When Ryann’s neighbor called her with the news, she hurried the two doors down. It was actually the daughter of Mr. Mallory who summoned her. The elderly Mallory had not been in the best of health for years. And now he was dead.
“I wanted you to have first pick of Dad’s stuff,” Jody, Mallory’s daughter, said when she ushered Ryann into the house. “You took such good care of him over the years.”
Ryann smoothed back a loose strand of hair and waved a hand to deflect the praise. “All I did was fetch his mail for him, and make a grocery run every now and then.”
“But you were here for him, and I appreciate that.” Jody beckoned to Ryann to follow her farther into the house. “And my brothers won’t know what’s missing. They were never around, always too busy to drop by, Dad said.”
They traipsed through the living room, dim with heavy window drapes, and into the dated kitchen. Ryann had been this far in the house to deliver Mallory’s groceries. The tired décor and dim lighting never enticed her to linger when she visited. She might be a widow, but living alone did not mean one had to stay stuck in a time warp.
“Anything catch your eye?” Jody turned in a circle in the kitchen, arms outstretched.
Ryann shook her head. “I have everything I need, but thanks.”
“Then you’ve got to see what I found upstairs. I know you love art, and this is right up your alley.”
Without waiting for a reply, Jody climbed the stairs to the second floor, Ryann close behind. It was true that Ryann collected art, and proudly displayed several local artists’ works on her walls. Mallory had hung only cheap framed prints of animals and exotic beaches, as far as she had seen. Whatever lay upstairs was likely just a continuation of the mundane.
The two women passed three bedrooms and a bathroom. At the fourth door, Jody pushed it open and entered another bedroom, empty save for a double bed frame holding a set of springs (no mattress) and a brass floor lamp. She picked up a picture frame covered in black cloth, and with a flourish uncovered the art beneath.
“What do you think?”
Ryann stood speechless . It was a still life, a real painting; she could see the brush strokes. Oil, she guessed. But it was more than the fact that it was not a print: The painting itself captured her interest. Excellent design and color. Clever choice of objects to feature in the setting: a goblet that glinted gold, an exquisite folded cloth, a filigreed chain, a small tiara with a cluster of diamonds across the top. A plate on the frame offered the title: Treasured Objects.
“It’s … astonishing,” Ryann stuttered.
Jody smiled. “I think so, too.” She held it out to Ryann, who backed away.
“I can’t accept this,” Ryann said. “You should keep it … or take it to an art dealer. I’m sure it’s worth a lot. More than I could afford to pay you.”
Shaking her head, Jody stepped to Ryann. “Dad did not splurge on things. I’m sure this is a yard sale special, so I’m not giving up a fortune by making it a present to you.”
Still Ryann hesitated. She knew the piece was valuable.
“Okay,” she finally said. “I’ll take it, but I’ll get it appraised, and if it’s worth what I think it is, I’m giving it back to you.”
***
Ryann propped the painting on the sideboard in her dining room and in the busy-ness of her life – volunteer work, grandkids to babysit, friends to visit – she forgot about it for almost a week. It was when she was tidying up after her daughter’s toddler twins had left that she paused to look at it again.
I wonder what it’s worth.
She turned away and then turned back. A hand that she swore hadn’t been there previously lay casually within the still life. The unknown model’s hand and arm faded off to the right in the picture. The artist apparently wanted a hint of something live within the assemblage of inanimate objects on the table.
Why hadn’t she seen that before?
And then the hand moved. Just a twitch. A moment later the hand turned over, palm up.
Ryann fled the house. At Mallory’s front door, she rang the bell and pounded her fist on the panel.
When Jody opened the door, Ryann tried to compose herself, taking deep breaths.
“Tell me,” she gasped. “If you don’t mind my asking, what did your father die of?”
Jody wiped her hands on her jeans, dust in her hair and grime on her cheeks. “Forgive my appearance,” she said. “I’ve knee-deep in cleaning up this old place.”
“Please,” Ryann said. “It’s none of my business, but I need to know.”
Stepping out onto the porch, Jody closed the door behind her. “We’re not sure,” she said. “How he died, I mean. No one’s found his body, but he doesn’t appear to have left. It’s been over a month since anyone has seen or heard from him, so the family assumes he’s dead.”
“Come with me,” Ryann said. “I think I may have found him.”
The top floor of Brindle Hall overlooks a grove of red maples, the crowns of the trees only a few feet below the windows. Nyla smiles at the leaves in motion below her. It would be like living in a treehouse. A bit, anyway.
“How much is the lease?” She’s sure the price is beyond her budget, but she has to ask.
The agent names a price that’s a stretch, but the trees outside the windows are calling to her.
He promises the key and the paperwork by tomorrow. She can move in the following week.
Later, sitting on the couch she’s temporarily commandeered at a friend’s house, Nyla considers the floor plan of her new place. Two tiny bedrooms, a kitchen/dining room combo, and the living room with the balcony overlooking the maples. It must do.
Sam helps her move, but not without grousing. “You have too much stuff.”
“You mean books.” She knows that’s where she overbuys and shrugs. “I can’t help myself.”
They load box after box of books onto the handcart and take the elevator up. When he departs, after a feast of carryout pizza and chocolate chip cookies she had stashed for emergencies, she sits on the floor amid the boxes, which take up much of the living room.
