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OCC’s Birthday Bash

October 6, 2013 by in category Pets, Romance & Lots of Suspense by Linda O. Johnston tagged as ,

Next weekend is OCC’s Birthday Bash! 

I’ll be there, although only on Saturday.  Because of other time commitments, I can’t attend the pajama party or stay overnight.  But I’m really looking forward to it. 

The speakers and guests this year sound absolutely great!  You can see some of the info on the post below this one.  Plus, getting together with OCC members is always fun. 

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Greatest Asset=Greatest Liability

September 24, 2013 by in category Archives

Well, I have a theory that every one’s greatest asset is also, conversely, their greatest liability.  Think about it—it’s just the flip side of the same coin.  The dark side.  Too much of a good thing.

It’s one of the reasons we can’t get rid of our weakness—because they are part of what is best about us.

You are thinking, no, actually, that’s not true.  But that’s just because you haven’t really thought about it.  So pause for a minute and work with me here.

What do you think is one of your best qualities?  Something that you are simply better at than most people around.  It isn’t necessarily anything specific (your great tennis backhand, for example) but something more broad.  An ability, a power.  I think that like a Pokémon character, we all have both specific abilities and also hidden abilities.  And that as we mature, we go through many steps to accomplish cycles and become (hopefully) better defended, more powerful, with greater capacity to succeed.

So in terms of your abilities, or hidden abilities, (for example) perhaps you are remarkably bright and have an analytical and mathematical mind and are gifted with the ability to assess numerous data points and crunch remarkable amounts of information?

Maybe you have an intense desire to find the best answer, to be great—not just good, to succeed at the highest level, never settle?

Or you are a “doer,” action-oriented, goal-focused, get it done and plow through all obstacles?

Possibly your strength is in the ability to intuit others’ perspectives and you can access ways to interpret and inspire others, creating paths of communication and understanding between different personalities, businesses, perspectives, cultures.

But for each of those remarkable gift, there is a challenge, a weakness, a dark side.

For the analytically gifted who offer a deep understanding of issues in all their complexity, sifting all the information in the universe can be very time consuming.  It is sometimes hard to stop analyzing, make a determination and move forward.  There is always more to assess.  There are always downsides and risks to be considered. Finding why you can’t do something can sometimes overwhelm the goal of figuring out how you can.

The aspirational vision of the perfectionist demands a higher level of performance, often inspiring step-out accomplishments, demonstrating we can successfully stretch beyond our assumed limits.  But it too can be time consuming, demanding, never satisfied, and that can burn people out and create a sense of ongoing failure in always reaching for the next step, crushing excitement and delight.

A “doer” (often 180 degrees from an analyzer) creates powerful energy with their goal focus and ‘can-do’ attitude.  But doers can forget to listen, can overwhelm sometimes valid concerns and objections, and can lose the support and buy-in of the team, becoming a dictator rather than a leader.

Intuition can cause those with the gift of that special knowledge to intermediate themselves overmuch between conflicted parties, and be overwhelmed in working to find a common ground.  In trying to please all, they may please none—and be resented for their efforts.

So your greatest asset can also be your greatest liability.

But remember, too, that your greatest weakness also can also be a powerful strength!

Oblivious and inconsiderate?  You may cheerfully march to your own drum and break new ground for those limited by their fear of what others will think.

Outspoken and obnoxious?  You could be a lighting rod, articulating issues others are afraid to voice—and you will have the strength to brush off the criticism and the challenging headwinds you may face.

Quiet and withdrawn?  You may see more than others, gain insights, see patterns, and find better pathways to a solution than the loud speakers.

Finding the balance—which is constantly shifting in response to the context—it the challenge and the key.

I don’t know how to surf, but that is my visual and my metaphor.

Isabel Swift

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emaginings: Social Media, the Brain and Creativity

September 16, 2013 by in category The Romance Journey by Linda Mclaughlin tagged as , , , , ,

Yesterday’s meeting was informative and lots of fun. I missed Melissa Cutler’s morning workshop on “Making Grammar \work for your Voice” to attend PAW, but heard good things about it afterwards. 

