InD’Tale’s TJ MacKay & me |
My apologies for posting this late, but I just returned from Malice Domestic, a conference for cozy mystery writers and readers. And then I got to stop in
Jann Ryan grew up with the smell of orange blossoms in Orange County in sunny Southern California, where she has lived her entire life and dreamed up stories since she was a young girl. Never an avid reader, she was in her thirties when she picked up her first romance quite by accident. She fell in love with happily ever after and has been reading romances ever since.
Wanting to put pen to paper, Jann joined Romance Writers of America. Currently, she is working on a romantic suspense series set in Stellar Bay, a fictitious town along the California central coast to fulfill her publishing dream.
Shannon Donnelly is with us today to talk about her upcoming OCCRWA online class, Show and Tell, an Interactive Workshop. Take it away, Shannon!
Thanks Alina. We’ve all heard “show, don’t tell†and there is value in that advice. If all you do is tell a story, how does the reader participate with his or her imagination? However, a book is not a movie. While a movie requires everything to be shown (or an often awkward voice-over to be added if it’s not showing enough), a book has the luxury of being able to use narrative. And that’s where I usually get folks who are utterly confused.
Merriam-Webster gives us the root for narrative/narrating as the “Latin narratus,past participle of narrare, from Latin gnarus knowing; akin to Latin gnoscere, noscere to know.â€
This means any writer of fiction needs not only showing but telling as well. What’s the secret in knowing when to show and when to tell? This is something I’ll be covering in the May workshop, but here are a few tips:
– Where are we? (Place and world – the reader needs to be placed into the scene, otherwise it’s confusing to the reader. Do not throw your readers into the deep end without giving them some help.)
– Who is here?(An introduction to the characters, particularly to the main characters for that scene, and for the story.)
All this needs to be woven together, stitched in with careful threads, not dumped on the reader in big clumps. Or, to put it another way, feed the reader your telling—your narrative—with a teaspoon, not a soup bowl.
– Your characters in action—scenes are always stronger when you show a character expressing emotion with physical reactions.
– Your character’s emotions through words. Dialogue should never just be there to advance the plot or you end up with a character that seems stiff on the page. Just as you want to show emotions through actions, you also want to show emotion through words—this includes what someone avoids talking about, too.
Her Regency Historical Romance, Paths of Desire, can be found as an ebooks on Kindle, Nook and at Smashwords, along with her Regency romances.
Spring is a fickle and flirtatious season, luring us with the promise of warmth, rebirth and new beginnings. But for everything you gain, there is always an element of loss.
And while the sight of new buds and flowers is lovely, I love winter trees. I treasure their beauty and mourn the loss, the elegance, the sculptural beauty, each as unique as a fingerprint, etched against the sky…soon to be all covered up by a mass of green fuzz.
Yes, I know I am lacking in the formatting department, but below are some winter trees to enjoy before they disappear….
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'I will never forget what the Nazi did to me. Never'
More info →When you have to kill the same terrorist twice in one week there's either something wrong with your world or something wrong with your skills...
More info →She’s determined to be successful—no matter who tries to stop her.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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