Have you ever noticed how life tends to throw you curveballs just when you can least afford it? It’s almost as if Fate is saying, “So, this writing thing. How badly do you want it?”
I’m on a tight deadline right now. I’m already dealing with a heroine who is being difficult–or silent, actually, which is worse–so this means I am behind on my page count. Add to that a challenging day job, a husband out of town and a couple of sick kids, and it’s enough to make me want to hide under my desk. Or get lost in all seven seasons of Buffy the Vampire Slayer.
I thank God for my contract at times like this because, like most women, when others need me, I tend to push aside what I want to do in favor of taking care of everyone else. So husband, kids and day job get my attention first, and if I had no deadline, writing would somehow get pushed aside, listed on my To Do list under “I’ll get to it.” Yet I never would get to it. Or I would get to it weeks from now. Somehow everything else would take precedence.
I’ll say it again: Thank God for contracts and deadlines.
The deadline gives me an excuse to put writing first. I signed a contract. It’s a job. I have to do the work. The fact that I live and breathe to do this work is immaterial. The deadline somehow makes it okay in the mind of this wife/mother/employee to make it a priority. But should I need an excuse? Why can’t I just decide that writing comes first?
Okay, so I need to work on that. So I need to trick myself into making time. But I do it. The books get written. The work gets done.
When Fate throws obstacles in my path (see above: husband out of town, sick kids, grueling day at work), I simply find a way to get around them. That might mean getting up at 5am to write, as I did today. That might mean taking my laptop and getting out of the house to write. Go to Borders or Barnes & Noble or Starbucks. When you’re home, it’s way too easy to break out the Buffy or clean the tub or get distracted by the kids. When you go somewhere else with the express purpose of writing, it’s like going to an office to go to work. It makes the writing a priority.
I’m pleased to report that as of this morning, my heroine has finally started talking. My husband is home, half my kids are back to school and the other half are on antibiotics. So the fridge is empty. So we ate out every night this week. But the pages are done. I win.
How badly do I want it? You tell me.
It is so hot it is hard to concentrate on anything. Summer is not supposed to come the end of September. I had planned on writing today, but I couldn’t seem to move.
The picture is of the Cajun plantation that I visited last March with Linda McLaughlin. It is such a pretty view looking out across the land.
My alternate universe story is coming along. The second society in the alternate universe is a caste system. People belong to a particular caste depending upon how much magical power they possess. The prince and his family are, of course, in the top caste. What the majority of the populous does not understand is that the royal family has been loosing its magical power over the last several generations. They live in a palace that is suspended above what would be
The heroine, Sasha, is a peacekeeper in the city-state of Bedegrayne. She has strong powers. Beside being able to cast spells, she has the power to freeze people in their tracks and is able to read auras of objects. She can tell about people by holding what they have touched. This is how she knows that Pax, the hero and detective from our world, is on the side of good.
She is also tracking an evil force and suspects it is a wizard. All Pax knows is that he is chasing a serial killer and has slipped into somewhere he cannot explain.
The story begins with Pax chasing the wizard and being swept into Bedegrayne. Sasha greets him upon his arrival. Their first meeting is not one of great trust, but that will develop over the story. After all, it is a romance.
********** permission to forward **********
Hi everyone! Check out the exciting online classes offered by the
Orange County Chapter of RWA!
“Mauled Men, Drowned Dames and Crispy Critters: a Body Disposal Primer for Writers”
with Jeanne P. Adams
October 11 – November 6, 2010
Enrollment Information at http://www.occrwa.org/onlineclassOct10.html
COST: $20 for OCC members, $30 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
ABOUT THE CLASS:
You’ve axed, shot or otherwise knocked off a key character in your latest book, now what? You have to do SOMETHING with the body! Even if the forensics, murder, or death aren’t central to the story, there is that annoying dead guy to dispose of. So, decisions, decisions. Is an autopsy necessary? A funeral and burial? Lots of plot possibilities, but the details!
Find out everything you ever wanted to know about the pernicious particulars of body disposal and how to use minutiae of death to throw your characters together or drive them apart. Learn about embalming, vaults, cremation, reconstructive cosmetics, coroner’s reports, death certificates and more at this get-the-basics research track online class.
ABOUT THE INSTRUCTOR:
Jeanne P. Adams knows a thing or two about getting rid of a body, in reality as well as in books…her third book, Deadly Little Secrets (Zebra, Sept. 2010) is already being hailed as “One of the best Suspense Books of the Year!†by Romantic Times. It’s also a TOP PICK and garnered 4.5 stars, as did her second book Dark and Deadly. Her award winning debut, Dark and Dangerous, was also an RT TOP PICK.
In addition, Jeanne is a multi-published non-fiction writer and consultant with credits in magazines such as Forbes and Nature. She worked in the funeral business, both for a cemetery and several funeral homes, for twelve years. In her reading, she’s winced over a variety of mistakes dealing with the story’s dead guy (or gal) which led to this class!
