The civil and criminal actions lawsuit that came after the accident, during the filming of Twilight Zone, was the result of negligence. It was scandalous as the film’s director, John Landis, was charged and tried for manslaughter, along with other members of the film crew. They were eventually acquitted in terms of criminal liability, but civil penalties were assessed. Landis continued his career with little negative impact, but he found several of his long-term friendships with other filmmakers ended as a result of his “condescending attitude” towards the accident.
Millions of dollars were awarded to the families of the victims, mostly paid by insurance companies. Landis deflected the blame for the accident, claiming that the cause of the accident had been in part a special effects fireball detonated by error.
The television series The Twilight Zone was a popular weekly program from 1959 to 1964, the brainchild of writer and director Rod Serling. Its popularity resulted in a demand for reruns for years, and eventually was adapted as a full-length motion picture.
During the filming of the motion picture verson, an accident involving a helicopter killed actor Vic Morrow and two child actors, with multiple injuries to the helicopter crew and film personnel onboard. Morrow and one of the children were decapitated by the helicopter’s rotor; the other child was crushed. The accident brought to light unsafe working safety, particularly for children on film sets, and years of litigation which kept the story on the front pages for a decade.
On July 23, 1982, Morrow, 53, and two child actors, seven-year-old Myca Dinh Le and six-year-old Renee Shin-Yi Chen, were filming on location in California, in an area that was known as Indian Dunes, near Santa Clarita. They were performing in a scene for the Vietnam sequence, in which their characters attempt to escape from a deserted Vietnamese village from a pursuing U.S. army helicopter. The helicopter was hovering at approximately 24 feet above them when the heat from special effect pyrotechnic explosions delaminated the rotor blades (the blade material fractures into layers) causing the helicopter to plummet and crash on top of them, killing all three instantly.
Special-effects explosions on the set caused the pilot of the low-flying craft to lose control and crash into the three victims. The accident took place on the film’s last scheduled day of shooting.
Co-director John Landis and four other men working on the film, including the special-effects coordinator and the helicopter pilot, were charged with involuntary manslaughter. It was the first time a film director faced criminal charges for events that occurred while making a movie. During the trial, the defense maintained the crash was an accident that could not have been predicted while the prosecution claimed Landis and his crew had been reckless and violated laws regarding child actors, including regulations about their working conditions and hours. The trial lasted ten-months with the jury acquitted all five defendants in 1987. The families of the three victims filed lawsuits against Landis, Warner Brothers, and Twilight Zone co-director and producer Steven Spielberg who settled for undisclosed amounts. Twilight Zone: The Movie was released in the summer of 1983. The film received mixed reviews.
Click here for the news report of the accident.
Chrysteen Braun is a California native, born and raised in Long Beach. The mountains, where she and her husband had a second home, were the inspiration for her first three books, The Guest House Trilogy. These fictional restored cabins from the late 1920s all had their own stories to tell. Her writing crosses genres of Women’s Fiction with relationships, and a little mystery and intrigue. She’s published articles about her field of interior design and remodeling, both for trade publications and her local newspaper. She lives in Coto de Caza, with her husband Larry and two Siamese cats.
Contact her at chrysteenbraun@gmail.com, or www.chrysteenbraun.com
Today I have the pleasure to chat with the amazing Chrysteen Braun, author of The Guest Book Trilogy.
Jann: When did you know you wanted to be a writer?
Chrysteen: I think every author “always knew” they wanted to be a writer. I was around twelve when I wrote my first book. I have no idea what it was about, or where it ended up, but I do recall being so proud of myself. I actually knew how to type at that age since my parents worked from home and I learned to type and use a 10 key adding machine. Did I just date myself? I joined a writer’s group in the 80s and then got sidetracked with business, so I wasn’t able to write much more than newspaper articles about decorating. Our business was remodeling and interior design. It wasn’t until I retired that I decided I only had so many summers left, and if I wanted to write my novel(s) I’d have to get on the ball.
Jann: Was your journey to publication easy? Tell us about it.
Chrysteen: I spent a lot of time trying to figure out what I was going to write; I knew I didn’t want to write romance, but I also wasn’t a mystery writer, so I had to figure out how to combine the two. Then I had to decide whether to publish traditionally or go indie. I listened to a lot of seminars and webinars about everything writing related, and honestly got so overwhelmed, I had a difficult time figuring it all out. Then, I wrote the first drafts of five novels while they were fresh on my mind. That threw me into another state of overwhelm, along with Covid-19, and I knew if I didn’t make some decisions, I’d never get anywhere. I decided to jump into indie publishing, and began editing the first book, which is the first in the Guest Book Trilogy. Three years later, I’ve published two books, am working on the third, but have gotten sidetracked with a sequel novella, and a prequel novella, (which is turning into another book.!) I went with a company called Bublish, who does everything; book cover, ebook and paperback layout, book description, ISBN, NetGalley, editorial reviews, and initial Amazon and Facebook Ads. I’ve paid for these services, and they’re all under roof, but I knew I’d never be able to finish my books if I tried to learn how to do it all.
