Lost and Found
October 15, 2019 by Rebecca Forster in category The Write Life by Rebecca Forster, Writing tagged as Craft, experience, fans
For the last year I have been obsessed with one word: lost.
One of the reasons is that I have been working on a book entitled Lost Witness. I didn’t choose to write this book; I did it because fans of The Witness Series wanted to know what happened to Billy. After Dark Witness, my intent was to let readers imagine the next chapter in my character’s life for themselves. The more they asked, the more I retreated from the responsibility of making those creative decisions. There were a hundred permutations of the relationships the readers wanted me to address, a thousand ways I could disappoint the people who had invested so much of their reading time in Josie Bates and friends. In short, the fear of disappointing them, myself, and, most of all, these characters we all love created a most fearful case of writers block—and then life stepped in to completely paralyze me.
First, my fabulous, incredible, 95 year-old mom moved to Missouri to be near more of my brothers and sisters, grandchildren and great-grandchildren. This was not something she wanted to do; it was something she needed to do. She now lives in a beautiful place where she is safe and secure, with at least three of her children seeing her everyday – something I couldn’t do no matter how much I wanted to. I am keenly aware that she felt a terrible loss when her house was sold and she left dear friends here in California. Her move left a hole in my heart, too. There was the sadness that comes with this kind of separation even though I knew the decision was for the best. While this was going on I lost seven friends. Some were closer than others, but all of their deaths were surprising. Six of them were my peers, and that knowledge alone brings a huge reality check with it.
Lost Witness became a symbol of twelve months of upheaval, of real life stopping my work dead in its tracks. Days, weeks, and months came and went and I thought I would never write again. I didn’t know how to answer readers who wrote asking about my progress so I stayed silent. I visited my mom; she visited me. I went to memorial services, and I shed a few tears, and I read books, but I didn’t work until one really good day. That day I talked to my mom and she was excited about a lecture she had heard, she had gone to dinner with a new friend, my sister had taken her on an adventure, and my brothers had stopped by for Margaritas.
I visited the widow of my dear friend, Richard, and we talked about his books and remembered what a wonderful man he had been. Part way through that day I had an epiphany about the book that was languishing on my computer. It was time to move forward, not move on.
I began to work on Lost Witness in earnest. I heard Josie, Archer, Hannah and Billy’s voices clearly in my head. There would be no bow ending, but that was okay. I don’t think the readers expect that either because life isn’t perfect. Life is hopeful and exciting. It is about resiliency, and courage, and memories of lives well lived, and about loving those who remain.
I am so thankful to the readers who made me realize that I had somehow done more than write books—I had created lives they cared about. They felt a loss when Josie’s voice suddenly went silent, when Billy hadn’t been accounted for, when Hannah was alone. It took a while for me to understand what they were telling me, but I finally got it. Loss is never the end, it’s simply the beginning of another part of life. It doesn’t matter if those lives we care about are real or imagined, we still want to know what happens next.
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I AM UNAVAILABLE (maybe you are too)
November 15, 2018 by Rebecca Forster in category The Write Life by Rebecca Forster tagged as Amazon, business or writing, communication, Craft
This morning the wonderful author, Mindy Neff, forwarded a blog post by David Gaugrhran. I had to read it twice to understand that Amazon had a problem and it affected me. Somehow many of our books are now unavailable for sale in the European market. Most of these markets are very small and those readers access Amazon through the U.S. portal. Granted I don’t sell many books in Malta, but I would like to have a presence there. But these weren’t the only markets in play. Australia – a huge market for me – is compromised. The UK, another market where my sales were solid is now nonexistent. Canada also is showing unavailability.
I had noticed the sad state of affairs on my dashboard in the last few weeks, but I put it down to a change in fashion. Perhaps people were tired of thrillers; perhaps another sub-genre had edged out my procedurals. Now it seems that – best guess – the new software Amazon put in place to comply with the EU’s demands to protect their population from information gathering and sharing might be at fault. I applaud the effort Amazon made for compliance, but I am disappointed in the lack of communication regarding the problem.
There is also good news to be gleaned from this. First, the community of authors is generous. Thank you Mindy for passing along this information. Thank you David Gaugrahn for explaining the situation as you know it. Both have allowed me to be proactive in contacting Amazon. I haven’t heard back yet, but through the grapevine I understand Amazon is working hard on the problem. Next, this was a wake-up call for me. Sometimes I feel overwhelmed by the amount of information coming my way. Like a reader skipping to get to the end of a book, I can miss things that are crucial to my business. I am recommitting to staying on top of things. Finally, such an ‘event’ reminds me why I went wide. While I have an aversion to selling my work to one outlet based solely on principal, this reminds me that there are also real reasons not to so so. With Amazon dark in so many markets I am still available through Smashwords itself and the platforms to which they deliver.
