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Learn to Self-Publish Your Book This Month – and Have It On Sale Next Month!

September 10, 2014 by in category Archives tagged as , , , , ,

Just a quick reminder that I’ll be teaching “Your How-to Guide to Self-Publishing” starting on Monday, September 15, 2014. That’s this upcoming Monday!

It’s a 4-week online course that will help you take your completed manuscript, and format it and upload it so it’s finally for sale. Yay you! Someone asked, if your manuscript is not quite complete, can you take the class anyway and use a test version to go through the steps so you know what to do when you’re ready? Yes, you can!

The class will consist of written lectures with step-by-step instructions for getting your book ready, as well as videos showing you what to do. You may have already read dozens of blogs and books about how this person or that person created their self-published book, so you already know there is more than one way to go about this. I will show you how I do it and, as a class, we’ll all help each other as each person chooses their own tools (software, distributors, etc.).

For only $30 ($20 for OCC members), this class is a great deal! And half of the proceeds go to support the Orange County Chapter of RWA. Tell your friends and sign up today!

Have questions? Email me at Kitty at KittyBucholtz dot com. I hope to see you in class!

Kitty Bucholtz decided to combine her undergraduate degree in business, her years of experience in accounting and finance, and her graduate degree in creative writing to become a writer-turned-independent-publisher. Her novels, Little Miss Lovesick and Unexpected Superhero, and the free short story, “Superhero in Disguise,” are now available at most online retail sites. Superhero in the Making will be released this year.

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Show and Tell, OCCRWA’s May Online Class with Shannon Donnelly

April 27, 2014 by in category Archives tagged as , ,

Shannon Donnelly is with us today to talk about her upcoming OCCRWA online class, Show and Tell, an Interactive Workshop. Take it away, Shannon!

Thanks Alina. We’ve all heard “show, don’t tell” and there is value in that advice. If all you do is tell a story, how does the reader participate with his or her imagination? However, a book is not a movie. While a movie requires everything to be shown (or an often awkward voice-over to be added if it’s not showing enough), a book has the luxury of being able to use narrative. And that’s where I usually get folks who are utterly confused.

Narrative seems to have gone out of fashion. It doesn’t seem to be taught, and no one seems to really get what it is. So let’s make it easy.

Merriam-Webster gives us the root for narrative/narrating as the “Latin narratus,past participle of narrare, from Latin gnarus knowing; akin to Latin gnoscere, noscere to know.”

This means it’s basically the author telling the reader the information the author knows, which the reader also needs to know. And now, you ask, what does the reader need to know, and when does the reader need it, and how much does the reader need. This is where narrative becomes an art.

This means any writer of fiction needs not only showing but telling as well. What’s the secret in knowing when to show and when to tell? This is something I’ll be covering in the May workshop, but here are a few tips:

WHAT TO TELL:

– Where are we? (Place and world – the reader needs to be placed into the scene, otherwise it’s confusing to the reader. Do not throw your readers into the deep end without giving them some help.)

– When are we? (What’s the era, the time of the year, the month, the day, the hour? We need everything that helps the reader settle into the scene as if this moment in time really exists.)

– Who is here?(An introduction to the characters, particularly to the main characters for that scene, and for the story.)

– Why are we were? (This doesn’t have to be greatly detailed information, but you need enough details to make a reader care. Think of it this way—too little and you starve the reader’s imagination; too much and the reader quickly fills up and drops the book down.)

All this needs to be woven together, stitched in with careful threads, not dumped on the reader in big clumps. Or, to put it another way, feed the reader your telling—your narrative—with a teaspoon, not a soup bowl.

WHAT TO SHOW:

– Your characters in action—scenes are always stronger when you show a character expressing emotion with physical reactions.

– The world through a character’s senses—we all lean too much on sights and showing what a character sees, but go beyond this to show smells, tastes, touches, and sounds. Use all a character’s senses to not only make the world more vivid for the reader but to also show what your character notices.

– Your character’s emotions through words. Dialogue should never just be there to advance the plot or you end up with a character that seems stiff on the page. Just as you want to show emotions through actions, you also want to show emotion through words—this includes what someone avoids talking about, too.

Showing and telling do not have to be absolutes; mix show, use more show than tell, or use more tell than show; part of the choice is your style, and part is the effect you want to have on the reader.
 
