A New Mystery by Linda O. Johnston
May 6, 2018 by Linda O. Johnston in category Pets, Romance & Lots of Suspense by Linda O. Johnston tagged as Cozy mystery, dogs, mysteries, series
A New Mystery
The official availability of my new May release is in 2 days–May 8.
What is it? It’s, PICK AND CHEWS, the fourth in my Barkery & Biscuits Mystery Series for Midnight Ink.
As I’ve mentioned before, I have four books being published this year, one mystery and three romances.
PICK AND CHEWS is about Carrie Kennersly, a veterinary technician, who buys a friend’s bakery and turns half into a barkery, where she sells healthy dog treats that she’s developed.
Does she have a romantic interest? Of course! Everything I write contains a romance, as well as elements of mystery or suspense or both. In this case, Carrie’s guy is a veterinarian at the vet clinic where she still works part-time, Dr. Reed Storme. Reed has been telling her to back off from helping to solve murders because it’s too dangerous for her. But… well, in PICK AND CHEWS he backs off from that position a bit because he’s the one who’s the main murder suspect.
So, what’s next this year? Well, as I mentioned before, the first in my K-9 Ranch Rescue miniseries for Harlequin Romantic Suspense, SECOND CHANCE SOLDIER, was published in March. Its sequel TRAINED TO PROTECT will be an October release.
And then, in November, my last Harlequin Nocturne, VISIONARY WOLF, will be published. It’s the ninth in my Alpha Force series about a covert military unit of shapeshifters—and the last, since the Nocturne line is ending this year.
So—yes. Three romances, plus one mystery, in 2018. I celebrate them all!
Linda
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Visiting the Scene or Vacation? by Will Zeilinger
March 3, 2018 by Janet Elizabeth Lynn and Will Zeilinger in category Partners in Crime by Janet Elizabeth Lynn & Will Zeilinger tagged as mysteries, research, writing partners
My wife Janet Lynn, and I have been writing together for several years and are just completing our fourth co-written murder mystery novel. Since our stories are set in the 1950s, we have to research many of the locations that have either changed or no longer exist. And because our storylines take us to distant places, we travel to many of those sites in order to get it right. Google Earth is great, and the web is invaluable, but there is only so much you can learn from these resources. Nothing beats being there in person. This works out great because we both love to travel.
For our first Skylar Drake Mystery, SLIVERS OF GLASS, we traveled to the northern California wine country, including Sonoma County, Bodega Bay and Santa Rosa.
STRANGE MARKINGS took us to Molokai where we researched pre-statehood Hawaii. This was the only Hawaiian island that wasn’t overly developed and gave us an idea of Hawaii before all the high-rise buildings. 
Las Vegas in the mid-1950s was the setting for DESERT ICE. Most of our time was spent in the Special Collections at the UNLV Library, the Clark County Library and the Nevada State Museum. The Mob Museum to really give us the flavor of Vegas in 1955. We also had the opportunity to interview a Las Vegas Dancer and the daughter a notorious mobster who lived there in the 1950s.
When we tell friends and family about our trips, they turn green with envy and mistakenly think we are on a vacation. Nothing could be further from the truth, although we do learn things a “normal” tourist wouldn’t. We are entertained by the people we meet and the historical tidbits that come to light during our research.
Success in our research may stem from the questions Janet asks hotel staff, restaurant wait staff and sometimes random residents we meet on the street. She’ll ask, “If you needed to dump a dead body around here… where would you put it?” The result is one of two different reactions. First: The person will take a couple of steps back and look around for an escape route. Or Second: They’ll provide specific locations of abandoned buildings, intersections, cemetery names, coves, cliffs or other places. This can seem a bit disconcerting, because that response means they’ve thought about this in depth. There are times I’ve felt like taking a couple of steps back myself.
