by Rebecca Forster
Oh, that word erotica. Written, it looks naked and naughty; spoken it sounds enticing and exciting. Close your eyes and – well, only you know what images it conjures up. Which brings us to the topic of the day: When it comes to sexy books, where do both reader and writer draw the line between erotica and steamy romances?
The Editor/Publisher: Normally, this is not a topic I would have visited but a few things have caught my eye in the last few years. First, erotica started being pulled into the mainstream of my local bookstore. Second, category romance became more inventive and definitely steamier. Finally, the advent of E-books and independent publishing allows more sexually explicit material do be read in utter privacy. Think of your Kindle or Nook as the new brown paper wrapper and there’s lots to put inside. Nookbooks (Barnes & Noble) offers 7,718 books defined as erotica; Kindle (Amazon), 24,901 (as of this writing). One online publisher reports that 12% of his offerings are listed as erotica but, in all instances, romance inventory is far greater.
That still left me curious as to the blurring of the line between erotica and steamy romance. Audrey LeFehr who edits books for Kensington’s Aphrodisia imprint as well as other genres was very clear about what she looks for. There are no ‘romance rules’ in erotica (one woman, one man, commitment no matter how steamy the sex). Rather erotica explores the boundaries of a woman’s sexual satisfaction without being depressing, degrading or seriously frightening. This could include same sex or multiple lovers.
The Erotic Author:
The reason an author decides to write erotica are basic: a burning story line, creative expression, pushing the boundaries of their art.- not to mention that the adult entertainment market is huge and there is money to be made.
Locklyn Swallow, author of numerous shorts including her most recent Love By Disguise, admits money was her initial motivation and her objectives have been met. While not making her a millionaire, the return on her short stories, published for digital download and reasonably priced, has been greater than expected.
I.M.Beckett, a pseudonym for a traditionally published author, saw erotica as a challenge after reading a classic erotic novel. According to Beckett, there was an extraordinary beauty that came from linking life and death to sexual encounters with an emphasis on writing style, not just sexual description. The Traveler: An Erotic Journey (part I) is a nod to noir erotica.
Victoria Hawke, a newcomer to the erotic scene with her Wet, Wild &Wacky, 3 sexy shorts that have a wonderful, tongue in cheek energy, liked that erotica offered a greater range for readers. With erotica, there are not tonal rules that need to be adhered to as in traditional genre writing.
All three met their original objectives but then went on to say that, as authors, the genre allowed them to grow in ways they never expected. Erotic readers, they believe, don’t just want to be sexual voyeurs. These readers also want to be invested in character and plot. Short or long, erotica must deliver on all traditional literary levels and then one more – the sexual narrative.
The Reader:Recently, I saw a reader on an Amazon Kindle thread apologize for being an avid romance reader. That doesn’t happen very often any more. The days of being embarrassed about enjoying a romantic reading experience are just about over. Not so for erotica.
There were some erotica threads on the boards but no one answered my query about why erotica was a genre of choice. Surprising? No. Erotica is, perhaps, the most personal of all reading choices. As with all genres, there is a range within erotica that will blur the lines. What one person calls erotica, another will deem a hot romance and yet someone else will swear it crosses the line to pornography. Then again, isn’t it the same for mainstream genres? What some call literature, others dismiss as commercial fiction.
Bottom line, E-books have brought both erotic readers and authors out of the shadows. I for one will be curious to see what the future brings for this genre. Will it bend toward true E-rotica or will it somehow be embraced and engulfed by E-romance? One thing is for certain, as ownership of e-readers grows erotica options will find ever broader distribution. It will be up readers to determine how successful this genre – like all genres – will be.
1 0 Read moreby Rebecca Forster
When I was asked out on my first dinner date, my mother gave me some sage advice: “Order Chicken Kiev.â€
To this day, I don’t know if my mother was being considerate of my date’s financial status (Chicken Kiev was the cheapest thing on any menu) or was worried that I would be considered high maintenance and never be asked out again. Either way, I ate so much Chicken Kiev back then I thought I might be Ukranian.
Which brings me to the topic of the day: frugality. I don’t eat Chicken Kiev any longer (I’m not even sure I could look at it) but I do clean my own house, make most of my own clothes and serve leftovers for dinner. Yet, when it came to books, frugality was never a consideration. I know what it takes to write a novel. It is damn hard work. As an author, I hope that readers realize that they are paying for my effort in the same way I benefit from the expertise of anyone whose service I purchase. So, when I found a site called The Frugal E-Reader I had a few questions about books and price.
Enter Elizabeth Trudgeon Brown, Founder of the Frugal E-Reader: Kindle Finds for Under Nine (dollars), a review site for Indie and traditionally published authors alike whose books are available digitally. I wanted to ask her what role frugality plays in this new age of publishing.
