A California native, novelist Tracy Reed pushes the boundaries of her Christian foundation with her sometimes racy and often fiery tales.
After years of living in the Big Apple, this self proclaimed New Yorker draws from the city’s imagination, intrigue, and inspiration to cultivate characters and plot lines who breathe life to the words on every page.
Tracy’s passion for beautiful fashion and beautiful men direct her vivid creative power towards not only novels, but short stories, poetry, and podcasts. With something for every attention span.
Tracy Reed’s ability to capture an audience is unmatched. Her body of work has been described as a host of stimulating adventures and invigorating expression.
I recently got word that my next Alaska Untamed Mystery, CRY WOLF, number two in the series, is now scheduled for publication on November 7. I love the cover! And the series is the first in which I’ve taken a pseudonym: Lark O. Jensen.
It’s not my only remaining book this year. I was already aware that my Coltons of New York book for Harlequin Romantic Suspense is also a November release. CSI COLTON AND THE WITNESS is officially out on November 27.
Meanwhile, I’m currently working on the fourth in my Shelter of Secrets series for Harlequin Romantic Suspense.
Plus, I’m looking forward to the couple of conferences I’ll be attending this year. I will be at the Romance Writers of America National Conference in July in Anaheim, and my panel has been accepted. It’s called “Slow, Steady or Rapid-Release: Which career path works for you?” and there are three other panelists. We’ll all be discussing our respective careers, whether we are traditionally or self-published and how we decided on that direction, plus how many books we write and how fast. Should be fun!
And I’m also planning to be at Bouchercon in September, in San Diego. That’s two conferences not so far from my Los Angeles home.
And you? Any exciting writing, reading or conference plans—or anything else? In any case, enjoy your June.
Hi, please forgive my post replay. I’m in the middle of edits. I selected this post because I’m beefing up my PA’s duties. I have come to the realization I need a little more help. Happy June.
Happy August. It’s hard to believe we are in the middle of summer. I’ll keep it brief.
I did something a little presumptive or not very smart. The past two years have been a lot different. Most of us probably didn’t stick to our writing schedules. In an attempt to get back on track this year, I set up three preorders. What was I thinking? Since I’m being transparent, I changed the release date on all three preorders.
I could expound on the many things that contributed to the changes, but I won’t. However, the reasons and changes opened my eyes to something…I needed help…a team.
I’ve been doing well with my intimate production team.…a proof reader (my mom) and an editor. After my last release, my editor and I amended our arrangement. This new arrangement left me in a lurch…she wasn’t exactly on board with the new tone of my books. I like working with her. She understood my stories and she spoke French, which I needed for my series,The Good Girl. However, now she stated she would prefer to only edit sweet, non-sexual content books. Occasionally, I write sweet books and will keep her for those projects.
I freaked out about having to replace my editor. After all, she was half of my team. After my last release, I reached out to a friend who helped me find another editor who is on board with my writing style.
The other thing I realized was I was writing up to the deadline and trying to fit marketing in between craft and graphic design. I booked a few Facebook and BookBub ads. I also booked some newsletter swaps. However, I knew I could do more.
The past several years, I’ve heard other writers talk about their PAs. I longed for a PA, but figured that wasn’t in my budget just yet. But during lockdown, it seemed like more and more writers were talking about their PAs and how helpful they were. Pre-lockdown I reached out to a few PAs and felt as amazing as it sounded to have one, at that time it wasn’t an expense I was ready to take on.
Fast forward to lockdown and an author business workshop and a business book…”We Should All Be Millionaires”…by Rachel Rodgers, I realized not having help was costing me money.
I reached out and asked what an author PA did. I was ignorant. I thought all PAs did was schedule FB parties, newsletter swaps, send out prizes and organize ARC teams. I apologize to every PA out there because I was unaware of the value a good PA offers. I also think one of the issues I had with using a PA was control. I like to or rather I’m use to doing pretty much everything myself. I do my own covers, promotional graphics and ad graphics. I write my own newsletters and social media posts. I have an editor, a proof reader and a couple of beta readers.
