Have you ever wandered down a dark street late at night, your high heels clicking loudly on the cobblestones, when you hear a second pair of footsteps behind you?
Is someone following you?
Heart thudding in your chest, you stop.
He stops.
Your pulse races…the hair on the back of your neck stands up.
He’s right behind you.
What do you do?
Run or fight?
If you haven’t experienced this scenario, I bet your heroine has.
“From my experience in the field, I know each fight is different and this enemy has his own agenda. Rape? Robbery? Could be, but I doubt it. They don’t operate this way when they want a woman. They act friendly, use pretty talk to pick up a girl, then knock her off her feet before she knows what’s happening to her.
I pull back, walk toward the rue de la Huchette, one step at a time, like all this is happening in slo-mo. As if the whole scene is a video game and someone else is at the controls, pressing the attack buttons and toggling my polygonal form to do what they want and I have no choice. Enemy contact. Kill’em. Kill’em. These words zap through my brain like a subliminal message from command center.
Keep going back. Left foot, right. My eyes scope out the environment. Stone buildings, windows shuttered. No escape. No one to hear the ruckus, the screams. The punks know that. They talk, egging each other on to see who’ll make the first move. Closer, closer they come, like maggots ready to feast on a warm corpse.
Not mine, you punks.”
I wrote from my first-hand experience when I constructed that scene. A similar incident had happened to me on that same street in Paris and I was lucky enough to get away. But I never forgot that fear pulsating through my veins. The icy chill that goes through you when you make that split decision that can determine whether or not you’re going to survive. Pulling up the emotions I felt that night helped me write the emotions of my heroine.
This scene went through my mind when I attended Dr. Debra Holland’s Workshop: Creating Fighting or Self-Defense Scenes at the RWA Anaheim 2012 Conference. Dr. Debra presented an outstanding workshop showing how to protect yourself as a woman and also how to put your heroine through her paces. She gave members from the audience the opportunity to experience what it feels like firsthand to be attacked by a stranger.
Here’s a video I put together from the workshop:
Dr. Debra Holland — www.drdebraholland.com — teaches a karate class at the American Martial Arts Academy located at1027 N. Harbor Blvd, Fullerton, CA 714 871-3898.
Check out their website for more information: www.KarateOC.com
AMAA has been teaching Women’s Self-Defense Classes for more than thirty years.
Correction:
The gentlemen from the Academy who assisted Dr. Debra are: Steve Hopple and Adam Rigsby.
A special thank you to fellow OCC/RWA member Rob Preece for his assistance in presenting the workshop.
And thank you to Sarah Andre — www.sarahandre.com — who volunteered to experience her heroine’s fight scene up close and personal.
I highly recommend Dr. Debra Holland’s workshop.
Thank you, Dr. Debra!
by Evelyn Q. Darling
Romance Reporter At Large
How well do you know your hero? Is he tall, dark and handsome? Okay, so you don’t want a cookie-cutter hero, but have you really thought about what questions to ask him?
(When you can take your eyes away from his sexy grin among other parts of his anatomy.)
This reporter recently interviewed heroines for a romance gig and got some very interesting answers.
Now, it’s your hero’s turn. Ready, ladies? Start your engines…
Here are my 5 Job Tips for a great romance novel hero interview:
1. Don’t ask him to take off his shirt. Tempting, yes, as you check out his muscular arms, but this is a sexist attitude that will get you nowhere. (But oh the fun you’ll have trying!)
2. Schedule the interview in a locale where you’ll both feel comfortable. Not in a sports bar where he can eyeball the basketball scores and the waitresses with the deep cleavage. Forget tea shops that serve lemon dainties, unless you’re writing a regency and you want to see if he exudes the proper Mr. Darcy-isms.
3. Ask him to show you his…wheels. Yes, I said, wheels. Is he a Harley guy? Jaguar? Or does he drive an old pickup? Does he keep half his “stuff†in his car? Or is he a neatnik? You can tell a lot about a man by his…wheels.
4. What’s his day job? Or if he’s into night work (and what hard-working vampire isn’t?), you’ll want to make sure he’s a good match for your heroine. If she’s a lawyer, a police detective can make her life hectic; if she runs a cake and bake shop, how about interviewing a land developer who wants to tear down her vintage cottage shop? And let’s not forget the city gal who’s just aching to meet up with a real cowboy. Just make sure he can ride…a horse.
5. And finally, don’t ask him if he’s a good kisser. Tell him to show you.
Evelyn Q. Darling is the alter ego of Jina Bacarr.