Maybe now is the time for you to take a minute to reassess your publication strategy. Selling only through Amazon might be a perfect match for you. As for me? I want to do everything I can to remain available.
Rebecca Forster started writing on a crazy dare, now she is the USA Today and Amazon best selling author of over 35 books. Her thrillers have been called “Perfect. . .Impossible to put down” by the CBS legal correspondent, Laurie Levenson. Rebecca is married to a superior court judge and is the mother of two grown sons.
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Cover Me
August 15, 2018 by Rebecca Forster in category The Write Life by Rebecca Forster tagged as books, communication, cover, cover design, covers, Craft, design, writing
I find it difficult to write – or speak – in short form. To communicate, I must take not just the road less traveled but also all roads in between. My children say a conversation with me is like trying to keep your head above water in the ocean while being knocked about by swells and the occasional rogue wave. I’m not sure if my husband share’s this opinion. Then again, I’m not sure my husband’s hearing is up to snuff.
When my boys were small they begged me to write a children’s book. I ended with fifty thousand words and killed off most of the characters, so my one effort really wasn’t suitable for children (it was, however, the basis for a later novel).
I had a similar problem with lullabies. As a young mother I realized I didn’t know any. Still, I was determined to be maternal and sing my boys to sleep. In those days Cops was all the rage and the theme song was catchy, so I softly sang “bad boys, bad boys, whatcha going to do when Sheriff Brown comes for you?” Years later, my sons told me that they would stare wide-eyed into the night waiting for the police to come get them because they were pretty sure they were bad boys. Luckily, they have stopped asking me to write a children’s book and these days no one wants to hear me sing.
All this brings me to the point. It can be unbearably difficult for a cover designer to work with someone like me. Up front I am apologizing to Hadleigh O.Charles (cover designer) for my inability to be decisive, my tendency to forward six thousand royalty free photos for her consideration, and my failure to understand that the blue stripes at the top of an email mean there is something for me to download. Since I have learned nothing from my children’s assessment of my communication style, my emails to Hadleigh are like the verbal pinging of a steel ball inside a bell.
E-mail #1: Hadleigh, are you there? Hadleigh? I need a cover.
Hadleigh’s response: I’m here
E-mail #2: Well, it’s for the (fill in the blank) series and the story is about (fill in the character) and (fill in three thousand plot points) and I’m attaching a few images – but then again you probably have some ideas – so shoot me what you think and – oh, wait – how’s the dog? Hope it’s not too hot where you are. But then again the story really is about people buried in the desert – then again maybe a half naked woman on the front would be better. . . in silhouette, of course. . .”
Hadleigh’s response: Silence
E-mail #3 (usually a minute later so to be fair she hasn’t had time to respond): Hadleigh, really, you do what you want, but I don’t think we should have blood. Do you think we should have blood? Have you seen other thriller authors use a lot of blood? I’m going to visit my mom so don’t worry if you don’t hear from me for a day. . . Still, here are a couple of links – okay ten links – maybe more – so you can take a look at the top ten (maybe more) bestsellers in my genre – when you have time. But I would like to be a little different. Like them but not the same. Better. You know? Like bestseller better. No hurry. I’m seriously going to visit my mom overnight.
Hadleigh’s response: Silence (perhaps she knows that I am writing email #4 within five minutes of email #3)
E-mail #4: Five pages peppered with ideas, apologies for bothering her, explanations, useless terms that I think describe typeface, color and composition.
I hit DELETE.
Hadleigh’s response (a day or so later): Three beautiful covers that somehow incorporate tiny specks of rational thought mined from my manic ramblings. She also sends an update on her dog.
Unlike my children, Hadleigh does not lay wide-eyed and paralyzed by my avalanche of input, yet like my children she manages to figure out what’s important. Hadleigh, love you and every other cover designer out there. So happy you have all us authors covered.
REBECCA FORSTER started writing on a crazy dare. Now she is a USA Today and Amazon best selling author with over 30 books to her name. These include the acclaimed Witness Series, Josie Bates Thrillers and her latest, The Finn O’Brien Thrillers. She is married to a superior court judge and is the mother of two grown children. When not writing, Rebecca is traveling the world looking for inspiration, sewing, playing tennis and reading.
