October’s OCC/RWA Online Class is Time Management Secrets for Authors: How to Balance Writing, Book Marketing, and Your Schedule While Igniting Your Creativity with Stacy Juba.
Do you wish there was more than 24 hours in the day? If it seems like there is never enough time to write, promote your published books, and/or prepare submissions to editors and agents and learn the ropes of the business side of writing, then this workshop is for you.
Author and editor Stacy Juba experienced the longest writer’s block of her life after a family health crisis. She went on a mission to resurrect her creativity and find the time and energy to manage her writing career. Thanks to her new strategies, Stacy created a successful editing business and launched an exciting new chick lit series, and considers her herself more productive than ever.
Over the course of the month, participating writers will take important steps to advance their careers while also reducing the stress in their lives. Whether you’re struggling to overcome writer’s block, beef up your book promotion, or get your writing career launched, this class will arm you with the skills to get to the next level.
Participants will receive assignments and suggested tasks in a friendly, interactive format so that by the end of the course, they will be in a much more organized state of being.
About the Instructor:Stacy Juba got engaged at Epcot Theme Park and spent part of her honeymoon at Disneyland Paris, where she ate a burger, went on fast rides, and threw up on the train ride to the hotel. In addition to working on her new Storybook Valley chick lit/sweet romance series, Stacy has written books about ice hockey, teen psychics, U.S. flag etiquette for kids, and determined women sleuths. She has had a novel ranked as #5 in the Nook Store and #30 on the Amazon Kindle Paid List. Stacy is also the founder of the Glass Slipper Sisters, a group of authors with Cinderella-themed romance novels.
When she’s not visiting theme parks with her family, (avoiding rides that spin and exotic hamburgers) or writing about them, Stacy helps authors to strengthen their manuscripts through her Crossroads Editing Service and offers online workshops for writers.
Enrollment Information
This is a 4-week online course that uses email and Yahoo Groups. If you do not have a Yahoo ID you will be prompted to create one when you join the class, but the process is not difficult. The class is open to anyone wishing to participate. The cost is $30.00 per person or, if you are a member of OCCRWA, $20.00 per person.
Find her at http://stacyjuba.com.
Sign up at: http://occrwa.org/classes/oct-online-class/.
Linda McLaughlin
Online Class Coordinator
Nothing can transport you back in time like a fragrance. They say that your sense of smell is the most powerful and evocative sense, and it’s true: Emeraude reminds me of my mother, Quorum my husband, and Halston Z-14 reminds me of my teens and guys who bathed in a cologne—rather than indulging in a spritz or two.
“A woman who doesn’t wear perfume has no future.†– Coco Chanel
This may have been a dramatic overstatement, however, when I was in the business of selling perfume, quotes such as these, gave women confidence when she entered a room! And Chanel No. 5 is one of the most popular fragrances of all time, a bottle of it is sold every 30 seconds (this includes me ïŠ, too).
Coco Chanel also stated that women should wear perfume wherever they hoped to be kissed. Wise words indeed – please note that this does not mean ‘layered’ in perfume, as perfume counter girls armed with spray bottles will advise you. No one should be able to smell your perfume unless they’re that little bit closer than is polite, then it should be something delicious and intoxicating.
Whilst researching which perfumes were popular over the decades I was surprised how many of these I’ve actually owned. Over the years, I’ve tried Anais Anais, Shalimar, Opium, Poison, Red, and Patou 1000 before I finally settled on Chanel No. 5. Of course, I selected one of the most expensive perfumes on the market, but I guess there is a good reason why it’s been a bestseller since it was launched in 1921!
Vintage Perfumes: The Fragrances that Defined Each Decade
It’s surprising how many of these perfumes are still best sellers even now, but then why would they go out of fashion?
Popular Perfumes in the 1920s.
Chanel No. 5, launched in 1921, was an immediate success even though it was the preserve of the rich at this time. Famously worn by Marilyn Monroe, the square bottle design was rumored to been inspired by the design of a whiskey decanter.
Guerlain’s Shalimar launched first in 1925. It is one of the most popular fragrances of all time and was said to be inspired by Mumtaz Mahal, the women for whom the Taj Mahal was built. The perfume was named after the Gardens of Shalimar in Lahore, Pakistan, which were also built for her.
