An Element of Mystery is available for preorder and will be released as an ebook and print book on September 27, 2022.
Dare you read our latest Sweet, Funny, and Strange® Anthology?
The Bethlehem Writers Group is pleased to present this collection of tales of mystery and intrigue—the latest in its award-winning series of Sweet, Funny, and Strange® anthologies. From classic whodunnits to tales of the unexplained, each of the twenty-three stories contained herein have an element of mystery that will keep you guessing and wanting to read just one more story.
We’re thrilled to have old friends, but new members of BWG, join us this year. Award-winning author Debra H. Goldstein favors us with a mystery set among volunteers at a synagogue entitled “Death in the Hand of the Tongue,” while “Sense Memory,” by the multi-talented Paula Gail Benson, brings a
delightful mix of mystery and the paranormal that helps a young couple find their way to each other.
In addition, we are happy to bring you the winning stories from two of our annual Bethlehem Writers Roundtable Short Story Award competitions: “Good Cop/Bad Cop” by Trey McDowell (2021 winner) and “The Tabac Man” by Eleanor Ingbretson (2022 winner).
You’ll also find stories from your favorite BWG authors, including Courtney Annicchiarico, Jeff Baird, Peter J Barbour, A. E. Decker, Marianne H. Donley, Ralph Hieb, DT Krippene, Jerry McFadden, Emily P. W. Murphy, Christopher D. Ochs, Dianna Sinovic, Kidd Wadsworth, Paul Weidknecht, and Carol L. Wright.
So get ready to be mystified . . . or intrigued!
An Element of Mystery is available for preorder and will be released as an ebook and print book on September 27, 2022.
I published my very first book, Mac and Cheese, Please, Please, Please, in July of 2020. While there are obvious downsides to accomplishing this milestone in the middle of a pandemic, in some ways I think the pandemic made it possible for me to focus on making this dream a reality.
I should preface this blog post by saying that I know my experience certainly wasn’t the same experience that everyone had in 2020. My day job was by no means considered “essential work”, and I will always have a deep appreciation for all of the people who were essential throughout the pandemic.
My job on the other hand, slowed down. Like way down. While other parts of my life got more complicated, like distanced learning for my kiddos, writing somehow became less complicated. I found myself with more time to focus on it, and my proverbial writing batteries were still fully charged at the end of the workday.
The pandemic also served as a grim and constant reminder that this life is short. I found myself no longer caring about the reception others might have to my writing and I just bleeping did it.
Fast-forward two years and thankfully my attitude hasn’t wavered much, but I find those writing batteries have a very small charge by the end of the day.
I appreciate this community and I enjoy hearing all your stories on perseverance in writing, rewriting, finding consistency, and keeping those batteries charged. Thank you!
About Jina Bacarr
I discovered early on that I inherited the gift of the gab from my large Irish family when I penned a story about a princess who ran away to Paris with her pet turtle Lulu. I was twelve.
I grew up listening to their wild, outlandish tales and it was those early years of storytelling that led to my love of history and traveling.
I enjoy writing to classical music with a hot cup of java by my side. I adore dark chocolate truffles, vintage anything, the smell of bread baking and rainy days in museums. I’ve always loved walking through history—from Pompeii to Verdun to Old Paris. The voices of the past speak to me through carriages with cracked leather seats, stiff ivory-colored crinolines, and worn satin slippers. I’ve always wondered what it was like to walk in those slippers when they were new.
You can follow Jina on social media:
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Jina also has a column here on the 11th of every month: Jina’s Book Chat.
A Few of Jina’s Other Books
It began with a small door in an upstairs bedroom of a Cape Cod house in central Pennsylvania. Although Jacque Day Pallone had lived in the house for a number of years, neither she nor her husband had ever opened the door, assuming it led only into a small crawlspace. That got her to thinking what else it might lead to—if imagination were mixed in.
