The Artist’s Way
March 29, 2009 by A Slice of Orange in category The Artist Way by Gillian Doyle tagged as Artist's Way, Gillian Doyle
[Notice to Readers: Unintentional as it was, this post could also be called “PASIC Conference, Part II” to Deb’s post yesterday. However, if you keep reading, you will understand why it ties into The Artist’s Way.]
I just returned from my first Published Authors Special Interest Chapter (PASIC), held every two years in New York City. Wow-oh-wow, what an experience. I’ll never miss another one! My roomie Debra Mullins was a long-time New Jersey RWA member before moving to OC in 2007. She couldn’t believe I hadn’t been to PASIC, and insisted I join her. I’m so glad I did. Everyone seems to know Deb from her stints as conference coordinator for NJRW, which means editors and agents are always stopping to say hello.
Our other roommate was OCC’s January speaker, Susan Meier, who had flown in from western Pennsylvania for her first-time PASIC, too. So we were the newbies, and Deb was more than happy to introduce us around. (Oh, and an added perk — Deb knows the best places for Italian, NY Pizza, barbecue, and Irish food! )
Former OCC member Faye Hughes and an OCC guest speaker last year, Christie Craig were the conference coordinators, and did a fantastic job. You have got to read Christie’s take on New York City…it’s too funny…. “A Southern Gal Goes To New York.“
What does all of this have to do with The Artist’s Way, you might ask? Because, throughout the conference, I found myself thinking of this book, and the workshop that I attended a few months ago. I have been a published author for 20 years now, and it is easy to fall into the “What ifs” and “If Onlys” when there are long dry spells. I have been to many conferences where there is a sense of despair in the air around me because I was in a bad place, a place where I doubted my talent, my commitment . . . my “calling”.
But I had to take my own path that did not include publishing year after year. And it’s okay! Everyone is different. For me, I have known for a very long time that my life is about overcoming the demons (not literally) and following a deep need to explore and understand my spiritual Self. I realize this is not everyone’s “thing” so I don’t talk about it. But the Artist’s Way does. Author Julia Cameron writes about the yearning to fulfill a sense of obligation to the Great Creator to be creative ourselves. A divine directive, as it were. If this creativity doesn’t come out in one way, it comes out in another. And if it is stifled, we suffer from depression that can lead to physical health problems.
Julia writes on page 64: “Life is what we make of it. Whether we conceive of an inner god force or an other, outer God, doesn’t matter. Relying on that force does.”
She talks of how we discount answered prayers, calling them coincidences or just plain luck. “We call it anything but what it is — the hand of God, or good, activated by our own hand when we act in behalf of our truest dreams, when we commit to our own soul.”
And when we pursue that dream, amazing things begin to happen. Synchronicity. Serendipity. That’s what has been happening to me in these past several months. Despite family emergencies that pull me away from writing, I have been kept on my path with the help of friends like Deb, and now Susan. I made new friends at PASIC. I’m renewed. Fired up. And in love with this career again.
One last thing before I close…. At PASIC I finally met a new author whose unpubbed entry I had judged a few years ago. I absolutely LOVED this story, and I am delighted that she sold it. It’s an historical YA with a twist of magic called THE BEWITCHING SEASON by Marissa Doyle. The sequel will be out this Fall.
Until next month….
– Gillian Doyle
www.gilliandoyle.com
A Fantasy Life
March 28, 2009 by A Slice of Orange in category Columns tagged as Janet Cornelow, Janet Quinn
By Janet Quinn Cornelow
Linda McLaughlin and I went to EPICon at the beginning of March. It was at
Linda and I went to a workshop on
One of the speakers, Marilyn Meredith, talked about the world she had built for the mysteries she had written. It has heavy Native American tones to it. Her detective lives between that world and the outer world.
That made me think about the fact that we build worlds for all of our stories. The world doesn’t have to have any magical elements to it. We create worlds in which our characters live. In Betrayals, I created the town of
Usually when writing a non-fantasy story, I don’t think about the fact that I am building a world to surround my characters, but I am. The Irish Countess needed a convent and a large farm. The Kilted Governess needed several sheep farms, a village, and an abandoned hut. So, all of those things just appeared.
It is usually called setting, but it is also world building. We have to put our characters into a world that is believable so our readers are anchored in the story.
Of course building worlds with magic and monsters is so much more fun. I bought a journal so I can start building my world for my urban fantasy. I can’t write on paper, but I like to be able to set my notes next to me while I do write. Journals are just so handy for all of that.
I can’t really start on the urban fantasy until Sam gets to where he needs to be. He is off hunting the slave hunters. He, Cooper and Arnou are angry, armed and dangerous. At least he’s moving again.
OCCRWA April Online Workshop – Show and Tell w Shannon Donnelly
March 26, 2009 by A Slice of Orange in category Archives********** permission to forward **********
Hi everyone! Check out the exciting online classes offered by the Orange County Chapter of RWA!
Show and Tell: An Interactive Workshop
With Shannon Donnelly
April 13, 2009 – May 9, 2009
Enrollment Information at http://www.occrwa.org/onlineclassApr09.html
COST: $20 for OCC members, $30 for non-members
Enrollment deadline: April 12, 2009
If you have specific questions, email occrwaonlineclass@yahoo.com
ABOUT THE CLASS:
“Show, don’t Tell” is a cliché that has almost lost its meaning. But “showing” and “telling” are both valuable tools for any writer. In this workshop, we’ll use writing examples to figure out the truth hidden in this tired phrase.
