I’ve written time travel and loved it… Her Lost Love when my heroine takes a magic train from 1955 back to 1943 to Posey Creek, PA to save the man she loves from being killed in France… and present day back to the Battle of Antietam in 1862 where my heroine meets her ‘twin’ who’s a Confederate spy… and also historical fiction about the Titanic The Runaway Girl.
But writing a dual timeline is like walking barefoot on broken seashells on the sand.
Painful. Excruciating. And dangerous.
You can end up hobbling all the way home… or to the end of your manuscript. Yikes.
I’ve been there… and survived. I’ve written two dual timeline novels — The Resistance Girl and the novel I just finished (title coming) — both about Paris during World War 2 when the city was occupied by the Nazis. The era lends itself to intrigue, romance, spies… and danger. Who could resist? Not me.
However, I’ve fretted and moaned and had more chocolate binges than I care to admit writing these books, but they’re the most rewarding stories I’ve ever written. Stories about lost family found and connecting with your ‘roots’. I learned a lot along the way… so here are my 7 Tips for Writing Dual Timelines:
1 — keep two sets of timelines so you know where you and your heroines are in each era at all times.
Your heroine’s birthdate in the past is important and determines what “historical events’ she witnesses. In the present, your heroine’s journey may last a shorter time — a week, month; in the past, it could be years. In The Resistance Girl, we follow the heroine’s film career from the 1920s through 1950. The modern heroine’s journey last for several days.
2 — present day in your story doesn’t have to mean today. Make it work for you.
My latest novel takes place in 2003 and 1940-1945. Why? Because I wanted my historical heroine to be alive when she meets the present day heroine. She’s 80 years old and at the top of her game, but the war years still haunt her. Also, she loves flying on the Concorde and the last trip of the airship was in 2003.
3 — create a compelling opening in whichever timeline works best. No hard fast rule you have to begin in the past.
In my new Paris novel, I begin in 2003 because I wanted to set up the 80-year-old diva’s reluctance to talk about the war years because of her personal pain. My modern heroine/reporter convinces her to ‘let it go’ and we’re off and running…
4 — decide before you begin plotting (or if you’re a pantster — I do both) if your two heroines meet at some point; or, if we know the historical heroine meets her fate and we never see her in the present.
I did both — in The Resistance Girl, the modern heroine discovers she had a famous grandmother in France during the war — a film star — she never knew existed. But in my new novel, the two heroines meet in the first chapter in 2003.
5 — know your history and research your era like crazy; your heroine in the past is fictional, but make her life believable! Facts count but don’t tell us, show us how your heroine survives in that era in a way that’s unique to her.
For example, the historical heroine in my upcoming book ends up in concentration camps; I gave her an unusual backstory that determined how she survived in the camps because of her background and talents, but made sure it was also possible.
6 — location, location, location… make sure you know exactly what your locations look like in both eras if you’re going to visit them in both timelines.
In my upcoming book about Paris, we go to concentration camp sites in Germany and Poland in both 1944-45, 1975, and 2003. I was fortunate to find photos and films that showed what the camps looked like in 1944-45 and also circa 2003 and 1975. An amazing bit of luck which created some tear-jerking moments for my historical heroine.
7 — have fun! This is an adventure about finding your heroine’s roots — like that fabulous PBS show where the celebrity goes through the big scrapbook and meets their lost relatives with the jovial host.
Make your story heartfelt, emotional, fascinating, believable, and filled with surprises to keep your readers turning those pages like the celeb on TV!
Jina
Questions about dual timelines:
Drop me a comment!
3 0 Read moreDenise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors. She treasures the written word and the messages that can be conveyed when certain words are strung together. An avid journal writer, she usually can be found with a pen and notepad whenever she’s reading God’s word. Denise is writing her first novel, a Christian Historical Romance and can be found at www.denisemcolby.com
She’s a member of RWA, OCC/RWA, Faith, Hope & Love Chapter of RWA, ACFW (where she is a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and SoCal Christian Writers’ Conference.
In addition to Denise’s column The Writing Journey on A Slice of Orange, you can read some of her magazine article here.
Denise M. Colby loves to write words that encourage, enrich, and engage whether it’s in her blog, social media, magazine articles, or devotions. With over 20+ years’ experience in marketing, she enjoys using her skills to help other authors. She treasures the written word and the messages that can be conveyed when certain words are strung together. An avid journal writer, she usually can be found with a pen and notepad whenever she’s reading God’s word. Denise is writing her first novel, a Christian Historical Romance and can be found at www.denisemcolby.com
She’s a member of RWA, OCC/RWA, Faith, Hope & Love Chapter of RWA, ACFW (where she is a semi-finalist in the Genesis contest Historical Romance Category), OC Chapter of ACFW, and SoCal Christian Writers’ Conference.
In addition to Denise’s column The Writing Journey on A Slice of Orange, you can read some of her magazine article here.
0 0 Read more
I remember a National Geographic article from a few years ago, The Joy of Food, by Victoria Pope, offered an interesting observation.
