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Comics and the Civil War: Girls want to have fun, too by Jina Bacarr

October 11, 2015 by in category Archives tagged as , , , , , , , , , , ,
Imagine curling up between the sheets with a broad-shouldered, hunky hero. 
Drooling over those abs. Page after page.
Wishing you were the heroine captured in his big, strong arms.

Spread out over gorgeous pages of…

Comic books.
Last month, I wrote about how the characters in my Kindle Scout winner, LOVE ME FOREVER, wanted to be video stars.
Comics give historical romance a whole new perspective. 
Heroines in pretty gowns running for their lives, hoop skirts flying up over their heads. 
Southern belles flirting with that hottie in a Union Army uniform, hoping for more than a kiss. 
Secrets to help the Confederacy…
Sassy talk. 
Sassier looks on their faces. 
And those love scenes…oh, my.
If guys can have their comics, why can’t we girls have our heroines and hunky heroes in comics, too?
Romance comics.

 LOVE ME FOREVER 

Would you read a historical romance in comic book or graphic novel format?
~Jina

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Featured Image -- 2069

If you love Civil War romance and time travel and TWO hunky military heroes, check out my Kindle Scout winner:

LOVE ME FOREVER

She wore gray.
He wore blue.
But their love defied the boundaries of war.
And time.

LOVE ME FOREVER is now available from Kindle Press at Amazon.com

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Looking at the KENP “Tail” After a KDP Select Promotion by Kitty Bucholtz

October 9, 2015 by in category It's Worth It by Kitty Bucholtz tagged as , , , , , ,

Woman with books and laptopOver the last several months, I’ve been sharing my Amazon sales numbers with you as I compare changes during and right after my KDP Select promotions.

I wrote about the results from my May 5-days-free promotion here, and I just updated the earnings this week to “actual” rather than a guesstimate, showing I overestimated revenue. I also tallied the results from my August 5-days-free promotion here. (I’m still showing revenue guesstimates until I get the final numbers for September, but I’ll update that post soon). Both of these promotions have been for Little Miss Lovesick, which has been in KDP Select since February 26, 2015.

Comparing Borrows After a Free Promo

FreeNow I want to discuss my “borrows” – which I’ll refer to as KENP (Kindle Edition Normalized Pages) for periods beginning July 1, 2015. I’ve been studying the “tail” of sales and borrows after my promotions to see how long it lasts. (The length of the period after a sales spike is commonly referred to as the tail.)

I don’t want to leave my book in KDP Select forever, but at what point has the positive impact of the 5-days-free promo in each 90-day period stopped influencing borrows/KENP? It’s not cut-and-dried, particularly because you can’t truly compare “borrows” of full books to KENP, “pages read” of full books. But for me, for this book, it looks like there are 4-6 good weeks of borrows, with the first three weeks the very best.

For example, for the first 2 1/2 months of the first KDP Select 90-day period (February 26 – May 25, 2015), I had 1 borrow. In the two weeks during and after the free period (May 19-31), I had 71 borrows! Then another 88 in the month following (June 1-30).

But the second month after the free period showed a sharp drop – 2381 KENP pages read. Little Miss Lovesick has 402 KENP pages, so that’s the equivalent of about 6 books borrowed and read July 1-31.

[NOTE: Little Miss Lovesick was earning about $1.35 per “borrow” through June 30, 2015. Since Amazon changed borrows to KENP pages read on July 1, the book – at 402 KENP pages – now earns about $2.32 if a reader reads every page.]

Comparing the Second Round to the First

Little Miss Lovesick book coverDuring the second 90-day period (May 26 – August 23), I tried to recreate the circumstances as exactly I could. During the two weeks during and after the free period (August 18-31), there were 24,899 KENP pages read! Because I don’t expect that every reader reads every page (copyright page, author bio, excerpt, etc.), I’d guess that’s between 62 and 66 books borrowed and read (compared to 71 borrows in May).

The following month, September 1-30, there were 15,567 KENP pages read. That’s probably about 38-42 books borrowed and read (as compared to 88 in June).

If you’d like to see exact numbers, here are the KENP pages read by week for the last seven weeks. Day 1 of Week 1 is the first day of the 5-days-free promo.

