In my 30+ year career, I have never worried about plagiarism. Most working authors don’t need to plagiarize your work, they have plenty of their own to worry about. New authors have their own ideas and probably will think they are on a better track with their own ideas. Keep your nose to the grindstone, listen to solid critiques and move forward.
Jenny is still on vacation time. She be back next month with The Extra Squeeze Team.
It is never wrong to take precautions with your work. My best suggestion for preventing plagiarism at the critique stage of the writing process is simple. Don’t share your work with people who have not been vetted in some way to earn your trust. If you doubt the integrity of the people that you are sharing your material with, their opinions about your writing should also be in question. If you have any qualms that your ideas could be stolen by the circle of people you willingly handed your work over to, then tighten your circle. Your work is your business. In any business, great ideas can be at risk of idea theft. Copyrights, trademarks, and non-disclosure agreements all exist to help enforce your rights. Look into those options. But realize that in the critique stage, prevention is a more powerful tool than policing the issue after it happens.
And, on the flip side, protect yourself. Accusations of idea theft or plagiarism is a two-way street. In a critique group, it is important to understand the parameters of collaboration. You may be asking other people to give you their opinions and contribute their ideas to your unfinished piece, but that also has limits that need to be established and clearly understood. It is possible that in a critique setting, your work may be the catalyst for a bigger and better idea than you imagined. If that bigger and better idea comes to light and is identified by someone, it is important to know how to properly handle that situation. It all starts with trusting who is at the table and taking the time to establish and understand the game rules before any of your work is read by anyone.
This genuinely is worth considering as ideas get stolen all the time (paranoid, me??). Sometimes plagiarism is not even committed consciously by the perpetrator. We absorb sentences and word structures and ideas all the time as we move through life, so it’s inevitable that we will reproduce bits and pieces of these when we get creative. If you’re sharing your work with a fellow creative, it should be accepted that you are going to influence them at least a little bit. If they churn out whole chunks of an original work or copy an entire plot without acknowledgement, it is quite different.
First, I’d advise using only people you trust to do your first run of read-throughs and critiques. If they’re your friends, they might not be as tough on your work, slightly biased etc., but it’s better than nothing at all. After that, there are copyright registration places if you live in the UK, but they are pointless in my opinion (we do not have a copyright office here – the US does). They won’t act for you legally if someone steals your work, and will take a small fee to register a copy of your work on the date you submit it. But if you have the raw, dated file stored on your computer, then you can just as easily prove you are the owner of the original work anyway. The law is different between the UK and USA, and elsewhere, so it is worth looking into copyright before you share your work with anyone.
Taking Questions!
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing. Here are some of the questions they have answered in 2017 and 2018. Sensitivity Editors, How Much Reality and Is the F-word a Bomb.
But now they need YOUR questions. Is there a publishing or writing question that you want the answer to, but don’t know who to ask?
Let Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses to your questions from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Ask the Extra Squeeze Team a Question
Rebecca Forster
A Finn O’Brien Thriller, Book 2
Police Procedural
ASIN: B071RJZ4LD
ISBN: 9781547170173
Miraculously surviving torture Takrit, a political activist, smuggles evidence of human rights atrocities out of her home country of Eritrea and she escapes to the United States.
Also in the U.S., both hunting for Takrit, and hoping to close a lucrative business deal for a port of trade that will cement his power and his fortune is, Emanuel Dega Abu, the President of Eritrea and . . . the man responsible for the human rights abuses, and Takrit’s torment.
If Takrit’s video evidence goes public, Dega Abu’s empire will come crashing down and so will he. He must find Takrit and eliminate her. She must find a way to stay alive and tell the world her story.
In Foreign Relations, book 2 of the Finn O’Brien Series, Rebecca Forster immerses us in the world of political wheeling and dealing at home and abroad, and the disparate parties that the matchmaker, Money, unites with ease.
When the first dead body turns up, Finn O’Brien starts to fit the pieces together. He gets too close to the source so a local congresswoman, with her sights on a seat in the Senate, deters him by shutting down the case. But Finn is haunted by what he’s discovered. And the spirit of the dead body ‘sits on his shoulder asking him to put it to rest.’
Never one to back down or cringe before the brass or the most degenerate criminal, O’Brien tackles crime, money, and politics. With help from where he least expects it, he plows through the mire of government contracts, kickbacks, and money laundering, and dents the unbreachable wall of diplomatic immunity.
Intriguing. Thrilling. Page-turning. With Finn O’Brien on the scene, crime doesn’t pay.
Both heart-rending and heart-warming, Rebecca Forster assures us that despite the reality and the odds, justice, loyalty and love, still reign and rule the day.
A fantastic read you will never forget!
See you next time on May 22nd.
