General Meetings are held the second Saturday of the month at the Brea Community Center, 695 E. Madison Way, Brea, CA 92821. For a map and directions, click here.
Meeting fees are $10 for Members and $20 for Non-Members.
Meeting Schedule for June 13, 2009
Volunteer Ask an Author/s for June:
Susan Squires and Jennifer Haymore
Attention: OCC Members Attending the Meeting–Monthly Critique Drawings! Volunteer Critique Author for June: Patricia Wright (w/a Patricia Thayer)
Important 2009 Dates to Remember:
For current Online Class Schedule and registration information, please visit http://www.occrwa.org/onlineclasses.html.
For more chapter meeting information visit OCC’s website at http://occrwa.org/meetings.htm
Were you composing songs or poems in kindergarten or grade school? Scribing short stories in middle school? Outlining your first novel by high school? Me neither. Well, except for the songs, poems and short stories part. Writing and reading were the soul of my youth. At that time, there was a voice in me that was unique, with a narrow but colorful perspective, rich in my limited history and micro view of the world. I wrote ghost stories. Composed poems then set them to music on my ukulele. Entertained my adoring fans (family) and received pretty decent grades in my elementary English classes. (Okay, maybe not for the grammar part, but for the creative part!)
Wouldn’t it be great if we could travel back to that time, when our minds were uncluttered with the many issues and experiences that mark our existence today? When most things were simple black and white? Somehow my writing seemed more …pure… at that time. Certainly it wasn’t challenged by the need for someone else to read and like it!
Although today I can create much more complex characters, layered with the hues of the life of my past, I miss the sheer joy of writing for the fun of it. Maybe some of you still feel that. Fantastic! But for many of us who are struggling, perhaps it’s time to get back in touch with that inner child who wanted to write in the first place.
How do we tap that voice (Short of seeing a therapist?J) Perhaps we can through quiet meditation or by taking a walk on the beach? Maybe through rediscovering something you had done as a child and truly enjoyed, like riding a horse, playing badminton or ping pong, or going ice skating? (Personally, I skate on my hind end) Maybe another way is to go to the children’s section at the library and pick up a book that you loved when you were 10. Why was it special to you? Was it one of the tales that called you to write?
I know that I need to work on that side of me. I’ve lost some joy in recent years and some of the writing fun has gone with it. I want it back. I want to drag out those novels from under the bed and shape up those which should be returned to circulation (and quietly re-file those that shouldn’t!) My own voice is special and unique, but I’m sure it could use a jolt of positive memory of where it was when I was 10. I’ll bet yours could too!
Let’s drop $2 in the Write for the Money jar at the meeting and set a goal to do something childlike and fun. And a second one to write a paragraph or two soon afterwards! For those of you who can’t attend the meetings, perhaps create your own Write for the Money jar, and reward yourself for having a little fun and the quality work that follows!
Randi
“During a drought, the morning pages seem both painful and foolish. They feel like empty gestures — like making breakfast for the lover we know is leaving us anyhow. Hoping against hope that we will someday be creative again, we go through the motions. Our consciousness is parched. We cannot feel so much as a trickle of grace. . . . And yet we write our Morning Pages because we must.” – Julia Cameron, THE ARTIST’S WAY.
It is closing in on midnight. My blog entry here at A Slice of Orange is due to go up in a few minutes. But instead of writing it, I spent the evening at my mother’s bedside, trying to help her comprehend what is going on while her muddled mind repeats the same questions over and over. You see, she thinks she is dying. Maybe she is. My brother and sister-in-law are convinced she is. Though the caregivers and doctors disagree. However, I do believe that a person can will themselves to die . . . or to live.
My eyes are burning. My brain is throbbing. But I can’t stop thinking about my commitment to write this blog. To tell you the truth, it’s the only thing keeping me connected to my writing at this time. I haven’t even been able to keep up with my own Morning Pages. And yet I write my blog because I must.
Is that too much honesty? Shouldn’t I be burning the midnight oil to finish my proposal promised months ago to an agent? I know a writer who came home at 2 A.M. from the ER (after her mother was finally admitted), and sat down to write her daily ten pages. I thought, “Is she insane?” I admire her dedication. But she probably welcomed the chance to escape into her writing and forget about her real world for a while.
Okay-okay, so I AM burning the midnight oil to finish this blog. As much as I would love to escape reality and write a few chapters of fiction, my brain cells are begging for some snooze-time. Though I must admit that, lately, my sleep has been disrupted by the most bizarre and disjointed dreams. I suppose all that unexpressed creativity has to find a release somehow.
