St. Patrick’s Day is just around the corner…
So how could I not put up a Princess video with a magic shamrock theme?
Here is the latest in my “Princess Chronicles” — video romance poems about being a princess. My princesses know a tiara doesn’t a princess make…and in this story, we meet a princess who’s not looking for a prince but a job!!
The Princess and the Magic Shamrock from Jina Bacarr on Vimeo.
In case you’ve missed my other Princess videos, check them out at:
https://vimeo.com/user216350
Best,
Jina
by Evelyn Q. Darling
Romance Reporter At Large
How well do you know your hero? Is he tall, dark and handsome? Okay, so you don’t want a cookie-cutter hero, but have you really thought about what questions to ask him?
(When you can take your eyes away from his sexy grin among other parts of his anatomy.)
This reporter recently interviewed heroines for a romance gig and got some very interesting answers.
Now, it’s your hero’s turn. Ready, ladies? Start your engines…
Here are my 5 Job Tips for a great romance novel hero interview:
1. Don’t ask him to take off his shirt. Tempting, yes, as you check out his muscular arms, but this is a sexist attitude that will get you nowhere. (But oh the fun you’ll have trying!)
2. Schedule the interview in a locale where you’ll both feel comfortable. Not in a sports bar where he can eyeball the basketball scores and the waitresses with the deep cleavage. Forget tea shops that serve lemon dainties, unless you’re writing a regency and you want to see if he exudes the proper Mr. Darcy-isms.
3. Ask him to show you his…wheels. Yes, I said, wheels. Is he a Harley guy? Jaguar? Or does he drive an old pickup? Does he keep half his “stuff†in his car? Or is he a neatnik? You can tell a lot about a man by his…wheels.
4. What’s his day job? Or if he’s into night work (and what hard-working vampire isn’t?), you’ll want to make sure he’s a good match for your heroine. If she’s a lawyer, a police detective can make her life hectic; if she runs a cake and bake shop, how about interviewing a land developer who wants to tear down her vintage cottage shop? And let’s not forget the city gal who’s just aching to meet up with a real cowboy. Just make sure he can ride…a horse.
5. And finally, don’t ask him if he’s a good kisser. Tell him to show you.
Evelyn Q. Darling is the alter ego of Jina Bacarr.
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by Evelyn Q. Darling
Romance Reporter At Large
Is your romance novel heroine qualified for the job?
Did you interview her before you started writing? I don’t mean where she went to school, what her favorite color is, etc. but whether or not she’s qualified for the job as a romance novel heroine.
For example, does she have the skills needed to perform her job: Can she shoot a Glock if you’re writing an FBI agent? Lace up a corset if she’s interviewing for the job as a Victorian lady’s maid?
Or she may be overqualified for the job. For example, she can type faster than you or she has aspirations to leave the romance novel field and get a literary gig.
How long has she been out of work?
Romance novel jobs are hard to get and if it’s been decades since she slipped between the pages of a novel, you might want to reconsider. On the other hand, experience between the sheets is important for every romance heroine.
A typical interview could go like this:
Miss Jones, I’m writing a novel that takes place during the Regency Period. Are you a fan of Jane Austen?
Miss Jones: Jane who? I’m so into Lady Gaga. Love her sunglasses.
Next…
Miss Smith, my next novel is about an FBI agent who’s very physically active to catch the bad guys. Can you drop and do twenty?
Miss Smith: the only thing I dropped was twenty pounds to get this interview.
Let’s try again.
Miss von Rittenhaus, I need a romance novel heroine who sleeps all day and bites all night. Can you list your qualifications to be the vamp queen in my new urban fantasy novel?
Miss von Rittenhaus: Honey, I can snooze and cruise with the best of them. I’ve hit every vamp bar from here to
When can you start?
Miss von Rittenhaus: Tonight. As soon as the sun goes down. (Pause). You haven’t mentioned a benefits package.
What do you mean?
Miss von Rittenhaus: Do I get overtime pay for all this night work? And how about a 401K? I’m not getting any younger and in this economy a girl, I mean vamp, has to look out for herself. What about my e-rights? And health benefits? What if I chip a fang and I have to see a dentist between chapters?
Jeez…Romance heroines…you can’t write with them and you can’t write without them.
This is Evelyn Q. Darling. Till next time when we’ll interview the romance novel hero and see if he’s up for the job.
The Blonde Samurai: “She embraced the way of the warrior. Two swords. Two loves.â€
Jina Bacarr is also the author of The Blonde Geisha ,Cleopatra’s Perfume, Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs
Meet EVELYN Q. DARLING, Romance Reporter at Large, in her first blog today:
In the past, creating a job for a romantic heroine usually meant she was either a governess, a nurse, or in the early twentieth century, a “typewriter,†better known as a secretary.
Take a letter, Miss Jones…
To all writers of romance novels.
Dear Miss, Ms. or Madam:
It has come to this reporter’s attention that several of you have veered away from writing about governesses in dark, gloomy manor houses and pert, red-cheeked nurses and turned to writing about heroines who carry guns, sport black leather and can take a man down in fifty seconds flat.
Really.
What happened to the days when all a heroine had to do to get her man was flutter her black lace fan and bat her soot-caked eyelashes? (Ample cleavage didn’t hurt either.)
It was so much easier when all a writer had to worry about was how many flounces graced her heroine’s gown or the number of hooks on a corset. (A heroine’s age at marriage also determined the size of her waist: if she wed at 18, she aspired that her waist remained at 18 inches.)
And if all else failed, there was always the “smart†heroine who wrote novels, solved mysteries or planted her delicate boots on foreign soil and showed her moxie by becoming a globe-trotting adventuress.
Sigh. Ah, for the good ole days before our heroines decided they wanted equal rights between the sheets. And on the job.
Now to create the modern heroine, a romance writer has to know the difference between a Glock and a Sig Sauer (the latter sounds like a deli sandwich).
Be able to “street speak†in urban fantasies, suck blood without smudging her lipstick in vampire thrillers and shape-shift into an exotic creature with all her parts intact.
So I’m asking all you romance writers to drop me a line and tell me what “dangerous professions†for a heroine you’ve seen in recent novels or in a novel you’re writing.
What’s new for a heroine in the 21st century in the world of “9 to 5†that you haven’t seen or written about before?
I’ll be eagerly awaiting your answers.
Who knows?
Maybe we can start a new trend: Dangerous heroines in tight corsets and red high heels who live in an abandoned subway tunnel and belong to a secret society of lusty Victorian vampires who feed on handsome firefighters.
Then again, maybe not.
Best regards,
Evelyn Q. Darling
Romance Reporter At Large
The Blonde Samurai: “She embraced the way of the warrior. Two swords. Two loves.â€
Jina Bacarr is also the author of The Blonde Geisha ,Cleopatra’s Perfume, Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs
visit my website: http://www.jinabacarr.com/
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