She reaches into one of them, lifts out a volume, and opens the cover. Through the sliding glass door to the balcony, the maple leaves rustle.
Nodding, she checks her phone.
Almost time.
An hour slips past, as she reads several chapters. The darkness of the evening deepens beyond the windows, and Nyla switches a floor lamp on low.
After emptying her pockets, she lays her phone on the kitchen counter and places her shoes next to the fridge. On the balcony, she gazes down to the sidewalk that runs along the front of her building, four floors down. It’s empty and quiet at this hour.
Overhead, clouds drift past a waxing crescent shining in the east. A slight breeze brings the odor of diesel fumes and—as her nose morphs into a beak—mice and a wandering housecat. She can hear the rodents skittering in the alley. She shakes out her wing feathers, russet brown and soft, and swivels her head to check herself in the window. Her ear tufts stand out against the night’s backdrop. With a brief hoot, she hops onto the balcony railing.
One push up and she’s airborne, skimming above the maples, and then over the nearby streets of the town.
Twig stood silent in the silver light of the full moon, listening to the rustle of mice or maybe voles in the dried grasses and brown leaves around her. No snow yet, but with the crystal clarity of the December night sky slowly being consumed by the advancing clouds, it was likely by morning.
Dipping into the deep shadows of the trees, she walked quickly back to the cabin. The stack of wood on the porch should be enough to last through the storm.
In the smaller of the two bedrooms, Kayla lay asleep, snoring softly. Twig closed the door to the room and brought in more wood from the porch for the fire.
It was nearly midnight, and Charlie had yet to show up. Just like him, to promise and not deliver.
Twig decided to wait up in case he texted that he was lost. From the cabinet near the kitchen, she took out twine, cloth ribbon and glue. She’d make a köknar, for the season, even if just for their short stay. Her grandmother had taught her how when she was nine, and Twig had made one every year since then. One day she would show Kayla how to make her own.
She set her supplies on the coffee table and sat cross-legged on the rag rug to begin her work. The bough of balsam fir she’d cut in the afternoon wasn’t exactly the right shape, but Grandma Pati said any shape would work if you looked at it from the right perspective. That was true for many things in life, Twig knew. Like her own situation.
Likewise, the story of the köknar could be appreciated from different angles, depending on the weaver of the tale. It was a talisman of good luck. Or it represented winter, with the needles and twine standing in for ice and the thread of family and friendship. Or the red cloth ribbon spoke of the new buds of spring, still months away. The version Twig preferred was that the köknar whispered an alluring call to the sun, inviting it to stay aloft a few minutes longer each day.
By the time she heard Charlie’s SUV outside, she had finished the form. When she opened the cabin door to welcome him, the clearing was covered in fresh snow, the flakes still falling thickly. She hung her creation on the nail she’d driven in last year, their first year in that place, free finally from a past that was better forgotten.
Charlie slipped a strap over his shoulder and grabbed the handle of another suitcase. The falling snow turned his head white and speckled his beard.
“You’re here,” she said. Her shoulders relaxed. The weekend would be good after all.
“The interstate’s a mess,” he said, reaching the porch and setting down his bags. “No cell service. I was afraid I’d have to pull off and spend the night and then come the rest of the way tomorrow. Kayla’s asleep?”
She nodded. His embrace pulled her tight and she felt him shiver slightly. “You’re cold. Get inside. I’ve kept the fire up, knowing you’d show up soon.”
He paused at the doorway, staring at the köknar. “You made one.” His voice held wonder, and Twig felt her eyes smart. He’d watched her fashion one last winter, asking questions, holding a knot in place while she glued.
“I did. Just this evening.”
Charlie picked up his bags and smiled at her. “Then we’re safe.”
As she shut the door after him, Twig briefly touched the woven bough. “Do your best,” she whispered.
Dianna is a contributing author in the last three anthologies from The Bethlehem Writers Group, An Element of Mystery: Sweet, Funny and Strange Tales of Intrigue, Fur, Feathers, and Scales, Sweet, Funny and Strange Animal Tales and Untethered, Sweet, Funny & Strange Tales of the Paranormal. She has also contributed stories for the Bethlehem Writers Roundtable ezine, including “In the Delivery.”
Born and raised in the Midwest, Dianna has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
She is a member of Sisters in Crime, Horror Writers Association, The American Medical Writers Association, and The Bethlehem Writers Group, LLC.
Dianna also has a regular column here on A Slice of Orange, titled Quill and Moss, in which she frequently includes short fiction.
Below, you can also listen to Dianna read her short story, “Cold Front” from the GLVWG Writes Stuff anthology.
Dianna is a contributing author in the last three anthologies from The Bethlehem Writers Group, An Element of Mystery: Sweet, Funny and Strange Tales of Intrigue, Fur, Feathers, and Scales, Sweet, Funny and Strange Animal Tales and Untethered, Sweet, Funny & Strange Tales of the Paranormal. She has also contributed stories for the Bethlehem Writers Roundtable ezine, including “In the Delivery.”
Born and raised in the Midwest, Dianna has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
She is a member of Sisters in Crime, Horror Writers Association, The American Medical Writers Association, and The Bethlehem Writers Group, LLC.
Dianna also has a regular column here on A Slice of Orange, titled Quill and Moss, in which she frequently includes short fiction.
Below, you can also listen to Dianna read her short story, “Cold Front” from the GLVWG Writes Stuff anthology.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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