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Just a Thought
July 15, 2018 by Rebecca Forster in category The Write Life by Rebecca Forster tagged as Advice to Myself as a Newbie Author, Craft, learning, writing
I am a huge fan of the Wall Street Journal Review section. Reading it reminds me that there are brilliant and talented authors around the world and if I want to protect my little patch of literary real estate I better keep upping my game. The Review is also my favorite bookstore. I often order a new book the minute I read about in the WSJ. But what I really, really love about Review is that I am inevitably inspired by something I read. This morning, it was a quote attributed to Thomas J. Watson Senior, Former CEO of IBM.
“The trouble with every one of us is that we don’t think enough. . .knowledge is the result of thought.”
This is from a new book by book by Bradley R. Staats entitled Never Stop Learning: Stay Relevant, Reinvent Yourself and Thrive. In his book the author argues that human beings are preprogramed to ‘act’. In fact, Mr. Staats believes we human’s have an action bias and that, by giving into it, we might be doing ourselves a disservice. By not thinking we could miss our goal because we’re moving simply for the sake of moving.
Boy, did that hit home.
I’ve been obsessing over my new project, typing for days, gaining word count, moving forward – except I’m not really getting anywhere. I have been screaming at myself to WRITE when what I need to do is whisper, think. In order to think, I have to ask myself the right questions, take the time to ponder them before I answer and, most importantly, understand why the answers matter.
I have a plot but not a theme. The plot, after all, isn’t just about action but about building a stage on which the characters will reveal themselves to the reader. And what about dialogue? I know I can write appropriate thriller dialogue but will it be fitting and true to characters that I have nurtured over the course of a seven book series? Should I be driving headlong into word count or taking more time to choose the right ones that will drive the story forward most dramatically and efficiently?
I guess I have a lot of thinking to do, but thanks Mr. Staats for reminding me that busyness is not the same as accomplishment.
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May 15, 2018 by Rebecca Forster in category The Write Life by Rebecca Forster tagged as Animals, cops, Craft, Finn O'Brien Thrillers, Pets, police procedural, The Witness Series, thrillers, writing craft
My granddog Tucker & Max roll model
Today a lady wrote to tell me she loved my book Hostile Witness* because I hadn’t killed Max. I’ve been traveling a lot in the last few weeks and it took me a minute to figure out who Max was and why it was so important to her that he was alive. Max, of course, is Josie Bates’ dog; Josie is the heroine of the Witness Series. The reader’s concern for Max made me wonder why a book that includes an animal is richer, more entertaining, and more engaging than one without?
The answer is simple. Pets provide a natural assist in plot, dialogue and emotional content.
Max-the-Dog (his legal name) was originally created as a reflection of Josie Bates, his mistress. Both Max and Josie had been abandoned, had to fight for their lives, and were protective of others. As the series unfolded, though, Max became so much more than Josie’s mirror. Here are four ways Max contributed to the success of the Witness Series:
Max kicked up human action/reaction: Those who attack him were inherently more evil than a bad guy who ignored him. Those who love Max were more admirable because they cared for and protect him.
Max was a great listener:Internal dialogue can be tedious. However, speculation, rhetorical questions, or monologues sound natural when directed at pets.
Max changed the tone: A scene tone can be set by the way a human character speaks to or interacts with an animal counterpart. A whispered warning creates a much different tone than a screaming command; a languid pet conjures up different visions than a playful ruffling of fur.
Max moved the plot forward:An animal’s needs can change a human character’s trajectory. In Privileged Witness, when Josie takes Max out for his evening constitutional they find her fugitive client hiding outside. Without Max, Josie would have no reason to go outside and never would have discovered her client. An animal’s heightened senses can also warn of danger or alert a human to a change in their surroundings without the scene seeming forced.
From The Hound of the Baskervilles to Lassie and Blue Dog, My Friend Flicka and The Black Stallion, The Cheshire Cat and Puss-in-Boots, animals have frolicked as humans, served to reflect human frailties and strengths, and just plain worked their way into reader’s hearts.
So, to the kind lady who was concerned about Max, have no fear. He will never come to a violent end. No matter what happens to him, his presence or lack thereof, will be a decision motivated by story and plot and, of course, love. Max has sat at my psychic feet with every Witness Series book.
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