When I recently checked out the DVD for “Black Swan,” it brought to mind another dancer.
Anna Pavolva.
What would it have been like to see her dance?
I decided to go straight to the source: Lady Eve Marlowe, the heroine of my Spice novel, Cleopatra’s Perfume. After all, who would know more about Berlin in the 1920s than someone who was there?
When I asked Eve to take over the blog, she was quick to point out she didn’t come to Berlin until 1928.
I reminded her that she had inhaled the sights, smells and sounds of the city–an elixir of the finest perfume that was Weimar Berlin. Hadn’t she often whispered in my ear about the decadent goings-on in the cabarets, the entertainers, artists, literati? I said. And partaken of the delights that hypnotize with the telling?
That’s when Eve smiled and I saw that sexy gleam in her eye, knowing what she was thinking, how much fun it would be to once again live through those wild times and indulge in the poetry and fantasy that was Weimar Berlin.
And so I give you Lady Eve Marlowe, who will guide you through Hot Weimar Berlin.
********
Thank you, Jina, for giving me this glorious opportunity to write this post.
Sitting at a café, I write the words: Berlin 1921 and it unleashes a completely different world, people racing through a time when they struggled to find their life rhythm in those trying times.
You mentioned several readers were interested to know more about Pavlova’s impromptu dance that night in the cellar club. Oh, how I wished I could have been there, but I was fortunate enough to hear about it from another dancer who knew someone who was there that night.
According to her account, Anna Pavlova was out for a night with friends, sitting in the corner and not drawing attention to herself. Someone recognized her and the buzz began–everyone started looking in her direction.
This was in 1921–she would have been around forty then (she died in 1931). I can see her in my mind, this sophisticated woman with the long, elegant neck and willowy body, knowing she possessed a beautiful gift that belonged not to her but to the world.
Pavlova embraced the wonderment and homage the customers showed her and rewarded them the best way she knew how.
Her dance.
According to this eyewitness, she was wearing a suit and shawl–she removed her jacket and whispered something to the violinist, who no doubt never dreamed his music would accompany the famed ballerina.
Then she began to dance…
Her body floated across the tiny nightclub floor with elegance and grace, her spirit ethereal and dreamlike, her steps as light as the gossamer notes of The Dying Swan played by the violinist, her art of dance shaped by a lifetime of diligence to her craft…but it was her passion that all who were there would never forget.
A beautiful swan who lives on…
–signed
Lady Eve Marlowe
Berlin 1958
By Sharla Rae
Hey, who’s telling this story?
I can make my characters do or say anything I want them to.
Many beginning writers subscribe to this theory.
I hate to break anyone’s bubble but that’s hogwash.
When introducing characters, the author breathes life into them with a physical description, personality, goals and motivations. They look, act and think in a particular manner. Just like real people. If the character doesn’t stay true to themselves, their actions will make no sense and readers are pulled out of the story.
Imagine:
Would you believe it? No. Because in each case the writer showed the reader who these people are – on the surface and deep down.
Two of the most common out-of-character traps involve age appropriate problems and inconsistent behavior. Ask these questions:
If a character does something that would never come naturally to them, they must have a good reason/motivation for the change of behavior. Example: The character who is afraid of heights might climb a ladder if a rabid dog is on her heels. An honest cop might rob a bank if villains are holding his family hostage.
My favorite tools to keep my characters in line are Character profile sheets, Horoscope personality profiles and Research.
The number one rule in using these tools is: Always connect the dots between them. Character profile worksheets serve as fast and easy reminders to writers. They include a list of physical descriptions, best friends, dress, enemies, ambitions/goals, sense of humor, temper, basic nature, personal quirks, habits, talents, hobbies, family backgrounds, profession, educational background etc. .
A common weakness in these profile sheets is that they shed little light on personality. That’s why I dig deeper. I search horoscope signs for personalities that best match my characters. Whether you believe in horoscope readings or not, the personalities listed under sun signs provide a great basic outline of a particular personality.
Horoscope personalities are especially helpful in determining how a character will react to a particular situation. Example: How would a hero with a Cancer personality react if he lost all his money or fell into a fortune? Money is no joke to the taciturn crab.
There are many horoscope books but I love Linda Goodman’s Sun Signs. This treasure lists the general characteristics of each sign and more. For instance, Goodman describes the Taurus child, Taurus adult male and female, Taurus boss and employee — the total personality package. She also explains how these personalities interact with each other.
What about a character’s romantic relationships? Linda Goodman’s Love Signs is amazing. Each sun sign is listed and then coupled with all the other signs to point out what the good and bad matches may look like, why they work or why they won’t. Example: Aries with an Aries, Aries with a Capricorn, Aries with a Taurus etc. Goodman further breaks it down into the female and male of each sign. Example: Aries female with Capricorn male or Capricorn female with an Aries male etc. .
