A Slice of Orange

By Dana Diamond

What do Tupperware consultants, Olympic hopefuls, entrepreneurs and unpublished writers all have in common?

They all sacrifice inordinate amounts of time, energy and (often) money on careers that may or may not reap any financial benefits…even though they know the odds of are stacked against them.

My question isn’t why they are insane enough to do this, but rather, why is it that three out of the four are considered careers, but the fourth is often mistaken for a hobby?

Now I know there are writers who don’t care to be published. They are known as hobbyists. And I know there are entrepreneurs out there that are dabbling just for the fun of it; also hobbyists. And therein lies the key; “for the fun of it”.

But if an unpublished writer is consistently writing and working toward their goal of a career as a published author, why would someone take the time to try and convince them it is a hobby?

Just because we love what we do and can’t imagine doing anything else (even if it pays bubkis) doesn’t mean it isn’t work.

Of course, I recently debated this double standard, which is why it’s on my mind. I bring it up to you because I know I can’t be the only writer who’s had this conversation.

Hopefully, revealing the double standard for what it is will help other writers and their loved ones gain perspective.

Or maybe the dictionary, my all-time favorite book, can settle it:

hob·by
n. pl. hob·bies

An activity or interest pursued outside one’s regular occupation and engaged in
primarily for pleasure.

by Michele Cwiertny

Some of you may remember from a previous post of mine that recently an editor, who will always have my heartfelt thanks, had sent me a revision letter for my historical manuscript, TO REIGN EDEN. Although the changes were hardly complicated, it took me awhile to figure out how to take apart my story like pieces of a jigsaw puzzle and put it back together to form a different, but definitely more beautiful, picture.

Now I can step back and study the new picture with all the pieces intact. And you know what? I’m even more in love with the story and the characters than ever before.

I scrutinized each piece, each scene, each character, and forced myself to focus on how to make it all behave differently, how to make it all ring truer, how to put together a more complete picture. And you know what I found? My characters and their motivations are stronger, each scene serves its purpose in expressing the need and wants of the characters, and sparks fly between my hero and heroine.

It wasn’t easy for me to do that. No way. Writing is never “easy” for me, but that’s probably because I expect my stories and characters to convey so much to the reader. I know what I want to experience when I pick up a book and those standards apply to my writing, as well, which can very well lead to a massive headache, but I wouldn’t have it any other way. Oh, and those of you brilliant published authors out there who have no problem creating beautiful stories so quickly—I bow to your genius and talent!

And even though those standards of mine are high, there are always ways to raise the level of the story. Such was the case when the editor read my story. Yes, I had definitely written the story to my best ability before I’d sent the manuscript to the publishing house, but with a little guidance and a few suggestions, I managed to learn more about how to write a compelling novel. Boy, I hope I’ll never stop learning.

No, I’m not telling you that the story is perfect and will never be revised again (don’t I wish!). Rather, I’m saying that I am open to becoming a better writer each time I sit down to the computer and visit my stories.

Okay, now it’s time for me to polish my proposal again…

Happy writing!

By Sandy Brown

We’ve all received at least one. Many of us can line our offices with them. Rejections! I’m one of those who have gotten more of the dreaded things than I want to admit. Usually I feel badly for a few minutes and, then, suck it up and move forward. Recently, however, I received a rejection that threw me for a loop. I mean this “pity party” would not end!

Second Chances is so close to my heart. I poured my blood into this manuscript, spent more time than I should have perfecting it, and pitched it at National Conference. When I was told that I had pitched a good outline and would I please submit a written synopsis and the first three chapters, I fairly floated out of the room. This was it! So it was with supreme confidence that I put the requested material lovingly in an envelope and mailed it off to Harlequin Superromance. I just knew it was exactly what they wanted. Surely they would beg me to let them purchase it!

Three months later the thick manila envelope showed up in my mailbox. My heart sank. I felt sick to my stomach. I knew what the letter lurking inside would say.

I have talked to Lara Hyde, Editorial Assistant for Superromance, on the phone. She is a lovely young lady who obviously has a kind heart. I think the rejection letter she sent to me went beyond any obligation she may have felt to let me down easy. She described the writing in the beginning of Second Chances as “solid.” She stated that the reader is “given a good sense of how my heroine is feeling in the situation and the reasons for her anger.” Then, she told me what was wrong with the plot and why it didn’t work for Superromance.

To say I was devastated is putting it mildly. I called my critique partner, Tina Ralph, to cry on her shoulder. Being the positive person she is she immediately took steps to pull me out of my “funk.” A real pity party would do the trick! Here she came to my front door with a Crème Cheese Pastry. I made hot chocolate, and we settled in for an afternoon of commiseration. Soon, we had moved beyond the realm of rejection letters and were laughing over events taking place in our lives. Our pity party had turned into a party. We ended the day with a plan for how I should proceed with my book.

Reflecting back on that rejection, I’ve come to realize why it affected me so dramatically. The recent death of my mother was part of the problem, leaving me vulnerable to depression. Blind confidence that I had written the very best book I could left no room for rejection. After all, if they didn’t want my best, where did that leave me? Where could I go from here? And finally, when you write—no matter how loosely—on an event that has happened to a loved one, you have a vested interest in the success of the story. The rejection discounts the event!

I’m back at work now at my computer, pounding out another heartfelt romance. Putting my blood, sweat and tears into my new characters. I just know this will be the best…

My advice is to write the best book you can, but don’t let yourself believe it’s the best you can ever do. We all have room for improvement each day. Keep writing, keep submitting, and don’t lose your belief in yourself and your abilities. Above all, don’t let a rejection letter take away your confidence.

And finally, if you do get broadsided by a rejection, I hope you have someone like Tina to help you pick yourself up. Thank you, Lara Hyde, for taking the time to write such a lengthy rejection letter, which helps me to see where my story went wrong. Thank you, Tina, for being there for me.