A Slice of Orange

This month Around Town lingers in New York with an interview with literary agent and author (and fellow Italian food aficionado), Lucienne Diver.

Lucienne is a sixteen year veteran of the publishing business. She began as an agent at NYC’s Spectrum Literary Agency and moved last year to the dynamic Knight Agency (http://www.knightagency.net/). She represents over forty authors of fantasy, science fiction, mystery, suspense and romance. She’s a member of the Association of Authors’ Representatives (AAR), RWA, MWA and SFWA.

She is also the author of the young adult novel VAMPED, a May 2009 trade paperback release from Flux. I had the opportunity to interview Lucienne about her new book and how she juggles being both an agent and an author.

1. Congratulations on your new release! Please tell us about it–what kind of book is it? What’s it about?

Thank you so much! VAMPED is a young adult novel about Gina Covello, a teen fashionista who goes from chic to eek when she’s bitten by the geeky class chess champ turned vampire hottie at the after-prom party. Now in addition to wrestling her hair into submission and learning to apply make up without a mirror, she’s suddenly got to reinvent herself without her former social status. Which would be bad enough, except that the vampiress who turned her geek-boy sire (and new boyfriend) wants him all to herself for the fulfillment of some prophecy, which also seems to involve turning Gina’s former classmates into an undead army. In order to claw her way back to the top, Gina has to find a way to stop the vixen vampiress and save her classmates from fashion and other disasters.

2. Where did you get the idea for this story?

I used to have trouble torturing my characters. And then I “met” Gina. She started talking in my head one day, a newly made vamp-inista who thinks that a life without tanning options amounts to true horror. The idea intrigued me. So I wrote a story in which I threw everything I could at her. But Gina was wilier than I gave her credit for and not only weathered it all, but turned things to her ultimate advantage. My respect for her as a character grew, and it was only when I could love her as much as I could hate her that I was able to feature her in an entire series. Yes, sometimes it scares me that I talk about my characters as if they really exist, but for me they do.

3. You are also a well-respected literary agent. Do you think writers hesitate to sign with an agent who also writes? What is your experience with this?

I work very hard on behalf of my authors, and they know it. I also work to keep my writing and my agenting as very separate things, though, of course, one informs the other. The skills that I’ve learned editing my own work help me provide useful feedback to my authors. The empathy I feel for writers with the submission/rejection process shows in my response times. Also, I feel more in tune with the entire process from idea generation through publication because I’ve gone through it. There are actually a good number of both agents and editors who write. Many of us got into the business not only because of our love of reading, but of creating and of language in general. I’m sure there are writers out there concerned about pros who also write, but none of them have expressed it to me (knocking on wood as I type).

4. I work full time as well as write, and I know it can be a tap dance sometimes. How do you juggle the two careers?

Well, three if you count motherhood *g*. I’m a classic type A personality, which means that I’ve always got a schedule running in my head with time allotted for everything I need to do. Keeping to a schedule helps a great deal. It also helps that I’m most capable of writing early in the morning before my inner editor wakes up, which means I’m not good for much else at that time, like communicating with actual human beings. Generally, I write from 5:30 to 6:30 a.m., then, hopefully, go back to sleep for awhile. When I wake, after a couple cups of coffee, my inner agent and editor are up and at ‘em, crowding out my author self with thoughts of all the pitches I have to make that day, the negotiations, the nags…in short, the job. Sadly, the husband and son generally get me before caffeine in the morning, though I’m more alert by the time I knock off work in the evenings (for a few hours before sequestering myself again with a manuscript or two).

5. What are you working on next?

I’ve just turned in to my agent the first book in a new young adult series about teen witches. Next up, a middle-grade idea that’s been nagging away at me.

6. What advice do you have for aspiring writers?

Don’t give up and don’t let rejection get you down. Rejection is part of the process. It’s not a reflection on you or even, necessarily, of your work, but often on the needs of the market or the tastes of the person to whom you’re pitching. If any advice is given about how to improve your work, take it as a sign that the agent or editor saw something worth nurturing. Take it under advisement. Keep writing, revising, growing. The road to publication is a journey and you’ll never make it to the goal if you get disheartened and stop along the way.

Thank you so much, Lucienne!

If you would like more information on Lucienne Diver, she maintains a blog of agenting and authorial musings: http://varkat.livejournal.com/ and can also be found via her author site: http://www.luciennediver.com/.

See you all around town!

********** permission to forward **********

Hi everyone!

Check out the exciting online classes offered by the Orange County Chapter of RWA!

”Writing the Synopsis”

With Camy Tang

May 11, 2009 – June 6, 2009

Enrollment Information at http://www.occrwa.org/onlineclassMay09.html

COST: $20 for OCC members, $30 for non-members

Enrollment deadline: May 10, 2009

If you have specific questions, email occrwaonlineclass@yahoo.com

ABOUT THE CLASS:

Whether you’ve got a complete manuscript or you’ve just started one, this class will help you write a complete synopsis for your story. I will take you step by step so that by the end of the class you will have written a one-page synopsis, a 4-6 page synopsis, and also a more organic “character” synopsis.

I will give you tips and tricks to ensure you have all the structural and character elements an editor is looking for: Inciting Incident, external goal, internal conflict, romantic conflict, major obstacles, epiphany, climax, and resolution. Never fear synopsis writing again–this class will make you synopsis savvy!

ABOUT THE INSTRUCTOR:

Camy Tang writes romance with a kick of wasabi. Her chick lit Sushi series is out now, and next year she’ll release Deadly Intent with Love Inspired Suspense. Originally from Hawaii, she worked as a biologist for 9 years, but now she is a staff worker for her San Jose church youth group and leads a worship team for Sunday service. She also runs the Story Sensei fiction critique service, which specializes in book doctoring. On her blog, she gives away Christian novels twice a week and ponders frivolous things.

Visit her website at http://www.camytang.com/and sign up for her newsletter YahooGroup for monthly giveaways!

Enrollment Information at http://www.occrwa.org/onlineclassMay09.html

COST: $20 for OCC members, $30 for non-members

Enrollment deadline: May 10, 2009

Coming in June – “Is That Hollywood Calling?” with Cindy Carroll

Just because we can write books doesn’t mean we can write screenplays. “Is That Hollywood Calling?” is a quick and direct month long course on the differences between writing books and writing scripts. We will also look at how writing a screenplay can help improve your novel writing.

For a full class roster, go to
http://www.occrwa.org/onlineclasses.html.

Check out our full 2009 list of workshops.

Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group! Sign up at the bottom of http://www.occrwa.org/onlineclasses.html or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com

********** permission to forward **********