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Travel Tip from Isabel Swift

February 24, 2011 by in category From Isabel Swift tagged as ,

Frequent air travelers may already have figured this one out, but this has proved helpful to me. I hope it will be helpful to you.

Advice on what to do when you are at the airport and discover your flight has been delayed:

It has been my experience that airlines representatives will avoid direct lying, but may not always tell the truth (exactly) and often not the whole truth (especially not in announcements). So the challenge is to figure out what are the right questions to ask. Questions that will compel them to deliver real information (Vs whatever they need to do to keep everyone calm).

So if there’s a delay, start with the question:

– Is the equipment in? (that is, is the plane assigned to fly you out actually here). This is especially important when there are weather issues.

If it is not, where is it coming from? Has it taken off? If not, why not, are planes taking off from that airport? How long does it take to get here from there? Have there been delays landing at your airport.

If it is in, why is there a delay?

– Is it mechanical (what is wrong, what is happening, any time estimate? is there an alternative plane available if it doesn’t get fixed? Is there an alternative flight available if it doesn’t get fixed?)

If it is not mechanical, what is it? Are all the crew here? If not, where are they coming from? When will they likely arrive? This usually doesn’t come into play unless a plan is delayed a long time & at a late hour, but crews can “expire” or time out. They are legally mandated not to work for more than a certain number of hours. Once thunderstorms kept all planes grounded for hours until quite late at night. Planes had to wait for a certain amount of time after any lightning event and there came a point that a couple of members of the crew would simply time out. There were no replacements available at that point, so the flight would be cancelled & we’d all have to go home & come back the next day. We squeaked in, but it’s worth asking about the crew if you’ve had a long delay & need to get a clearer picture of the variables to make plans.

My eye opening experience was once when I was flying out of Toronto, and the plane was delayed.

Airline: board indicates flight is 1/2 hour delayed. It’s winter and there is “weather.”

– Me to airline representative behind gate: why is it delayed? Is the equipment in?

– Airline: Equipment coming in was delayed, but is due in shortly & we’ll turn it around quickly.

– Me: Where is it coming from?

– Airline: (pause) I’ll have to check….. Chicago.

– Me: Thanks–but isn’t the weather coming from Chicago? Has it taken off yet?

– Airline: (pause) I’ll have to check….. No it is still on the runway.

– Me: Oh. Thanks. Are any flights taking off from Chicago right now?

– Airline: (pause) I’ll have to check….yes, they have just started flying out of Chicago.

– Me: Do you know where it is in line for take off?

– Airline: I don’t know, but it’s on the runway, not at the gate, so it’s in line (a bit long-suffering at this point).

– Me: Great! Once it takes off, how long a flight is it from Chicago?

– Airline: A little over an hour.

– Me: And then it’s about 1/2 hour to turn the plane around, right?

– Airline: Yes (a bit terse).

– Me: So with waiting for take off, travel time and turnaround time, it doesn’t look like the 1/2 hour late on the board is likely to happen, more like 2 hours if we’re lucky, right?

– Airline: (surly) Yes.

– Me: Thanks. Guess I’ll go get something to eat….

And remember, don’t kill the messenger. They are a key player in helping you, so alienating them by venting is not only not fair, it is not in your best interest.

So the moral of this story (and so many others) is:

What questions should you be asking?

