What a Dog: why you need a pet in your book
May 15, 2018 by Rebecca Forster in category The Write Life by Rebecca Forster tagged as Animals, cops, Craft, Finn O'Brien Thrillers, Pets, police procedural, The Witness Series, thrillers, writing craft
My granddog Tucker & Max roll model
Today a lady wrote to tell me she loved my book Hostile Witness* because I hadn’t killed Max. I’ve been traveling a lot in the last few weeks and it took me a minute to figure out who Max was and why it was so important to her that he was alive. Max, of course, is Josie Bates’ dog; Josie is the heroine of the Witness Series. The reader’s concern for Max made me wonder why a book that includes an animal is richer, more entertaining, and more engaging than one without?
The answer is simple. Pets provide a natural assist in plot, dialogue and emotional content.
Max-the-Dog (his legal name) was originally created as a reflection of Josie Bates, his mistress. Both Max and Josie had been abandoned, had to fight for their lives, and were protective of others. As the series unfolded, though, Max became so much more than Josie’s mirror. Here are four ways Max contributed to the success of the Witness Series:
Max kicked up human action/reaction: Those who attack him were inherently more evil than a bad guy who ignored him. Those who love Max were more admirable because they cared for and protect him.
Max was a great listener:Internal dialogue can be tedious. However, speculation, rhetorical questions, or monologues sound natural when directed at pets.
Max changed the tone: A scene tone can be set by the way a human character speaks to or interacts with an animal counterpart. A whispered warning creates a much different tone than a screaming command; a languid pet conjures up different visions than a playful ruffling of fur.
Max moved the plot forward:An animal’s needs can change a human character’s trajectory. In Privileged Witness, when Josie takes Max out for his evening constitutional they find her fugitive client hiding outside. Without Max, Josie would have no reason to go outside and never would have discovered her client. An animal’s heightened senses can also warn of danger or alert a human to a change in their surroundings without the scene seeming forced.
From The Hound of the Baskervilles to Lassie and Blue Dog, My Friend Flicka and The Black Stallion, The Cheshire Cat and Puss-in-Boots, animals have frolicked as humans, served to reflect human frailties and strengths, and just plain worked their way into reader’s hearts.
So, to the kind lady who was concerned about Max, have no fear. He will never come to a violent end. No matter what happens to him, his presence or lack thereof, will be a decision motivated by story and plot and, of course, love. Max has sat at my psychic feet with every Witness Series book.
* Sign up for my spam-free newsletter and get Hostile Witness and the Spotlight Novella, Hannah’s Diary, FREE. Or get Hostile Witness FREE at your favorite online bookstore.
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WHAT A DOG!
April 15, 2013 by A Slice of Orange in category Archives tagged as Animals, cats, characterization, dogs
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| My grand-dog Tucker |
What A Dog!
May 15, 2012 by A Slice of Orange in category Archives tagged as Animals, cats, Craft, dogs, horses, Pets, Rebecca Forster, thrillers, writing |
| My grand dog Tucker |
As an author and a reader I had to ask myself: Why is a book that includes animals richer, more entertaining, and more engaging than one without? The answer was simple: Animals bring out the best and the worst in a human character. This makes for great drama and provides an emotional touch point that is critical for an exciting read.
Max-the-Dog (his legal name) was originally created as a reflection of Josie, his mistress. Both had been abandoned, both had to fight for their lives, both were protective of others. But Max became so much more than Josie’s mirror as the series unfolded.
Here are four ways Max made a difference in the witness series:
HE ENHANCED HUMAN CHARACTERIZATION: Those who attack him were inherently more evil than a bad guy who ignored him. Those who love Max were more admirable because they cared for and protect him.
HE WAS AN ANIMATED SOUNDING BOARD: Internal dialogue can be tedious. Allow a character to speculate to an animal and the rhetorical questions or monologues sound natural.
HIS PRESENCE SET A TONE: A scene tone can be set by the way a human character speaks to or interacts with an animal counterpart. A whispered warning creates a much different tone than a screaming command; a languid pet conjures up different visions than a playful ruffling of fur.
HE HELPED MOVE THE PLOT FORWARD: An animal’s needs can put a human in a place they might not have been in. For instance, in Privileged Witness, Josie took Max out for his evening constitutional and ran into her fugitive client who was hiding outside. Without Max, Josie would have no reason to go outside and never would have discovered her client. An animal’s heightened senses can also assist a human to warn of danger or alert a human to a change in their surroundings.
From The Hound of the Baskervilles to Lassie and Blue Dog, My Friend Flicka and The Black Stallion, The Cheshire Cat and Puss-in-Boots, animals have frolicked as humans, served to reflect human frailties and strengths, and just plain worked their way into reader’s hearts because of who they are.
So, to the kind lady who was concerned about Max, have no fear. He will never come to a violent end. No matter what happens to him, his presence or lack thereof, will be a decision motivated by story and plot and, of course, love, because Max is as real to me as if he sat at my feet while I wrote my stories.
*Hostile Witness is free for all e-readers and is also available in print.
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Isabel Swift asks: Are you a member of the Academy? Do you know someone who is?
May 24, 2010 by A Slice of Orange in category Archives tagged as Academy Awards, Animals, OscarsThere needs to be an Oscar for Best Performance by an Animal. Really. OK. Maybe not every year. Every other year? Every five years? I feel certain that at least once every five years there will be enough Oscar worthy performances by animals for a compelling race.
What has inspired me, you wonder?
Is this a frivolous thought? No. Years — no DECADES ago, I recognized that the dog in Road Warrior (scroll down for photo of same if you click) delivered an Oscar-worthy performance.
Yes, I know. It’s not without its challenges. What about situations like Seabiscuit, with countless horses playing the part. Inappropriate, I would agree.
And what about the animal handler(s)? Eh?
Though I certainly would allow “crossdressing” if you could call it that for creatures who don’t normally wear clothes. For example I believe Lassie was played (for the most part) by a laddie. But since we’re not giving Best Animal Actor and Actress here, I don’t think we need to open the kimono, so to speak.
My inspiration now is Jenny, the orangutan in Creation, the film about Darwin. Truly an oscar-worthy performance.
Of course, it’s not going to happen. There will never be an Oscar for Best Animal Performance.
Not because animals can’t be satisfactory celebrities—sure, they could give endorsements; they’re cute enough, and likely a lot cheaper. Though it’s going to be hard to find a breed that can (or would even want to) play golf.
And no—with animals there wouldn’t ever be a problem with tarnishing their image. Hey, monkeys are SUPPOSED to have wild monkey sex! They’re monkeys! A stallion having sex with countless mares? All part of the DNA.
No, the sad reason it won’t happen is because it will make the human actors look bad. If an animal can deliver an Oscar worthy performance, what does it say about us, the humans? And since it’s the humans that are putting on the show, some great natural performers and performances will go unrecognized.
Do you have a favorite to share?
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