The “telling” part of the workshop includes tips, tricks, and techniques to help improve narrative and identify when it’s time to tell your story. The “showing” part blends a set of exercises to strengthen an understanding of what makes a scene come to life.
TOPICS:
1) Telling: Use of the Narrative Voice
2) Showing to Pull a Reader into Your Scenes
3) Descriptions: How to Make them Vivid
4) Deep Viewpoint to Show a Character’s Inner World
5) Time, Transitions & Word Count–where Telling Helps
6) Showing and Telling–Not Absolutes
7) Write to Your Strengths: When to Show, When to Tell
ABOUT THE INSTRUCTOR:
Award-winning author of romance novels, children’s books, video games, and non-fiction books, Shannon’s work has earned praise from Booklist and other reviewers, noting: “simply superb”…”wonderfully uplifting”….and “beautifully written.” Her numerous awards for writing include past finalist in the RWA’s RITA for Best Regency, winner of the Golden Heart Award, Grand Prize in the “Minute Maid Sensational Romance Writer” contest, (judged by Nora Roberts – which gave her a trip to Paris), the Laurel Wreath, Winter Rose, and multiple finalists in the Bookseller’s Best, Orange Rose, Holt Medallion, Colorado ACE, and other contests. Shannon is a member of Los Angeles Romance Authors (LARA), Orange County Chapter (OCC) of RWA, East Valley Authors (EVA), and the Published Author Special Interest Chapter (PASIC). She regularly teaches online workshops, including a class for UCLA, and has spoken at RWA’s National Conference, as well as at RWA chapter meetings and other conferences.
She can be found online at http://www.shannondonnelly.com/ and www.myspace.com/randomfreshink.
Enrollment Information at http://www.occrwa.org/onlineclassApr09.html
COST: $20 for OCC members, $30 for non-members
Enrollment deadline: April 12, 2009
Coming in May – “Writing the Synopsis” with Camy Tang
Whether you’ve got a complete manuscript or you’ve just started one, this class will help you write a complete synopsis for your story. She will take you step by step so that by the end of the class you will have written a one-page synopsis, a 4-6 page synopsis, and also a more organic “character” synopsis.
For a full class roster, go to http://www.occrwa.org/onlineclasses.html. Check out our full 2009 list of workshops. Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group!
Sign up at the bottom of http://www.occrwa.org/onlineclasses.html or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com
********** permission to forward **********
Unexpected Benefits
March 25, 2009 by Marianne H. Donley in category Archives tagged as Lori Pyne, Musings At Midnightby Lori Pyne
I knew that studying character and character development would assist with the creation of three dimensional people in my fictional worlds. What surprised me was how understanding fictional characters’ goals, motivations, conflicts, fatal flaws, and so on helped me gain a deeper insight into living, breathing individuals: co-workers, friends, family, other parents on the playground. Real people.
Let me give two examples of writing lessons and how they have assisted me beyond my writing.
During an online class on the differences between males and females, the instructor explained that most men have poor peripheral vision and can focus on something to the exclusion of everything else. There was a discussion on evolution, men being hunters, women being caretakers and how the differences aided those separate roles.
After I finished reading the lesson, I went in search of my husband. I asked him follow me into the office to read an interesting lesson. He rose from his easy chair, stepped over the pile of newspapers at his feet and followed me to the back bedroom. When he finished, he raised his eyebrow. I explained that I now understood that he truly did not see the pile of newspapers that he’d just stepped over. I promised that I would not complain about such future oversights, if he would not feel I was nagging him when I pointed out a previously unseen mess. Mutual understanding was reach and a more collaborative partnership was created because of a writing lesson.
In a workshop on secondary characters, I learned that every character, even the villain, is the hero of his or her story, even if not the Hero of the current story being written and that secondary characters’ actions are motivated by that viewpoint.
So all of the villains in my life: my girlfriends’ ex-husbands, the backstabbing co-workers, the erratic drivers during my commute, all are the heroes of their own stories and view their actions as justified. My outrage is a waste of time and energy. Therefore, unless it is a life threatening or job threatening situation, I have learned to shake my head and go on with me life.
Have any writing lessons helped you in your day to day life or your own person relationships?
Information on the Google Settlement
March 24, 2009 by A Slice of Orange in category Archives tagged as Google SettlementAs some of you may know, the Association of American Publishers (AAP) and the Author’s Guild launched a lawsuit against Google. Here is some background and info that may impact you:
Publishers have been asked to help in the task of notifying authors about the Google Litigation Settlement Agreement. In October 2008, AAP announced that a Settlement Agreement had been reached which, upon court approval, would resolve the two pending Google Book Search copyright infringement lawsuits – a class action suit brought against Google by the Authors Guild, and a separate suit brought against Google by five AAP members supported by AAP.
Because it resolves a class action lawsuit, the Settlement Agreement, if approved, will affect the rights of all book authors, book publishers and other persons – both inside and outside the United States – who own a U.S. copyright interest in books or certain other copyrighted works that Google, without permission, has scanned or may scan and display. It is important that such “class members†receive timely notice of the Settlement Agreement so they may exercise their rights and options, including whether to opt out of the settlement or, if not, claim their books.
With AAP, the Authors Guild and Google are coordinating notice efforts to ensure that their combined actions will satisfy the class action legal requirement to provide “the best notice practicable under the circumstances, including individual notice to all members who can be identified through reasonable effort.†Publishers have been asked to provide notice of the Settlement Agreement to their authors and direct them to the official settlement website at http://www.googlebooksettlement.com.
Please share the information with anyone you think might have had their work impacted.
Thanks!
Isabel Swift
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