Note: While Linda Goodman has passed, her books are still available. I recently looked at another Linda Goodman book on Amazon called Linda Goodman’s Relationship Signs. The contents suggest it contains a relationship chart worksheet. Sounds very interesting!
Do your research.
Horoscopes don’t cover nitty-gritty idiosyncrasies. What if you’re writing about a thief, a slave, an ad executive etc.? Research types of characters by reading autobiographies and biographies of real people who share a similar background with your character. Writing about a serial killer? Read serial killer profiles. Writing about a Hollywood star? Read up on their lives, their business and what it’s like to walk in their shoes. Then connect the dots. Determine for instance how your Aries female will handle her stardom.
Okay, say you’ve chosen your sun sign and done your research, but the personality thing still doesn’t quite jive with what you had in mind. We all know people who don’t fit the mold and characters are no different. So, can we color outside the lines or are these personalities set in stone?
Color outside the lines but don’t let the crayon slide off the tablet.
Here’s a real-life example: My friend is a Gemini but she was born on May 24th making her very close to Taurus. Most of the time she is more Taurus than Gemini, but she does share traits of each. It’s okay to combine personalities if it suits your purpose. It actually makes for a more interesting character, perhaps one with more layers. Just make sure to outline the personality carefully and keep the character true to him or herself.
What about character arc/growth? While characters learn from experience and goals may change as the plot evolves, their basic personality won’t change. The manner in which they handle situations or problems should always reflect who they are – even when they’re pressured into something that isn’t natural to them. Connect the dots. Like all tools, profile worksheets, horoscope personalities and research aren’t failsafe, but they are great guides for new writers and even for the seasoned writer who is writing a complicated character.
Helpful Links:
So, how do you keep your characters true to themselves?
by Kitty Bucholtz
By the time you read this, I’ll be done with all of my homework and on my way to my final class. I’ll have my master’s degree! Yay!!
But right at this moment, it feels miles away. Not millions of miles away, but not just a few steps either. I’ve gone to the last session of one class and turned in my last assignment there. I have everything done for my Thursday class, literally the last session of school I’ll have before I’m gone for good. But in less than eight hours I have to turn in my last – as yet unfinished – homework assignment. The important one. My “professional project.”
It’s been a hard class for me and I’ve complained way too much about it. But it would be the same problem for anyone who went to a writer’s group or got a critique from a friend who just doesn’t read your kind of writing. They don’t know they’re not helping you, even maybe making you want to give up. They’re being really nice and sometimes they have something very insightful to say that actually makes sense to you.
But in the end, you have to find a new group, people who understand your genre enough to know how to critique it in terms of what publishers are buying. You may have to go through a few more hard times until you find the right bunch.
The morning after my last class I fly to LA and then New York. I’ll go to my old Romance Writers of America chapter and I’ll love on all my old friends, but I’ll have to keep in mind that few of them write the kind of non-sex non-romance somewhat humorous urban fantasy I’m writing right now. Then I’ll go to my favorite writer’s retreat, a whole bunch of Christian writers who are my family. They’re sooo supportive but don’t really write much or read much like what I’m writing.
Then I’ll fly to New York for the big Romance Writers of America National Conference. Though the title implies all things romance, there are a lot of writers in that 10,000+ member organization who write other things, including work similar to mine. That’s the super awesome part! The flip side is that I don’t know very many of them, so I have to seek them out. Luckily, I just joined the Young Adult RWA group. I think those people will “get me” in a way many of my academic friends don’t. (Though I’ve had some really encouraging feedback from some of my school friends!)
So when it comes down to it, it’s all a matter of degree. When I need to talk to friends about why I write what I write and how I can be encouraged and work harder and find joy, I seek out my Christian writer friends. When I want to discuss the publishing industry and talk shop about how to write better characters or add suspense, my RWA friends are the bomb. For networking and improving my professional presence, the RWA National Conference gets the job done every time.
When it comes to my academic colleagues – teachers and students – they are passionate about their work, just as I am. We haven’t always understood each other’s work, but we all knew we were on the same page when it comes to wanting to stretch and grow as writers. It’ll take more time to figure out and understand what exactly I learned over the last sixteen months. Time and distance will help me to see more clearly.
And that’s what I have to remember today. For the next few hours, I have to do the best I can as fast as I can. But once school is over, I’ll be able to take a breath, refocus my work on the market instead of the academic requirements, and get back into it with joy and energy. I expect that day to be Monday! LOL! I’m as curious as you are as to what I’ll write here next week. Where will I be in my headspace then? Surely less stressed out than I am right now. 🙂 See you then!
Kitty Bucholtz is a writer and speaker, and a member of Romance Writers of America and Romance Writers of Australia. She co-founded Routines for Writers (http://www.routinesforwriters.com/) a web site dedicated to helping writers write more. In 2011, Kitty will receive her Master of Arts in Creative Writing degree from University of Technology, Sydney.
