Twenty-Five Meaninful Words
July 2, 2012 by A Slice of Orange in category Archives tagged as Barb Delong, Conversations with Barb and Jann, Jann Audiss
When I was ten I entered Toronto’s “I love my daddy because . . .†Contest. The catch? Write it in twenty-five words or less. Actually, only twenty by the time you count that opening phrase of the contest’s title. When the call came that I’d won, you’d have thought it was the Pulitzer. The prize I did win was a shiny new two-wheeler.
I’ve been trying to write twenty-five meaningful words ever since. I’ve had some success, some – practice (I won’t call it failure). When I decided to write my first novel in ninth grade, a historical western romance, I felt free, unrestrained by the petty word count dictated by high school English teachers. Whee!! The words flowed, and flowed . . . And flowed. I had great fun.
Much later, I joined RWA and the Orange County Chapter. My, uh, practice continued and I thought I learned everything there was to know about writing through the chapter’s fabulous meetings, workshops, on-line classes, contests and networking. And hey, I was still having fun, even though I had to tame that unrestrained flow of words. It was not until the chapter announced its first anthology of short stories Romancing the Pages that I gave serious thought to not only counting each word, but making each word count. My story, “The Guy with the Dragon Tattoo,†started out at 2,500 words. After many edits, it came in around 2,000. Gone are most of the dialogue tags, unnecessary description and background information, and a whole lot of narrative. I had a blast writing it, too.
The experience of writing and editing that short story got me thinking about my novel-length WIP. I’m still on my first draft, but you can bet as I edit I’ll be analyzing each scene, paragraph, sentence and word to make them count. That’s what powerful writing is all about. Yes, you can write sparingly and still convey powerful emotion. Hemingway can attest to that in his book consisting of only these six words: “For sale. Baby shoes. Never worn.†My eyes tear, my heart breaks every time I read them.
I challenge Hemingway! I will now sum up the most important thing you need to know about writing in one word: WRITE!!
1 0 Read moreIt’s Never Too Late
June 2, 2012 by A Slice of Orange in category Archives tagged as Barb Delong, Conversations with Barb and Jann, Jann Audiss
Conversations with Barb and Jann
May 2, 2012 by Jann Ryan in category Jann says . . . tagged as Barb Delong, Conversations with Barb and Jann, Jann Audiss, reading, the writing process
similar genre to avoid contaminating my vision and voice.†Research is the focus of Dolores Else’s reading, both for accurate historical information and to get a feel for the time period.
Jann: The Pros have some great comments, and it’s interesting to see what others do. I better get back to my WIP. Remember those goals we talked about a couple of months ago? Well, I just set one with our critique group at our last gathering that I’ve got to make.
3 0 Read moreConversations with Barb and Jann
April 2, 2012 by A Slice of Orange in category Archives tagged as Barb Delong, Conversations with Barb and Jann, Jann Audiss, story ideas
Where Do You Get Your Story Ideas?
Barb: Hey Jann, someone at work asked me where I get the ideas for my stories. Interesting question. I thought we’d talk about that subject, because it fascinates me to hear authors talk about all the different ways they’ve come up with their weird, wacky and wonderful plots and characters. I can blame OCC and Dean Koontz for my current WIP. I sat in an Ask an Author session at an OCC meeting awhile back and one of the ladies talked about her paranormal project. Something clicked, a witch was born, along with her familiar, a ferret who can disappear and reappear at will, like the dog in Koontz’s Relentless.
My Dream Makers trilogy, which sits awaiting a paranormal makeover, was inspired by my husband’s car club, the Orange County Mustang Club. They were approached by the Make A Wish Foundation to restore a Mustang for a teenager. The foundation’s representative said they don’t do a lot of makeovers because of the liability, and they especially don’t cover the engine rebuilds. That got me thinking about the children whose wishes are unfulfilled because they are either too expensive, too dangerous or pretty darn impossible. Well, my Dream Makers foundation loves a challenge!
What about your stories, Jann? From where do you draw your inspirations?
Jann: Most of my story ideas generate when I’m someplace new, especially when I’m on vacation. Seeing new places and being relaxed always opens a window of ideas. I know some people start with characters and some with plot. I seem to start with a location and think about what my characters are doing there. Recently I spent the weekend at The Oaks at Ojai. Entering the beautiful lobby, I found myself imagining my heroine coming back to the beloved family-owned resort and having to face the one man who broke her heart. He is now trying to steal the resort that has fallen into financial difficulties. From that point on, every experience I have has me thinking of another possible scene. It’s great. The only trouble is when I’m travelling with non-writing friends, they don’t understand why I’m always writing down a note or taking a picture of the restaurant dining room.
Your question got me thinking about how some of our mutual writing friends get their ideas, so I asked them.
Linda O. Johnston, who I’ve known for years and writes a Pet Rescue Mystery series as well as Romantic Suspense and Paranormal for Harlequin, says, â€Ideas are everywhere! I read. I eavesdrop. I ask questions and brainstorm with friends. I look around me and think how things I see might fit into a story. I usually have a theme in mind, or at least the kind of story I intend to write–cozy mystery, paranormal romance, romantic suspense or whatever. I let my subconscious mull on what I’ve seen or heard… and then I spill it out in stream of consciousness onto the computer to see how it fits!â€
Laura Drake, who we met through OCC and just recently sold her debut novel The Sweet Spot in a three-book deal to Grand Central, says, â€Plots come to me many ways — riding my motorcycle, watching bull riding, seeing an old wreck of a house, talking to a friend. It’s a spark – something that catches my attention and fires my imagination. What if . . . And I’m off!â€
Tessa Dare, 2012 Rita finalist for A Night to Surrender, finds that she’s â€very much a character-driven writer. Many of my stories originate when I think of two people on polar opposites of some personality trait or issue. For example, a woman for whom family and hospitality are paramount, paired with a man who can’t stand social gatherings (One Dance with a Duke). Or a shallow, charming rake paired with a scholarly, socially awkward geologist (A Week to be Wicked). The more my hero and heroine are opposites on the surface, the more fun I can have pushing them into uncomfortable situations that reveal their deeply-buried similarities.â€
Barb: Linda Johnston is right. Ideas are everywhere. The trick is finding one that resonates long enough to finish the damn book!
Let us know where you get your story ideas.
6 0 Read moreConversations with Barb & Jann
March 2, 2012 by Marianne H. Donley in category Archives tagged as Barb Delong, Conversations with Barb and Jann, Jann Audiss, the writing processFeatured Books
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