Micromanaging your Manuscript During Editing #5
October 3, 2022 by Janet Elizabeth Lynn and Will Zeilinger in category Editing Your Novel Together by Will Janns, Partners in Crime by Janet Elizabeth Lynn & Will Zeilinger tagged as co-writing, E.J. Williams, editing, Janet Elizabeth Lynn, Will Zeilinger, writing partners
Editing Your Novel Together
Micromanaging your Manuscript During Editing #5
By E.J. Williams
(Janet Elizabeth Lynn & Will Zeilinger)
Writing together as E. J. Williams, husband and wife, Will Zeilinger and Janet Elizabeth Lynn author the INTER-NATIONAL CRIME FILES, a hardboiled/thriller detective series that takes the reader to 1960s southern California, then on to international locales.
Even after you’ve written the best book in the world, the pesky task of editing rears its ugly head! To those of you who love editing…our hats are off to you. We have come up with several suggestions that may help ease the editing process, whether you are editing your book for your editor, publisher, agent, or yourself.
Micromanage each chapter when you edit. Start big, the chapters, then move to scenes and last sentences. Once you get to the sentence stage, fix every tiny problem or error you find. We know, when you are done, you can probably recite your manuscript by heart, but this is necessary.
Though this mind-numbing task is necessary, it can bring about a great deal of pride when the process is complete. As a couple who write together, we have found these tips work well whether you are working alone or with someone.
And yes…we are still married!
Website: Janet Elizabeth Lynn
Website: Will Zeilinger
Some of Janet’s and Will’s Books
Defining Default: it’s your choice
March 15, 2022 by Rebecca Forster in category The Write Life by Rebecca Forster, Writing tagged as #amwriting, #writing, Craft, editing
I love the word default. It is so definitive. It is authoritative when you’re on the right side of it; terrifying if you’re on the wrong side. Default on your loan. Default the game. You have failed to live up to your promise. Over! Done! Fini— unless you do something to change the situation PDQ and get back on track.
Then came computers and the word default got a makeover. It’s softer. Helpful. Kind. The word became synonymous with a do-over. Default is now your safety net. Screwed up your settings? Default. Go back to the beginning. Get a do-over. It’s okay. We got your back.
Ah…
Well, don’t get too comfy with that default button, especially when you’re writing. I have a new book that I let lie fallow for two Covid-years because I took a creative hike, turning to manual hobbies like sewing and quilting, crafting and cooking. Now I’m back and making a sprint to complete the last 25%. I’m jazzed because it’s almost done. I proudly sent the first three quarters of the manuscript to my editor fully expecting the green light to cross the literary finish-line.
Sadly — and thankfully —her input was the exact opposite. I had dialed in my characters. I had been lazy with my red herrings. I had defaulted in the bad way, and not lived up to my promise to deliver my best work to my readers. On the other hand, she was offering me the chance to default in the kind way: reset, rethink, and rework. It was up to me to decide if I wanted to skate, shrug my shoulders, and publish a book that was ‘just okay’, or go back and make this the best book it can be.
I decided to go with option two. Reset. Rethink. Rework. That’s what author’s do. Thankfully, I have a great editor who is clear that how I define the word default — and how I respond to that definition— is up to me.
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January 3, 2022 by Janet Elizabeth Lynn and Will Zeilinger in category Partners in Crime by Janet Elizabeth Lynn & Will Zeilinger tagged as editing, Outlines, Plotting, writing partners
The Post Outline
by E.J. Williams
(Janet Elizabeth Lynn and Will Zeilinger)
Writing together as E. J. Williams, husband and wife, Will Zeilinger and Janet Elizabeth Lynn author the INTERNATIONAL CRIME FILES, a hardboiled/thriller detective series that takes the reader to 1960s southern California, then on to international locales.
Even after you’ve written the best book in the world, the pesky task of editing rears its ugly head! To those of you who love editing…our hats are off to you. We have come up with several suggestions that may help ease the editing process, whether you are editing your book for your editor, publisher, agent, or yourself.
The post outline is the first thing we do once we feel the book is complete. By going back through the manuscript (ignoring the pre outline if you do one) helps to see where some of the holes or gaps in the sub and main plot line are. After a week break, we sit down and take portions to re-outline, i.e. one of us works the even chapters the other the odd chapters. Issues with the manuscript seem to jump out at you with this. We then meet and figure out how to work out each problem. With both of us working on it, it goes real fast.
Though this mind-numbing task is necessary, it can bring about a great deal of pride when the process is complete. As a couple who write together, we have found these tips work well whether you are working alone or with someone.