Alina again here.
Thanks Shannon for giving us a taste of your upcoming lessons. This four-week class starts May 12, 2014 and registration is now open here.   
About Shannon Donnelly:
Shannon Donnelly’s writing has won numerous awards, including a RITA nomination for Best Regency, the Grand Prize in the “Minute Maid Sensational Romance Writer” contest, judged by Nora Roberts, RWA’s Golden Heart, and others. Her writing has repeatedly earned 4½ Star Top Pick reviews from Romantic Times magazine, as well as praise from Booklist and other reviewers, who note: “simply superb”…”wonderfully uplifting”….and “beautifully written.”

Her Regency Historical Romance, Paths of Desire, can be found as an ebooks on Kindle, Nook and at Smashwords, along with her Regency romances.

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Writing Holiday Themed Stories – OCCRWA’s March Online Class

February 27, 2014 by in category Archives tagged as

Beth Daniels, aka Beth Henderson chimes in on her upcoming OCCRWA class:

Sometimes the ideas rain down on you, right? And then there are other times when you’re enduring a drought of them. Am I right?

Some ideas give you a nudge but then you’ve got that middle part of the book to write…that oh-so-long sometimes middle land…and the nudge has left the building.

Been there, lived that.

But there is a type of storyline that supplies a built in structure…and I’m not talking about historicals that follow a war or political engagement where what happened is the structure. I’m talking about the holidays!

Oddly enough, there are more holidays out there than a writer can shake a quill at…if we had quills. Okay, so we shake rollerballs and mechanical pencils and cell phones capable of recording voice messages to ourselves.

At any rate, if you were thinking Christmas, New Years, Valentine’s Day and Halloween, you’ve barely got your feet wet.

True, these are the themes that generate calls for anthologies, but if it’s a story with a word count that takes you into the novel range, the competition might be tough. Doesn’t mean you back off of the first holidays that come to mind, just expand out from there.

What is all of this leading up to? Well, a workshop, obviously!
WRITING HOLIDAY THEMED ROMANCE STORIES ALL YEAR ROUND kicks off on March 10th and takes us past April Fool’s Day but not quite to tax day, which only the government would term a holiday worth celebrating anyway.

I hope you’ll join me for a year’s worth of considering the prospects of various holidays throughout the year when it comes to spinning romances.

Visit OCCRWA.org here for more information and to sign up.

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OCC RWA Proudly Presents Our March Online Class

February 26, 2014 by in category Archives tagged as , , , ,


March 10 – April 6, 2014
WRITING HOLIDAY-THEMED ROMANCE STORIES YEAR ROUND
with Beth Daniels

About the Class:
They show up on the bookseller’s lists, at the book section at the grocery store, the pharmacy, the BOOK store, and are featured in cases at the library and on end caps at various and sundry places. They even blanket the bestseller lists at those special times of year.
What are they? Well, the holiday themed novels, novellas, and short story collections, of course!
Holiday stories not only send regular readers staggering to the check out stand with armloads of titles, they snag the not so regular readers, the folks stuck looking for a Secret Santa gift, or a stocking stuffer or a “thinking of you at the holidays” token for the babysitter, the hairdresser, the…well, fill in your own blank!
December isn’t the only month that has a holiday though! There are holidays every month of some sort, and they are worth gold when it comes to themes for stories.
During the four weeks of this workshop will deal with: all those THINGS that relate to the special event at the heart of your story.
Because it is the most “profitable” of the holiday season, we’ll spend two weeks on the Winter solstice timed tales then move on through the calendar year seeing what other holidays could supply a tasty tale or two.
We’ll also talk about what might be the best time of year for a holiday themed manuscript to land on an editor’s desk.
No ideas needed beforehand as we’ll dream them up during the workshop – perhaps even more than one!
About the Instructor:
When wearing her Beth Henderson hat, Beth Daniels has had a number of storylines that worked in the holiday extravaganzas of December: RING IN THE NEW (originally published as NEW YEAR’S EVE) and SEDUCING SANTA both reveled in the season while MR ANGEL finished off under a gaily decorated tree. While she hasn’t considered Halloween personally, she is laying claim to guys in bunny suits for a Spring story, so hands off Pete Rabbit!
Enrollment & Payment Information
For more information on how to enroll and play please click here

If you are interested in more online classes, the 2014 class schedule is here.
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5 Time Management Tips for the Holidays by Kitty Bucholtz

December 10, 2013 by in category Archives tagged as , , , ,

During the holiday season, I always struggle to keep up with my writing routines while also adding in extra time with family, parties, Christmas events at church, additional baking, and more. Over the years, I’ve found a few things work well for enjoying the holidays with less stress without quitting my writing job for a month or two.