One of the “rules†of fiction is that the main character must have a problem. Because if his or her life is all sweetness-and-light…well, put it this way: I’m sure living a life like that is great, but I don’t want to read about it.
It’s far more interesting to read about lives gone wrong.
But, in my opinion, not too wrong. My preference, as a reader and a writer, is for things to go wrong in a way that makes me laugh. Not so much, “Oh, gosh, how awful,†as, “Oh, gosh, how awful…(snicker).†Not that I’m unsympathetic (at least, only a little), but I love fictional situations that make me wince as I wonder, “How the heck is she going to get herself out of that one?â€
Usually, the character has brought the trouble on herself / himself, and while it’s amusing, it’s generally a symptom of a deeper problem. So there’s meaty stuff in there, but I get to smile as I worry.
Check out these sticky situations that start some of my favorite romances.
– Heroine blabs to the world about her massive crush on the new guy in town…then discovers he’s a Catholic priest (Catch of the Day, by Kristan Higgins)
– Identical twin swaps places with her sister, and…yikes!! (I can’t say any more about this because it won’t be out until August and I don’t want to ruin the surprise…but it’s cool! Stand-In Wife, by Karina Bliss)
– Genius scientist wants a dumb jock to father her baby. She disguises herself and cons a football star into getting her pregnant…turns out he’s not so dumb, and he’s mad (Nobody’s Baby but Mine, by Susan Elizabeth Phillips
– Heroine with a reputation for “stalking†the hero as a lovestruck teen is caught—you guessed it—peering in his window on her first night back in town (Falling for Gracie, by Susan Mallery)
See what I mean? Each of these women brought her problem on herself, and while I’m truly sorry for her and hoping she can fix it, I’m also laughing.
My own books have included a couple funny-painful (as opposed to painfully funny) situations:
– Heroine dupes her boyfriend into appearing on a surprise wedding reality show, and he dumps her on live TV (Married by Mistake, currently available free from www.tryharlequin.com)
– A beauty queen about to miss out on a job because she “lacks gravitas†tells the employer she’s engaged to the hero, a political heavyweight. Only trouble is, he hates her… (Her So-Called Fiance)
My new Superromance, Her Best Friend’s Wedding, out this month, also has an “ouch!†premise. Geeky biologist Sadie Beecham tells her family she’s the bringing the man of her dreams home to meet them…then he falls in love with her best friend…ouch!
What’s a girl to do? As far as Sadie’s concerned, it’s simple: she has to stop the wedding. Too bad the bride’s brother sees things differently…
I’d love to see your recommendations on books with the kind of funny-painful setup that I like. Or your comments about the kind of story setup you prefer: tense, dramatic, scary, sad…
Can’t go to conference in NYC?
Take our online class: Agents/Editors: We Don’t Bite . . .Much†with editor Lynn Price instead.
June 13 – June 25, 2011 This is a two week class
Enrollment Information at http://www.occrwa.org/onlineclassJune11.html
Cost: $10.00 for OCC members, $15 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
ABOUT THE CLASS
Learn about the publishing business and the submission process from the agent’s/editor’s viewpoint. Lynn Price, editorial director for Behler Publications, is not only going to cover the basics of what to include in a cover letter, synopsis, biography and promotion plan, she’s also going to answer your questions about:
• What’s a Print On Demand publisher?
• Can a vanity press get my books on store shelves?
• What’s the advantage to going e-book?
• Should I care about distribution?
This fast-paced, two-week look at the publishing world will cover the whole enchilada so writers can become better at their craft and understand how the industry works.
ABOUT THE INSTRUCTOR:
The editorial director for a publishing firm that specializes in personal journey stories with socially relevant themes, Lynn Price is herself a published fiction and non-fiction author. Her reference book, The Writer’s Essential Tackle Box: Getting a Hook on the Publishing Industry, provides an “insider’s view geared to inform and educate writers as to how we work, why we work, and the pitfalls to avoid.” She also addresses many issues facing today’s writers with her lighthearted but very much to the point Behler Publications blog –http://behlerblog.com/
Enrollment Information at http://www.occrwa.org/onlineclassJune11.html
COST: $10 for OCC members, $15 for non-members
Coming in July 2011– Breaking Things Down Into Threes with Beth Daniels
July 11 – August 6, 2011
Plots require organization– even those written by pantsers. Why? Because all storytelling requires a flow, a smooth transition from one scene to the next. Getting it doesn’t require an outline though. All it requires is a system – a system of thirds. This class is for writers at any point in their writing career from unpublished to midlist.
Check out our full list of workshop at http://www.occrwa.org/onlineclasses.html
Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group! Sign up at the bottom of http://www.occrwa.org/onlineclasses.html or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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