Jann: Book One in The Guest Book Trilogy, The Man in Cabin Number Five, made its debut on May 10, 2022. Which came first—plot or character?
Chrysteen: The overall story. Then I had to figure out who my characters were, and since I’m a pantser, I didn’t do an outline. I did, however, keep track of all my characters, and I made up a timeline since the story itself is set in the 1980s but works up to that. I really got myself confused a couple of times and have learned how important it is to keep track of it all.
Jann: Would you share with us what The Man in Cabin Number Five is about. Where did you get the idea for the book? Who are the main characters?
Chrysteen: I read about an unsolved murder in the 50s. and knew I wanted to add it to the story, and The Trilogy is about Annie Murphy who moves up to the mountains in Lake Arrowhead, Ca, to move on with her life after discovering her husband was unfaithful. There she reinvents herself and restores a series of cabins. She complicates her life when she meets a new love interest. She also meets Alyce Murphy, whose story runs parallel. Alyce discovers her father didn’t die of natural causes as she was led to believe but was involved in a murder/suicide in one of the cabins Annie now owns. You don’t know until the very end, what really happened, until Alyce’s father John Murphy tells his story, The main characters are Annie, Alyce and Noah.
Jann: On November 28, 2022, The Girls in Cabin Number Three, Book Two in the Trilogy came out. Tell us about Annie Parker and Carrie Davis, the book’s main characters.
Chrysteen: In book two, Annie makes a wrong turn in her relationship, but also meets Carrie Davis, whose mother Elizabeth, also stayed in one of the cabins during prohibition. There was a (real) speakeasy up in Lake Arrowhead in the 20s and 30s, and as with book one, the reader doesn’t know the real story until the end, when Elizabeth tells us what happened.
Jann: Are you working on the third book in the trilogy? If so, can you give us a sneak peek?
Chrysteen: Book Three is about a Starlet named Celeste Williams who stayed in cabin number seven when filming a movie. Annie meets her son, and he describes growing up with an ‘absent’ parent, and again, it isn’t until the very end Celeste tells her story.
Jann: What would you like the readers to come away with after reading your books?
Chrysteen: I don’t write for causes; I write so my readers close the book and say, “That was a good read.”
Jann: What preparation did you do for the launch of your books?
Chrysteen: I stressed about it, but Bublish launched both books. I wish I knew more about book launches, and hopefully with the next books, I’ll have a better idea of what I can add.
Jann: What still excites you about writing?
Chrysteen: I thought for sure I was going to run out of ideas, but I’m finding I can hardly wait to finish one story so I can go on to another. That’s what happened with the prequel novella; I kept coming up with more ideas so it’s not turning into another book.
Jann: What’s the best writing advice you ever received?
Chrysteen: Oddly enough it’s from my husband; “When in doubt, just write it.”
Jann: Do you have a website, blog, twitter where fans might read more about you and your books?
Chrysteen: Website, www.chrysteenbraun.com and I’m always available to chat at chrysteenbraun@gmail.com
Jann: Do you ever run out of ideas? If so, how did you get past that?
Chrysteen: I wish I had a writing ritual. I absolutely have to get all my ‘busy work’ done (like answering emails, doing marketing, listening to seminars, bookkeeping) before I can focus on writing, but sometimes this takes me into the afternoon and I’m burned out. I’m constantly making notes on little pieces of paper, and then when I’ve finished a draft, I go through them and see where I can add or embellish. And when I think I’ve run out of ideas, I go to my husband and ask something like “Where would they go next?” “What could they do?”
Jann: What profession other than your own would you love to attempt?
Chrysteen: Would I sound pretentious if I said I’ve done everything I’ve loved, not always successfully? Interior Designer, retail store owner, contractor, writer….I haven’t had a ranch or been a court judge. Hmm
Jann: What’s your all-time favorite book?
Chrysteen: I have several. Everything written by Jonathan Kellerman, Sue Grafton, Robert B. Parker to name a few.
Jann: What’s on your To-Be-Read pile?
Chrysteen: Any Jodi Picoult books, The Bookwoman of Troublesome Creek,
Jann: What’s your favorite song?
Chrysteen: The Wind Beneath my Wings, Bette Midler, and Conte Partiro, by Andre Bocelli
Jann: What is the craziest thing you’ve ever done?
Chrysteen: Waterskiing in Capetown harbor.
Jann: What is your favorite word?
Chrysteen: “Dork” when I’ve done something dumb, but “love you” would have to be my favorite
Jann: What is your least favorite word?
Chrysteen: The “F” word and shut up.
Jann: What turns you off?
Chrysteen: People who go overboard with a cause or are totally opinionated.
Jann: What’s the funniest (or sweetest or best or nicest) thing a fan ever said to you?
Chrysteen: “You don’t look as heavy as your photo.” No, just kidding!!! “I’ve read your book and I’m buying six more to give to friends for Christmas!”
Chrysteen, is was great doing a Q&A with you. Thanks for giving us a peek into your writing world. Good luck with Book Three!!
