Updated and all sites tested…Compiled by Donna Caubarreaux….May be forwarded with credits.
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EA = Electronic Format Available
EA/Non US = Electronic for Foreign Entries
EO = Electronic Only
MO = Members Only
U = Unpublished
P = Published
P/3 = Not published in three years
Pnr = Published, but not by RWA standards
PC = Not published in category selected
MAY CONTEST DEADLINES
Bad Kitty II
Inland Valley RWA
Emailed or postmarked by May 1, 2011
First fifteen pages + one page synopsis (Kitties and/or Werewolfs)
http://inlandvalleyrwa.wordpress.com/bad-kitty-ii-bigger-and-badder/
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Break-Up Contest
Alaska Romance Writers
Received by May 1, 2011
Enter break-up or dark moment scent, limit to ten pages, with up to three page set-up.
http://www.alaskawriters.com/membersites/akrwa/about.html
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TARA Contest (u – P/3 – EA)
Tampa Area Romance Authors
Received by May 1, 2011
The first chapter, 4,000 words max (actual word count), including prologue if applicable.
http://www.tararwa.com/contest/contest.php
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Golden Claddaugh
Celtic Hearts romance Writers
Due by May 5, 2011
First thirty pages + up to five page synopsis.
http://www.celtichearts.org/contest.html
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Maggie Award for Published Authors (P)
Georgia Romance Writers
Deadline: May 8, 2011
Copyright of 2010
http://www.georgiaromancewriters.org/the-maggies/2011-maggie-awards-for-published-romance-novelists-rules/
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The Molly Contest (EO)
Heart of Denver Romance Writers
Received by May 15, 2011
First thirty pages (max) + five page (max) synopsis
http://www.hodrw.com/contests/the-2010-molly-unpublished-writer-contest/
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Ignite the Flame
Central Ohio Fiction Writers
Postmarked by May 16, 2011 or Emailed by same date.
Entries should be 15 pages MAX, with an optional one-page, un-judged, set-up. (No synopsis) Entries should be the first meet or first reunion meeting of your hero and heroine.
http://www.cofw.org/contest.html
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Weta Nichols Writing Contest (U – EO)
Ozark Romance Authors
Received by May 16, 2011
First ten pages.
http://www.ozarksromanceauthors.com/
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Donna Caubarreaux is a member of Coeur de Louisiane, Scriptscene Chapter, NOLA Stars, Heart of Louisiana, and Kiss of Death. She received a RWA Service Award in 1997
by Monica Henderson Stoner, Member at large
Romance writers write romance. Sometimes they write romance with a twist or hyphen. And sometimes they write romance with a subtle message, one that might stop the reader mid paragraph, and have them thinking about other than boy meets girl.
I’ve come across these books in the past, and taken away something more than just a story. One of the first was Kathleen Korbel’s JAKE’S WAY, about a man who gives up his own dreams to help his family, who never realize he can’t read. Korbel whammied me again with A ROSE FOR MAGGIE, about a charming baby with Down’s Syndrome, and then A SOLDIER’S HEART, reminding me PTSD wasn’t just for the men in the field. She wrote about the agony of anorexia in SOME MEN’S DREAMS and about overcoming deep seated fears in both WORTH THE RISK and PERCHANCE TO DREAM.
Suzanne Brockmann faces issues head on. Dealing with Alcohol or drug dependency started with HEART THROB and continues right through the Troubleshooter books. Who can’t love Jules, gay and proud of it, who wanted a partner he could walk with in sunshine? People doing the right thing for the wrong reason, and people doing what has to be done even when no one else realizes what they’ve done, come alive in her books.
Then we come to SEIZE THE FIRE, a heart wrenching story of dealing with the horrors of war in a time when an officer and gentleman was supposed to keep a stiff upper lip and soldier on. FLOWERS FROM THE STORM, a stroke bringing a genius down to near disaster; THE SHADOW AND THE STAR, a young man overcoming a depraved upbringing. Laura Kinsale makes me think while enjoying her stories.
None of these authors hit me over the head with their MESSAGE. I’ve seen and tried to read books with a THEME, sometimes a worthy theme such as racism or man’s inhumanity to man. All valid high concepts but when your theme gets in the way of your story, sometimes people stop reading all together.
More recently, I learned from a fellow LERA member about Best Buddies International: http://www.bestbuddies.org/ a non-profit organization dedicated to establishing one-on-one friendships for people with IDD (Intellectual and Developmental Disabilities). Their goal is to ensure these people have friends to call them. Gabi Stevens wove IDD into her newest fantasy romance AS YOU WISH, which I’m looking forward to reading.
For myself, I’m polishing TEACH ME TO FORGET, about a woman overcoming a depraved marriage and making something of herself, then learning to trust.
Happy reading and writing!

See all my covers at: http://www.rebeccaforster.com/ |
by Rebecca Forster
I doubt this will come as a surprise, but ‘pretty’ sells. So does intriguing, shocking, soothing and sexy. That’s why I spent the last three weeks sweating over cover designs for my backlist romances (all of which I hope you’ll check out for your E-reader) and redesigning my thriller covers.