Popular Perfumes in the 1930s.
Tabu by Dana Fragrances which were popular in the 1930s included Tabu by Dana (a sexy evening perfume), which was launched in 1932 and Je Reviens by House of Worth, both of which remain available today.
In 1934 Elizabeth Arden developed Blue Grass.
Perhaps the most notable perfume of the 1930s was Joy by Jean Patou, voted Scent of the 20th Century at the Fragrance Foundation FiFi awards in 2000. It was created in 1929 (the year of the Wall Street Crash) and even though it was marketed as ‘the world’s most expensive perfume’, it was a huge hit. It is also considered to be one of the greatest floral fragrances of all time.
Popular Perfumes in the 1940s.
L’Air du Temps by Nina Ricci (in a pretty glass bottle with a bottle stopper fashioned as two doves). After the war lighter and fresher perfumes became more popular, one of which was the still-popular Miss Dior by Christian Dior in 1947
Popular Perfumes in the 1950s.
Femme de Rochas was a rich, sultry perfume aimed at the femme fatale created in 1944.
Arpege by Lanvin is a floral romantic perfume, created in 1927, but became particularly popular during the 1950s.
Max Factor’s Hypnotique and Primitif (as advertised by Jean Patchett above) were popular and an affordable perfume for the masses compared to the fragrances by the big fashion houses.
Soir de Paris by Bourjois was a popular fragrance amongst teenagers during the 1950s. It was discontinued in 1969, but relaunched in 1992
Popular Perfumes in the 1960s.
Oh! de London by Tuvache, YSL Rive Gauche was a popular 1960s scent
Hubert de Givenchy created L’Interdit for Audrey Hepburn and she wore the perfume for many years before it was released to the public in 1957. She featured in the adverts for L’Interdit throughout the 1960s.
Tuvache’s Oh! de London is a bright sparkling scent which perfectly captured the mood of the swinging sixties.
Guerlain introduced the heady oriental scent Chamade in 1969.
Popular Perfumes in the 1970s.
Charlie by Revlon and Diorella by Christian Dior, a perfume for the independent woman who has everything, were both very popular.
Opium by Yves Saint Laurent, launched in 1977, and was a heady, rich oriental evening perfume.
Christian Dior released the classic perfume Diorella, which combines citrus and musky notes.
Anais Anais by Cacharel, launched in 1978 and was an immediate hit (my brother gave this to me as a Christmas Gift).
Did I list one of your favorite perfumes?
Or, perhaps a fragrance you’ve never dared to try?
Perfuming is an art. Indulge your senses, enjoy the fragrance—it’s mystical, it’s magical, is the new youïŠ.
Happy Reading,
Connie Vines
I blog weekly on two sites (in addition to my own) and monthly on four website, I thought I’d post a topic from my Round Robin Series.
Topic: All story genres take some research for establishing details in the setting. What type of research have you had to do? Does it bother you when you read something happening in a story that is inaccurate historically, socially, scientifically, etc?
Does it bother me?
Yes.
However, in my case, there are varying degrees of irritation. If it is an easily found fact, or a fact that any functioning adult should be aware of then, yes—I am very irritated and will probably not finish the novel. On the other hand if current verbiage is used or the description of an item of clothing is more modern, that could be the writer’s choice. The writer may feel that her ‘readers’ wish to have the ‘flavor’ of a historical story without the genealogy charts or gritty reality of the era. Then I am okay. But to pass the facts off as accurate/ or marketed to make the reader believe this is not a fictionalized story—as in “The Other Boleyn Sister†or Disney’s “Pocahontas†animated movie (with what I like to call the Vulcan-mind-meld when the Hero and Heroine suddenly speak and understand each other), I do become angry. Apparently, I clamp my teeth, and my husband will swear that I growl when these movies become a topic of conversation.
We all make mistakes, I remind myself. Alternatively, the copy-editor adds/ deletes a needed fact. Moreover, sometime we simply ‘thought’ we removed it from the final draft. Still sloppy research makes for sloppy writing. If you do not like research, build your own world/town/or, do not give the reader a date or place to hang her hat on. You and add a statement: liberties were taken; the mistakes are my own, etc.