Week 1: 7246 KENP pages read
Week 2: 17,653
Week 3: 7831
Week 4: 3780
Week 5: 1692
Week 6: 1811
Week 7: 1274

It’s too early to guess what October’s numbers might be, but based on one period of history above (not a good way to show statistical integrity), and understanding that the previous way Amazon counted borrows (1 book, regardless of how much of it was read after the 20% mark) is significantly different from the new method (by page, exactly), my guess is that October’s numbers will be bleak.

The reason why I started looking at these numbers this week is because Little Miss Lovesick is in the middle of another 90-day KDP Select period, and I need to decide which five days will be free. Knowing that the sales/borrows tail will be good for at least three weeks, I want to do the free promo at least three to four weeks before the end of the period so I can get all the revenue I can from borrows before the book leaves the program.

KDP Select banner

My Conclusion and Action Plan

Unless I change my mind and leave this book in KDP Select for another term (through February 19, 2016), I’ll set the five free days to start sometime during the week of October 18. That will leave me a four-to-five-week tail to get paid for as many KENP pages read as possible before the book leaves KDP Select on November 22.

ACK!! That doesn’t give me much time to figure out where and how to promote it to best advantage!

And that is why I wrote this post for you. 🙂 If you put a book in KDP Select, you need to think through all the potential good that can come your way and figure out how to harness it. If you leave your 5-day-free promo to the end of the period, and don’t renew the book in KDP Select in the following period, you stand to lose hundreds of dollars or more in KENP lost revenue.

If your book isn’t selling anywhere else, as was the case with this book, it probably doesn’t hurt to keep trying different ways to gain readers using KDP Select. For instance, if you don’t want to make your book free for five days (and they can be any five days, but everyone I know, myself included, has found the best results when the five days are in a row), you can try KDP Select’s Kindle Countdown Deal.

The key is – whatever you decide to do, think it through and make a plan. Good luck!

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Happy Birthday, OCC!

October 6, 2015 by in category Pets, Romance & Lots of Suspense by Linda O. Johnston, Writing Conferences tagged as ,
 
I’m very sorry to say that I won’t be able to attend the OCC Birthday Bash next weekend. Some family-related stuff has come up, so I’ve had to cancel my reservation.

But that doesn’t mean I’ll fail to wish OCC a Happy Birthday. In fact, consider this blog my birthday wish!

I gather, from the OCC website, that this will be the chapter’s 34th birthday. That’s really exciting, especially considering that it has been, and remains, an especially dynamic chapter. We’ve got lots of published authors as well as many romance writers who are heading that direction. The chapter, and its members, have helped every one of us at whatever writing level we are. We’ve all watched and participated in how much the industry has changed over time. It’s wonderful!

I’ve been a member for over twenty years and have always loved it. I intend to remain a member for years to come, and to continue to attend as many meetings as possible. Unfortunately, it won’t include this one.

So, again, Happy Birthday, OCC. Have a wonderful celebration… without me.

Linda
O?
Linda O! Johnston
www.LindaOJohnston.com
BITE THE BISCUIT, A Barkery & Biscuits Mystery
KNOCK ON WOOD, a Superstition Mystery, October 2015
CANADIAN WOLF, an Alpha Force Harlequin Nocturne

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PROMO CARDS

October 5, 2015 by in category Pink Pad by Tracy Reed tagged as , , ,

I have been researching marketing ideas as I prepare to release my next couple of books. I’ve talked about my series The Alex Chronicles in past posts. As I prepare to launch the prequel and the first full-length book in the series, I’m thinking about the marketing plan. Ask any writer and they’ll tell you, writing the book was easy…promoting it is something altogether different.

I’m finishing up minor edits on Alex one and decided to start researching the follow up to Generational Curse, which means I’ve been reading, a lot. I got the first book in Pepper Winter’s series,  Indebted  for free and got hooked. It’s a romantic suspense with a lot of heat. Anyway, I wanted to know more about the series and visited her website and Pinterest page. What I found on Pinterest was rather intriguing. There seemed to be these cards or images with dialogue dropped on top. The images were meant to represent the hero and heroine of the series.

This marketing concept may not seem new to everyone, but to me, it was a brilliant way to market a book or anything for that matter. Use basic stock images that represent scenes, characters, locations, objects or whatever and drop dialogue on top. You can take it one step further and add an excerpt for a pin or blog post. It’s an easy way to grab readers attention on a book or series.