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by Evelyn Q. Darling
Romance Reporter At Large
Is your romance novel heroine qualified for the job?
Did you interview her before you started writing? I don’t mean where she went to school, what her favorite color is, etc. but whether or not she’s qualified for the job as a romance novel heroine.
For example, does she have the skills needed to perform her job: Can she shoot a Glock if you’re writing an FBI agent? Lace up a corset if she’s interviewing for the job as a Victorian lady’s maid?
Or she may be overqualified for the job. For example, she can type faster than you or she has aspirations to leave the romance novel field and get a literary gig.
How long has she been out of work?
Romance novel jobs are hard to get and if it’s been decades since she slipped between the pages of a novel, you might want to reconsider. On the other hand, experience between the sheets is important for every romance heroine.
A typical interview could go like this:
Miss Jones, I’m writing a novel that takes place during the Regency Period. Are you a fan of Jane Austen?
Miss Jones: Jane who? I’m so into Lady Gaga. Love her sunglasses.
Next…
Miss Smith, my next novel is about an FBI agent who’s very physically active to catch the bad guys. Can you drop and do twenty?
Miss Smith: the only thing I dropped was twenty pounds to get this interview.
Let’s try again.
Miss von Rittenhaus, I need a romance novel heroine who sleeps all day and bites all night. Can you list your qualifications to be the vamp queen in my new urban fantasy novel?
Miss von Rittenhaus: Honey, I can snooze and cruise with the best of them. I’ve hit every vamp bar from here to
When can you start?
Miss von Rittenhaus: Tonight. As soon as the sun goes down. (Pause). You haven’t mentioned a benefits package.
What do you mean?
Miss von Rittenhaus: Do I get overtime pay for all this night work? And how about a 401K? I’m not getting any younger and in this economy a girl, I mean vamp, has to look out for herself. What about my e-rights? And health benefits? What if I chip a fang and I have to see a dentist between chapters?
Jeez…Romance heroines…you can’t write with them and you can’t write without them.
This is Evelyn Q. Darling. Till next time when we’ll interview the romance novel hero and see if he’s up for the job.
The Blonde Samurai: “She embraced the way of the warrior. Two swords. Two loves.â€
Jina Bacarr is also the author of The Blonde Geisha ,Cleopatra’s Perfume, Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs
I love historicals. Reading them, writing them.
And creating the perfect heroine. But is she a blonde, a brunette or a redhead? We writers wrestle with this question every time we put fingertips to keyboard. Sometimes the character is so clear in our minds, we know for certain she’s a natural blonde (and if she isn’t, well, we won’t tell–it’s up to the hero to see if the collar matches the cuffs).
Imagine if Scarlett O’Hara was a blonde…
Do you remember the vivid opening scene with Scarlett surrounded by the redheaded Tarleton twins? Her beautiful dark hair provided a rich halo around her face and provided a contrast against her white organdy dress with flounces and flounces of ruffles. The red belt cinching in her tiny waist was the perfect accent piece to complete her outfit.
Was this what Margaret Mitchell envisioned when she wrote “Gone With the Wind?â€
In a word, no.
Ms. Mitchell describes a “green flowered-muslin†dress, not the white one. Although in the film, Scarlett does show up at the Twelve Oaks BBQ in a similar dress (who can ever forget the scene in the film when Scarlett throws a porcelain bowl across the room not knowing Rhett is lying on the couch out of her pov and he pops up with the line: “Has the war started yet?†Pure classic romantic attraction).
Which brings me to the question: how important to you as a writer and/or reader is the heroine’s hair color?
Her clothes?
Do you enjoy reading descriptions of what she’s wearing? Do designer labels intrigue you or turn you off?
I must admit I enjoyed designing my heroine’s wardrobe in “The Blonde Samurai†about a Victorian heiress who weds a British lord then falls in love with a handsome samurai.
Here is what Katie O’Roarke as Lady Carlton wore at a grand dinner:
“…Which was why I chose the color red. A defiant color, bold and perfect. I relished how the velvet gown in crushed strawberry hugged my body, the small cap sleeves sliding down my bare shoulders while the tiered soft bustle swayed behind me, the long train sweeping over the muted Oriental carpets. A long row of pearl buttons gave off an opaline luster, racing down my back like a game of dominoes.”
Tell me what you think about whether or not a description of the heroine’s hair color and her wardrobe enrich the story for you.
Frankly, my dear reader, I do give a damn…
http://www.jinabacarr.com/
The Blonde Samurai is a 2010 Reviewers Choice Award nominee for Romantic Times
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