By Janet Quinn Cornelow
Dragons. The mythological creature that breathes fire and graces our fantasies. Everyone seems to love dragons. Even Harry Potter had dragons.
I wished that I had put dragons in my Augeas fantasy series and have been trying to figure out how to work them into it.
Then I saw this television program about dragons. They found what they thought could be a dragon in a frozen cave in
All cultures seem to have a fire-breathing dragon myth. The strange thing about all of those myths is the fact that the dragons are physically the same. Besides the fire-breathing part, they also all flew and had large mouths and teeth.
When the frozen dragon was dissected, they discovered that it would have been able to breath fire. Those studying the body of the dragon figured it had to have been a pre-historic creature that developed during the dinosaur period. They think it was a large predator and that dragons may have caused some of the damage that has been found on the skulls of tyrannosaurus. The dragons were one of the first birds and soared in updrafts like condors. They lived in the mountains and may have used their fire abilities to keep their eggs warm.
Then the dinosaurs disappeared. Those studying the remains of this juvenile, female dragon theorize that the dragons must have returned to the water at that time and that is why they survived. Maybe that is what the Loch Ness monster is.
Then, when the world changed again, the dragons left the water and returned to the land. Then they returned to the mountains and their frozen homes where they were hunted by man. The myth of the knight hunting the dragon to save the lady in peril could have come from this creature found frozen in a cave with the three men she took with her.
It was a fascinating special and if I could find the channel again, I would tape it.
However, it does help with my dilemma of how to put dragons into my Augeas series. When Rayna goes after Gideon into the mountains, there can be dragons there.
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Hi everyone! Check out the exciting online classes offered by the
Orange County Chapter of RWA!
“Heightening Conflict Through the Fatal Flaw & Shadow”
with Connie Flynn
November 16, 2009 – December 12, 2009
Enrollment Information at http://www.occrwa.org/onlineclassNov09.htmlCOST: $20 for OCC members, $30 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
ABOUT THE CLASS:
Three-dimensional characters need to evolve as your story unfolds. Troubles often arise when writers try to create characters who continually reveal new layers. Learn how the “triangle” technique can unveil your character’s suppressed or shadow traits, which will emerge as the character struggles to overcome a deeply hidden flaw. It is the overcoming of this flaw that creates dynamic action, both external and internal.
The class will help you
• Identify your character’s surface traits
• Find the corresponding shadows
• Match those to plausible “fatal flaws”
• Add natural traits that build tension
• Increase internal and external conflict
• Use plot points to ignite character change
ABOUT THE INSTRUCTOR:
Connie Flynn teaches popular fiction writing at Phoenix College and, periodically for Arizona State University’s Piper Writing Center. She has written award-winning paranormal romances for Penguin and has recently expanded to mysteries and has completed two novels and one script, and also a short story, which was published by Red Coyote Press.
Enrollment Information at http://www.occrwa.org/onlineclassNov09.html
COST: $20 for OCC members, $30 for non-members
Coming in January 2010–
“The Purpose Driven Scene†with Lynn Kerstan
This workshop focuses on how to develop a scene that is chock-full of character development, conflict, emotion, and for the reader- a vivid sense of “being there.â€
http://www.occrwa.org/onlineclasses.html. Check out our full list of workshops.
Want to be notified personally two weeks before each class? Be sure
you’re signed up for our Online Class Notices Yahoo Group! Sign up at
the bottom of http://www.occrwa.org/onlineclasses.html or send a blank
email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com
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A
by Shauna Roberts
http://www.ShaunaRoberts.com
http://ShaunaRoberts.blogspot.com
Today’s Guest: Shauna Roberts
No author wanted to be featured this month, so I am in the odd position of interviewing myself, in the third person no less.
Shauna Roberts has been a professional nonfiction writer for more than twenty years and has won several awards for her magazine columns. Her first novel, Like Mayflies in a Stream (Hadley Rille Books)—a historical novel with romantic elements—was released earlier this month. She has lived all over the country and currently resides in Riverside, California.
If you could travel back in time to before you were first published, what advice would you give yourself?
I was in the fortunate position of having another writer, an RWA member, to advise me when I first started thinking about writing a novel. She told me to join RWA, and I did, before I wrote a word. As a result, I have no advice to give my past self; instead, I’ll list five pieces of excellent advice I received as a result of my RWA membership.
1. Network. I’m an introvert, and it took some time to make friends with my fellow RWA chapter members—years in some cases. But doing so paid off in big ways. I made friends for life, people who enjoy reading and talking about books as much as I do. I was invited to join a critique group that has helped my writing, and my career, immensely. And by the time I finally got a book offer, I knew well-respected authors who were willing to blurb my book.
2. Volunteer. I volunteered at my RWA chapter for special projects and as an officer. Working together was a great way to get to know my fellow writers better.