I opened this entry with a quote from Julia Cameron about going through a drought. Is this a drought? Not exactly. But I am trying to keep my writing alive, and that’s what is important. Some writers might disagree and consider me a slacker. That’s okay. I’m the tortoise, not the hare.
Oh, one last thing — Check out Dr. Bruce H. Lipton‘s, THE BIOLOGY OF BELIEF: The Science of How We Create Our Lives. I heard his lecture a year ago at a conference. He’s amazing. We really ARE what we believe.
And now I believe I am very tired and I’m going to bed. ‘Nite all!
– Gillian Doyle
http://www.gilliandoyle.blogspot.com/
http://www.gilliandoyle.com/
This Memorial Day weekend should have been very relaxing for me. I was off from my day job, and I could spend the day writing if I wanted to. So that’s what I tried to do. However, instead of popping out ten or twenty pages today, I found myself practicing Writing Avoidance.
It wasn’t a severe case of Writing Avoidance. No, the symptoms of that are the sudden need to clean out the refrigerator, basement or attic. I was only suffering from stationary Writing Avoidance, where I remained in my desk chair but found myself doing things other than writing.
For example, I would write a sentence or two, then check my email. Then come back and write a couple more sentences, then check my Twitter. Write a couple more sentences and start surfing the web for American Idol interviews. Change a couple of sentences, then realize there is a Bones marathon on, so maybe I should check out a couple of episodes (even though I own all of them on DVD).
This, dear readers, is Writing Avoidance.
I knew something was bugging me today, but I couldn’t put my finger on it. And because I couldn’t put my finger on it, the doubts crept in. I am on deadline with a book. Will I finish it in time? The editor recently read my first few chapters to better design the cover copy, and it was a nail-biter while she was reading it. But she gave me the okay to keep going. I should be over the moon, right? But the doubts had already sunk their claws deep into my psyche.
The market is tight. What if they don’t like the book?
What if they want me to rewrite the book?
I can’t seem to get those first chapters right. Why is that? Is the magic gone?
This book seems harder to write than all the others. Maybe I’m losing my touch.
Does any of this sound familiar?
Writing Avoidance or not, I needed to get pages written today. My deadline looms before me, and I pride myself on turning in my manuscripts on time. But how to get past this funk? How to convince my muse to stop sulking and get to work?
The best cure for this is to call another writer.
So I did just that, called my friend Susan Meier, who talked me off the ledge and reminded me of all the important answers to those questions.
The market is tight. What if they don’t like the book?
The editor already read it. She likes what you’re doing. Next question.
What if they want me to rewrite the book?
See #1. Also remind yourself that this is your twelfth book for them, and your last book required minimum revisions.
I can’t seem to get those first chapters right. Why is that? Is the magic gone?
This is your process. You do this with every book. You hammer at those first chapters, looking for the story, and then when you find it…ZOOM! The book spills onto the page at warp speed.
This book seems harder to write than all the others. Maybe I’m losing my touch.
Every book is harder than the last because you grow as an author with each one. If it were easy, everyone would do it. You’re not losing your touch; you’re just experiencing growing pains.
Only another writer could understand the frustration of Writing Avoidance, especially one who is familiar with your patricular process. It’s not just that the work is not getting done; it’s also that there is something interfering with your creativity. However, once you understand what is bugging you (such as, say, tension from feeling overwhelmed), you can work through it and get on with business.
This is why writers need other writers. Sometimes there is no one else in the world who could possibly understand. And it’s amazing how ten minutes on the phone with another writer can do more to cure your Writing Avoidance than an hour talking to anyone else.
By Janet Quinn Cornelow
I went to see the new Star Trek movie. It was absolutely wonderful and I’m ready for the next one.
Star Trek of course is science fiction and going back and creating a story that came before means that there is a great deal of history that has accumulated over the years that needs to be followed. Taking an existing world and doing a prequel is always a challenge. The writer has to look at the accumulation of facts and make sure that the story follows those facts. With Star Trek, there is a great store of facts. After forty years, just about every aspect of life has been covered.
That, however, can be limiting as to what the writers want to do with the prequel. Do they want to stay with the type of stories from the original series? How can they make changes? Do they want to tell stories that won’t fit with what happened before? What if they want to put in an illicit love affair? What if they want to kill off a character that hadn’t died before?
This is where the fantasy comes in. Throw in time travel and you can change the timeline and how the characters act. The writers can now change the relationship between characters and make it something it wasn’t before.
That is the one thing a writer always has to think about when writing time travel. If she moves someone backward in time, one little change made by that character can change the entire time line. The results shift and a new ending can be written.
Also, they could bring back Leonard Nimoy as the older Mr. Spock.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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