by Maureen Child
Writing a proposal is probably the most important thing you’re going to do in your career. Your proposal is the ‘howdy do’ of publishing. It’s your foot in the door. It’s your ‘Hey, I’m over here, read me’, way of getting an editor’s attention.
I’ve known several writers over the years who had one proposal. They sent this proposal out over and over again any time they’d hear an editor might be looking for something. They’d get feedback on this one proposal, make changes in it and then send it back out again.
Eventually, this wear and tear on a proposal shows.
And it wears on the writer, too. How can you be excited to work on a project you’ve been laboring over for five years? Nope. Once a proposal has made the rounds of everyone you can think of, put it away. I’m not saying you should never take it out for a ride around NYC again. But let it rest then go back to it with fresh eyes later.
When I was trying to sell to Silhouette Desire, I’d already written nearly forty western historicals. Didn’t mean much at Silhouette. Sure, they liked the fact that I was published, but Westerns didn’t mean I could write contemporary Desires! I was determined, though. The editor I was submitting to at the time took three weeks to turn down my first proposal.
But I was ready for her. When I got that first rejection, I had the next proposal in an envelope ready to go out. She was impressed that I’d kept working on other ideas. I asked her how many proposals I could give her at once. She said she didn’t want any more than four proposals on her desk at one time.
Within three weeks, she had three more proposals from me sitting on her desk. By doing that, I told her some very important information about me. She now knew I had lots of ideas. She knew I was determined. And she knew I didn’t give up easily.
So do your proposals. Your first three chapters and a synopsis. Make them sing. Make them shine. Send them out. And while you’re waiting…write something else.
Maureen Child is the author of more than ninety romance novels and novellas. And right now she’s working on…you guessed it. A proposal.
The Seven Deadly Sins, Part One: Envy
Don’t you just hate those stories about some new author who sold her book on a two-sentence pitch and she did it within, like, two days of signing with a fabulous agent, and she got some amazingly huge advance?
Ugh!
Okay, maybe you don’t hate those stories, but seriously, don’t you hate those people? Come on, tell the truth, you hate them! They suck!! They just got lucky and it should’ve been you!!
Okay, maybe you don’t hate them, exactly. Oh wait, of course you don’t hate them, because uh-oh, that very thing happened to your best friend. Oops. Which means you’re really, really happy for her, right? Of course you are! She’s your best friend and she’s worked really hard and she’s really talented and you love her and only want the very best for her! Right?
Ri-i-i-ight.
Just admit it. There’s an eensy little part of you that’s pouting and stomping your foot, right? Right? Come on, admit it!
Because it’s so not fair! You’ve been working your butt off for years and your work is really good, so why didn’t it happen to you? Come on, say it with me: Why do good things happen to everyone else but me?????
Jeez, don’t you feel whiny?
And don’t you love that I’m talking about you and not me? Well, yeah, because I would never feel that way. Ever! But if I did—which I never would, but if I did—hmm, what would I do? What would you do?
Well, lucky for you, I’ve actually thought about this—in theoretical terms only, of course. So how do you deal with that horrible envy you feel when good things happen to other people? It’s not easy but here are two suggestions.
1. Fake it. “Act as if†you’re happy for them. Slap a smile on your face and wish your lucky friend well, and try to mean it, and eventually that uncomfortable twinge of happiness will sink in and grow and stay. If it doesn’t, if you’re determined to play the victim, or the angry writer, or the bitter pain in the butt every time you’re around your more fortunate friend, then you need more help than this perky little blog entry can provide. Seek professional help.
2. Get ready for it to happen to you. Write every day. Show up. Be a good friend to other writers. Learn about the publishing business. Read. Take every opportunity to get your work in front of the right people. Take risks with your writing. And truly enjoy your friends’ successes. Hey, maybe they’ll bring you in on their next best-selling anthology. It could happen! And suddenly that person everyone else envies will be you!
Kate Carlisle is a Golden Heart Winner and American Title III finalist who writes Romance, Mystery, and Young Adult fiction.
by Sara Black
I’ve got to be honest, I thought the first episode of Heroes was Boring. Yeah, with a capital B. However, after a few months of hearing it was Really Very Good and I should Give It A Try, I decided that maybe I’d been too quick to judge. I caught up on twenty episodes in two weeks.
Heroes could have stood to lose a majority of it’s first chapter, but things improved from then on. The basic concept is heavily drawn from super hero comic books: As explained in the opening of each episode, a bunch of ordinary seeming people turn out to have extraordinary abilities like stopping time, flying, and turning homicidal. These people may be the only ones who can save the world, unfortunately it seems, from themselves.
From a pop culture standpoint it’s interesting to see such a melding of mediums. The episodes are structured similarly to comic books, each one being a chapter in the story with a shorter arc that eventually adds up into the larger arc. There is even a graphic novel available online which promises to deepen the readers understanding.
What keeps me watching is not the comic book premise (trust me, I gave up on X-men a while ago) but the characters. We get to watch as each hero gets a piece of the puzzle but struggles to see their part in the big picture. The main arc, we learn early on, involves the destruction of a large part of New York and the deaths of thousands. Even the audience isn’t certain what part each hero will play in what may be a domino effect of disaster. The anticipation is killing me.
