Might as well ask why we read what we read since for many of us they are inextricably linked. We write what we enjoy reading. I was reminded of this recently during two discussions with non romance readers. The first one asked me to define exactly what sort of books I write, and if “romance” is a long story with some hand-holding, a short story with hot sex? She went on to explain her local librarian has been trying to convince her to write what she calls a romance novel – sort of relationship in the 1800s with a sex scene thrown in about every 40 pages. I sent her to RWA’s website for an idea of the professionalism involved in our genre, and had to point out her librarian is a literary bigot.
The second discussion was less abrasive. A non romance reading friend read My Killer My Love, and was surprised how much she enjoyed it. Up until now her opinion of romance hasn’t been very positive, and the idea of a heroine with glasses and a limp intrigued her. She asked me what I would write next and how I decided what to write.
These past few months I’ve devoured books of all sorts. I’ve read Jim Butcher’s entire Furies series along with the latest Harry Dresden. I’ve enjoyed Tara Lain’s Beautiful Boys and Rebecca Forster’s chilling “Before Her Eyes.” From the moment I first sat in the Emergency Room with my husband I’ve had a book or Kindle in my hand, and I’ve used the words of other writers to help me get through the days. During procedures I filled my time and my worried mind with flights of fantasy and allayed my fears with tales of love everlasting. The often silly, sometimes implausible plot points distracted me at times when I wasn’t ready to face the reality of our days.
Why do I write? I write so someone else can have those few hours of immersion in a story. I write so they can temporarily forget the stresses of their lives and briefly become a part of the lives I created in the pages of my book. Perhaps some of us write to be the next Nora, the next Jayne Ann, but for the most part we write to share what we are with anyone willing to share the worlds we lived in for the months or years it took to create the story.
I write—we write—to give someone a distraction while waiting for news of the tests, or as they sit in another uncomfortable chair during procedures, wanting to be there when their loved one goes past, to let them connect with the world waiting for their return. Those scenes and dialogue and setting pour out of our hearts onto the page, sometimes easily, sometimes with great effort, to be sucked up into the minds of readers and allow them a few moments to enjoy something other than the unrelenting sounds of a hospital.
I write because too many stories clamor in my head for release onto the screen. And I guess I write because I can’t not write.
Writing as Mona Karel, Monica’s first novel, MY KILLER MY LOVE, is available from Black Opal Books , Amazon, Smashwords and B&N.
My parents made a pact to stand on every continent in the world. When my dad passed away, my mother went to the Antarctic for both of them. That’s when I figured there was a lot I didn’t know about mom.
When she returned with a bright orange jacket that she got ‘for free’ (don’t count the cost of the cruise), she had lots of stories to tell. Yet, when the excitement of the trip wore off, we both had the sense that we were still standing on a pitching deck with no way to sail to calm seas. A big piece of the puzzle – my dad – was missing.
“Write your memoir,†I said.
“My life wasn’t interesting,†she answered.
But the idea must have taken hold. Not long after this conversation, she called. She was done with her memoir.
“Impressive,†I mused.
It takes me months to write one novel and she finished hers in a week. When I saw her manuscript, I understood why. It was five pages long and she was eighty-five years old. There had to be more.
So began a year of weekend sleep-overs as we poured over photographs for inspiration. She had twenty beautifully documented photo albums, a box filled with pictures taken when cameras were still new fangled things.
There was mom in waist-length braids and Mary Jane shoes standing in the German village she called home.
She was a teenager in the U.S. while war raged in Europe, threatening the grandmother she had lived with, cousins and friends.
Here was mom, posing in a swimsuit she bought with the dollar she found on the street.
Mom in her twenty-five dollar bridal gown perched in the back of a hay wagon beside my father, a skinny, wide-eyed farm boy who would become a doctor.
Mom with one child. Two. Three. Five. Six of us all together. Dark haired and big eyed, we were her clones dressed in beautiful, homemade clothes. I remember going to sleep to the sound of her sewing machine.
And there were words! I bribed my mother with promises of Taco Bell feasts if she gave me details. Funny, what came to her mind.
To keep body and soul together when my father was in med school, he was a professional mourner and bussed tables for a wealthy fraternity. My mom worked in a medical lab where the unchecked radiation caused her to lose her first baby. They ate lab rabbits that had given their all for pregnancy tests. They were in love and happy and didn’t know they were poor. But St. Louis was cold, she remembered, and they couldn’t afford winter coats. Still, she insisted, they weren’t poor.
She typed, I edited; I typed, she talked. My youngest brother almost died when he was 10. She didn’t cry for a long while; not until she knew he would live. The captain of the ship that took her back to Germany was kind. She dreamed of becoming a missionary doctor. In 1954, she had two toddlers (me and my brother) and another baby on the way when she and dad drove to Fairbanks, Alaska where he would serve his residency at the pleasure of the U.S. Air Force. Her favorite outfit was a suit with a white collar. She loved her long hair rolled at her neck in the forties. In the fifties she made a black dress with rhinestone straps and her hair was bobbed. In the sixties she made palazzo pants and sported a short bouffant. She looked like a movie star in her homemade clothes. I wanted to grow up to be as glamorous as she was. She still thought she wasn’t interesting.
Mom wrote the forward to her memoir herself. It began:
A great sense of loneliness fills the house as twilight approaches. In the silence, I can almost hear the voices of my grown children as they recall their childhood years, the laughter of grandchildren and the quiet conversations of friends who have gathered here in years past, echoing through the empty rooms.
You see, she really had no need of my help as a writer.
We had seven copies printed. On the cover was a beautiful picture of a sunset. She called her book In The Twilight of My Life and would not be swayed to change it. Mom thought it perfect and not the least depressing. It was, she laughed, the truth. It was her laugh that made it right. She gave my brothers and sisters a copy for Christmas. My older brother had tears in his eyes. Everyone exclaimed: “I never knew thatâ€.
Now I have a book more treasured than any I have written. I learned a lot about my mom and I realized why I create fictional women of courage and conviction, strength and curiosity, intelligence and, most of all, spirit. It’s because, all this time, I’ve been writing about my mother.
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By the time my post is up, OCC will have passed the 30 year mark. I can only imagine the whisperings and giggling and story plotting filling the hallways at the Embassy Suites this past weekend. How many bestsellers were born that weekend, we’ll never know.
How many lifelong friendships were born, well, that’s something we do know.
If you’re a member of OCC and/or a reader of this blog, then you’ve got friends. I’ve never known a more supportive group willing to share ideas, information and a hug when needed.
That’s OCC.
Now that the publishing business is in such a flux, it’s more important than ever to share ideas, whether it’s looking for a NY publisher to self-publishing. We will continue to encourage each other to follow our dreams because that’s what we do at OCC.
That’s what friends are for.
Whether it’s helping each other through a rejection (we all get them) or celebrating with a red or pink or white rose, we’re here for you.
Even when you can’t attend the meetings, the OCC newsletter is filled with encouragement and practical information for everyone from the pre-published to the published to the self-pubbed.
No one knows how all this change will work out, but one thing we do know: from print books to e-books to whatever the future will bring, OCC will always be there for its members.
I’m proud to be a member of OCC.
Best,
Jina
A bit of nostalgia: Here’s a photo I snapped at OCC’s 25th Birthday party showing our newsletters throughout the years:
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