Jann Ryan grew up with the smell of orange blossoms in Orange County in sunny Southern California, where she has lived her entire life and dreamed up stories since she was a young girl. Never an avid reader, she was in her thirties when she picked up her first romance quite by accident. She fell in love with happily ever after and has been reading romances ever since.
Wanting to put pen to paper, Jann joined Romance Writers of America. Currently, she is working on a romantic suspense series set in Stellar Bay, a fictitious town along the California central coast to fulfill her publishing dream.
Shannon Donnelly is with us today to talk about her upcoming OCCRWA online class, Show and Tell, an Interactive Workshop. Take it away, Shannon!
Thanks Alina. We’ve all heard “show, don’t tell†and there is value in that advice. If all you do is tell a story, how does the reader participate with his or her imagination? However, a book is not a movie. While a movie requires everything to be shown (or an often awkward voice-over to be added if it’s not showing enough), a book has the luxury of being able to use narrative. And that’s where I usually get folks who are utterly confused.
Merriam-Webster gives us the root for narrative/narrating as the “Latin narratus,past participle of narrare, from Latin gnarus knowing; akin to Latin gnoscere, noscere to know.â€
This means any writer of fiction needs not only showing but telling as well. What’s the secret in knowing when to show and when to tell? This is something I’ll be covering in the May workshop, but here are a few tips:
– Where are we? (Place and world – the reader needs to be placed into the scene, otherwise it’s confusing to the reader. Do not throw your readers into the deep end without giving them some help.)
– Who is here?(An introduction to the characters, particularly to the main characters for that scene, and for the story.)
All this needs to be woven together, stitched in with careful threads, not dumped on the reader in big clumps. Or, to put it another way, feed the reader your telling—your narrative—with a teaspoon, not a soup bowl.
– Your characters in action—scenes are always stronger when you show a character expressing emotion with physical reactions.
– Your character’s emotions through words. Dialogue should never just be there to advance the plot or you end up with a character that seems stiff on the page. Just as you want to show emotions through actions, you also want to show emotion through words—this includes what someone avoids talking about, too.
Her Regency Historical Romance, Paths of Desire, can be found as an ebooks on Kindle, Nook and at Smashwords, along with her Regency romances.
Spring is a fickle and flirtatious season, luring us with the promise of warmth, rebirth and new beginnings. But for everything you gain, there is always an element of loss.
And while the sight of new buds and flowers is lovely, I love winter trees. I treasure their beauty and mourn the loss, the elegance, the sculptural beauty, each as unique as a fingerprint, etched against the sky…soon to be all covered up by a mass of green fuzz.
Yes, I know I am lacking in the formatting department, but below are some winter trees to enjoy before they disappear….
Most writers are curious about what is and isn’t working for other writers when it comes to selling books. I’m grateful for what others have been willing to share, so it’s only fair to share in return. Even though my results are a bit embarrassing.
I’ve only bought ads three times. I bought an ad last year with The Wordsmith Journal Magazine (online) for Little Miss Lovesick. After one month, I had zero new sales. Ouch.
In August, while Unexpected Superhero was enrolled in the KDP Select program (meaning it was only for sale on Amazon for the first 90 days), I took advantage of the program’s free days option and made the book free for five days in a row at the end of a conference I was attending. I also bought an ad from BookBub that appeared on the first day of the promotion.
There were a whopping 17,561 free downloads during those five days! Over 10,000 copies were downloaded the first day, which I attribute primarily to the BookBub ad. During the next two weeks, I sold only 24 more copies when the book went off sale (back to $3.99). Then the sales dropped back to the 0-3 per week average that has been more common for my books so far.
A month or two ago, I dropped the price of Unexpected Superhero from $3.99 to $2.99 to see if I could see a change in sales. There might have been a slight increase. At 0-3 sales per week, it’s a bit hard to say. 🙂
My third promotion-with-paid-advertisement was last week. I dropped the price on Little Miss Lovesick and promoted it with 19 other lovely romance authors and their books last Friday. I also took out a then-free ad from eBookSoda, a newer email list like BookBub that advertises free and reduced-price books. (The ads were free, then $5, and I’m sure they’ll keep increasing in price as they grow their list. The problem with this ad is that I don’t know if it went to 100 people, 1000, or 20,000.)
I dropped the price from $2.99 to 99 cents a week before the promo with Smashwords so it would be 99 cents at the other outlets by the day of the promo. I decreased the price on Amazon two days before, and it went into effect the day before. I saw that I sold one copy on Amazon a day or two before the promotion, then two more copies total during the weekend of the promotion and ad.
That’s it – 3 sales. At the high end of “usual” for me.
Little Miss Lovesick got a new (second) cover a few months ago, but it’s barely changed the sales. Unexpected Superhero got a new (second) cover at the end of March, too early to tell if it has affected sales yet. I took out another eBookSoda ad (the free ad that went to $5 when I did it this time) for Sunday, May 4 (my third choice date, Fantasy category, same as last year’s BookBub ad). I’ll leave Superhero at its current $2.99 price and see if anything happens when it’s not on sale but advertised.
And that’s about all I know so far. My second superhero book was to be ready next week for WonderCon, and which I expected to help sales of the first book. But my husband’s motorcycle accident and injuries trumped anything and everything that used to be on my To Do list. 🙂
I’ll keep you updated so you get a well-rounded view of self-publishing and advertising. (It’s less embarrassing to write about your successes, so there are a lot more of those stories out there.) It would appear that my experience underscores what other successful writers have said about success coming after you have several books out. Unfortunately, “life” has thrown a wrench in making that happen soon, but as the Brits (used to) say, Keep Calm and Carry On.
And keep writing! 🙂
Kitty Bucholtz decided to combine her undergraduate degree in business, her years of experience in accounting and finance, and her graduate degree in creative writing to become a writer-turned-independent-publisher. Her novels, Little Miss Lovesick and Unexpected Superhero, and the free short story “Superhero in Disguise,” are now available at most online retail sites. Superhero in the Making will be released this summer.
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Bailey Devlin believes in fate. . .and luck. . .and fortune telling.
More info →This book belongs on every fiction writer's bookshelf.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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