 

This simple idea really stuck with me, so I made a few Promo Cards for my books Generational Curse and The Good Girl. These promo cards come in handy. If I’m stuck or behind on posting on my blog, I post one of these cards along with an excerpt. Or if I’m running a special price on a book, these are great for posting about a special price without being too pushy. Plus, they’re perfect for my social media outlets. It’s a great way to get the word out for your book when you have limited space.

The good thing about this marketing idea, is all you need is a stock image and an excerpt or a couple of lines from your book. These are definitely my favorite digital marketing tool. If you want to go old school, print them and use as post cards or book markers. I also use mine for the home page flash on my website. The possibilities for use are unlimited.

Here are some of the promo cards I did for my books.

GENERATIONAL CURSE PROMO CARDS

THE GOOD GIRL PROMO CARDS

Tracy Reed

readtracyreed@me.com
www.readtracyreed.com

Fiction for Women Who Love God, Couture and Cute Guys
Available at
Amazon.com
Barnes and Noble
iTunes
All Romance eBooks

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How do you read?

September 24, 2015 by in category Archives

I was discussing a book with a friend and commented that I still read like a 12-year-old. Then realized that comment might need a bit of explanation!

For me, that means that my reading experience – even after all these years and all the books- is one of total immersion, utter commitment to the characters and story.  I believe in the characters – they are people to me – and I enter the space they inhabit for the duration of the story.


I see authors and their work, or really any creator/creative act, whether it’s creating a story, a painting, a piece of music, a song, as having a similar relationship as a parent might have in creating a child.

Sure, you’ve created it. And yes, you have significant responsibilities towards it, and a deep connection with it. But it is not you. You do not own it. It has the right to self actualize in the best way it can.

Your job as a creator is to enable it to be the best it can be. Not just on your terms, though your role is a significant one, but to achieve the three part balance: of what you have to offer, what the creation itself needs, and what is needed to enable it to survive in “the world.”

So to all the author/creators that incorporate helpful feedback, sometimes painful to hear, a giant thank you for your dedication to making your “child” the best it can be. For setting aside your ego for the sake of the work. And the same in my experience goes for editors: for not bringing personal preferences and agendas to the experience, but appreciating that your shared role is to enable that “child” to be the best it can be and face a challenging world with strength, self confidence, and the ability to withstand “The Heart-ache, and the thousand Natural shocks That Flesh is heir to” (to quote Hamlet). There should be a balance that is ego free for parent/creator, for editor/teacher, to be open to delivering, hearing and incorporating what is best for the child/work.

This perception has helped me understand and believe in the value of the role of an intelligent external opinion in the development of a work, and thus the external party’s ‘right’ to challenge the creator’s vision if it doesn’t feel right, doesn’t feel like it is best serving the work.

But my understanding of my reading style has also has helped me understand my own often quite passionate dislike of a story! Yes, I am sorry to say the offending work is often a very well reviewed, award-winning literary ‘masterpiece.’

I realize that in ‘literary’ or groundbreaking stories authors can have a goal, a point of view, something they wish to illustrate or challenge.  And they have chosen the compelling medium of storytelling to express that point. Their characters and plot serve the author’s vision.  The character’s lives, their actions and reactions, the events that occur in the story may at any point in time be subordinated to that Vision.  Manipulated to do their creator’s bidding.  The character’s integrity, consistency, their very selves are just a pawn to the author’s desire to present an idea, to illustrate a point, to surprise, to break new ground.

I know my horror and sense of betrayal is…well, perhaps naive. One could argue that the author created these characters; surely he or she can do whatever she likes to them?  But for me, those characters are real, and they are not being respected. It’s like watching parents force their musical child to play competitive sports, or harp on marriage for career minded one, or vice versa!

Luckily some stories deliver on both, offering profound insights, breaking new ground, opening minds and hearts to a new perception though the humanity and vivid evocation of their characters and the believability of their story. Those are the stories I treasure.

So just saying my recent foray into Pulitzer prize-winning fiction has not been a very successful reading experience for me! But this realization has also helped me understand why a good friend can totally adore a story that I have found emotionally bankrupt, and enabled me to stop thinking that my friend is an idiot!  I now realize that we read differently and derive sustenance and delight from different things. 

And that’s not a bad thing.



Isabel Swift

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