Why did you decide to blog about inexpensive (some would say cheap) books instead of books in general?
While I was eagerly waiting for my Kindle to arrive this summer, I spent a lot of time at the Kindle Store and Discussion Forums searching for books to read. I caught a few discussions about $9.99 being the price cap that eBooks are generally accepted at, or that some readers were frustrated about prices being over $9.99 since the Agency Model took affect. I started to search for books that were under that threshold, and was pleased to find that so many were available! I decided to create a place that readers could come to so that they wouldn’t have to spend a lot of time and effort researching for themselves.
Your reviews are exceptionally detailed – nothing frugal there. Do you find your frugal followers lean toward one genre or another?
Mystery, thriller, or suspense titles are generally popular among the readers of The Frugal eReader. Classics are also widely accepted, so whenever I come across a classic novel that is under $9.00, I’m sure to include it. However, I believe each genre has its own following and as long as the specific premise is intriguing, it actually doesn’t matter what genre a title falls under to do well.
Are you setting a new decision matrix by leading with price?
When I first started to search for books to read on my Kindle, I was thrilled to find that along with some traditionally published books, there is a whole community of self-published authors that offer their books at lower prices. Without my Kindle and the many hours I spent searching for books, I may have never known of these authors or books. I’m not necessarily trying to set a new decision matrix; my goal is to provide one place where readers can discover books and authors at great values.
Do you think this ‘frugal’ approach creates a new mindset among readers?
Will they continue to expect the same quality and length of work for ever lower prices?
I don’t believe that quality should always be directly related to cost. Though something may be “frugal,†it shouldn’t mean that it can’t be of great value, and vice-versa. Whether a book is $0.99 or $9.99, readers won’t enjoy coming across typos, grammatical errors, or formatting issues.
One of the biggest complaints of digital books (especially Indies) is that there is no editorial oversight. Do you think ‘frugal E readers’ are more forgiving of editorial mistakes because of the lower prices?
I’m sure readers can be more forgiving of certain editorial mistakes with self-published authors – but to an extent. Though self-published authors may not have the immediate means to hire professional editors, proof readers, or artists, they should still put as much time and effort into proofing and editing their work as they have possible. The big picture is important here; with the expansion of the eBook market, readership and revenue are likely to increase. The possible additional funds should be used for additional editing, cover art, or anything else to improve upon the published work. No matter what the market is, investing revenue to improve upon or expand awareness of a product is essential to increased success.
I have seen discussion boards where readers resent paying for digital books. They believe since they are uploaded so easily they should be the lowest price – free, in the ideal world. What would you say to them?
In most cases, the eBook version is the lowest price. Although the price may still seem high for a digital copy (say $9.99), you could pay up to $24.99 for the same title if you were to purchase the paperback or hardback version. The higher price is understandable because in printed books, there are additional costs. However, there are rare occurrences where the Kindle price is more expensive than the paperback… this could potentially be due to the high demand of that particular eBook, or the fact that the digital version provides instant gratification.
I can understand how people may feel that the digital versions should be free, especially if they have already purchased the same title as a paperback or hardback. We may see this one day, as we do now with our music or certain DVDs and Blu-Rays. However, readers should also keep in mind that what we are essentially paying for is the story; the time and effort the author took to create it, and the intellectual entertainment that the story provides – no matter what format it’s in.
What is your advice to traditionally published and Indie authors regarding price as they enter this market?
I hope that the authors see the value in maintaining reasonable prices for their work as the market for eBooks continues to increase. They shouldn’t fear pricing their books low – especially if they are newcomers to the publishing world. Let me reiterate that price does not always correlate directly with quality. A lower priced book should not mean that it’s “cheap†in the sense that it is poorly written, or poorly formatted. When an unknown author enters the market, they should consider pricing their work as a means to develop their brand. Also keep in mind that a reader may be more inclined to purchase the work of a new author at a lower price – less risk. Once the author can establish themselves and the demand for their work increases, then prices can be adjusted accordingly.
Check out The Frugal eReader at:
Blog: http://www.thefrugalereader.com/
facebook: http://www.facebook.com/pages/The-Frugal-eReader/101086513289732
Twitter: http://twitter.com/FrugaleReader
When I was eight years old I spent the night with my grandmother, a handsome woman who, as I look back, was probably younger than I am today but looked 10 years older. She was a German lady who wore housedresses and pin-curled her grey hair. She was proper, punctual and particular but when I woke up the morning of our sleepover, I found her holding onto the back of a chair, shoeless and enthralled by the man on the television. His name was Jack Lalanne.