Why, you may wonder, did this exercise create such angst? After all, these are only E-covers. Nobody will run their thumb over the richly embossed type, check to weight of the stock or touch it in a bookstore. This isn’t a ‘real’ cover on a ‘real’ book. And that is my point exactly. These covers are more important than a paper because they will live on in perpetuity.
In this new publishing reality authors who have backlists and don’t own the rights to their covers must now become designers; indie authors who have never had the benefit of seeing their work transformed into a visual face a daunting task of identifying the soul of their books. Bottom line, unlike paper, an E-cover’s impact will be farther reaching than any of us can even imagine.
In the old days an author might reproduce their cover image on bookmarks and mugs. In this brave new world, E-covers pop up as thumbnails on Facebook, Linked-In and other social media posts. They are broadcast to readers of blogs and reviewers who promote your work. An E-cover makes a statement on your own website. An E-book cover is brought up full-size and full color on most readers. An E-book cover sets the tone for your book in a way that a paper cover never could because you – the author – have designed it and that is the truly exquisite bottom line.**
No longer am I at the mercy of a New York art director working off a synopsis of the book we spent months writing. Never again will I have a cover where Lady Justice had a sex change and became a sword-toting Roman guy. I have seen the last of a beautiful ocean on the cover of my book that is set in the high desert of California. Hurrah! I have taken the beaches of cover design, and planted my flag and you can too.
I must confess that initially I was like a young soldier rushing into war without realizing how important the battle was. I lucked out with my Witness Series covers but others looked amateurish, weak and unmemorable. I had that revelation as I readied my romance backlist for E-publication. I was determined to make my covers as easily identifiable as my writing style so when faced with the prospect of creating a minimum of 8 new covers, I knew I needed a plan. I studied E-covers of books I admired and those on the top seller lists. I began to experiment. I realized that, like a first draft of a book, my covers were not perfect the first time out. I began to understand that I had to kick everything up a notch to get noticed.
The new covers now reflect the theme of each book or are evocative of the mood of that work. With the romances and women’s fiction in particular I tried to limit the use of full-on portrait photography in order not to inhibit the romantic reader’s imagination. For me, blocking and color worked for the romances. For other authors, flowers and pastels might be the key to success. For my thrillers, I decided to go darker with ominous and/or graphic images. Though there are no hard and fast rules, here are some guidelines that worked for me:
• Clean is better than fussy
• People (especially parts of people) are intriguing***
• Experiment. Odd colors and disparate type faces can to work together and create drama
• The covers should reflect the tone of the book
• Slugs should be tight and to the point
• Spend a little money on stock photos (I use ‘small’).
• Plug in image search words that aren’t obvious.
• Use PowerPoint portrait setting for your design. The pixel height and width will be perfect.
So, Heck Yeah! Get on top of the the covers. Your E-career will thank you for it.****
*See more of my handiwork at http://www.rebeccaforster.com/ .
**Even if you had a designer, they worked at your direction. Own that cover!
***See The Reckless Ones – my favorite partial body shot.
****The same thoughts hold true for E-packaging!
by Evelyn Q. Darling
Romance Reporter At Large
How well do you know your hero? Is he tall, dark and handsome? Okay, so you don’t want a cookie-cutter hero, but have you really thought about what questions to ask him?
(When you can take your eyes away from his sexy grin among other parts of his anatomy.)
This reporter recently interviewed heroines for a romance gig and got some very interesting answers.
Now, it’s your hero’s turn. Ready, ladies? Start your engines…
Here are my 5 Job Tips for a great romance novel hero interview:
1. Don’t ask him to take off his shirt. Tempting, yes, as you check out his muscular arms, but this is a sexist attitude that will get you nowhere. (But oh the fun you’ll have trying!)
2. Schedule the interview in a locale where you’ll both feel comfortable. Not in a sports bar where he can eyeball the basketball scores and the waitresses with the deep cleavage. Forget tea shops that serve lemon dainties, unless you’re writing a regency and you want to see if he exudes the proper Mr. Darcy-isms.
3. Ask him to show you his…wheels. Yes, I said, wheels. Is he a Harley guy? Jaguar? Or does he drive an old pickup? Does he keep half his “stuff†in his car? Or is he a neatnik? You can tell a lot about a man by his…wheels.
4. What’s his day job? Or if he’s into night work (and what hard-working vampire isn’t?), you’ll want to make sure he’s a good match for your heroine. If she’s a lawyer, a police detective can make her life hectic; if she runs a cake and bake shop, how about interviewing a land developer who wants to tear down her vintage cottage shop? And let’s not forget the city gal who’s just aching to meet up with a real cowboy. Just make sure he can ride…a horse.
5. And finally, don’t ask him if he’s a good kisser. Tell him to show you.
Evelyn Q. Darling is the alter ego of Jina Bacarr.
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If these two don't kill each other, they might fall in love.
More info →Will she be able to accept the person her memories describe?
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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