This may be a tricky issue, as some children may view parental advice with suspicion, but I’ve just experienced a major hand-shaking event with various friend’s children & friends of theirs.
I wondered if anyone had explained to them what a handshake was supposed to be–not that all adults are free of the aforementioned problem, but this seemed excessive, perhaps indicating cluelessness.
I don’t want to go all Dale Carnegie on you, but he has a point. A handshake is a big first impression, and surely it’s not too hard to offer a firm grip, a brief squeeze and release. You can even throw in eye contact for extra credit.
Maybe it’s an issue of a child/young adult not feeling confident, but I don’t care–act it, at least. Surprisingly, confidence will come and people will give you the benefit of the doubt for starters.
Reach out and touch someone…properly.
Unsolicited advice from Isabel Swift
by Shauna Roberts
http://ShaunaRoberts.blogspot.com
Today’s Guest: Lynna Banning
Lynna Banning is the author of thirteen historical romance novels and a former RITA nominee. Her newest book, a September release from Harlequin Historical, is Templar Knight, Forbidden Bride.
Lynna, if you could travel back in time to before you were first published, what advice would you give yourself?
1. Read lots in my genre (historical romance). It’s helpful to see what other houses are publishing and how other writers handle problems of point of view, pacing, types of villain, etc. Keep up with changes in the overall market and your particular genre.
2. Read more outside my chosen genre—nonfiction, literary fiction, trade and mass market popular fiction, and especially how-to books. Start with the “easy” ones: James Frey, How To Write a Damn Good Novel; Jack Bickham, Scene and Sequel; Syd Field, The Screen-Writer’s Workbook (good for plotting); and Ann Hood, Creating Character Emotions. Then move on beyond “the basics”: Linda Seger, Making a Good Script Great; Donald Maass, Writing the Breakout Novel and the Writing the Breakout Novel Workbook.
And keep reviewing these helpful books as you write!
3. Try to join the most advanced critique group you can find, preferably with published authors. You will suffer, but you will learn. However, protect yourself from critique groups that feel overtly or subtly “toxic.” Sometimes this is hard to recognize, but if you generally feel worse after the session (and not fired up and encouraged), give some hard thought to Why.
4. Do go to workshops, writing groups, and writing classes. Just keep your good sense about you, and your ego and your sense of “self” on an even keel. If your ego is very tender, protect yourself first and learn writing stuff later. Also consider getting some psychological counseling to help you retain perspective.
5. Brush up on the basics of grammar and punctuation. I highly recommend two reference books: (1) my old high school grammar text, Warriner’s English Grammar and Composition and (2) Jan Venolia’s Write Right. Both are easy to look up stuff in.
6. Learn to distinguish a “good” rejection letter from a “real rejection” letter. If the letter goes into any depth at all, they might consider a rewrite addressing those issues. Any letter that has even one line addressed specifically to you or your manuscript is a “good” rejection letter.
7. Learn not to see a manuscript’s rejection as anything but rejection of the manuscript itself, not of you personally. This sounds so easy, but it’s hard to detach one’s “person” from one’s “work.†But do try. Squashed egos are not good for writers.
8. Try to write consistently, every day if you can manage it. Use even small blocks of time, such a lunch-hours at work, hours spent on airplanes, time in hotel rooms (it helps if you first hand-write, as I do, on yellow lined note pads, or use a laptop). Set a daily goal: Mine is four typewritten, double-spaced pages a day, about 1,000 words. (Caveat: If a child has the mumps or I have a migraine, I take that day off.)
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To learn more about Lynna, please visit her Website at http://www.LynnaBanning.com. Her newest book, Templar Knight, Forbidden Bride, is available in September at major bookstores and can be ordered online from Amazon.com, Barnes & Noble, and Borders.
USA Today reported that in an interview with The Sunday Times, John Le Carre, British intelligence agent turned thriller writer, said he was “tempted to defect to the Soviet Union”. Le Carre, real name David Cornwell, joined British intelligence in 1949. He wasn’t sympathetic to Communist ideology, but he was “curious about what was on the other side of the Iron Curtain”.
Is he a writer, or what?
As an author, I can understand where he’s coming from. The muse is always whispering in our ears, asking questions and making suggestions. When I was writing my historical romance, Rogue’s Hostage, which was set in Pennsylvania and Quebec, I jumped on the opportunity to attend a conference in Toronto. Then I talked my husband into joining me afterwards so I could see Quebec City for myself. We had a lovely vacation, I got great visuals of the area I’d be writing about, and I found research material that would have been much harder to find in California. (This was in 1994 before so much was available on the internet.) This experience helped me to write a better book.
A few years ago, my publisher, Amber Quill, started looking for gay romances, something I’d never thought I’d write, but my muse had different ideas. I shocked friends and family by taking this step, but my sales are up and one of my stories was an EPPIE finalist. Sometimes the muse knows best, though I’m glad Le Carre didn’t defect. Otherwise we’d never have had The Spy Who Came In From the Cold, The Constant Gardener, and dozens of other books by a terrific author.
What has your muse tempted you to do?
Linda
by
Marianne Donley
On one of the many loops I belong to, someone mentioned a free writing program ywriter4 . About a dozen people on the loop chimed in saying they used the program and loved it. They mentioned story boards, and “problem word†finder, total word count along with chapter and scene word count, and other neat stuff I didn’t know I wanted. Curious, I downloaded the program and tried it. (For the faint of heart –no viruses, I swear.)