Researching
Any professional writer knows there is a lot more to the job than simply writing. There is also revising, editing, promoting, and much more. Before I even consider typing: Chapter One. Whether I am writing, historical, or fantasy, I conducted days—if not months or even years, gather my research material and scheduling interviews.
Research is vital to every writer. Contemporary novels required daily research to keep up-to-date on the latest tech item, hairstyle or whatever relates to your storyline.
Every encounter with a new person or visiting a new place is an opportunity for better, more descriptive writing. Writers never truly take a vacation, or turn off the research part of her/his brain.
So how do I organized my research material? (Tossing everything into a large bin is oh-so-not-the-way to be organized.)
#1: Keep a File Folder for Ideas
I have files where I stash clippings of articles on specific topics I feel will come up again, or will one day make great short stories/articles. I have plain colored folders for “shared†topics (I write multiple genres), cute folders (for YA/Teen topics), action folders for supernatural stories, etc.
These clippings are often story generators or prompts to open a chapter/create a pivot point. How many times have you heard something on the radio or watched something on television and thought, “Wouldn’t that be so great in my next novel�
Story prompts can be anything that you find interesting, anything that relates to your genre or area of writing interest. Because my books are character driven, I tend to be drawn to articles that talk about the human condition (i.e., why we do the things we do) or specific topics that I feel relate to my particular ‘character’.
#2: Story Premise Research First
When you start a new project, you must make some decisions. What is the theme of your book? (We might also think of this step as “what is the premise of your book?â€) The answer to this question will guide your starting research.
My third book, Whisper upon the Water, focused a lot on the living conditions and societal attitudes about Native American children. I already knew that Native American children were forced to attend government run boarding schools after the Indian Wars, but I did not know about the process, and how it affected the children or how they adapted. Therefore, I began with interviews, tours of the schools still in operation and trips to historical archives and reservations.
Before I wrote a single word, I looked into this, and the answers I found are what formulated my plot points. I needed this foundation of research to create a convincing plot, otherwise I would not tell the story correctly. I wanted the truth, I wanted historical accuracy and I wanted my readers to have an emotional connection to my characters.
Poor research in the beginning often results in a manuscripts dying at the halfway point. Think of this step as the foundation of your novel.
#3: First-Hand Accounts
As a rule, I set my stories in placed I have lived or visited. However, a writer does not have to go to a city/country to get a feeling for it.
Online Resources
Travel sites, local blogs, and YouTube all have a place in a writer’s arsenal. In particular:
• Travel Sites often have detailed maps and downloadable audio walking tours that can give you context for notable buildings and directional substance for urban areas to include in your book.
• YouTube is a major resource, often underutilized by writers. Those seemingly normal videos are great for providing local terminology, dialect, visual perspective and even minor details like the amount of traffic at a particular park or on a particular street.
#4: Details
• Using Google Maps and Streetview, for my upcoming release anthology at BWL: Gumbo Ya Ya—for women who like romance Cajun & men Hot & Spicy! I was able to get a street view of that area and I could ‘walk’ the streets as they appear in New Orleans. The Streetview feature setting on Google Maps plops you down right at street level and gives you a 360-degree view of everything including traffic, crowds, and architecture. While I do have my personal photos and memories of the city, it is always good to make certain the details are ‘just right’.
#5: Remember to Write
You can always do a fact check on the smaller items as part of the final revision process.
When I am dictating or typing my story, unless an earth-shattering event is in the works, I do not stop the process. I will type:** research time line of Spanish Flu or ** insert the popular song year, and keep writing. When I go back over the material, I will have time to add the particulars.
Research is fun. Unlike may authors, research in my favorite part of writing. Like a method actor, I immerse myself in the process. Hobbies, Music, Books, and Food (well, not food when I wrote my Zombie novella, “Here Today, Zombie Tomorrowâ€. right now, however, it is shrimp Creole, pecan pie and coffee with chicory). Research need not be cumbersome. If you are interested in your subject matter, then it is not work. It is just another part of writing a book.
I believe it is writing a book that is rich in research helps to separate the writers from the multi-published authors.
Readers, how do you feel about this topic? How important is historical accuracy to you?
Happy Reading,
Connie Vines
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