Our most recent book is a prime example. SLICK DEAL is set in 1956 on Santa Catalina Island. (only twenty-something miles off the coast of southern California.) We did exhaustive online research before consulting the Long Beach Main Library. We happened to be on Catalina Island for other reasons a few months ago and stopped in at the Visitors Center. They also referred us to the Avalon branch of the L.A. County Library , which happened to be closed at the time we visited. We next visited the Chamber of Commerce, who, once again, referred us to the Library. This wasn’t going to work, so we visited the Catalina Conservancy. Guess where they referred us. Yes, the Library. We thought we had it solved when we went to the Catalina Island Museum. Again, they said, to try the Library. This prompted another visit to the Island when the Library was open. We scheduled it during the month our story took place and many questions were answered. The staff was helpful and even provided white cotton gloves so we could rummage through their archives.
Some of the most interesting facts came from the guide at the Avalon Casino “Frankie of Avalon,” who grew up on Catalina. There was also a fellow at the golf-cart rental shop, and a couple of waiters. Does that sound like a relaxing vacation?
Once we visited these locations, we were struck with inspiration and appreciation for the locales.
Online research is great, but physically visiting the places where your story takes place can supply all your senses with sights, sounds, smells, tastes, and the personality of the people you meet. As a couple writing together, we have a great time and, after four books, we’re still married.
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Judging a Book by Its Cover
August 21, 2017 by marianne h donley in category Guest Posts tagged as anthologies, books, Carol L Wrignt, covers, mysteriesIt’s a saying we learn as children: Don’t judge a book by its cover. It means, of course, that it’s not what’s on the outside that counts, and we should look within to discover the true meaning and worth of an object or a person. It’s an excellent lesson, made more memorable because of the catchy phrase we associate with it.
As we apply that to sage advice to many things, though, do we follow it literally? Most of us do exactly the opposite when it comes to actual books.
A book’s cover can tell us many things: the genre, the age group that is the target audience, and even how professionally the book has been produced. Take these two anthologies for example: Once Upon a Time: Sweet, Funny, and Strange Tales for All Ages, and Day of the Dark: Stories of Eclipse.
Certainly the titles and subtitles give us some clue as to genre and target audience, which is good since not every communication about a book comes with a cover image. But, as another old adage reminds us, “a picture is worth a thousand words,” so the cover design has a greater impact than the title on our first impressions of a book. The two book covers for these anthologies are:
These two covers elicit very different first impressions. The former (Once Upon a Time) is colorful, magical, and a bit whimsical. The font has a fairy tale feel. One would not have any qualms about picking it up and handing it to a child to leaf through. It invites children and adults into a world of imagination.
The latter cover (Day of the Dark) is mysterious, and bit foreboding. Looking at this cover, you would not expect it to be the reminiscences of people who have viewed an actual eclipse, despite its title. No—this cover tells us these stories are apt to be a bit darker. The color and font used for the subtitle, Stories of Eclipse, reinforces that impression. This book doesn’t reach out to a children’s audience the way the castle and happy dragon do on Once Upon a Time.
The same is true for books within the same genre. My new mystery, Death in Glenville Falls, has a cover that should tell you something about what might lie behind it:
The colors are warm and inviting, and the scene charming. There’s even a cat. This idyllic scene might make you think of Jan Karon’s Mitford series. But there is clearly a sinister element afoot, for what foul force would result in the stabbed book in the foreground? This cover tells you that there is a mystery inside, but it falls within the traditional/cozy side of the genre. It might keep you up at night because you want to keep reading, but it probably won’t give you nightmares.
On the other hand, my friend Geoffrey Mehl has a book, Nine Lives, that also falls within the mystery genre. With a title like that, it could be the story of the cat on the cover of my mystery, but his cover looks like this:
The sinister element is certainly there—silhouettes of people holding guns—but none of the reassuring, small-town charm balances it. Instead, we see computer code streaming behind them. This is clearly an edgier, suspense novel—and probably one having to do with computer data.