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Contest Deadlines

February 21, 2011 by in category Archives tagged as ,

MARCH CONTEST DEADLINES
Updated and all sites tested…Compiled by Donna Caubarreaux….May be forwarded with credits.
..
EA = Electronic Format Available
EA/Non US = Electronic for Foreign Entries
EO = Electronic Only
MO = Members Only
U = Unpublished
P = Published
P/3 = Not published in three years
Pnr = Published, but not by RWA standards
PC = Not published in category selected
..
Dixie First Chapter Contest (U – EO)
Magnolia State Romance Writers
Deadline: March 1, 2011
First twenty-five pages.
http://www.msrw.org/Dixie_First_Chapter.html
..
Fabulous Five Contest
Wisconsin RWA Chapter
Received: 11:59pm – March 1, 2011
First ten pages. 2500 words max.
http://www.wisrwa.org/contest.html#f5
..
Great Beginnings Contest (U – EO – PC – P/3)
Utah Chapter RWA
Deadline: March 1, 2011
Enter first five pages.
http://www.utahrwa.com/gbcontest.html
..
Inspirational Reader’s Choice Awards (U)
Faith, Hope and Love RWA
Deadline: Midnight, March 1, 2011
2010 Copyright
http://www.faithhopelove-rwa.org/irc.html
..
More Than Magic (P)
Romance Writers Ink
Entry Deadline: March 1, 2011
Copyright of 2010
http://rwimagiccontests.wordpress.com/
..
Query Quandry Contest (EO – U)
New Hampshire Romance RWA
Received by Midnight March 1, 2011
One page query letter. Optional 1-2 pg. synopsis.
http://www.nhrwa.com/contest.html
..
Genesis (U – Members Only)
American Christian Fiction Writers
Received by March 4, 2011 (Recommend 2/21/11 date.)
First fifteen pages plus one page single spaced synopsis.
http://www.acfw.com/genesis
..
CNW Contest
Writers-Editors Network
Postmarked by March 15, 2011
Enter 5K.
http://www.writers-editors.com/Writers/Contests/Contest_Guidelines/contest_guide/lines.htm
..
Daphne du Maurier Award for Excellence for Published Authors
Kiss of Death Chapter
Received by March 15, 2011
Copyright Date of 2010
http://www.rwamysterysuspense.org/d_published.php
..
Daphne du Maurier Award for Unpublished Authors (U – EO)
Kiss of Death Chapter
Received by 11:59pm MT – March 15, 2011
First 5k words, Synopsis up to 675 words.
http://www.rwamysterysuspense.org/d_unpublished.php
..
20th Annual Duel on the Delta Contest (U – EO)
River City Romance Writers
Deadline: March 15, 2011
First twenty pages plus optional one page unjudged synopsis.
http://www.rivercityromancewriters.org/duel.html
..
Carol Awards
American Fiction Christian Writers
Received by March 18, 2011
Copyright of 2010 from approved Christian Publishing Houses.
http://www.acfw.com/carol
..
Spring Into Romance
San Diego RWA
Postmarked by March 18, 2011
First twenty-five pages.
http://www.rwasd.com/contest/index.html
..
PRISM
Fantasy. Futuristic and Paranormal Chapter
Deadline: March 19, 2011
Publication date of 2010
http://www.romance-ffp.com/
..
Touch of Magic (U – P/5 – EO)
Central Florida Romance Writers
Deadline: March 20, 2011
First 25 pages + up to three page synopsis.
http://www.cfrwa.com/?page_id=28
….
Check out Contests and Contest Winners on: http://contestdivas.blogspot.com/
Check out the Award Winning Romance Books on:
http://awardwinningromances.blogspot.com/
….
Contest Alert-All the news on upcoming contests, plus Finalist and Winner
listings, questions, etc. Sign up now!
ContestAlert-subscribe@yahoogroups.com
….
Announcement only list:
ContestDeadlines-subscribe@yahoogroups.com
….
For Published Authors
ContestAlertPublished-subscribe@yahoogroups.com
….
If you’re a Contest Judge, join
ContestsJudges-subscribe@yahoogroups.com
….
Donna Caubarreaux is a member of Coeur de Louisiane, Scriptscene Chapter, NOLA Stars, Heart of Louisiana, and Kiss of Death. She received a RWA Service Award in 1997

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POKING DEAD THINGS: Confessions of a Romantically Challenged Author

February 15, 2011 by in category The Write Life by Rebecca Forster tagged as , , , , , ,

Rebecca Forster

A dear friend sent me a T-shirt for Christmas that declares, “I love poetry, long walks on the beach and poking dead things with a stick”.

I adore that shirt beyond reason because it so totally captures my outlook on romance. Poetry is okay if it rhythms, beach walks are good if it’s not too hot, but poking dead things with a stick rocks. Please do not take this literally*; realize this is a metaphor for my romantic soul.

All this brings me to the question of the (Valentine’s) day: why am I not romantic? More specifically, why the thought of poking things with a stick accompanied by the person I love is more romantic to me than walking on the beach in the moonlight with a poetry loving guy? Or even more precisely, as an author, why don’t I love writing about – well – love?

I began my career writing category romances. There were many things I liked about the genre – a clearly defined format, brilliant marketing, loyal and supportive readers – yet, when I tried to write sex scenes, I embarrassed myself (not to mention my mother). Worse, I agonized over whether I was doing it right. Good lord, I’d been married for years and had two children, you’d think I would know how to write about ‘IT’.