Afternoon speaker Catherine Bybee joined us in PAW for a spirited discussion of publishing and social media. One thing she said struck me as problematic, for me. She said we should share about our lives at Facebook as a way to engage readers. But my life is so boring. Debra Holland told me later that was my choice, and she’s right. I prefer drama in my books, not my house, so living a quiet life is just fine with me. But it doesn’t make for fun anecdotes on Facebook & Twitter, like the ones I see about people’s kids and pets. So it’s my challenge to find a way to be interesting on social media. 
I’ll get the chance soon.I’ve joined a group of ten indie authors to publish a boxed set of our works and we’re going to do a launch party at Facebook. So I can report on that next month. 
In the meantime, I have signed up for Susan and Harry Squires online workshop on “Talking Back to Your Brain”. Now, I have zero time for a class, but this sounds like a good opportunity to get my head straight about some things.Plus I know the class will be great because I’ve taken classes from Susan and Harry before. But keeping up will be another challenge. I do hope it will help me to focus better. As you can see from this post, I’m feeling just a little scattered.
Speaking of the brain, I read a fascinating article recently at the Buffer blog on Why We’re More Creative When We’re Tired and 9 Other Surprising Facts About How Our Brains Work by Belle Beth Cooper. Several of these facts are useful to writers, including the fact that no one can really multitask. Our brains aren’t doing two things at once. Rather, the brain is jumping from one task to another at the fastest possible speed. Not the most efficient way to work. 
I had begun to figure that out for myself, but the internet makes multitasking so appealing. I can open multiple tabs in my browser and jump from one to the other. I start with my email, then, oh, here’s an interesting blog post, and there’s something good to tweet, so I open Twitter, or more likely Buffer, and pretty soon I’ve got seven tabs open to different websites. Yikes. I do close the internet before I start writing. I may be dumb but I’m not that dumb. I do make plenty of mistakes, though.
Which brings up another surprising fact. People who make mistakes are better liked. Maybe that’s why everyone is so fascinated when an icon falls. Hah, she wasn’t so perfect, after all.
Naps help us remember better and meditation can rewire the brain for less anxiety and more creativity. I plan to take more naps, as best I can since I’m a night owl who has enough trouble sleeping at night, much less during the day. And meditation needs to be squeezed in more frequently. If only there were a way to add more time to the day. Oh, wait, there’s something in there about a way to trick our brains into thinking time is going more slowly. That’s a little too much for me to process, but this is a very interesting article.
For those of you not familiar with Buffer, it’s an online and smart phone/table app that helps you to schedule social media postings throughout the day. I can access it from my computer or the iPad. It’s like TweetDeck and HootSuite in that regard, but Buffer doesn’t try to manage you account. Just helps you buffer, i.e., schedule postings throughout the day. It’s very simple to use and the Twitter analytics are helpful. The basic level is free, but someday I may “Go Awesome” and upgrade to the $10 a month plan. They also have an awesome blog with lots of informative and helpful articles.
(Note: No one at Buffer is paying me for this endorsement. I’m just seriously impressed by this app. FWIW, I have not tried TweetDeck or HootSuite, so cannot make a fair comparison.)
Do you use a program to manage your social media platforms? What do you recommend?
Linda
My social media contacts:
Twitter: @LyndiLamont https://twitter.com/LyndiLamont
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LISTEN UP: The Making of an Audio Book

