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Charting the points

January 24, 2012 by in category Archives tagged as , ,

A highly rational friend recently noted with some surprise that sometimes just saying a problem out loud helped him figure it out.

And why was that?

Have you ever been struggling with something, felt a lack of clarity on which direction to go in, or even understand how you felt about an issue?

Have you written about it in an email, a letter, a journal and gotten an insight from the act of writing? Or talked to someone about it, and gotten a better perspective, even though the person you were talking to hadn't said anything? Or even just bounced something out loud into an empty room, and found an answer rebound back to you?

I expect many have. Most likely everyone has just accepted that experience as being just a strange exercise that for unknown reasons simply seems to works.

But for my rational friend, achieving that insight through those means was a surprise. For him, there hadn't seemed to be any point in talking or writing about the same information or questions that were in his head—what difference would it make? The information was already in his head, it wouldn't change from being said out loud or written down. So it got me thinking—well, why does it help?

And I came up with this analogy:

Do you remember math problems where you would be given a sequence of numbers and asked to figure out what the next number in the sequence was supposed to be? Well, the more numbers you were given in the sequence, the clearer the underlying formula was. So if you were only given one number, correctly guessing the next would be impossible—too many options. If you were given two numbers, then your chances were better, but still had a very high level of uncertainty.

For example 2 doesn't give you much to go on. 2, 4, gives you a lot more, but not enough. The sequence could be 2,4,6 or 2,4,8. So with three data points, you can be far more confident of perceiving a pattern, making an assumption, getting clarity.

So my theory is that when you have a problem/issue in your head, that's one data point. But when you say it out loud, so you are knowing it, thinking it, saying it and hearing it, or additionally writing it and reading it, you are adding more data points and increasing your ability to make a more accurate assumption, to chart a more solid course. And agreed, some of these point only offer a tiny bit of new information–a slightly richer or more detailed appreciation, a new perspective, but it's something; it helps.

In one of those Malcolm Gladwell books, he talks about how you can have a group of two or three friends, but if it expands to four or five, the group often falls apart. He noted that one more person isn't just an addition of one, but for everyone in the group, so the increase is exponential. Everyone is managing not only their own relationship to each person in the group, but observing & incorporating each permutation of every element of each member of the group.

So if you have a group of three, A, B, C, you need to maintain awareness of the relationships between A/B, A/C, B/A, C/A, B/C, C/B and ABC. If you add D, it goes from 7 separate relationships to 16 (A/B, A/C, A/D, B/A, B/C, B/D, C/A, C/B, C/D, D/A, D/B, D/C, ABC, ABD, BCD, ACD). Yes, OK, I may not have all the math right, but you get the point.

The more points you can chart or the more ways you allow your brain and intuition to process information, the better it will be able to build a viable theory, or chart a hypothetical direction to consider.

Also, it's very hard to lie to yourself when you are writing in a journal. Much easier to wrap yourself in denial and not go there if it's just in your head, or even talking. And in fairness, sometimes you don't even know you are lying to yourself until you write something down. Reading it, you think…well, no, that's not quite right, and start thinking about what is actually true.

It is helpful to get an external perspective on things—that's why editors were invented. But if you don't have an editor or critique group, or a boss or anyone to be a sounding board, try putting it out there & using yourself.

You'll have a point. Maybe more than one….

Get your sextant out!

Isabel Swift

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Contest Deadlines

January 20, 2012 by in category Archives tagged as ,

Updated and all sites tested.  List compiled by Donna Caubarreaux and Pepper Phillips.  List may be
forwarded with credits.
..
EA = Electronic Format Available
EA/Non US = Electronic for Foreign Entries
EO = Electronic Only
MO = Members Only
U = Unpublished
P = Published
P/3 = Not published in three years
Pnr = Published, but not by RWA standards
PC = Not published in category selected
..



FEBRUARY CONTEST DEADLINES

Fire and Ice Contest
(EO)
Chicago North RWA
Received by February 1, 2012
First 25 pages.
http://www.chicagonorthrwa.org/contest.php

Laurie Contest
Smokey Mountain Romance Writers
Deadline: February 1, 2012
First chapter not to exceed 25 pages.
http://www.smrw.org/contest.htm

The Sandy (EO)
Crested Butte Writers
Received by Midnight February 12, 2012
First 20 pages and up to a 2 page synopsis for a total page count of 22 pages.
http://thesandy.org/sandy.php

Between the Sheets
Greater Detroit RWA
Deadline: February 14, 2012
Ten-page love scene (sweet to erotic) and a one-page unjudged set-up.
http://www.gdrwa.org/contests.html#bts