The same can be true, even for books with similar titles—only the cover tells us whether it’s one we’ll want to pick up and read more about or not. Take, for example, the books The Vampire’s Prisoner and Vampire King. Both titles suggest a powerful vampire is at work within the pages of the novel, but the covers give very different impressions. Look at:
The two offer very different kinds of chills.
Selecting a cover is often solely left to the discretion of the publisher, but for independent or hybrid publishers, authors have more control over how their books will look. It’s important to bear in mind that the cover image and cover design are truly the potential reader’s first impression of your work. If the cover looks amateurish, the assumption will be that the contents are, too. If, however, your cover grabs the readers’ curiosity, they are more apt to pick up the book, turn it over, and read more about it. If the back cover copy confirms what the cover promises, they might then turn to read the first page. And if they like what they see there, you might well have made a sale.
And all because they have judged your book by its cover.
Carol
Carol L. Wright is a former book editor, domestic relations attorney, and adjunct professor. She is the author of articles and one book on law-related subjects. Now focused on fiction, she has several short stories in literary journals and award-winning anthologies. Death in Glenville Falls is her first novel.
She is a founding member of the Bethlehem Writers Group, LLC, is a life member of both Sisters in Crime and the Jane Austen Society of North America, and a member of SinC Guppies, PennWriters, and the Greater Lehigh Valley Writers Group.
Raised in Massachusetts, she is married to her college sweetheart. They now live in the Lehigh Valley of Pennsylvania with their rescue dog, Mr. Darcy, and a clowder of cats—including one named Dickens.
You can follow her Facebook page or learn more on her website.
The Case of the Missing Elizabeth Boyle Novels
July 8, 2017 by marianne h donley in category Apples & Oranges by Marianne H. Donley, Java Plots by marianne h donley tagged as Elizabeth Boyle, Java Plots, mysteries
I lend books to just about anyone who wants them. Sometime even to people who don’t. I never worry about getting the books back because I have a handy-dandy book embosser. I stamp From The Library of MH Donley right on the title page. Most people returned embossed books.
Oddly, I never get back my Elizabeth Boyle novels.
It took a lot of detective work, but I think I’ve figured out why.
Many years ago, I volunteered to collect books from published authors for a charity function. A few authors handed me books at our local writers’ meeting, but most mailed them.
Bertha, my mail lady, being kind and gentle instead of a soulless bureaucrat, walked the book bundles up to my door rather than leaving them stuffed inside my tiny mail box. On the fourth day of lugging books, Bertha asked, “Why are you getting mail from people I know?”
I was startled. I had never been questioned by my mail carrier before. Did receiving mail from friends of postal workers violated some obscure government code? Curious, I asked, “Who do you . . .”
“Elizabeth Boyle,” Bertha interrupted.
“You know Elizabeth Boyle?” I asked.
“I love her books,” she said ignoring me. “I’ve read every one.”
“She’s an excellent storyteller,” I said, “I always enjoy her books.”
Bertha narrowed her eyes and handed me another parcel of books. “But why is she sending YOU books? And all these other authors. I recognize all of them.”
I explained about the charity function. But she kept staring at the packages of books in my arms as if I were hiding some evil secret for getting, authors in general and Elizabeth Boyle, in particular, to send me five copies of their latest book. With a frown on her face, Bertha stepped down from my front porch and walked back to her mail truck. Just before she got in, she turned back to me and asked, “So are you an author?”
“I’m working on it,” I answered.
“What exactly are you writing?”
“Right now, a murder mystery,” I said.
Bertha backed up so fast she bumped into her truck. “Dead people? You write about dead people?”
I laughed. “Not real dead people. I do make them up.”
“How do you do that? Are there research books on how to kill people?”
“Well,” I said, “I do have Deadly Doses: a writer’s guide to poisons.”
“What?” Bertha’s voice squeaked. “Do the poisons work?”
“Haven’t tried any . . .yet,” I said. I thought she would laugh, but she hopped into her truck and zoomed off to the next set of mailboxes without even waving good bye. I lugged my armful of books through the front door and didn’t think much more about her until I caught her hugging my husband in front of our mailbox two days later.
