by Donna Caubarreaux and Pepper Phillips
MAY CONTEST DEADLINES
The Molly
Emerald City Opener
Greater Seattle RWA
Deadline: May 31, 2012
First seven pages of your manuscript.
http://gsrwa.org/contest.php
JUNE CONTEST DEADLINES
The Catherine
Toronto Romance Writers
Due by June 1, 2012 – 11:59 EST
Enter no more than thirty pages. Beginning + Synopsis.
http://www.torontoromancewriters.com/contest.html
Colorado Gold Writing Contest
Rocky Mountain Fiction Writers
Deadline: June 1, 2012 – 11:59pm
First twenty pages and eight page synopsis.
http://www.rmfw.org/contest
Minuet of Love Novella Contest
Music City Romance Writers
Deadline: before Midnight, June 1, 2012
First ten pages.
http://www.mcrw.com/index.php/minuet-of-love-novella-contest/
Lone Star Contest
Northwest Houston RWA
Received by Midnight, June 9, 2012
First twenty-five pages.
http://nwhrwa.com/writers-events/lonestar-contest/
Maggie for Unpublished Authors Contest
Georgia Romance Writers
Received by June 10, 2012
Beginning and synopsis not to exceed thirty-five pages.
http://www.georgiaromancewriters.org/the-maggies/2011-maggie-awards-for-unpublished-romance-novelists-rules/
Aspen Gold for Published Authors
Heart of Denver Romance Writers
Received by June 15, 2012
Copyright of 2011
http://www.hodrw.com/contests/welcome-to-the-2012-aspen-gold-published-writers-contest/aspen-gold-entry-forms/
Heart of Excellence for Published Authors
Ancient City Romance Authors
Postmarked by June 15, 2012
Copyright of 2011
http://acrarwa.com/Heart_of_Excellence.html
RWA Region 1 – Golden Leaf Contest for Published Authors
New Jersey Romance Romance Writers
Postmarked by June 20th, received by June 25, 2012
Copyright date of July 2011 – June 2012
http://njromancewriters.org/index.php?/njrw_contest/golden_leaf_contest/
Beacon Contest for Published Authors
First Coast Romance Writers
Postmarked by June 30, 2012
Copyright of 2011
http://www.firstcoastromancewriters.com/?page_id=215
Novel Contest: Great Beginnings
Maryland Writers’ Association
Ends June 30, 2012
First 7000 words of your novel and a 300-500 word synopsis of the novel.
http://www.marylandwriters.org/
Mona Karel, member at large
Yep, it’s time for the launch party for “Teach Me to Forget,” the second rose I received at the April meeting. Release was actually last Saturday, with Amazon jumping the gun by a couple of days. Since everyone I know was busy doing something else, I had a party by myself. Sort of.
I got a case of Black Opal wine.
My very prettiest wine goblet, and brought up Teach Me To Forget on the computer.
Didn’t actually open the wine, I’ll wait until some friends come over. But I did stage a wicked party, don’t you think???
“Teach Me To Forget” came from the first time we rented a motor home. Lying snuggled up in the top bunk, rain pattering on the roof just a few inches above our heads, was amazingly cozy and romantic. The story grew from that moment. Of course I made Jonathan and Bethany go through a long “getting to know you” span of time before they could really enjoy that bunk.
My grand dog Tucker |
As an author and a reader I had to ask myself: Why is a book that includes animals richer, more entertaining, and more engaging than one without? The answer was simple: Animals bring out the best and the worst in a human character. This makes for great drama and provides an emotional touch point that is critical for an exciting read.
Max-the-Dog (his legal name) was originally created as a reflection of Josie, his mistress. Both had been abandoned, both had to fight for their lives, both were protective of others. But Max became so much more than Josie’s mirror as the series unfolded.
Here are four ways Max made a difference in the witness series:
HE ENHANCED HUMAN CHARACTERIZATION: Those who attack him were inherently more evil than a bad guy who ignored him. Those who love Max were more admirable because they cared for and protect him.
HE WAS AN ANIMATED SOUNDING BOARD: Internal dialogue can be tedious. Allow a character to speculate to an animal and the rhetorical questions or monologues sound natural.
HIS PRESENCE SET A TONE: A scene tone can be set by the way a human character speaks to or interacts with an animal counterpart. A whispered warning creates a much different tone than a screaming command; a languid pet conjures up different visions than a playful ruffling of fur.
HE HELPED MOVE THE PLOT FORWARD: An animal’s needs can put a human in a place they might not have been in. For instance, in Privileged Witness, Josie took Max out for his evening constitutional and ran into her fugitive client who was hiding outside. Without Max, Josie would have no reason to go outside and never would have discovered her client. An animal’s heightened senses can also assist a human to warn of danger or alert a human to a change in their surroundings.
From The Hound of the Baskervilles to Lassie and Blue Dog, My Friend Flicka and The Black Stallion, The Cheshire Cat and Puss-in-Boots, animals have frolicked as humans, served to reflect human frailties and strengths, and just plain worked their way into reader’s hearts because of who they are.
So, to the kind lady who was concerned about Max, have no fear. He will never come to a violent end. No matter what happens to him, his presence or lack thereof, will be a decision motivated by story and plot and, of course, love, because Max is as real to me as if he sat at my feet while I wrote my stories.
*Hostile Witness is free for all e-readers and is also available in print.
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A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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