“The sharing of food has always been part of the human story . . . ‘To break bread together’, a phrase as old as the Bible, captures the power of a meal to forge relationships, bury anger, and provoke laughter.”
In creating contemporary fictional scenes, epic fantasy moments, or science fiction settings, food and the act of eating, humanizes a story. Our mouth waters with tantalizing narrative of baked goods and braised stew. Romance tickles when someone gently hand-feeds a morsel of food to a love interest. Intrigue is piqued while supping at the table of a wealthy nineteenth-century Duke. Warmth ebbs in our bones when characters share spit-roasted game around a campfire in the dead of winter. We smile when a normally dysfunctional family banters happily around a holiday feast, setting aside for a moment, that which keeps them apart.
Food can be a defining backdrop with apocalyptic and dystopian fiction. Driven back to our hunter-gatherer forbearers, societies are demoralized with heart-wrenching memories of how abundant food once was. Haves and have-nots when food is scarce, polarize villages, communities, entire nations. Food as common currency is reborn. Suzanne Collins’ Hunger Games trilogy is an excellent example of this. S.M. Stirling’s Dies the Fire serialized life when the power went out—permanently. Christopher Nolen’s movie Interstellar, painted somberness from food-blighted, agrarian collapse.
Food weighs heavily when portraying communal tables, customs, folklore, and regional diversity. George R.R. Martin’s Song of Fire and Ice series is rich with culinary indulgence and subsistence living. Tolkien’s Hobbits are quiet, yet passionate diners. Elves are vegans, and dwarves—well—they’ll eat anything that isn’t green. Robert Jordan’s fourteen book Wheel of Time series has more eating scenes than grains of sand in the Wicked Witch of the West’s hourglass. Vampire feeding is a genre unto itself. Opinions vary on what Zombies find nutritious.
Science fiction poses a stronger challenge with respect to otherworldly beings, especially when writers have to define characteristics of sentient alien life. Babylon 5 was a jewel of multiple alien interactions, all with unique culinary customs. Mary Doria Russell’s The Sparrow did a masterful job of characterizing alien beings by what they shared with pioneering visitors from earth. Hard-core Star Trek fans can cite Klingon fare as if reading from a menu. One of my favorite movies was The Matrix where human “copper-tops” dreamed of real food, but the few humans outside the matrix subsisted on something resembling watery eggs. Has all the body needs, amino acids, proteins . . .” The very sight of it made me gag.
Eating is the ultimate show versus tell enhancer. Here’s one in an old story I wrote that attempts to capture all five senses. A pungent smokiness wafted from the meat offering that resembled a hairless, mummified rat carcass. The skin crackled between her teeth and her eyes watered from its unsalted, campfire bitterness. It was like trying to eat a botched taxidermy job, or an Amazonian shrunken beast stolen from a museum.
A story lacking a good eating scene falls short in illustrating a fundamental anthropological trait, not to mention missing out on a lot of fun writing.
What’s my favorite eating scene? Have to turn the clock back to the 1963 movie adaptation of Henry Fielding’s classic novel set in the British eighteenth-century, The History of Tom Jones, A Foundling, where the handsome Tom and his dining partner wordlessly consume an enormous meal while lustfully gazing at each other.
That’s what I call eating.
A native of Wisconsin and Connecticut, DT Krippene deserted aspirations of being a biologist to live the corporate dream and raise a family. After six homes, a ten-year stint in Asia, and an imagination that never slept, his annoying muse refuses to be hobbled as a mere dream. Dan writes dystopia, paranormal, and science fiction. His current project is about a young man struggling to understand why he was born in a time when humans are unable to procreate and knocking on extinction’s door.
You can find DT on his website and his social media links.
I had every intention of writing a lovely post this month about all the cool stuff going on with my WW 2 Occupied Paris novel, The Resistance Girl. Honest I did.
Then the research on my next book shot the pants off that idea.
My deadline is right around the corner.
My book is written… mostly. Some bugs to work out. Re-read, check it over… you know the drill.
The research is overwhelming… so much so, I’ve got to cut this shorter than I like. I’m writing another book about Occupied Paris, but this time my heroine finds herself in a concentration camp. Two of them actually… emotionally, I’m drained. Mentally I’m exhausted.
My heart… broken.
I will never, never be able to understand why it happened, the horror, injustice, humiliation done to the victims of the Holocaust. But I’m determined to tell a story about a brave young woman who had a baby in a camp… and she survived. But she never knew what happened to her baby… until years later.
I’ve watched a million survivor videos… read so many books about the Holocaust… checked and double checked the timelines of the camps and what happened there down to what they ate, where the railroad tracks ended at camp, the blocks or barracks map… and I still have questions. I want to make it right.
No, I’ve got to make it right.
I owe to the those who died and those who survived.
So forgive me if I’m emotional this month.
Because.
We must never forget…
——————-
You can listen to The Resistance Girl on Spotify
Or search for Jina Bacarr and my ‘artiste’ page will pop up.
Amazon Links:
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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