Now seriously, Dennis gets hugged by everyone. Checkers at the grocery store. Tellers at the bank. The principal at a local school who turned out to be his mother’s Avon Lady’s second daughter. So I didn’t think the hugging part was all that unusual.
“Hi, Bertha,” I said. “Any more packages for me?”
She leaped into her vehicle, did a quick u-turn and took off down the street.
“That was weird,” Dennis said as he walked up the driveway to where I was standing. “She jumped out, hugged me, said she was so glad to see I was still alive. Then started quizzing me about your cooking and a book on poison.”
“Hummm,” I said.
“You wouldn’t happen to know what she was talking about?” he asked when he put his arm around my shoulder and we strolled into the house together.
“Not a clue,” I said.
“If anything happens to me, Bertha will testify,” he said.
“Maybe,” I said.
“What do you mean by maybe?”
“I’m pretty sure Bertha could be bought for a few Elizabeth Boyle novels.”
“Indeed,” he said.
We have a new mail carrier these days, but I have noticed that Elizabeth’ novels seem to disappear from this house the second I finish reading them. No one I lend books to admits having them. And they are never in the returned book pile.
Marianne H. Donley makes her home in Tennessee with her husband and son. She is a member of Bethlehem Writers Group, Romance Writers of America, OCC/RWA, and Music City Romance Writers. When Marianne isn’t working on A Slice of Orange, she might be writing short stories, funny romances, or quirky murder mysteries, but this could be a rumor.
No husbands, mail carriers, or authors were harmed in the writing of this blog.
You will find Marianne’s short romantic story “The Widow Next Door” in:
A READABLE FEAST: Sweet, Funny, and Strange Tales for Every Taste
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HE SAID, SHE SAID: HOW WE MADE TWO WRITERS SOUND LIKE ONE
June 3, 2017 by Janet Elizabeth Lynn and Will Zeilinger in category Partners in Crime by Janet Elizabeth Lynn & Will Zeilinger tagged as co-writing, Janet Elizabeth Lynn, mysteries, partners, Will Zeilinger
My wife, Janet Elizabeth Lynn, and I have been crime writing fiction for several years. In the beginning, Janet was the first to take a of couple classes and workshops. That was after we discovered we didn’t know what we were doing. I was a bit reluctant because the whole writing thing was foreign to me. But she came home with tools and information that opened my eyes.
When Janet was writing solo, she would often ask me to read some of her work. I’d make comments like, “A guy wouldn’t care what brand of shoes a woman was wearing” or “A guy wouldn’t say/think that.” It got to the point where one day Janet was writing and said to me—“Will, if you were a guy…” to which I replied, “What?”
Thus began our co-writing partnership. I would tweak many of the male characters’ voice styles while Janet handled the female roles. We’d brainstorm the plots, discuss our characters’ quirks and make sure the characters’ voices sounded different enough while maintaining the voice of the story. Next, we read aloud to each other. Sometimes one of us would fall asleep during the reading, but that just meant we had to fix that part. If it bored us, it would surely bore our readers.
The result is that our writing had become a true partnership in authorship and our stories sparkled (in our eyes.) We now take turns polishing and refining our work before handing the manuscript over to our editor.
And after all that… we’re still married.
Will
STRANGE MARKINGS
The Pacific breezes blow many things in from the ocean, this time its power, greed, and murder.
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Janet Elizabeth Lynn and Will Zeilinger
Published authors Will Zeilinger and Janet Lynn had been writing individually until they got together and wrote the Skylar Drake Mystery Series. These hard-boiled tales are based in old Hollywood of 1955. Janet has published seven mystery novels and Will has three plus a couple of short stories. Their world travels have sparked several ideas for murder and crime stories. This creative couple is married and live in Southern California.
http://www.willzeilingerauthor.com/
www.themarriedauthors.blogspot.com
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