Cleveland Rocks Romance
Northeast Ohio RWA
Deadline to enter: February 14, 2012
First 7K words, one page synopsis optional.
http://www.neorwa.com/index.php/Contest/Contest

Merritt Contest
San Antonio Romance Authors
Received by Midnight CST, February 14, 2012
First twenty-five pages plus synopsis, five page max.
http://www.sararwa.net/contest.html

Readers’ Crown for Published Authors
RomCon
Submitted by February 14, 2012
Copyright date of 2011
http://www.romconinc.com/index.php?option=com_content&view=article&id=38&Itemid=29

PNWA Literary Contest
Deadline Febryary 17, 2012
Send one page synopsis + beginning with 28 page max.
http://www.pnwa.org/displaycommon.cfm?an=6

MARCH CONTEST DEADLINES

Fabulous Five
WisRWA
Received by 11:59pm, March 1, 2012
First 2500 words.
http://www.wisrwa.org/contest.html#f5

Great Beginnings Contest
Utah Chapter RWA
Deadline: March 1, 2012
First five pages.
http://www.utahrwa.com/gbcontest.html

Inspirational Readers Choice Award (P)
Faith, Hope & Love RWA Chapter
Deadline: Midnight, March 1, 2012
Copyright of 2011
http://faithhopelove-rwa.org/irc.html

More Than Magic Contest
Entry Deadline March 2, 2012 – Book received by March 7th.
Copyright of 2011
http://rwimagiccontests.wordpress.com/

CNW Contest
Postmarked by March 15, 2011
Max length of 5k words.
http://www.writers-editors.com/Writers/Contests/Contest_Guidelines/contest_guidelines.htm


Handy Links 

·         Check out Contests and Contest Winners on: http://contestdivas.blogspot.com/
·         Check out the Award Winning Romance Books on: http://awardwinningromances.blogspot.com/
·         Contest Alert-All the news on upcoming contests, plus Finalist & Winner listings, questions, etc. Sign up now! ContestAlert-subscribe@yahoogroups.com
·         Announcement only list: ContestDeadlines-subscribe@yahoogroups.com
·         For Published Authors ContestAlertPublished-subscribe@yahoogroups.com
·         If you’re a Contest Judge, join ContestsJudges-subscribe@yahoogroups.com

Donna Caubarreaux is a member of Coeur de Louisiane, Scriptscene Chapter, NOLA Stars, Heart of Louisiana, ESPAN and EPIC. She received a RWA Service Award in 1997.

Pepper Phillips is the author of “The Devil Has Dimples”.
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Silly Me

January 19, 2012 by in category Archives tagged as , , , , ,
Okay, show of hands. How many of you thought once the book was through final edits and in the publisher’s fair hands, your job was done? You could rest on your laurels, take a few weeks off, visit with friends, then start the next NYT best seller.

Come on, be honest. At least in the beginning of your writing career? Yeah, me too. I understood the blood, sweat and tears expended in book production, but the rest of it–cover, production, advertising–that was the publisher’s job.

Pretty heavy duty fall when you found out otherwise, wasn’t it? I know I was thoroughly gob smacked (great expression, don’t you think) when I found out only a select few authors got the champagne and caviar treatment from their publishers. The rest were relegated to mid list unless or until they were noticed.

Somehow, when I wasn’t looking, along came the digital age of publishing. Seems like there were indie publishers everywhere, and it was a whole new world. Harder in a lot of ways but at the same time there was a very real feeling of being in control of your own destiny.

Gulp.

Along with sending in a spectacular book, you now have to plan and implement your sales campaign, and build your own buzz. So you set up a blog and/or website, you join writer’s groups if you weren’t already a member, and you push push push your book.

Double gulp.

You can also have serious input into your cover, your blurb, who does your reviews. Now that’s a bit more promising. Might even call it positive. Unless you go into brain freeze at the thought of writing a blurb, or your artistic abilities stop with a rousing game of Hangman. Even so, having read many times about the disappointment in poorly executed book covers (and having snickered at many of them when the author wasn’t looking) cover input is truly in the plus column for me.

Enough to off set the rest of the promotional requirements? Well, maybe not but it is a huge rush to get credit for the artwork on the cover as well as the writing inside. Or in the case of My Killer My Love, to share credit. I knew what I wanted the cover to look like, but I went into another brain freeze when it came time to put it together.