And yes…we are still married!
Website: Janet Elizabeth Lynn
Website: Will Zeilinger
Some of Janet’s and Will’s Novels
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Editors and Agents All Month Long by Kitty Bucholtz
December 10, 2020 by Kitty Bucholtz in category It's Worth It by Kitty Bucholtz, Writing tagged as Agents, editing, editor interview, Editors, encouragement, Jennie Nash, Kitty Bucholtz, revision
I’m excited to share with you that I have a mini-season on my podcast all about editing in honor of all the first-drafting that went on in November for National Novel Writing Month. Five episodes of editors and agents talking about editing and giving you their best tips. Jennie Nash, my first guest, even gives you two handouts!
Check out the episodes every Thursday on WRITE NOW! Workshop Podcast. You can find it on your favorite podcast app or watch the episodes on YouTube. Be sure to subscribe, either way, so you don’t miss out! In 2021, I’ll be moving to seasons, which means there will be a couple weeks in between without an episode and I don’t want you to miss anything.
Here is the first fabulous episode with Jennie Nash from Author Accelerator. She offered two free handouts as well! One is here on the show notes page, and the other is on her website.
As we finish up a difficult year, I also wanted to share my Encouraging Words episode with you. I hope you find it uplifting and hopeful. Merry Christmas, Happy Holidays, and Happy New Year!
He Drove Right Into My Story
October 20, 2020 by Meriam Wilhelm in category A Bit of Magic by Meriam Wilhelm tagged as brainstorming, editing, husbands, inspiration
Driving
My husband and I went driving through the hills of Palos Verdes last Sunday afternoon. He drives a too tiny for me sports car that he absolutely loves and that I find rather confining. It was a beautiful day outside. The California coastal skies were clear. The ocean waves were gentle and incredibly tempting. For October, it was surprising just how many people were still enjoying our ocean waters.
But the air was overly warm and all I really wanted to do that particular Sunday was to stay inside with a good book. I had just finished writing my latest book and was well into the editing process and I was pretty sick of the whole thing. I still had not come up with a title, although there were several roaming randomly throughout my brain.
As much as I knew that I had work to do, I had grown tired of correcting punctuation marks and hunting for run on sentences. And so, really and truly, the only thing I wanted to do was to read my copy of Mary Higgins Clark & Alafair Burke – You Don’t Own Me. I had started it over a month ago and had just not found the time to get further into it. It had waited patiently for me on my desk for over a month.
Anyway, back to the car ride.
So my husband convinced me that the best way to get my book fully edited was to take a ride, clear my head and find something else to think about. “You’ll be sharper after you spend some time away,” he said, not really caring about my head but more about having company on his ride past the beach and through the still green hills.
We started our journey off with me offering up potential titles for my book and him coming up with sillier versions to distract me. To my surprise, he also came up with a few good ones. I was just about to launch into a discussion of why I might actually like his last suggested title when a strange man in a most unusual white car drove into the lane next to us. Our car being a lower to the ground Pontiac Solstice, I found myself having to look upward at the driver. The man, apparently aware of my interest, pivoted his gaze down on me, tipped his hat, smiled and promptly drove off.
Interesting Guy
“What an interesting guy,” I said. “I love his fedora hat (it was a strange shade of blue), but what the heck is he driving?” I asked my husband, who is well versed in the automobile world and knows far more about cars than I could ever hope for.
“A Morris Minor. A 1950 something model, I think,” he said.
Hitting the gas, while hoping to avoid a P.V. cop or two, my husband took off after the beautifully polished white car. “It’s a British made car. Came out after the war. Think it’s named after the guy who designed it.” (See, I told you he knows a lot about cars!)
“That car is older than me!” I said. “And the guy driving it looked like he could be the original owner.” Okay, so maybe I exaggerated a little, but the gentleman did look really old and his style of dress did not speak of Southern California. I think he might even have been wearing tweed on a ninety degree day!
We followed the car and the interesting character chauffeuring it through the hills for a few more minutes before the man turned off on a side street and we lost him. But in that short time, the infamous Morris Minor driver was tattooed on my brain. My husband and I drove home and I raced to my computer to learn all I could about the car I’d just seen.
Character
A few minutes later, my husband stuck his head in my office door and said, “You need to include that guy in one of your books. Stetson…”
“What about Stetson?” I asked.
“That’s what you should call him.”
And so I will. The man in the blue Fedora, wearing tweed and drive a 1950 something Morris Minor car. Hmm, can’t wait to start. And, of course, I’ll name him Stetson.
~Meriam
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