Monica Stoner w/a Mona Karel
When did ‘ton’ evolve into a generalized unit of measure? At one time, a ton was 2,000 pounds. Yes, there was metric ton and no doubt some other scientific variations but it all came back to a method of stating the weight of an item. Simple, exact, precise.
Suddenly we have a “ton†of ideas, a “tonâ€of fun, a “ton†of jobs to do. I might expect to see this sort of casual expression among middle school students and young people but it has become pervasive in the work of what I thought were professional writers. Which leads me to wonder if this has become standard usage. Whatever happened to such wonderful words as ‘plethora?’ ([n.] excess) Granted we might not encounter the word in common usage but should that mean we choose an inappropriate word instead?
Will we encounter the same spreading misuse as we did when a well known author applied ‘laconic’ ([adj.] brief statement, concise explanation) to her hero’s raised eyebrow. Granted eyebrows aren’t capable of extensive speech but this usage is far beyond the definition. Sadly I find she has established a trend of lazy writing when a quick perusal of the thesaurus might suggest, well, a plethora of more correct adjectives.
To exacerbate the situation, I just received a message about a FREE GIVEAWAY book. Is this phrasing supposed to make me want the book more? To be honest, I figure if the promotional notices show such disrespect for our language I’m not likely to check out the book itself. Free is too expensive when I waste time on poorly written books.
Then you have the brilliant new idea that word usage isn’t as important as story telling and content. According to this theory if a writer can’t remember the difference between your and you’re it doesn’t matter as long as their characters have appeal. And here I wondered how we devolved to using ‘ton’ to identify something other than a large unit of weight.
Maybe I’m just in a crabby mode. Words do have an exact meaning and we write for the joy of sharing those words with others. Unless of course we’re writing to silence the voices in our heads.
Is there anything that rubs your writerly self the wrong way?
I can’t find my blue parasol.
White lace ruffle, long white handle.
I’ve looked high and low, in closets, in the garage behind old lawn tools, everywhere.
Oh, fiddle de dee, as Scarlett would say. This charming piece of Southern femininity is an important symbol to me as I work on my Civil War romance time travel, “The Bride Wore Gray.” It’s a prop I’ve had for years when I worked in the theatre. A symbol of the attitudes and mores of ladies in a time gone by.
Can you imagine maneuvering your parasol over your shoulder while trying to text on your smart phone?
Not a pretty sight.
But don’t the dismiss the uses of a parasol too easily. These ladies knew what they were doing. A parasol can be used for:
Flirting.
Protecting your skin from the sun.
Whacking a gent over the head if he makes an unwelcome advance.
A quick cover in a rain emergency.
And certainly, a parasol is at its best if you’re Mary Poppins.
No, that was an umbrella, but you get the idea. But I believe a parasol has the same magic as Mary Poppins’ brolly when you pop it open and sling it over your shoulder in a sexy manner. It gives that provocative Southern charm to any woman. And makes flirting more fun.
That’s why I need my blue parasol. When I’m writing the character of Pauletta Sue Buckingham, the Southern spy in “The Bride Wore Gray,” it evokes that era and the slow, easy living of the time, as well as the seductive nature of her character.
Last time, I posted the beginning of the Prologue for “The Bride Wore Gray” with Pauletta Sue trying to out ride the Yankees hot on her tail. She remembers her first night with her beloved, Captain Colton Trent:
Here is the next installment of “The Bride Wore Gray:”
I’ll keep looking for my blue parasol.
After all, in Scarlett’s words, tomorrow is another day.
Best,
Jina
Over the last few months, I’ve been getting a ton of coaching and encouragement from Jennifer Lee and all my new friends in the Right-Brain Business Plan mentorship program. We’ve learned so much, but the two things that have hit me hardest are:
Kitty Bucholtz decided to combine her undergraduate degree in business, her years of experience in accounting and finance, and her graduate degree in creative writing to become a writer-turned-independent-publisher. Her first novel, Little Miss Lovesick, is now available in print and ebook format. Her next novel, Unexpected Superhero, will be released March 28, followed by Love at the Fluff and Fold this summer. Her short stories can be found in the anthologies Romancing the Pages and Moonlit Encounters, available in both print and ebook formats.
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After her ex runs up her credit card, clears her bank account, and gets her fired, Seanna escapes to Seaside, Florida where the men are hot as the Gulf Coast sun…one in particular.
More info →In a remote wilderness, a girl's life hangs in the balance. Josie Bates knows only one law can save her: survival of the fittest.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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