Jacque is one of five members of a small tribe of writers who called themselves The Hive, a spin-off of the Pennsylvania Horror Writers Association. Formed during the early days of the pandemic, the Hive members write primarily dark fiction. They embraced Jacque’s story idea, and Hive mate Cathy Jordan suggested the group use it as an anthology theme. Each Hive member contributed a story, and they called for other writers of dark fiction to submit.
This month, That Darkened Doorstep will be released by Sunbury Press. All of the stories touch on the detail of an unopened door and the consequences that might lie beyond it.
Between the anthology’s covers, you’ll find Jacque’s story, “Seeking a Good Woman,” Cathy’s story, “Lonely Is the Desperate Heart,” and 18 others, including one by Louisa May Alcott, “The Mummy’s Curse.”
The list includes a tale about a camping trailer with a mind of its own; a hard-luck woman who’s unstrung by her mother’s death; a house with a haunted history; a remote mountain lodge with a disturbing past; and a genetic experiment that has life-changing results.
And Jacque’s actual unopened door? She did finally open it—to find not a crawlspace, but an actual room, ten feet deep. The next mystery is why was it built, but that’s for another day.
Born and raised in the Midwest, Dianna Sinovic has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
Dianna is a member of Bethlehem Writers Group, LLC.
Each week my progress feels limited, but add the work all up together (it’s the 37th Monday of the year) and I’m finding that consistently writing a small amount week to week is working for me. It’s fun to check in mid-year, or in this case, September, and take a peek at the goals I set for the year. Am I even close? Did I miss my mark this year? Should I give up writing?
And learn I HAVE made progress.
It’s just so hard to see when we are going word by word, page by page.
I want to encourage my writing friends to not give up. Set realistic goals for yourself on a week to week basis and keep plugging along. Stay steady. Be persistent.
Have I reached all my goals? No. But the year isn’t done yet. And yes, I have some far-reaching goals that can overwhelm me if I try to hurry up and get them done all at once. But this is where breaking tasks into manageable chunks help.
Put in the work (my word for the year) and you will see results. If you are like me, figuring out what that work should be in each stage of the process can be challenging. I’m not able to focus on my writing full-time at this stage in my life, so my writing consistently has to be squeezed in between my day job and the family commitments.
How do I do that?
At first I selected a specific day and time, one day a week. But that fell through when other required events popped up. Then I tried to just touch my ms sometime during the week. Constantly touching your MS even if it’s one page at a time is better than no writing at all. But it was hit or miss how far I would get and there wasn’t any accountability to myself to keep going.
Then a door opened that was exactly what I needed (which is something that has happened a lot in my writing journey). A new critique group came along at the perfect time within one of my writing groups. Out of all the writing clubs I belong too, this was really where I needed to put in the time. But I was afraid of the commitment. Yet it’s the commitment to consistently write that helps us complete a book. So finding the way that works for you to do that is key.
So this critique group came along at the perfect time. Sure I wanted my MS completely edited and ready to pitch ASAP. But instead I’m focusing on a chapter a week, by relooking at the scenes, editing, submitting and getting great feedback. And learning how to provide feedback back to others. Which has helped in many ways as well.
Overall, this has helped me streamline my story and make it stronger. And I’ve become a better writer. The bonus with working on this one writing task consistently every week? By the end of the year, I’ll have gotten feedback on every chapter. This was the accountability I needed.
I’m not writing this post to encourage you to join a critique group. Maybe a critique group isn’t for you at this stage. For each writer, what helps you consistently write can be different. So know yourself. And spend some time figuring out what you need to do at this stage in your writing. What you need can change. Allow it to change. There just needs to be forward momentum (which happens when we consistently write) in order for us to reach our goals.
It’s the consistently writing, however we approach it, that counts.
Denise M. Colby loves to write words of encouragement blog posts. She also loves to write about her word of the year she chooses each year. She’s been working on her first manuscript for a long time and hopes to publish soon, since she has lots of other stories in her head waiting to be put on the page.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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