And (sigh) the same thing happened when I tried to put a trailer together. I took this great class, broke down the story into quick bits, started looking for images. Sadly, I am prone to the “ooooh shiny object” syndrome and can become easily sidetracked on any search, thereby losing many hours of what should be writing time. Once I found the images I wanted, yep you guessed it, chilled frontal lobes.

At this point it was time to move forward with this book since I signed a contract with Black Opal Books for the next story. So my Christmas present to myself was an inquiry to Lex Valentine, who put a trailer together for me with no muss, no fuss. I’ll be doing the same with Teach Me To Forget (if we keep that title). In the meantime I’m back to writing.

Really need to do something about the temperature of my gray matter and I don’t mean what’s on top of my head. Especially since that’s silver, as anyone with an artistic eye will tell you.
Oh, yeah, the book trailer: MY KILLER MY LOVE book trailer

Monica Stoner writes as Mona Karel.  Read more on her blog,  Discover the Enchantment in Romance  or buy her books from Black Opal Books.  

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Deadline Extended: Romancing the Pages Anthology

January 18, 2012 by in category Archives tagged as ,

OCC/RWA Members Only!

After receiving a few requests for “one more week,” the deadline for short stories for the OCC/RWA anthology Romancing the Pages has been extended!

OCC/RWA wants your romance short stories! As a chapter fundraiser and to raise awareness of our amazing writers, OCC/RWA is putting together an anthology. Suggested word length is between 1,000 and 10,000 words.
Since one of the anthology’s goals is showcasing our members, the call is open to all forms of romance, from inspirational to erotic, as long as it has an HEA. Each story will be labeled for the reader in terms of genre/sub-genre and heat level.
First-time publications rights for 6 months. Although the book will be up hopefully forever, after six months, contributors can publish elsewhere.
Blind review. The stories will be chosen and peer edited by the anthology committee of members who are published authors and editors. Send submissions to occanthology@yahoo.com, where a non-deciding board member will review, track and then send the story for a blind review for consideration.
No content changes will be made to an author’s story without the consultation of that author. If the author doesn’t like the requested edits, he or she is free to withdraw the story.
This is a fundraiser for the chapter. The money will go to the chapter to benefit all the members. However, this is a good opportunity to get publicity for your work and pick up readers who otherwise wouldn’t have found you.
OCC published and unpublished members only. Submission deadline is January 15, 2012 January 21, 2012! Please have a critique partner or author friend (or two or three) read the story before you turn it in.

We are looking for enough stories to fill a 400-page book. The cover design has been generously donated by member and author, Lex Valentine. Those authors who are accepted will be requested to submit a short bio.


For more information, visit the Members Section of http://www.occrwa.org/

— Louisa Bacio
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What’s Wrong with this Cover?

January 12, 2012 by in category Archives tagged as , ,

The creation of a book cover is a collaboration of the author (most of whom claim their suggestions are ignored), the editor, art department and marketing. Sometimes things go wrong.
One of the most infamous cover calamities happened to Christina Dodd, author of Castle in the Air, an historical romance. The hero on the cover is standing behind the heroine in a lovely red gown, holding her with, um, all THREE of his arms. Amazing fellow!
Jill Marie Landis, who writes western historicals circa 1880, got an early peek at one of her covers. It featured a cabin in the woods with a TV antenna. Oophs! The publisher had to reprint ALL of the covers. Boy, was that an expensive mistake.
I think my cover for Big Sky Family is both appealing and charming; the colors are positively lovely. It’s hard to beat a cowboy hero (Arnie), the heroine’s young daughter (Torie) and a golden retriever (Sheila) for getting reader attention. But there’s just one small problem.
                   
Arnie, our hero, is sitting on the porch steps. He’s a paraplegic. In every scene in the book he is sitting in a wheelchair (with the small exception of rounding up cattle on a specially equipped ATV).
I’m guessing, and I really don’t know, that marketing has ‘discovered’ that heroes portrayed in wheelchairs don’t sell. Okay, I really want to sell lots of copies of Big Sky Family.
But what will readers think when they get to page 10 and find Arnie in his wheelchair? Will they blame me for the misleading cover and write nasty notes? Ouch!
And what about readers who read Big Sky Reunion, a previous book which featured Arnie’s brother Daniel? Won’t they remember that Arnie was a paraplegic in that book? When they see the cover will they think he’s been cured? And write nasty notes? Oh dear . . .
So do you think marketing is right? Would you be more or less likely to buy a book with the hero on the cover in a wheelchair?
Let me know.
Happy reading…….
Char…..
Big Sky Family, Love Inspired, available 10/19/2011
Written With Love, working title, Love Inspired, 10/2012
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