by Janet Quinn Cornelow
Yesterday I went to plot group and we were discussing where ideas for stories come from. I mentioned that Rayna in “Revenge of the Lady’s Guard†had been sitting on that porch with the old lady for four or five years waiting for me to write her story. I always thought it was a western historical. I knew she wasn’t a contemporary character. Then Whiskey Creek Press started their Whiskey Shots short stories. Rayna was yelling from the porch, “That’s me. That’s me.†And it was her. She was a warrior taking care of an aging Ancient One ready to die.
by Lori Pyne
Today started with emails by the hundreds. Most demanded action, attention and accuracy.
Incessant ringing phones constantly interrupted. Any call a potential crisis. Humor defused one client. Results delighted another.
Brain clipped along faster, smoother. Adrenaline hit the bloodstream. No second could be wasted. New work piled atop unfinished projects.
Weekend’s relaxation long forgotten.
Urgency filled the air. Tension stalked the halls. Perfection expected. Mistakes abhorred. Focus on priorities. Efficiency a must.
Stomach churned. Headache squeezed. Meds taken. Next task tackled.
End of day deadlines loomed. Urgent packages dispatched. Promised answers posted.
Much completed. Desk filled yet more work to finish tomorrow.
Race home to spend precious moments reviewing homework, supervising teeth brushing, and cuddling for a bedtime story or three.
After dinner with hubby, steal time from bill paying, house projects, and volunteer obligations to try to pry story from brain.
Once again, midnight has long past. Time for bed with the knowledge that tomorrow will be much the same.
How was your day? What do you think tomorrow will bring?
This may be a tricky issue, as some children may view parental advice with suspicion, but I’ve just experienced a major hand-shaking event with various friend’s children & friends of theirs.
I wondered if anyone had explained to them what a handshake was supposed to be–not that all adults are free of the aforementioned problem, but this seemed excessive, perhaps indicating cluelessness.
I don’t want to go all Dale Carnegie on you, but he has a point. A handshake is a big first impression, and surely it’s not too hard to offer a firm grip, a brief squeeze and release. You can even throw in eye contact for extra credit.
Maybe it’s an issue of a child/young adult not feeling confident, but I don’t care–act it, at least. Surprisingly, confidence will come and people will give you the benefit of the doubt for starters.
Reach out and touch someone…properly.
Unsolicited advice from Isabel Swift
by Shauna Roberts
http://ShaunaRoberts.blogspot.com
Today’s Guest: Lynna Banning
Lynna Banning is the author of thirteen historical romance novels and a former RITA nominee. Her newest book, a September release from Harlequin Historical, is Templar Knight, Forbidden Bride.
Lynna, if you could travel back in time to before you were first published, what advice would you give yourself?
1. Read lots in my genre (historical romance). It’s helpful to see what other houses are publishing and how other writers handle problems of point of view, pacing, types of villain, etc. Keep up with changes in the overall market and your particular genre.
2. Read more outside my chosen genre—nonfiction, literary fiction, trade and mass market popular fiction, and especially how-to books. Start with the “easy” ones: James Frey, How To Write a Damn Good Novel; Jack Bickham, Scene and Sequel; Syd Field, The Screen-Writer’s Workbook (good for plotting); and Ann Hood, Creating Character Emotions. Then move on beyond “the basics”: Linda Seger, Making a Good Script Great; Donald Maass, Writing the Breakout Novel and the Writing the Breakout Novel Workbook.
And keep reviewing these helpful books as you write!
3. Try to join the most advanced critique group you can find, preferably with published authors. You will suffer, but you will learn. However, protect yourself from critique groups that feel overtly or subtly “toxic.” Sometimes this is hard to recognize, but if you generally feel worse after the session (and not fired up and encouraged), give some hard thought to Why.
4. Do go to workshops, writing groups, and writing classes. Just keep your good sense about you, and your ego and your sense of “self” on an even keel. If your ego is very tender, protect yourself first and learn writing stuff later. Also consider getting some psychological counseling to help you retain perspective.
5. Brush up on the basics of grammar and punctuation. I highly recommend two reference books: (1) my old high school grammar text, Warriner’s English Grammar and Composition and (2) Jan Venolia’s Write Right. Both are easy to look up stuff in.
6. Learn to distinguish a “good” rejection letter from a “real rejection” letter. If the letter goes into any depth at all, they might consider a rewrite addressing those issues. Any letter that has even one line addressed specifically to you or your manuscript is a “good” rejection letter.
7. Learn not to see a manuscript’s rejection as anything but rejection of the manuscript itself, not of you personally. This sounds so easy, but it’s hard to detach one’s “person” from one’s “work.†But do try. Squashed egos are not good for writers.
8. Try to write consistently, every day if you can manage it. Use even small blocks of time, such a lunch-hours at work, hours spent on airplanes, time in hotel rooms (it helps if you first hand-write, as I do, on yellow lined note pads, or use a laptop). Set a daily goal: Mine is four typewritten, double-spaced pages a day, about 1,000 words. (Caveat: If a child has the mumps or I have a migraine, I take that day off.)
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To learn more about Lynna, please visit her Website at http://www.LynnaBanning.com. Her newest book, Templar Knight, Forbidden Bride, is available in September at major bookstores and can be ordered online from Amazon.com, Barnes & Noble, and Borders.
USA Today reported that in an interview with The Sunday Times, John Le Carre, British intelligence agent turned thriller writer, said he was “tempted to defect to the Soviet Union”. Le Carre, real name David Cornwell, joined British intelligence in 1949. He wasn’t sympathetic to Communist ideology, but he was “curious about what was on the other side of the Iron Curtain”.
Is he a writer, or what?
As an author, I can understand where he’s coming from. The muse is always whispering in our ears, asking questions and making suggestions. When I was writing my historical romance, Rogue’s Hostage, which was set in Pennsylvania and Quebec, I jumped on the opportunity to attend a conference in Toronto. Then I talked my husband into joining me afterwards so I could see Quebec City for myself. We had a lovely vacation, I got great visuals of the area I’d be writing about, and I found research material that would have been much harder to find in California. (This was in 1994 before so much was available on the internet.) This experience helped me to write a better book.
A few years ago, my publisher, Amber Quill, started looking for gay romances, something I’d never thought I’d write, but my muse had different ideas. I shocked friends and family by taking this step, but my sales are up and one of my stories was an EPPIE finalist. Sometimes the muse knows best, though I’m glad Le Carre didn’t defect. Otherwise we’d never have had The Spy Who Came In From the Cold, The Constant Gardener, and dozens of other books by a terrific author.
What has your muse tempted you to do?
Linda
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