It could be considered torture to interest you in a series only two episodes away from the season finale, but all the episodes can be downloaded from the iTunes store or viewed online at NBCs website.
Sara Black has a degree in Cinema/Television from USC. She watches far too much television, eats way too much sushi and is always writing a romance novel. For someone who religiously stays out of the mainstream, she knows an awful lot about Pop Culture. This is the third in a series of posts on the subject.
When I was first writing “Till Death Do Us Partâ€, I didn’t realize that Dori had a past love. But when Pete called her name in that scene in chapter three, my heart jolted just like Dori’s. When I saw where we were going, I jumped out of my chair and paced my office. I finally turned off the computer thinking, there’s no way I can go there.
But many months later after I’d finished the story, approved the galleys and then went on to a new story, Ryan and I were watching Inside the Actor’s Studio with Clint Eastwood. In the role of Harry Calahan, Eastwood once had to jump off a bridge onto the top of a moving school bus. When James Lipton asked if he had been afraid, Eastwood replied, “No. When you’re really in the character, you can do anything.”
I realized that writing is like acting. It only becomes real when we become the character. And man, that can be scary as hell!
Even though I still run away from the computer when the story gets too real, I know that I’ll be back. Just like an actor who spontaneously discovers a new bit of dialogue or action, we writers must jump off the bridge with our characters. What I’ve come to realize is that if we don’t go there, then neither will our readers.
So when the story and the character get under your skin and it feels icky and scary and awfully itchy, just keep yourself there because that’s when the good stuff is about to happen.
Mary Castillo’s new book, Names I Call My Sister hits bookstores today. She is the author of In Between Men and Hot Tamara. Her website is www.marycastillo.com.
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A Fork in the Road
I turned 39 last month. For the first time. If all goes well, it’ll be for the last time. I heard your 40s are when you finally have the experience and guts to stand up and say, “This is who I am. Like it or leave it.â€
I’m not sure if I’m going to do that before I turn 40 though.
I got some notes back from my agent last week and I realized that while I’ve been writing professionally for ten years this year, there are still some words that I misunderstand. Like hot. When she told me the new genre I’m writing in is hot, I was all excited because it just happened that what I want to write is popular right now.
Oh, it is. But that’s not what she meant. She meant that genre has more detailed, uh, love scenes. And from what I’ve skimmed in other books in the genre, love isn’t always a prerequisite for the action.
Oh dear. So now I have to decide how far I’m willing to go. Suddenly I feel 16 again and I’m looking at my cute boyfriend. Will mom find out? What will God think? Just how far is too far? Will I have to wait until everyone whose opinion is important to me dies? (In which case, there’s still God.) And by then, will I even remember how to do it?!
But that’s not really what I’m asking myself. I’m asking myself how far I’m willing to go to be one of the popular girls. One of the thin, blonde, pretty ones with strawberry lip gloss and a bit of mascara that they put on in the girls’ restroom so their mother wouldn’t know. Do I want to do what it takes to have lots of friends (readers)? Or will I prefer to stand off to the side, a wallflower among wallflowers, holding my values to my chest like a badge of honor, secretly wishing I could do what needs to be done to publish my stories?
I’ll tell you the truth, I’m thinking about “doing it†once to see what it’s like, to see what all the hype is about. Maybe I won’t feel I’ve crossed a line. Maybe the money will be worth it. Maybe none of my more conservative friends will think any less of me. Maybe I’ll think I’m cool. But if I decide later it wasn’t worth it, it’ll be too late.
I remember what it was like to want to be more popular, to give away my virginity and later wish I had it back. I’m older and wiser now…and I still don’t know what advice to give myself. Except that there’s nothing better than being able to look yourself in the mirror and say, “I respect myself and what I do,†and “I’m doing all I can to be a successful businesswoman and I’m proud of myself.â€
A few days ago, I said to my husband, “You know, now’s the time for me to quit and become a stay-at-home mom if that’s what we want.†It was both a “last chance†moment for us to decide for sure if we wanted to be parents, and – more so – an opportunity for me to quit without answering the question – how far am I willing to go to get published?
It’s a hell of a moment…this moment. It’s “a fork stuck in the road†as the Green Day song goes. Robert Frost said the road less traveled made all the difference. Does that mean he had to have a day job?
I don’t know what I’m going to say to my agent. I don’t want to be pious or popular. I want to be me. And I know that I was created with a unique ability to create. I can’t help but think therein lies the answer. Can I be creative enough to write what the market requires in a way that doesn’t compromise my integrity?
Ask me my age next spring. If I say I’m 39 (again), it means I haven’t quite found the guts yet to stand up and be myself regardless of the cost. But I promise you this: I’ll try with all my heart to work to be that person this year. A person who counts the cost and makes a decision and doesn’t wallow in excuses. A person like that could be a good friend in life, regardless of the level of their financial success.
There will be a price to be paid to become that kind of person, that kind of writer, but I say – it’s worth it.
Kitty Bucholtz writes romantic comedies because, well, she lives one! She wrote her first book in the NBC cafeteria, the second snowed in at a Reno hotel, and the third from a tiny apartment in Sydney. Even though she loves talking about, writing about, and teaching about writing, she’s pretty sure she knows at least three people who aren’t writers.
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Everything he’d believed to be true was a lie.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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