3. Attend the annual RWA meeting. I’ve met some RWA members who don’t want to attend an RWA national meeting until they have sold a book. They believe, incorrectly, that meeting attendance benefits published authors most. My experience, though, has been that the annual meeting benefits newbie writers more. The pubbed writers go to see their friends and have meeting with their editor and agent. The newbie and PRO writers go to learn basic fiction techniques and conventions—nearly everything I know about writing fiction I learned at RWA national meetings—as well as get practical information such as how to query, how to write a synopsis, and how to brand oneself. The newbies and PROs also get to meet others at the same career level and be charged by their enthusiasm.
4. Work on marketing from the beginning. It may seem premature to study marketing when you haven’t finished a book. But I did, and I’m glad. By the time I needed to find an agent, and then later when I needed to market a novel, I knew how to present myself and my book. I learned how other people marketed their just-published novels, and when I got a novel contract, I already had ideas for finding an audience for that novel.
5. Establish an Internet presence early. Your friends and family will buy your book, but who else will? Strangers. Strangers who, in all likelihood, prefer to buy books by people they’ve heard of. It’s up to you to make your name familiar, and the earlier you start, the more people you’ll reach. Some good ways of doing so involve the Internet: Join some RWA online chapters and the PRO loop, and post; set up a Website; start a blog; visit other people’s blogs and post thoughtful comments; put your Website and blog addresses in your email signature file. You’ll repeatedly get your name in front of lots of people and establish a reputation (good or bad, preferably the former) based on what you write and how you write it.
✥✥✥✥✥
To learn more about Shauna Roberts, please visit her Web page at http://www.ShaunaRoberts.com or her blog at http://ShaunaRoberts.blogspot.com. You can find Like Mayflies in a Stream online at Amazon.com (hardcover, trade paperback) and at Barnes & Noble (hardcover, trade paperback).
by Monica Stoner, member at large
What’s NaNo?
A month of not always controlled insanity, where you put aside everything but your creativity. Words flow from your creativity to the screen, without stopping for filtering by your brain. Why no filtering? Mainly because we are our own worst enemies when it comes to finding reasons not to write, and the best reason we can come up with is “It’s not quite good enough.”
NaNo grants you permission to write badly. Permission to throw words on a page and see what sticks. Permission to make up characters on the fly, change their hair color, change their names, and plot without logic.
For those who outline in detail prior to putting the first word on the page, NaNo can be either frightening or exhilarating, or a heady combination of both. For those “pantsers”, writing by the seat of their pants and catching up with logic later, NaNo can bring a sense of camaraderie. After all, they’re pantsing with millions of people around the world. Most of all, NaNo gives a reason, or maybe an excuse, to write.
At the end of the month, those who have achieved the minimum goal of 50,000 words in the sprint marathon writing challenge can tell the writing world they’ve established and reached a goal, and in the process have at least the bare bones of a real, finished book.
And isn’t that better than spending the month watching re-runs?
For more information on NaNo, including how to sign up, go to: http://www.nanowrimo.org/
Monica Stoner
tsent@ix.netcom.com
You have enemies? Good. That means you’ve stood up for something.
-Winston Churchill
We had a great OCC Birthday Party on Saturday though I had to leave early and missed the yummy looking cake. While there I signed up for the new online class called Muse Therapy by D. D. Scott. D.D. has given us some interesting homework assignments, and I’m going to share what I’ve learned about my muse so far.
D.D. suggested we name our muse. Mine is a 1960’s flower child, so she needed a hippie name. I considered Sunshine and Starshine, but those are both too constant for this fickle little lady. So I decided on Zephyr since she’s about as easy to pin down as a gentle breeze.
Zephyr loves: history, science fiction & fantasy, anything paranormal or New Age (astrology, Tarot cards, etc.), books, movies & music (folk, rock, New Age, movie soundtracks, some classical, a little country Western but no rap or hip hop). Music helps the two of us get anchored in a story, and I usually pick a movie soundtrack for each new book or story.
Like me, she lacks patience and stick-to-itiveness (not good traits for either a writer or a muse). Also like me, she’s easily distracted.
Zephyr loves the ocean and mountains, is OK with the desert if it’s not too hot (she really loves Sedona). Big cities are fun once in a while but too distracting. So much to do and see.
Unlike me, she doesn’t seem to have a temper, but she can sulk big time, not to mention just disappearing on me for long periods of time. It’s very passive aggressive of her, lol. She’s been AWOL for a while now, but recently made a reappearance. Problem is, every time she shows up, it’s usually with a new story idea, not how to finish the current WIP.
She’s earthy with a dirty mind as well as a potty mouth, and an active sense of humor. She does have a serious side, though, and a surprisingly formal writing voice. Or maybe that’s because it’s all filtered through my more logical brain.
What form does your muse take?
Linda McLaughlin
w/a Lyndi Lamont
http://www.lyndilamont.com
http://flightsafancy.blogspot.com
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