Okay, I love this program.
It has a Daily Word Count Tracker, so I know how many words I need to write each day to stay on target for finishing my work in progress. I don’t know why I like knowing I need to only write 300 words a day to finish by December 31. I suspect it’s because, heck 300 words is something I can practically finish in my sleep. 300 words is not as overwhelming as 300 huge blank pages of white. If I have to skip writing a day or two or okay, okay a week, and that Daily Word Count starts edging up toward 400 words a day, then I find myself working really hard to move it back down to my target of 300. And I can’t cheat –one word on a page doesn’t count as a page finished no matter how many paragraphs HAD been on that page during the day.
The Story Board feature is pretty cool too. After you create empty files of all your chapters and scenes (should you write like me and plot first) then you can decide from whose POV to write each scene. The Story Board then plots the book using your main characters as threads. At a glance I saw that I had six scenes from the heroine’s POV and my hero completely disappeared from the book –not a good idea. So I was able to rework the outline before writing to make sure the poor man was included.
Do you find yourself over using words? This program will run a problem word finder, either predefined (as, then, suddenly, all “ly†words, etc.) or user defined (for this book, seriously). It will even give you at total word usage count. I currently have written “seriously†192 times and the word “and†502 times. I suspect I need to get rid of some of both of them –seriously.
But my all time favorite part of this program, Scene Notes. I always have these brilliant ideas in chapter ten about chapter two. It is so very tempting to go back to chapter two and used said brilliant idea. Yet, noodling around in chapter two doesn’t move my story forward toward the finish line. I want to get to the finish line! So I can click on the Scene Note tab for chapter two, write my brilliant idea down, then get back to chapter ten. The note is “hooked†(high tech word –I know) to the scene for which I think I will use it and not in a Word document that I may or may not remember weeks later. Every time I bring up chapter two I see the note attached. This way I don’t rewrite chapter two, over and over unless that brilliant idea was really brilliant and I can do it when I get to polishing the second draft and not while slugging out the first.
So if you are looking for something to help organize your writing ywriter4 could be for you –and best of all it’s free. Let me know what you think of it or if you have something else you use, I’d like to know that too.
Marianne Donley writes quirky murder mysteries fueled by her life as a mom and a teacher. She makes her home in Pennsylvania with her supportive husband Dennis and two loveable but bad dogs. Her grown children have respectfully asked her to use a pen name which she declined on the grounds that even if some of their more colorful misdeeds make it into her plots, who would know the books are fiction. Besides they weren’t exactly worried about publicly humiliating her while growing up.
I’M GLAD I TOOK THE TIME
by Kitty Bucholtz
I’ve been writing stories since I can remember, the first ones in chalk on a blackboard in the hallway outside our bedrooms. In 1996, I let someone try to convince me I could maybe really publish something. I did in 1997, and I got my first “thank you†email from a reader. That was “the moment†for me. The moment when I thought maybe I could change the world with my words.
In 2001, I joined RWA, can’t even remember why. Someone must’ve told me it would be good for me. I expected broccoli (something I like, but it is a vegetable) and instead I found a buffet (broccoli, pot roast, potatoes, jello salad, death by chocolate cake – the works!). Unfortunately, I didn’t realize the buffet was spread out on so many tables and I missed a lot of it, still don’t know a lot of the benefits. There are so many and I’m finding new ones all the time.
In 2004, my agent sent out my first book – very exciting. We got two “we would’ve bought it six months ago†replies, and my agent told me to just write another book and keep going. So I did, not realizing there was this thing called PRO and that it would be helpful for me to join it.
I spent most of 2006 in Sydney, Australia, and strangely that’s when I learned about PRO. I was making friends at OCC by being involved through email and in online activities and Gina Black told me about it. Then I think Mindy Neff encouraged me again to get the paperwork filled out. But I didn’t see the point – it was just a pin, right? Finally, Sandy Chvostal all but printed out the form for me! I sent it off, got the pin – then an amazing thing happened. I finally started to see that going PRO was about more than a pin!
We get our own retreat at the RWA National Conference with lots of great speakers and information just for us. We have our own Yahoo Groups with tons of information and mini-classes every month. (All free, mind you!) We get treated like professionals instead of wannabes. Respect! I love it! All for proving that we have the capacity and fortitude to say we’re going to write an entire book and send it to an editor or agent. Even if we’re not picked up, people give us the respect of knowing we have it in us.
Now that I know so much about PRO (and I’m pretty sure what I know is only a part of everything that PRO is!), I encourage all my friends to fill out that darn paperwork! When else in your writing career is someone going to give you a medal for being rejected by an agent or an editor! LOL!! Going PRO has really helped me grow as a writer. So join us – go PRO and grow!
Kitty Bucholtz is a co-founder of Routines For Writers, a new web site to help writers write more. She writes light urban fantasy novels with a romantic comedy spin – and loves every minute of it! Even though she loves talking about, writing about, and teaching about writing, she’s pretty sure she knows at least three people who aren’t writers.
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An innocent naiad. A wounded boy. An adventure that will change their lives forever.
More info →New York Times bestselling author Kat Martin brings page-turning suspense to a tale of secrets and passions turned deadly . . .
More info →A foreign woman is dead, two countries want her forgotten. Detective Finn O'Brien wants justice.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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