Book One Buy in Links
Amazon ebook: https://www.amazon.com/dp/B09Y9KGZ3R
Amazon paperback: https://www.amazon.com/dp/1647044626
Amazon hardcover: https://www.amazon.com/dp/1647044642
B&N paperback: https://www.barnesandnoble.com/w/the-man-in-cabin-number-five-chrysteen-braun/1141373079?ean=9781647044626
B&N hardcover: https://www.barnesandnoble.com/w/the-man-in-cabin-number-five-chrysteen-braun/1141373079?ean=9781647044640
March featured author, Kitty Bucholtz is a writer, podcaster, and a book coach. She has combined her undergraduate degree in business, her years of experience in accounting and finance, and her graduate degree in creative writing to become a writer-turned-independent-publisher turned coach.
She writes romantic comedy and superhero urban fantasy, often with an inspirational element woven in. She loves to teach and offer advice to writers through her WRITE NOW! Workshop Podcast.
Kitty has also created the Finish Your Books Coaching Program. Find out more about either 1:1 Coaching or Group Coaching on Kitty’s website. http://kittybucholtz.com/
Besides Kitty’s Coaching Program and WRITE NOW! Workshop Podcast, you will find her here at A Slice of Orange on the 9th of each month writing It’s Worth It.
Kidd Wadsworth writes to bring to life our magical, fire-breathing world. She believes we are super heroes. It’s time we put on our capes.
You can read Kidd’s monthly column, Infused with Meaning, here on the 25th of every month. More information about Kidd is found on her website, make sure you take the time to read her “about me” section.
She placed the three gifts on the mantle, each beautifully wrapped: one in gold foil paper with a white ribbon it’s bow a dove, the second in green and white striped paper like a mint candy cane was topped with a green paper pine tree, the third in classic red and white Merry Christmas paper was adorned with three large red bows. Otherwise, the room and house were undecorated. She couldn’t bring herself to carry all the boxes of ornaments and lights down from the attic. Mike used to that. He would shout, “Ho, ho, ho and where’s my hot toddy!” Christmas decorating had always begun the same way with Mike carrying box after box down the stairs and her in the kitchen juicing lemons and then screaming, “I forgot to buy bourbon!”
By the time she returned from the store, he’d have the tree up, Christmas music playing, and strings of lights spread out on the floor. “Did you buy replacement bulbs?”
She turned on the gas fireplace. It was cozy room—a lonely room. She pushed down the yearning inside of her soul. “Don’t go there,” she whispered.
She bulwarked heart with memories of other Christmases. Presents and more presents, how rich her parents had been. And each Christmas morning ended the same way, with wrapping paper strown about and delicious smells of ham wafting from the kitchen, and presents, so many presents and not a single gift she liked: clothes, all in shades of navy and mauve, clothes she would never wear, high-heeled shoes that hurt her feet, make-up—didn’t her mother ever look at her face? She didn’t use makeup. At her church they had a Christmas tree with tags on it: stuffed animal, girl’s coat size 8, mittens, boy’s backpack, etc. Surely her Christmases were like the Christmases of those children. All the gifts bought by people who didn’t know them, who didn’t really understand them. Year after year, she slowly learned. Don’t get your hopes up. No one knows you. You are their daughter, but they don’t see you.
Now twenty-eight years old she understood. She had reconciled her expectations to the reality of the world. It was impossible to really know another human being. So, every Christmas she bought herself presents. All sorts of wonderful things like copper cookie cutters and an antique bookshelf. She cooked what she loved including pumpkin pie with extra cloves. She never offered anyone a slice of her pumpkin pie. That would have been cruel—too, too cruel.
And every Christmas she put Mike’s gifts back up on the mantle and dreamed of what could be inside. Their first Christmas together he had stormed out when she refused to open his present. “Please understand, I just can’t be disappointed anymore. What we have is so special, I don’t want to damage it. I can’t bear knowing that you’re the same as my parents. That you don’t really get me.”
He had come back, of course he’d come back. He’d held her.
The next Christmas she’d put the green and white striped present on the mantle, and their third Christmas the present with the red and white Merry Christmas paper. By then Mike had adapted. He brought home hundreds of small things for her. A new mixer, he’d gotten her the red one to match the paint she’d picked out for the kitchen walls. A cup holder for her car that expanded to hold her giant coffee mug. Caffeine and cloves, yup! He was Santa all year long.
“Someday you’ll trust me,” he’d said. “Someday, you’ll open the gifts.”
But that someday didn’t come—no one is supposed to die at twenty-six. She looked up at the gifts on the mantle. “The last two probably just have rocks in them to make them rattle. I mean he wouldn’t keep wrapping up stuff knowing I wasn’t going to open the presents.”
She turned away and turned back again.
“My memories are all I have, Mike. I don’t want to find out that it wasn’t really as good as I thought it was. I don’t want to know that you were only human. You tried hard. I know you did. And this way, I can keep on pretending that you loved me, that you really understood.”
She sipped her hot toddy.
This is the beginning of a story I’m considering for the Bethlehem Writer’s Group new anthology. By the way, did I mention the Bethlehem Writer’s Group’s short story contest is now open for submissions? Click here for details: https://bwgwritersroundtable.com/
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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