
And for that I thank you for allowing my stories to touch your soul, wrench your heart, and send you on a journey to a place far, far away, but bring them home, nourish them, cheer with them cry with them when you let our characters come into your life.
And yes, my proofreader did finish her proofreading on time (with a tissue or two in tow).
To Include or Not to Include by Linda O. Johnston
September 6, 2020 by Linda O. Johnston in category Pets, Romance & Lots of Suspense by Linda O. Johnston tagged as pandemic, Plotting, writing
To Include . . .
We’re still in the midst of the pandemic that has affected us for more than six months now. People get sick, and fortunately many heal . . . though not everyone does. And it’s affected us in ways beyond illness–economically, for example.
Even when things seem to improve some, they don’t always stay that way. Sometimes they get worse again. We still don’t know when things will settle down and start resembling normal once more.
And as a writer, I’m wondering when to use all of this.
Right now I’m still working on my third book in the long-running Colton series for Harlequin Romantic Suspense, featuring characters in one of the many branches of the Colton family spread all over the country. I’ve known what has to happen in this one, and that’s what I’ve done.
Or Not to Include . . .
But I’m also plotting some other ideas. Stories that will take place at least a little in the future.
Should I mention the pandemic? The social unrest? What it’s all done to our economy?
Or should I assume that readers will prefer that I don’t go there, that I ignore all that nasty stuff and just create my own issues in my stories, the way I used to?
I’m pondering all of that even as I plot. But like everything else these days, who knows what the future will bring–and if things will ever return to what had been deemed normal before?
Of course, as a writer, I want to satisfy my readers. It’s okay to scare them in romantic suspense and mysteries, but we need satisfying endings in which all gets resolved in a reasonable, acceptable, perhaps optimistic way. Never mind what happens in real life. I write fiction!
Well, I’ll figure it out and decide which direction to go in each story I write.
And hope that reality gets better even as my stories continue.
~Linda
The First Two of Linda’s Colton Family Series
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