If you’re a fan of Jane Austen and other Regency-set fiction, Mrs. Hurst Dancing, a collection of 70 watercolors by Diana Sperling, is a treasure. The book is especially valuable for the often-confused author trying to envision the clothing, the transportation, and how everyone passed the time, especially in the country. Unfortunately, no one was posting helpful YouTube videos two hundred years ago.
The above painting is a good example of what you’ll find in the book. The tongue-in-cheek description is Sperling’s own. The “Lord of the Manor”, probably her brother Henry, leads three ladies (probably Diana and her sisters) to a neighbor’s house for a dinner party.
All three ladies are wearing red cloaks, which I often forget were staples of country life, and also good indicators of class. The Sperling family were gentry, not super-rich nobility. The bonnets look like leghorn bonnets with flatter crowns. If you know what they are, please mention it in the comments.
Dinner in the country was earlier than in “town”. They’re not driving down the road to the neighbor’s in a coach and four–they’re walking cross-country! There’s no date on this picture, so we don’t know what season this is; probably not the dead of winter though, despite the cloaks. The three ladies are carrying their shoes for indoors, and it looks like Henry has his stuffed into the pocket of his coat. (Men’s pockets were in the tails of their coats.)
He’s also carrying a lantern for the walk home. No street lights in the country. Without our modern light pollution, imagine how dark it must have been?
And what about that “tremendous stile”? According to Merriam-Webster, a stile is “a step or set of steps for passing over a fence or wall”. Like this:
A stile allows people to pass, but not livestock. I don’t see stairs in Sperling’s drawing, but there does seem to be a space to the left. I hope the ladies don’t have to climb over those rails in their white gowns.
As I mentioned, there are seventy watercolors in the book depicting the country life of the gentry in this era. In one, Diana’s mother and the housekeeper stand on the window ledge “murdering flies”. In another, the ladies of the family are wallpapering a room. There’s a drawing of the family holding hands and experimenting with an “electrifying machine”. Horses, donkeys, dogs, chickens are all part of the country life depicted.
Mrs. Hurst Dancing is only available in hardcover, and is, I believe, out of print. Weirdly, Amazon has two entries for the book, one with used copies starting at $99, the other with used copies starting at $21.92. How wonderful if the copyright holder would release another edition of this book in softcover.
You can see a few more of Diana Sperling’s amazing watercolors on Pinterest.
For the authors and readers out there, do you make use of images to help you better “see” a story? What’s your go-to site?
Image credits:
The watercolor is from janeaustensworld.com via Pinterest; stile is from Wikimedia commons; book cover is from Amazon.com
2 0 Read moreLast year was awful in many ways, but there were some bright spots. For me, one of those was being invited by the Bluestocking Belles, a group of historical romance authors, to be one of the guest authors in their 2021 story collection. It was a unique experience, and a great deal of fun, interweaving our stories and characters into the collection’s setting. All of the stories take place in the fictional Suffolk town of Fenwick on Sea during a “storm of the century”. It is the first week of April 1815, and Napoleon Bonaparte has just escaped from Elba.
When this opportunity arose, I was in the middle of writing Fated Hearts, my Regency-set retelling of the Macbeth story. Since Fated Hearts was set in March 1815 in the middle of the Corn Riots and in the week that ended with the arrival of news of Bonaparte’s escape, the Storm & Shelter project gave me the perfect opportunity for a secondary character’s romance.
Spring has arrived in the Northern Hemisphere, and this year’s April storms include the 1815 North Sea gale that is the setting for the stories in the Storm & Shelter novella collection :
When a storm blows off the North Sea and slams into the village of Fenwick on Sea, the villagers prepare for the inevitable: shipwreck, flood, land slips, and stranded travelers. The Queen’s Barque Inn quickly fills with the injured, the devious, and the lonely—lords, ladies, and simple folk; spies, pirates, and smugglers all trapped together. Intrigue crackles through the village, and passion lights up the hotel.
One storm, eight authors, eight heartwarming novellas.
The collection includes my novella, The Comtesse of Midnight, a sequel to my full length novel, Fated Hearts. Here’s the blurb:
A Scottish Earl on a quest for the elusive Comtesse de Fontenay rescues a French lady smuggler from the surf during a devastating storm, and takes shelter with her. As the stormy night drags on, he suspects his companion knows the woman he’s seeking, the one who holds the secret to his identity.
Marielle Plessiers may dress like a boy and go out with the local free traders, but she’s really the Comtesse de Fontenay. She trades in spirits, not secrets, but the information she holds will change Malcolm Comyn’s life forever.
The other contributors are members of the Bluestocking Belles: Jude Knight, Caroline Warfield, Sherry Ewing, Rue Allyn, and Cerise DeLand.
As well as two other guest authors, Mary Lancaster and Grace Burrowes.
A runaway heiress, a mysterious stranger.
When Letty’s ship founders in a violent storm, she forges a rare bond with her rescuer.
Simon is a troubled man on a final, deadly mission—until the spirited yet soothing Letty makes him question everything. Hiding in plain sight among the refugees at The Queen’s Barque, Simon is more than capable of protecting them both. But when the floods recede, can either of them say goodbye?
She is so wrong for him.
Miss Josephine Meadows is so young. In love with life. His accountant in his work for Whitehall. Her father’s heir to his trading company—and his espionage network. Lord Stanton cannot resist marrying her. But to ensure Wellington defeats Napoleon, they must save one of Josephine’s agents.
Far from home, amid a horrific storm, Stanton discovers that his new bride loves him dearly. Can he truly be so right for her? And she for him?
Zach Newell knows Patience Abney is far above his touch. But he has been enchanted by her since she raced out of the storm and into the Queen’s Barque with a wagon full of small boys, puppies, and a bag of books. When the two of them make their way across the flooded marsh to her badly damaged school in search of a missing boy, attraction deepens. She risks scandal; he risks his heart.
A quest for a title. An encounter with a stranger. Will she choose love?
Miss Miranda de Courtenay has only one goal in life: to find a rich husband who can change her status from Miss to My Lady. Captain Jasper Rousseau has no plans to become infatuated during a chance encounter at a ball. Their connection is hard to dismiss, despite Miranda’s quest for a title at all cost. What if the cost includes love?
Enemies by nature—Esmeralda Crobbin, aka the pirate Irish Red, and Captain, Lord Brandon Gilroy have met before.
Fate trumps nature—When a fierce storm creates a chance encounter and forced proximity, Brandon learns the pirate is a woman of serious honor and responsibility. Esmeralda discovers the captain is more than a uniform stuffed with rules and regulations. Both love the sea with boundless passion, but can they love each other?
The tempest that batters Barnaby Somerville’s village is the latest but not the least of his challenges. Vicar to a remote parish, he stretches his tiny stipend to adopt his orphaned niece and nephew and his time to offer medical care as well as spiritual. A wife is a dream he cannot afford. But the storm sweeps into his life a surprising temptation—a charming young woman who lavishes her gentle care upon his wards—and him. God knows, he will forever be richer for having known her, even if he must let her go.
He’s not really a blacksmith, and she’s not really an heiress… Can they forge a happily-ever-after anyway?
Thaddeus Pennrith finds a way to recover from multiple griefs when he accepts the blacksmith’s post at Fenwick on Sea. Village life gives him a sense of belonging that Polite Society never could, though he must resume his aristocratic responsibilities soon. Along comes Lady Sarah Weatherby, refugee from an engagement gone badly awry, and Thaddeus is faced with both a compelling reason to reveal his titled antecedents, and a longing to keep them forever hidden….
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