I tried writing more delicately about romance only to find myself disinterested. I never cared for whispered sweet nothings. I have a wee bit of trouble hearing and there’s nothing worse then asking to have a sweet nothing repeated. Longing looks make me nervous. I once dated a guy who liked to stare into my eyes and all I could think of was that game ‘blink’. I remember that guy didn’t blink and it freaked me out. Long walks are fine but inevitably I find myself hungry and cranky if the walk lasts too long.
How, I wondered, could my incredibly talented romance author friends pen multiple books a year, revel in the challenge of making characters fall in love again and again while I struggled to get my characters to their first kiss? Romances did not come trippingly off my tongue, I had no idea how to build delicious tension, my heart was challenged and therein was the problem. As much as I admired true romance writers, as much as I wanted to be one of them, my heart was different.
The final blow came when I was fired from romance writing by an editor who suggested I was cut out for something different. “You cannot,” he told me, “kill everyone before you get them into bed.”
He was right. I preferred a good murder, a fabulous stalking, an excellent mystery, an angst filled story. But did that preclude writing about romance? I think not. I believe every story needs to have a compelling relationship as part of the mix. So how could I satisfy my romantic heart and my thriller soul? The answer was simple. Romance writers had defined their romanticism; I had not defined mine.

For me, fictional romantic relationships were a means to an end and not an end in and of themselves. My characters fell in love so that the plot stakes would be higher. If you love someone and had to choose their life or yours then that made for great suspense but it also was the ultimate in romance.**
What turns me on as a reader is the same thing that excites me as a writer and intrigues me as a woman. I want to be invested in people with a sense of purpose, people who show their mettle in situations bigger than themselves. That kind of story sets my romantic nerves atinglin’. This take on romantic entanglements wasn’t bad it was just different than my romance-writing counterparts.
Once I gave myself permission to side-step the bedroom, I became a more fluid writer, character relationships grew from the plot and my storytelling took on a new spark. Now, when my characters fall in love it is because they have poked and prodded one another, talked through problems, worked together and, yes, poked dead things with a stick together. It is their inquisitiveness about the world around them, not their exclusive curiosity about one another that define my romantic parameters. Strangely, I find I write more realistic relationships now that I am comfortable with my own rules.

So, I confess, I will always find a body on the beach more exciting than a walk in the moonlight. I will always appreciate the quirky gift over a dozen roses; I will anticipate with bated breath the first kiss of two people who are caught in the crossfire more than two people headed for the bedroom.
The nice thing is that I know there are others out there who think like I do. There are honest-to-God-stick-carrying- dead-thing-poking- curiosity-seeking folk who will fall in love with the way I see love. When we pass our poetry-spouting- hand-holding- dreamy-eyed romantic counterparts on the beach they will smile, we will raise our sticks in greeting and all of us will be romantically satisfied in our own, very special, very unique way.
So, to all you writers, musicians, artists, husbands, wives, girlfriends and boyfriends this Valentine’s day, poke something, walk somewhere, kiss the one you love or watch their back. However you decide to romance that someone special it will be perfect.
*Okay, literally. I do poke dead things with sticks when I find them but I don’t find them very often.

**Currently I am reviewing my romance and women’s fiction novels and find that, indeed, I had a glimmer of a romance writer in me. Dreams, Seasons, and my mother’s favorite, Rainbow’s End even brought a tear to my eye and I think a good cry is always romantic.
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9 to 5: Love, Danger and Romance for the 21st century heroine

February 11, 2011 by in category Archives tagged as , , , , , , , , , , ,

Meet EVELYN Q. DARLING, Romance Reporter at Large, in her first blog today:

In the past, creating a job for a romantic heroine usually meant she was either a governess, a nurse, or in the early twentieth century, a “typewriter,” better known as a secretary.

Take a letter, Miss Jones…

To all writers of romance novels.

Dear Miss, Ms. or Madam:

It has come to this reporter’s attention that several of you have veered away from writing about governesses in dark, gloomy manor houses and pert, red-cheeked nurses and turned to writing about heroines who carry guns, sport black leather and can take a man down in fifty seconds flat.

Really.

What happened to the days when all a heroine had to do to get her man was flutter her black lace fan and bat her soot-caked eyelashes? (Ample cleavage didn’t hurt either.)

It was so much easier when all a writer had to worry about was how many flounces graced her heroine’s gown or the number of hooks on a corset. (A heroine’s age at marriage also determined the size of her waist: if she wed at 18, she aspired that her waist remained at 18 inches.)