Don’t give up!
Learn!
Something isn’t striking a chord with editors so figure it out.
Perhaps your blurb is off-putting, the book is slow to start, pacing is awkward, or your characters aren’t defined.
Are you sending the right work to the wrong editor?
Have you truly defined your genre or are you waffling between two or even three?
I often ask people about their genre only to hear “well, it’s sort of a historical, coming of age, horror novel with aliens”. That’s not going to fly with editors.
Ask the most successful author you personally know to read your pitch and first chapters and give an honest opinion. If they cannot articulate their objections, then ask them to point out the areas where they got stuck or where they lost interest. Some of my best learning experiences have been through my rejection letters. I keep a file to remind me of my strengths and weakness. It is like having a tutorial at my fingertips
P.S. I had a friend who write 70 books and when she hit, there was no looking back. Be objective about your work, learn, and move forward. Good luck.
Do you have a publishing question for The Extra Squeeze Team?
Use this form to send them to us.
Rejection – the inescapable bane of a writer’s life.
JK Rowling in her own words received “loads” of rejections and now she posts them on Twitter to encourage aspiring writers. I think that’s wonderful and says it all. If writing and sharing your work (publishing) is your driving passion then no, never give up.
It could, however, be time to ask yourself why. Publisher and agent rejections are based on a myriad of reasons. Sometimes you’ll get a form letter or you could receive a note with some details explaining the rejection. If you have, then study the reasons closely and consider revising your manuscript to accommodate the input. Hire an editor for a review from fresh eyes.
If you’re 100% confident your story is ready for publication, take another look at your submissions material. Could there be a better way to present the story? Be certain you’ve submitted to the right publisher. Harlequin is not interested in political thrillers and a romance editor would likely not read past the first line of your letter.
If you feel you have the perfect trifecta – manuscript, letter and synopsis – then keep on submitting until you land before the eyes of just that editor or agent who is looking for exactly what you’ve written. According to Ms. Rowling, that’s pretty much how it went for her: the right editor with the right eye and the right curiosity. Go for the long haul.
Today’s huge Indie market allows a writer to bypass traditional publishing (which has always seemed to be somewhat arbitrary) without giving up the dream. Self-publishing is a lot of work on top of the time and effort invested in writing a novel. It’s not enough to simply post the book. You must publicize and tout and twitter and tweet, Facebook and Instagram and fish for reviews. Going that particular long haul gives the author far greater control and ROI than any traditional publisher will provide—especially to a first-time author.
If you believe your work is the best it can be you have choices. Never give up.
The Day Bailey Devlin’s Ship Came In (Book 3 of the Bailey Devlin Series)
by Rebecca Forster
Amazon Digital Services 2015
ASIN: B013XNYKMY
Meanwhile…
If you’ve been with us through books 1 and 2 of the Bailey Devlin series, by now you love Bailey, want to shake some sense into her, or both.
In this last of the three book series, Bailey’s ship comes in . . . in more ways than one.
You might think she married Jeffery. After all, he helped care for her grandpa, loves her nuttiness, took her home to meet his parents, threw a wonderful party for her, and proposed in front of both their families. So who else but Jeffery, right?
We’re talking about Bailey, remember? Nothing ever goes according to plan. Horoscopes can be misleading, pennies aren’t always lucky, and love can sometimes sail away.
In book 3, The Day Bailey Devlin’s Ship Came In, Bailey realizes that her heart might belong to someone else: Ethan, her musician neighbor. Problem is, Ethan doesn’t live here anymore. He’s traveling on cruise ships with his band. Bailey can’t bring herself to marry Jeffery until she’s absolutely sure which of two she truly loves. So, she makes a Bailey Devlin decision. She tracks Ethan down and boards the ship where he is currently employed.
Complications arise when Bailey discovers she’s on a Single’s cruise and has to keep dodging the same guy. Confusion jumps on board when she sees Ethan with a woman, assumes he has a girlfriend, and convinces herself that her chances with Ethan have sunk. She spends the rest of the cruise trying to avoid Ethan . . . until she sees “his” girl with another man.
Worried about Bailey; Jeffery, Grandpa, Bailey’s boss, and his flirty daughter arrive on the ship.
Determined to warn Ethan and rescue him from the woman’s clutches, Bailey goes overboard . . . literally, and has to be rescued by none other than . . . .
To find out which of the two her heart belongs to, you’ll have to read, The Day Bailey Devlin’s Ship Came In.
If you haven’t yet read any of the books, you’re depriving yourself of fun, laughter, and warmth. A modern day I Love Lucy, and with a motely cast of characters and situations that rival a Seinfeld episode, Bailey’s a riot!
See you next time on April 22nd.
Veronica
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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