Enrollment Information at http://www.occrwa.org/onlineclassOct10.html
COST: $20 for OCC members, $30 for non-members
Coming in November 2010–
“The Tiny Art of Elevator Pitches: How to Craft Them & How to Use Themâ€
with Carrie Lofty
November 15 – December 11, 2010
If you’ve ever considered attending a conference, you’ve probably heard the term “elevator pitch.†It’s nothing more than a bare-bones summary of your novel. But reducing tens of thousands of words down to 30 or less can be difficult, daunting, and confusing. What to leave in? What to ignore? How to give it punch and drama? Instructor Carrie Lofty will share the elevator pitches that got her in the door, as well as her techniques for making them both concise and effective.
Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group!
Sign up at the bottom of http://www.occrwa.org/onlineclasses.html
or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com
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Putting on my librarian hat to remind everyone that Banned Books Week is coming soon: September 25-October 2, 2010
Sponsored by the American Library Association, Banned Books Week is “an annual event celebrating the freedom to read and the importance of the First Amendment”. Over the years, many books have been banned or challenged, i.e. attempts have been made to pull the book from a school or public library. The reasons for banning or challenging a book vary, but most of the time it comes down to sexual content or bad language. The Satanic Verses was banned throughout the Muslim world for religious blasphemy. Many books that deal with homosexuality have been challenged.
The list of banned or challenged books is quite eclectic, ranging from classics like The Adventures of Huckleberry Finn (politically incorrect language) to The Catcher in the Rye (obscenity) to the Harry Potter series (magic and witchcraft – horrors!) to Tolkien’s The Lord of the Rings (satanic). That last one has me scratching my head.
Anyway, at the time of year, I often try to read a banned book. Because I’m currently judging two writing contests, my time is limited so I picked up a couple of challenged children’s books at the local library:
And Tango Makes Three
by Justin Richardson and Peter Parnell, illus. by Henry Cole
NY: Simon & Schuster Books for Young Readers, c. 2005
Summary:
At New York City’s Central Park Zoo, two male penguins fall in love and start a family by taking turns sitting on an abandoned egg until it hatches.
Walter the Farting Dog: Trouble at the Yard Sale
by William Kotzwinkle and Glenn Murray, illus. by Audrey Colman
Dutton Children’s Books, c. 2004
Summary: After being sold at the family’s yard sale, Walter is put to use blowing up balloons for a clown who is bent on robbing banks, but he escapes and becomes a hero.
I was hoping to find the original Walter the Farting Dog but it was checked out so I figured the sequel will do. Apparently it was challenged for, I don’t know, farting?
Have you read a banned book lately?
Linda McLaughlin
w/a Lyndi Lamont
http://flightsafancy.blogspot.com/
A novel is like my friend, Uccello.
Writing is a solitary profession and taking a break from sitting at my computer is important to me. I like to walk. Every day I walk through a park on my way to the beach, smelling the flowers, enjoying the shade of the trees and listening to the birds singing.
One bird in particular captured my attention. He doesn’t sing better than the others, he’s not prettier, and he doesn’t fly in a soaring pattern. But we’ve formed a bond, Uccello and me.
I call him “uccello” (bird in Italian) because he reminds me of the birds singing outside my hotel window in Venice. I fell in love with the magical city with all its sights and smells when I spent time in Italy speaking and performing about Body & Eros at La Biennale dance festival.
Watch a short clip of the view from my window in Venice, Italy.
Seeing Uccello every day takes me back to Venice and reminds me of the evocative perfume I inhaled there.
I learned to recognize Uccello from the other birds, little things about the charcoal grey bird that caught my eye. He has a little white belly that wiggles when he preens himself like a de’ Medici grand duke and his chirping is short and musical like breathy notes on a flute. He follows me through the park, flitting from one perch to another, poking his head around to see if I’m dallying.
I’ve gotten to know his idiosyncrasies, like how he chirps twice when he sees me, then how he likes to show me what path to take by flying in front of me. The park has many winding pathways and I look forward to seeing where he’ll lead me on my walk each day.
To me, a novel is like Uccello. Something about it attracts your eye–it could be the title or the cover–you get closer, open up the book and it takes you on a journey. As you follow its winding paths, you breathe in its uniqueness. That’s part of the fun for me. I like to inhale the scent of the story.
It’s not something you can smell in a physical way, but it evokes an odoriferous response in you that makes you aware of the scents the author has created in their world, whether it’s fragrant roses, the salty sea, cinnamon, oil, pine cones, or the smell of sex.
The next time you read a novel, think about what you smell. It may surprise you.
I’m off to see Uccello.
Want to come along? It’s easy.
Open a novel and join us.
Best,
Jina
The Blonde Samurai: “She embraced the way of the warrior. Two swords. Two loves.â€
Jina Bacarr is also the author of The Blonde Geisha ,Cleopatra’s Perfume, Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs
visit my website: http://www.jinabacarr.com/
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