If I was going to do this, I needed to know what a PA could do for me. Imagine my shock when I saw the list of things a PA could do that weren’t even on my list…book formatting, managing my social media and GoodReads page, update mailing list, arrange promotions and giveaways. I was intrigued.
I reached out to one of my FB groups for feedback and referrals. However, my friend A.M. Roark hit me up and recommended her PA…Praise Ikeme. We chatted and about an hour later, I knew she would be a good fit for me. I told Praise I wanted to take things slow and once I’ve come to grips with letting go of a few tasks, I’ll hand them off to her.
My dip into the PA water has been very good. I have my PA working with me on newsletter swaps. Within the first twenty-four hours of our arrangement, she had my first two months of swaps scheduled. I like that she sends me reminders, verifies the links on my site for the books I’m swapping. She proofs my newsletter and sends me reminders at the beginning of Newsletter Week.
I have to admit, I wasn’t very consistent when it came to sending out my newsletter. Since hiring my PA, I have a newsletter schedule…twice a month…which I’ve been sticking to. I also use the newsletter copy as blog copy. Thanks to my PA, I’m blogging again…something I hadn’t done in quite a while.
Now my team consists of three people…a proof reader, an editor and a PA. I’m excited and look forward to expanding my team when the time comes.
If you’re looking for a PA, I recommend Praise Ikeme (praiseikeme@gmail.com).
Who’s on your team?
Next month I’ll do a goals update.
Enjoy your summer and happy writing and reading.
As far as composite characters go, take Don Draper from Mad Men. He’s widely thought to be created as a composite of several advertising execs from the mid-century. His name was likely from Draper Daniels, a Chicago ad executive, as well as Albert Lasker, Emerson Foote, and George Lois.
Of course, there is Ebenezer Scrooge, who was based on politicians and businessmen of Charles Dickens’ time.
Many of us unintentionally create characters in our books that are based on ourselves, family members, co-workers, or friends. After all, who do we know best?
However, when it comes to deliberately writing about those people in our lives, we want to make them into believable characters yet disguise them enough that they are not just “cut and paste” copies of actual people. The point is to capture their essence and incorporate them seamlessly into our book.
You may think that person has a particular personality quirk that makes for an interesting addition to your cast of characters, but if you think they wouldn’t like it, make sure you make them different enough to be unrecognizable, or you may lose a friend or even open yourself up to a lawsuit.
Perhaps you’d like to use a historical figure or a famous celebrity of today. Make sure to do your homework before you write about them. In this day of social media and “fake news,” it can be all too easy to be misled by incorrect information. You don’t want any backlash when you release your work. Being careful will prevent any legal action. Remember that readers are very intelligent and inquisitive people. They WILL know if you got something wrong, and that will ruin the believability of your story.
We fall in love with many fictional. They’re exciting and engaging, beautiful and dangerous, mysterious, and sometimes evil to the core. Don’t rely too much on a real person to capture your readers’ attention. This can be a very dangerous game, indeed.
There is no reason why you shouldn’t use people you know to help you conjure up the characters in your stories. Just remember that doing so successfully takes time and effort to get right!
After all – what better way is there to honor or get revenge on someone in your life than to make them a character in your book?
A California native, novelist Tracy Reed pushes the boundaries of her Christian foundation with her sometimes racy and often fiery tales.
After years of living in the Big Apple, this self proclaimed New Yorker draws from the city’s imagination, intrigue, and inspiration to cultivate characters and plot lines who breathe life to the words on every page.
Tracy’s passion for beautiful fashion and beautiful men direct her vivid creative power towards not only novels, but short stories, poetry, and podcasts. With something for every attention span.
Tracy Reed’s ability to capture an audience is unmatched. Her body of work has been described as a host of stimulating adventures and invigorating expression.
A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
La Noche Before Three Kings Day is a perfect holiday tale.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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