  1. Do a little less of everything. There are only 168 hours in the week. If I add in a full day of hanging out with my godchildren, I need to figure out what I’m going to do less of. If I decide to make several kinds of Christmas cookies, where am I going to find the time? The answer that works best for me is to do less of everything else – writing, watching TV, reading, etc. – in order to have some time to add in these other seasonal favorites. If, in January, you schedule less writing time for the following December, it won’t be time “lost” but planned for.
  2. Multi-task. During the rest of the year, when I put brownies in the oven, I will probably fiddle around the kitchen, or check email and read Facebook. But since I’m going to do a little less of everything in order to have a bit more time, I plan to use chunks of time better than I usually do. Every batch of brownies takes 25 minutes to bake – the perfect amount of time for me to get a solid chunk of writing done. The ten minutes cookies take in the oven is a good time to brainstorm, or write in snatches, thinking about what I’m going to write again in a few minutes when I get the next batch in.
  3. Say No. Sadly, I can’t do everything I’d like to do, especially at the holidays. What is most important to me? What won’t happen again for a year (or more depending on how often you get to go away or have company in for the holidays)? What can wait for next month? Some of my writing deadlines are time sensitive for now. Some can wait a few weeks. I need to plan my month so that what needs to get done in my work, does. And what I want to do with friends and family, I have time to enjoy.
  4. Take a time out. I’ve found that time outs are not only great for toddlers, they’re great for writers. Depending on how stressed I’m beginning to feel, I’ll take 30 seconds to do some deep breathing, forcing my shoulders back down from around my ears, or I’ll take an hour out of my “important work” to watch TV with my husband. The people closest to me run the risk of getting the least of my time and attention during the holidays because “I know they’ll understand” if I hide in a corner with my laptop, working. What are they doing that they enjoy and that they’d most enjoy my company? What do they want to do that they won’t mind if I’m not there? (No one ever seems to mind when I grab an hour to work while they watch a football game.)
  5. Consider opportunity cost. When you think of all the things you could do with X amount of time or Y amount of dollars, and then you choose ONE thing, the rest is opportunity cost. The cost of me hiding away from the family for an hour while people are sitting around talking is high – this is when we connect and feel close. It’s lower when I work while they watch football. The cost of missing the Christmas pageant is higher because it only happens once a year, while missing the showing of “Charlie Brown’s Christmas” is lower because I have it on DVD. The cost of missing Christmas sales from your book is higher, but is it as high as missing out on roughhousing with your nieces and nephews who may otherwise remember you as too busy to play with them?
I hope you and I both manage our time this holiday season in such a way that we feel good about our writing work, and are filled with joy and peace and laughter in our personal life. Merry Christmas!
Note: For more time management and project management tips for writers, enroll in my online class, Going the Distance: Goal Setting and Time Management for the Writer. It’s only $30 for four weeks, January 13 – February 8, 2014, twelve lectures that come straight to your email Inbox. If you’re an OCC member, you get it all for $25. Sign up today!
If you live in Southern California, attend my live workshop in Carlsbad on Saturday, January 25 – Write Your Book in 2014! In one day, we’ll break your book into pieces and plot it out on your calendar, so that you have a completed book ready by your deadline. The 8-hour workshop is only $49, but is limited to 15 people, so sign up soon! Email me at Kitty AT KittyBucholtz DOT com for questions and more information on either of these classes.
Kitty Bucholtz decided to combine her undergraduate degree in business, her years of experience in accounting and finance, and her graduate degree in creative writing to become a writer-turned-independent-publisher. Her first novel, Little Miss Lovesick, came out in 2011. Her new novel, Unexpected Superhero, book one in The Adventures of Lewis & Clarke humorous urban fantasy series, is now available in print and ebook format. Love at the Fluff and Fold, book one in The Strays of Loon Lake romantic comedy series, will be released soon. Her short stories can be found in the anthologies Romancing the Pages and Moonlit Encounters, available in both print and ebook formats. “Superhero in Disguise” is a free short story at Amazon, iTunes, Smashwords, and other retail sites.


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