September 15, 2013 by in category Archives tagged as , ,

I have written over 25 novels. Each one starts with voices in my head. By the time a book is done, I know every inflection, tonal change and speech pattern of every character. So, when I had the opportunity to create the audio versions of Hostile Witness and Silent Witness, I was excited. This, I thought, was going to be a breeze.
I thought that just before I became terrified.
I was excited because next to having your book made into a movie, audio is about as cool as you can get. I was terrified because suddenly there were decisions to make that I had never considered when writing these books. How had I really imagined my characters’ voices? Did I want an actor or an actress to read my books? How did I produce and publish an audio product? Did I want separate voices for each character or not? Did I want to read my books myself?
The only question I could answer was the last one. No fiction author should ever read their work if I am an example. My one attempt to do so left me ROFL. Thankfully, I was alone in the house when I tried it. Some people are actors; I am not.
Once that decision was made there were still others to tackle. This is my list of the five things I did   to bring my books from print to awesome audio.
1)   Listen to popular audio books in your genre. I listened to both male and female thriller authors. I found it disconcerting to hear a man read primary female parts but had no trouble accepting a female reader tackling male characters. It is a personal decision but I was lead by what seems to be accepted wisdom of the best selling authors and that is use the voice of the predominant character. I chose Tara Platt, an award winning voice over artist (www.taraplatt.com). I also chose to have each character voice distinctive and that meant the voiceover had to seamlessly move between character and gender, expository and dialogue.
2)    Choose a neutral voice unless your book has a cultural basis for a different choice. I listened to audio versions of books written by English authors and read by English actors. As much as I love an English accent, I realized choosing a voiceover with a discernible accent was distracting for an American thriller.
3)   If possible, seek professional assistance. I was lucky to know a producer who understood what goes into a successful voiceover. He coached me in what I should be listening for when I received my file for approval, not the least of which was breathing patterns. Like a singer, a voiceover artist should be able to read seamlessly without gasps or gaps in the production as well as communicate the appropriate cadence and genre of your novel.
4)   Provide your talent a ‘cheat sheet’ that includes a short description of the plot, descriptions of all recurring characters, unique setting points, and where the major plot points are. Also provide the talent with a copy of the book.
5)   Speak up and ask questions. There is someone to listen at established, professional sites. I worked with ACX for Audible.com, the most recognizable of all audio sites. They were responsive to all my questions and offered production options from talent buyout to royalty sharing and independent production.
It didn’t take me long to realize that as much time goes into reading a book for audio distribution as writing it for print or digital consumption. I also realized after I heard the first few chapters of my book that I was as lost in listening to the story in the same way I had been lost in writing it. I may have known the ending, but I didn’t know the sound of it would leave me breathless when I heard it.

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Naked Sushi, Harlequin, and Cosmo, oh my! by Jina Bacarr

September 11, 2013 by in category Archives tagged as , , , , , , , , , , , , , , ,

The hot, lazy days of summer heated up last month when Harlequin editors, Gail Chasan and Malle Vallik came to speak at our August OCC meeting.

I was especially thrilled to see Malle Vallik. I’ll never forget the excitement racing through me when I found out that Malle wanted my NAKED SUSHI novella for the new Cosmo Red-Hot Read line from Harlequin. Not only did the Harlequin team have to approve each manuscript, but also the team from Cosmopolitan. This was a story I loved because I used my own experiences producing video podcasts as well as working for a computer magazine and a video game company to create her character.


A selfie of Malle and me — somehow the OCC Chapter sign got reversed when I put it up on Instagram.

In Naked Sushi, Pepper O’Malley is a tech-head but under that flannel shirt, she’s just itchin’ to find the right guy and fall in love. And she wants to be a spy:

Here’s the cover copy:

A Delicious Mistake
 


One day I’m getting canned from my job as a computer programmer for having wild copy-room sex with a guy I thought was the new game designer. The next, I’m crashing my ex-boss’s business lunch in a creative attempt to get my job back and men are eating sushi off my naked body! 

That’s when I realize a) My ex-boss is a hiding corporate secrets b) Hot copy-room guy is an undercover FBI agent c) I would make a kick-ass spy! 

Then Special Agent Hottie brings out his cuffs, and things get really interesting…

——————

Here’s a fun Instagram video I made with the opening lines from Naked Sushi:

Coming in October 2013 from Cosmo Red-Hot Reads from Harlequin:

NAKED SUSHI is available for pre-order on Amazon!

Copyright © 2013 by Harlequin Enterprises Limited
Cover copy text used by arrangement with Harlequin Enterprises Limited.

Text Copyright © 2013 by Jina Bacarr
Cover Art Copyright © 2013 by Harlequin Enterprises Limited

Permission to reproduce text granted by Harlequin Books S.A. Cover art used by arrangement with Harlequin Enterprises Limited. All rights reserved.

® and ™ are trademarks owned by Harlequin Enterprises Limited or its affiliated companies,
 used under license. by Harlequin Enterprises Limited or its affiliated companies, used under license.”

Music:

He’s So Sexy
Dream Valley Music
Composer: Michael Stephen Decker
Publisher: Shockwave-Sound.Com
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