And if all else failed, there was always the “smart” heroine who wrote novels, solved mysteries or planted her delicate boots on foreign soil and showed her moxie by becoming a globe-trotting adventuress.

Sigh. Ah, for the good ole days before our heroines decided they wanted equal rights between the sheets. And on the job.

Now to create the modern heroine, a romance writer has to know the difference between a Glock and a Sig Sauer (the latter sounds like a deli sandwich).

Be able to “street speak” in urban fantasies, suck blood without smudging her lipstick in vampire thrillers and shape-shift into an exotic creature with all her parts intact.

So I’m asking all you romance writers to drop me a line and tell me what “dangerous professions” for a heroine you’ve seen in recent novels or in a novel you’re writing.

What’s new for a heroine in the 21st century in the world of “9 to 5” that you haven’t seen or written about before?

I’ll be eagerly awaiting your answers.

Who knows?

Maybe we can start a new trend: Dangerous heroines in tight corsets and red high heels who live in an abandoned subway tunnel and belong to a secret society of lusty Victorian vampires who feed on handsome firefighters.

Then again, maybe not.

Best regards,

Evelyn Q. Darling

Romance Reporter At Large

“Artwork by Jina Bacarr”

The Blonde Samurai: “She embraced the way of the warrior. Two swords. Two loves.”

Jina Bacarr is also the author of The Blonde Geisha ,Cleopatra’s Perfume, Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs

visit my website: http://www.jinabacarr.com/

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News You Need by Kitty Bucholtz

February 9, 2011 by in category Archives tagged as

As you’re working through your new goals for this year, you may find some helpful information in the following articles. It’s been one of those months where every other email I open has some great tidbit in it and I wanted to share it all with you. Some of it is news, some are warnings, some have opportunities, and some have ideas for your craft. Hopefully, some of it will help you to have a more successful year! 🙂

I saw a documentary on TV that a friend of mine produced and it was so fascinating that I went online to find more information. Here is a post from 2009 at The Book Deal about how your brain works and whether you can help it become more creative to improve your writing.

I’m excited to find out about John Maxwell’s new 1-minute word-of-the-day videos. John is an excellent motivational speaker and writer. I’ve read several of his books and they have helped me in building the kind of writing business I can be happy with. I get the daily video in my Inbox and each one helps me to focus on a characteristic that could make me a better leader, including leading myself.

There are some writing contests that are gimmicks for bad business. Agent Janet Reid tells you about one to beware of (though I think with all the bad press this last week, the contest’s web site is already down) and she gives you the warning signs for future reference. The Writer Beware blog also has a good post on agent solicitations and how to spot the red flags. And here’s an article from WritersWeekly about a company that buys 5-star book reviews and recruits writers to write them.

Paperback Writer (Lynn Viehl) posted a list on her blog of ten writing opportunities she’s found recently. Cindi Myers also posts writing opportunities every week.

The Romance Writers of America’s Fantasy, Futuristic and Paranormal chapter’s blog is bursting with great articles on the craft – world building and more world building, creating a story bible, secrets of successful authors, point of view, what to do with your blog, and so much more. This is a great blog for picking up lots of useful tips!

At Inkhaven, there’s a re-post of a blog called Lessons from the Slush Pile. The author is an Assistant Editor at a magazine.

I’ve seen a few emails about Jerry Seinfeld’s Don’t Break the Chain calendar. CJ Lyons talks about it here. It’s a fun and simple way to keep working on your writing career every day. Download your own free calendar from The Writer’s Store here.

I’m linking to this 2006 interview with YA and children’s book writer Cornelia Funke because I love her work! As with so many great writers, there are lots of little encouragements and tips to be gleaned by reading the interview.

Finally, living in Australia, I must comment on the Queensland floods. A friend of a friend posted this article about the amazing generosity of strangers and included pictures of her mother’s house and the wonderful people who helped them clean up. The generosity of writers and readers around the world is helping to replace books in libraries, and give books away to people who have lost everything and need a little storytelling escape. The Romance Writers of Australia have organized ways for you to help here.

Kitty Bucholtz is a writer and speaker, and a member of Romance Writers of America and Romance Writers of Australia. She co-founded Routines for Writers (http://www.routinesforwriters.com/) a web site dedicated to helping writers write more. In 2011, Kitty will receive her Master of Arts degree in Creative Writing from University of Technology, Sydney.

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