Jack held onto the back of a chair, too, but he wore a skin-tight jumpsuit that showed off his muscles – all of them. I had never seen a man dressed like that. Even at eight, I knew I was watching something extraordinary – maybe even a little naughty. Watching my grandmother lift her leg ever so slightly, put her arm over her head like a ballerina, bend from the waist so that I could actually see the backs of her knees was awesome. Grandpa was gone. The doors were locked. The only sound was Jack’s voice encouraging my grandmother to do things I never thought she could do. I was privy to something I had no word for and I never told anyone about grandma’s morning with Jack.
Almost twenty years later, I met Jack Lalanne for real. I was an account executive with a major advertising agency and Jack LaLanne Health Spa was my client. Though I didn’t know it then, I was working on an account that was the forerunner of a social and health phenomena of fitness clubs, spas and specialty gyms. Before 24 Hour Fitness, Equinox or day spas there was Jack Lalanne.
We met during a commercial shoot. My job was to make sure we stayed on budget, on schedule, on message and that the client was happy. To this day, I don’t know if the client was happy. Jack, dressed in his iconic black jumpsuit, stood apart and managed only a distracted hello.
He was perpetual motion as he waited for his call: flexing, stretching, moving. And, most interestingly, he talked to himself. Eventually, I realized he was rehearsing his line. He only had one but the man was nervous and that made me curious.
How could a man who inspired my grandmother to take off her shoes and exercise, a man who spoke to people on TV every day be nervous about delivering one line? It took me many years and my own journey as a writer to understand why, that day on the set, Jack LaLanne was sweating. It was because he was not a pitchman, he was an advocate. Jack LaLanne sold best when he sold in his own language and with his own message. That man not only inspired people to exercise but to be their best in every aspect of their lives.
A few days ago, I woke up and found that Jack LaLanne had passed away. I doubt he would have remembered me but I will always remember him. I will remember him as a part of my childhood but I will also remember what he taught me about being a creative person. So, here you go. The lessons I learned from Jack.
Write, compose, draw, speak, work with love and focus.
Always exercise: your mind, your imagination, your skill.
Be consistent. Be a brand. Craft your own “black jumpsuit” so that when people pick up your book or see your picture or hear your song they will know what they’re getting.
Plan your career, do not calculate it. Eventually, calculation will override passion and you will lose your “voice”.
Do not worry about how many people read your work. Creating something that is meaningful to one person is more important than having thousands know your name but not remember your work.
Share your passion. If you have a chance to inspire, to coach, to encourage, do it. Do it with abandon. Do it with energy. Do it without concern that sharing your knowledge will take something away from you. It won’t.
Thank you Jack. I was inspired by your energy, your abandon and your goodwill. I will pay it forward and, when I do, I will think of you.
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by Rebecca Forster
Consider the month of February. It is an odd and joyous month. Christmas is over but bills still trickle in. The New Year already feels a little worn. Odd.
Spring is just around the corner and summer is on the horizon. Joyous.
February is the month of odd days. How many? 29? 27? 21? Where’s the rhyme when I need it?
My last few books came out in February. Odd or joyous, who can say?
My husband and oldest son are Aquarius types. Their birthdates are the 8th and 9th days of February. Twenty-three years ago my husband, in the hopes of having my son born on the same day as he was, fed me a spicy burrito. It brought on labor, just not fast enough. Oddly joyous?
The point is that things that make us happiest, things we remember, are always a bit odd and a bit joyous.
There is an author I admire. His name is Richard Jordan and he writes a mystery series about old Hollywood and a wonderful woman named Polly Pepper. His latest novel, FINAL CURTAIN, is a Polly party. A veritable gala of memorable characterization.
Polly is such a delight because Richard adores the charmingly odd lady. Every word he writes about this woman is joyous. From her ever-present champagne to the disappointing revival of an acting career that embroils her in a murder investigation (a director is clubbed to death with an Emmy), Polly is Polly. Odd, joyous, charming, challenging. She is a reader’s delight; she is a character-in-waiting for some smart and talented actress. Rita Wilson, are you listening?
Just like February, FINAL CURTAIN ends too quickly. And, as February flies by me, faster than I care to admit, I am beginning a new project. As I do so I will be inspired by the odd month of February, by Richard Jordan and his joyful Polly and I will write with abandon. I will let my imagination spread its wings and will not allow the rules and agent warnings and ever-changing market forces to clip them.
That will be oddly, joyously, fabulously satisfying. This will be writing as it should be.
Rebecca Forster
http://www.rebeccaforster.com/
HOSTILE WITNESS
SILENT WITNESS
PRIVILEGED WITNESS
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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